What I’ve Been Listening to: Jackson Browne/For Everyman

The other day, I found myself listening to Redneck Friend, a great early rocker by Jackson Browne. This prompted me to pull up For Everyman, Browne’s sophomore album that came out in October 1973. While he’s one of my favorite singer-songwriters and I’ve listened to him for 40 years, for the most part, I really didn’t know this record. Just like for many other artists I dig, I’m mostly familiar with certain songs and perhaps a handful of albums. It didn’t take me long to recognize what a gem For Everyman is, and I decided then and there to blog about it once I would get a chance.

As I started reading up on the album, one of the things that struck me first is the impressive cast of guests. David Crosby, Glenn Frey, Don Henley, Elton John, Joni Mitchell and Bonnie Raitt are among Browne’s songwriter peers. In addition, you have top notch session musicians like David Lindley, Jim Keltner, Russ Kunkel, David Paich and Leland Sklar. Kunkel and Sklar were part of The Section, a group of top-notch musicians who together or individually backed the likes of Carole King, James Taylor, Warren Zevon and, well, Jackson Browne.

While I completely realize that having high-caliber guests on an album doesn’t automatically guarantee high quality, a good rule of thumb is that great artists play with other great artists. These guys knew what they had in Jackson Browne. Yes, he already had released his well received eponymous debut album in January 1972. And, yes, he had written songs since the mid-’60s and given the Eagles their first single and top 40 U.S. hit with Take It Easy. Still, I find it impressive how well established the then-25-year-old artist already was at this early stage in his own recording career.

Let’s get to some music. Here’s Browne’s version of the aforementioned Take It Easy, the album’s opener. Originally, Browne began work on the song in 1971 and wanted to include it on his debut album. But he couldn’t finish it at the time. When he played the unfinished tune to his friend Glenn Frey, who lived in the same building, Frey completed the song and received a co-writing credit. At first, I preferred the Eagles’ version but over time, I’ve increasingly come to like Browne’s recording and now dig it at least as much as the rendition by the Eagles. That sweet pedal steel guitar was provided by Sneaky Pete Kleinow, an original member of The Flying Burrito Brothers.

What can I say about Colors of the Sun other than it’s a beautiful singer-songwriter type song. In addition to singing lead, Brown played piano on this track. Don Henley provided harmony vocals. It’s simply a great tune – no need to over-analyze. The neat acoustic guitar fill-ins were provided by David Lindley, an incredible musician who bears a significant degree of responsibility for the album’s great sound.

The last track on side one is These Days, a song Browne wrote as a 16-year-old. German singer-songwriter Nico was the first of many artists to record the tune. It was included on her debut album Chelsea Girl from October 1967. Another great version appeared in October 1973 on Gregg Allman’s first solo album Laid Back. Until Allman’s final studio album Southern Blood came out in September 2017, which features Browne as a guest on Allman’s cover of Brown’s Song for Adam, I had no idea these seemingly very different artists had great appreciation of each other and had been good friends. The beautiful harmony vocals on Browne’s original were provided by Doug Haywood who also played a great bass line. Once again Lindley shined, this time on slide guitar.

One to side two and the first track there, Redneck Friend, the tune that prompted my deep exploration of this album. This is one seductive melodic rocker featuring a killer cast of guests: Lindley (slide guitar), Elton John (piano) and Frey (backing vocals), along with Haywood (bass) and Keltner (drums). In addition to lead vocals, Browne provided rhythm guitar. Redneck Friend was also released separately as a single. While it spent 10 weeks on the U.S. Billboard Hot 100, it only peaked at no. 85, significantly lower than Browne’s previous two singles Rock Me On the Water (no. 48) and Doctor, My Eyes (no. 8).

Next up: The Times You’ve Come. In addition to the track’s great melody, the standout to me is the melodic bass part by Leland Sklar – absolutely beautiful! I also want to call out Bonnie Raitt who sang harmony and Lindley’s acoustic guitar work.

This brings me to the title track, which is the album’s closer. The idea of the song came to Browne while he was temporarily living with David Crosby on his boat in the San Francisco Bay and met two of Crosby’s neighbors who also owned boats. All three boat owners shared the vision to escape on their boats and create a new civilization elsewhere – essentially the same theme Crosby, Stills & Nash had voiced on their 1969 single Wooden Ships. For Everyone featured Crosby on harmony vocals. Sklar (bass) and Lindley (acoustic and electric guitar) once again were among Browne’s backing musicians.

For Everyman was produced by Jackson Browne. Just like his eponymous debut album, For Everyman made the U.S. and Australian mainstream album charts, reaching no. 43 and no. 48, respectively. It was ranked at no. 450 in Rolling Stone’s 2012 edition of the list of The 500 Greatest Albums of All Time. The album didn’t make the most recent revision from September 2020. While Browne’s Mount Rushmore Running on Empty was still four years away, For Everyman is a great early album by a singer-songwriter who after a close to 50-year recording career as a solo artist is still going strong.

Sources: Wikipedia; YouTube

Best of What’s New

A selection of newly released music that caught my attention

It’s Saturday and as such time to take another look at new music. In most cases, Best of What’s New features artists who are new to me. This week’s installment is a bit different, including two relatively young acts and two artists who have been around for more than 45 years. Let’s get to it!

Jackson Browne/Still Looking For Something

I’d like to kick things off with Jackson Browne, one of my favorite American singer-songwriters. If I recall it correctly, Browne entered my radar screen ca. 1980, when I first listened to Running on Empty, his fifth studio record from December 1977. I love it to this day, and it remains Browne’s album I’m best familiar with. He has since released 10 additional studio albums including his latest, Downhill From Everywhere. It appeared yesterday (July 23) and is his first new album in nearly seven years. While I haven’t had sufficient time to explore the ten tracks in greater detail, based on sampling a few tunes, I like what I’m hearing so far. Vocally, Browne still pretty much sounds like on Running On Empty, which is remarkable. Back then, he was 29 years old. He’s turning 73 this October. Here’s the opener, Still Looking For Something, one of four tracks that were solely written by Browne.

David Crosby/Ships in the Night

I trust David Crosby doesn’t need much of an introduction. He’s best known as co-founder of The Byrds and Crosby, Stills & Nash. In February 1971, Crosby released his debut solo album If I Could Only Remember My Name. Only two additional solo records followed until 1993. Since his fourth studio album Croz from January 2014, Crosby has substantially increased the pace of his solo releases. Four albums have since appeared including his new one titled For Free, which also came out yesterday. Similar to Jackson Browne, I’ve yet to more closely explore Crosby’s latest work. Fellow blogger Music Enthusiast featured one of the tracks, Rodriguez For a Night, in a recent post dedicated to Crosby. Written together with Donald Fagen and Crosby’s son James Raymond, the tune has a cool Steely Dan vibe. As American Songwriter notes in this review, Crosby doesn’t play any guitar on the album and instead sticks to singing. Here’s another song I like from the album: Ships in the Night. Check it out!

Ida Mae/Click Click Domino

Ida Mae are a British alternative folk and blues rock husband-and-wife duo from Norfolk, England, featuring Chris Turpin and Stephanie Jean. Here’s an excerpt from their Apple Music profile. Delivering romantic and atmospheric songs with resonant guitar and passionate vocals, the pair owe their influences to the sound of Americana and deep South blues-rock…The duo decided to work together after Turpin had put out three albums with his former act, Kill It Kid, in Bath, Somerset. He decided to try something new with Jean and the pair spent time writing and recording their own material — it was quite a sonic departure from Kill It Kid (who were more influenced by alternative rock and grunge). After having amassed enough material, the pair put out their debut single, “Reaching,” in early 2019. The track found the duo delving more deeply into the sound of country blues pioneers such as Son House and Robert Johnson. The song was featured on their first LP, Chasing Lights, which arrived in June of that year. Click Click Domino, co-written by the couple, is the title track of their sophomore album released on July 16. It features Marcus King on electric guitar. I dig the energy of this tune and the raw guitar sound.

Crown Lands/White Buffalo

Crown Lands are a Canadian rock duo from Oshawa, Ontario. According to their artist profile on Apple Music, they mix the influences of hard rock with progressive and psychedelic sensibilities…Crown Lands were formed in 2015 by Kevin Comeau, who handles guitar, bass, and drums, and Cody Bowles, who sings lead and plays drums. Both men were raised in Southwestern Ontario, though when they first met, Comeau had been living in Los Angeles and trying to make a career in music, playing in a reggae band. Comeau was back home visiting family for the holidays when he met Bowles, and the two quickly bonded over their shared love of vintage rock sounds, especially Rush. Comeau moved back to Ontario, and the two were soon jamming regularly and started playing out with their material. They chose the name Crown Lands as a reference to Bowles’ First Nations heritage (he’s a member of the Mi’kmaq nation), the name referring to territory seized from the indigenous peoples by the government. In August 2016, they independently released their debut EP Mantra. After two additional EPs that appeared in 2017 and 2020, Crown Lands released their eponymous first full-length album in August 2020. White Buffalo, co-written by Bowles and Comeau, is the title track of their latest EP that came out on July 8. When listening to this catchy rocker, one would never guess Crown Lands is a two-man act. Bowles’ vocals remind me a bit of Greta Van Fleet’s Josh Kiszka.

Sources: Wikipedia; American Songwriter; Apple Music; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Spring has officially arrived – Yay, finally, as it’s been a long and lonely winter! I’m also happy to report that with today’s installment, The Sunday Six has hit its first mini-milestone: This is the 10th post in the weekly recurring series that celebrates the beauty of music from different periods and genres, six random tunes at a time. I think I found a nice set of tracks I hope you will like.

Sonny Rollins Quartet/My Reverie

Let’s kick things off with some amazing saxophone action by American tenor sax player Sonny Rollins. I have to give a shoutout to fellow blogger Cincinnati Babyhead, who recently posted about Tenor Madness, a studio album Rollins released in 1956 as the Sonny Rollins Quartet. In addition to him, it also featured Red Garland (piano), Paul Chambers (double bass) and Philly Joe Jones (drums) – what a cool name, Philly Joe Jones – I love the flow! Oh, and there was this other fellow called John Coltrane, who joined the band on tenor sax for the album’s opener and title track. The track I’m featuring is called My Reverie. Apparently, the first jazz recording was by Larry Clinton and His Orchestra in 1938, featuring Bea Wain on vocals, with lyrics by Clinton. The music is based on Rêverie, a piano piece by French classical composer Claude Debussy, dating back to 1890. This really goes to show there’s such a thing as truly timeless and beautiful music!

The Horace Silver Quartet/Song for My Father

Let’s shake up things a bit on The Sunday Six with another another instrumental and another jazz track back to back. And, nope, Donald Fagen or Walter Becker are not Horace Silver’s father or otherwise related to the American jazz pianist, composer and arranger. But Becker and Fagen both loved listening to jazz. Undoubtedly, they also got inspired by the intro of Song for My Father. Somehow, it became the introductory riff of Steely Dan’s 1974 single Rikki Don’t Lose That Number, their most successful U.S. single, peaking at no. 4 on the Billboard Hot 100. Whether consciously or unconsciously, to me, this looks a bit like yet another case where a credit should have been given to the original composer. Perhaps Messrs. Becker and Fagen lost his number! Silver who began taking classical piano lessons as a child was active between 1946 and 2004. Initially, he started as a sideman before leading mainly smaller jazz groups. In the early ’50s, he became a co-founder of The Jazz Messengers, which at first he ran together with drummer Art Blakey. After leaving the band in 1956, Silver formed his own five-piece combo, which he led into the 1980s. He continued to release albums until 1998. In 2007, it became known that he had been diagnosed with Alzheimer’s. He passed away in June 2014 at the age of 85. Song for My Father, composed by Silver, is the title track of an album he released with his band in late 1965. Great tune!

Jackson Browne/Shaky Town

I trust Jackson Browne needs no introduction. The American singer-songwriter who has been active since 1966 is one of my all-time favorite music artists. I dig both his vocals and his songwriting. I also have something in common with him: We were both born in the lovely town of Heidelberg, Germany. He went on to become a rock star. I ended up playing bass in two bands in my late teens and early ’20s with short-lived ambitions to become a professional musician. It’s probably a good thing it didn’t happen (though never say never! 🙂 ), and I’m a daddy though not rocking in the U.S.A. Instead, I get to enjoy listening to great music by fantastic artists and giving my two cents as a hobby blogger – not such a terrible thing, after all! The one Jackson Browne album I keep coming back to is Running on Empty, his fifth studio release that appeared in December 1977. When I had that aforementioned dream to become a professional musician, I actually envisaged sounding like Browne on Running on Empty, notably, not like The Beatles – true story. I was tempted to go with the title track. Instead, perhaps somewhat ironically, I decided to pick a tune that’s not by Browne: Shaky Town. The song was written by guitarist Danny Kortchmar, who has worked with the likes of Linda Ronstadt, James Taylor, Neil Young, Carly Simon and not to forget Carole King. Kortchmar also provided harmony vocals. And check out that sweet lap steel guitar by the amazing David Lindley.

The Church/Under the Milky Way

The Church are an alternative rock band from down under, formed in Sydney in 1980. Their debut album Of Skins and Heart appeared in April 1981. Since then, the band that remains active to this day, has released 16 additional studio albums. Their most recent one, Man Woman Life Death Infinity, came out in October 2017. I covered it here at the time. But it was their fifth international breakthrough album Starfish from February 1988, which brought the Aussie band on my radar screen. I just love the sound, and it remains one of my favorite ’80s records. Here’s the fantastic lead single Under the Milky Way. It was co-written by the band’s bassist and vocalist Steve Kilbey and his then-girlfriend and guitarist Karin Jansson, founder of alternative Australian rock band Curious (Yellow). The atmospheric sound and Kilbey’s distinct vocals still give me good chills.

George Harrison/Blow Away

What’s better than enjoying some sweet slide guitar? You guessed it – more sweet slide guitar action! One of the artists I’ve always admired in this context for his unique tone is George Harrison. I don’t know of any guitarist who got that same sweet slide sound. Blow Away was first released in February 1979 as the lead single from Harrison’s eighth, eponymous studio album that came out a few days later. Written by him, it became one of eight top 20 mainstream hits Harrison had in the U.S., peaking at no. 16 on the Billboard Hot 100. It did even better in Canada, hitting no. 7, one of his nine top 10 hits there. The recording features former Sly and the Family Stone member and session drummer Andy Newmark. Nuff said – let’s get blown away!

Elton John/Your Sister Can’t Twist (But She Can Rock ‘n’ Roll)

Time to wrap things up. How about kicking ass with some good ole rock & roll Elton John style? Ask and you shall receive! I guess Your Sister Can’t Twist (But She Can Rock ‘n’ Roll) is more of a deep track. As usual, the lyrics were written by Bernie Taupin, while Sir Elton composed the music. According to Songfacts, the tune is a “throwback to music of the late ’50s and early ’60s when lots of songs were about dance crazes and teenage girls.” Songfacts also quotes John from a 1973 interview with now-defunct American rock magazine Circus, in which he reportedly characterized the tune as “a cross between surfing music and Freddie Cannon records” that was intended “to end the ‘Crocodile Rock’ thing.” Sounds like John had hoped it would help people forget about that latter tune. While it’s a great song that appeared on his masterpiece Goodbye Yellow Brick Road from October 1973, it’s fair to say Your Sister Can’t Twist (But She Can Rock ‘n’ Roll) was completely overshadowed by other tunes from the album, such as Saturday Night’s Alright for Fighting, Bennie and the Jets, Candle in the Wind and of course the title track. John also didn’t release it as a single.

Source: Wikipedia; Songfacts; YouTube

My Playlist: Jackson Browne

“…The Pretender, These Days, For Every Man, I’m Alive, Fountain of Sorrow, Running On Empty, For a Dancer, Before the Deluge. Now, I know the Eagles got in first; but let’s face it it – and I think Don Henley would agree with me – these are the songs they wish they had written. I wish I had written them myself, along with Like a Rolling Stone and Satisfaction…”

The above words were spoken by Bruce Springsteen in 2004 as part of his Rock & Roll Hall of Fame induction speech for Jackson Browne. Springsteen also recalled when he first met Browne in New York City at The Bitter End, a storied Greenwich Village performance venue, he knew the singer-songwriter from California was “simply one of the best”. Coming from somebody who has written so many great songs himself and during that same speech also admitted to be “a little competitive”, I think these remarks speak volumes.

The first Jackson Browne record I listened to in its entirety was what I still consider a true ’70s gem: Running On Empty. If I recall it correctly, my brother-in-law had it on vinyl, and I initially copied it on music cassette. I was spending countless hours at the time taping music from records, CDs and certain radio programs. I still have hundreds of tapes floating around. While it’s safe to assume the quality of most is less than stellar at this time, I just cannot throw them out!

Back to Browne with whom I happen to share one fun fact: We were both born in Heidelberg, Germany, though close to 18 years apart. Browne’s dad was stationed in Germany, working for American military newspaper Stars and Stripes. Two of his three siblings were born there as well. In 1951 when Browne was three years old, his family relocated to Los Angeles.

During his teenage years, Browne started performing folk songs at local L.A. venues like The Ash Grove and The Troubador Club. After graduating from high school in 1966, he joined country rockers Nitty Gritty Dirt Band, which would later record some of his songs. After a few months, Browne left and moved to New York City where he became a staff writer for Elektra Records’ publishing company Nina Music.

In 1967, Browne met and became romantically involved with singer Nico of The Velvet Underground. He became a significant contributor to her debut solo album Chelsea Girl. After they broke up in 1968, Browne returned to Los Angeles where he met Glenn Frey soon thereafter. Before he started recording his own songs, Browne’s music was recorded by other artists such as Tom Rush, Gregg Allman, Eagles, Linda Ronstadt and of course the aforementioned Nico and Nitty Gritty Dirt Band.

In 1971, Browne finally managed to get a deal with Asylum Records, and in January 1972, he released his eponymous debut album. Thirteen additional studio records have since appeared, as well as seven compilation and live albums and more than 40 singles. And this brings us to the most fun part of the post: Some of Browne’s music he has released during his close to 50-year recording career.

I’d like to kick things off with Song for Adam from Brown’s above noted eponymous debut album. The mournful memory of Adam Saylor, a friend of Browne who died in 1968 – possibly by suicide – was covered by various other artists, including Gregg Allman, who included a moving rendition with Browne singing harmony vocals on his final studio album Southern Blood from September 2017.

By the time Browne recorded Take It Easy for his sophomore album For Everyman, which appeared in October 1973, the Eagles had released the tune as their first single in May 1972. It gave them their first hit peaking at no. 12 on the Billboard Hot 100 and one of their signature songs. Originally, Browne began writing the tune for his eponymous debut album. But he got stuck with it, so played it to his friend Glenn Frey, who ended up finishing it. When Browne finally recorded the song, he also released it as a single, but it didn’t chart – perhaps it sounds pretty similar to the Eagles‘ version.

Fountain of Sorrow is a great track from Browne’s third studio Late for the Sky. Released in September 1974, it was his first top 20 record in the U.S., climbing to no. 14 on the Billboard 200. Like Take It Easy, the tune also appeared separately as a single but did not chart either.

In November 1976, Browne released The Pretender, his fourth studio album. It was his first major album chart success, climbing to no. 5 on the Billboard 200, and marking his first record to chart in the U.K., where it reached no. 26. Here’s the title track, which also became the second single. It did moderately well, reaching no. 58 on the Billboard Hot 100 – love that tune!

Next is the album that started my Jackson Browne journey: The amazing Running on Empty from December 1977. Frankly, I could list each tune on that record, so let’s go with one that is a less obvious choice: The Road, written by American singer-songwriter Danny O’Keefe. Themed around life on the road as a touring musician, Running on Empty was an unusual record featuring live recordings on stage and in other locations associated with touring, such as hotel rooms, tour buses or backstage. The first 2:28 minutes of The Road were captured in a hotel room in Columbia, Md., while the remainder was recorded live at Garden State Arts Center in Holmdel, N.J., which nowadays is known as PNC Bank Arts Center and a venue where I’ve seen many great shows.

In June 1980, Browne released Hold Out, his sixth studio album. While the record received poor reviews from music critics, ironically, it became his only no. 1 album in the U.S. It also was Browne’s second record to chart in the U.K. Here’s Of Missing Persons, a beautiful tribute to Little Feat co-founder Lowell George, a collaborator and longtime friend of Browne’s who had passed away the year before. The tune was specifically written for George’s then six-year-old daughter Inara George who since became a music artist as well.

For many years, Jackson Browne has been a political activist, e.g., speaking up against the use of nuclear power and supporting environmental causes. But it wasn’t until the ’80s that political themes starting to play a more dominant role in Browne’s lyrics. The album that comes to my mind first in that context is Lives in the Balance, which came out in February 1986. Here’s the catchy opener For America. It also became the lead single and reached no. 30 on the Billboard Hot 100.

For the next tune, I’m jumping to the ’90s, specifically to February 1996 and Browne’s 11th studio album Looking East. Like many of his previous records, it featured various notable guests, such as Bonnie Raitt, David Crosby, Ry Cooder and Mike Campbell. Here is Baby How Long, for which Cooder provided a great slide guitar part and Raitt sang harmony vocals, together with Australian singer Renée Geyer.

Let’s do two more from the current millennium. First up: The title track from The Naked Ride Home, Browne’s 12th studio album from September 2002, which my streaming music provider served up as a listening suggestion that in turn triggered the idea to do this post.

The final song I’d like to highlight is from Browne’s most recent 14th studio album Standing in the Breach, which was released in October 2014. Here is the nice opener The Birds of St. Marks. Originally, Browne wrote that tune in 1967 after his breakup with Nico and return from New York to California. While first released on his 2005 live album Solo Acoustic, Vol. 1., it wasn’t until this 2014 studio album that Browne properly recorded the tune. “This is a song I always heard as a Byrds song, and that was even part of the writing of the song,” Brown told Rolling Stone in an August 2014 interview. Standing in the Breach became a remarkable late-stage career chart success, reaching no. 15 on the Billboard 200 and no. 31 in the U.K.

Earlier this year, in the wake of testing positive for COVID-19 (though luckily with relatively light symptoms), Browne released A Little Soon to Say, a song from his next studio album scheduled for October 9, which I featured in this previous Best of What’s New installment. To date Browne has sold more than 18 million albums in the U.S. alone. Apart from the above mentioned Rock & Roll Hall of Fame induction, Browne has also been inducted into the Songwriters Hall of Fame in June 2007. He is ranked at no. 37 in Rolling Stone’s 2015 list of 100 Greatest Songwriters of All Time.

Sources: Wikipedia; Rolling Stone; YouTube

Best of What’s New

A selection of new music I like

This is the third installment of my new series in as many weeks. While I’m not sure I can keep it up at that rate, I’m happy that lately more newly released music makes it on my radar screen. Best of all, three of the five artists featured in this post are entirely new to me, while I had not heard from one of the remaining two in 35 years. It also turns out the fifth and most famous artist and I were born in the same town in Germany.

Jackson Browne/A Little Soon to Say

It’s safe to assume Jackson Browne needs no introduction. Ever since I listened to the Running on Empty album in the late ’70s or early ’80s, I’ve loved the singer-songwriter. By the way, while researching the post, I realized Brown was born in Heidelberg, Germany, which also happens to be my place of birth. That’s where the commonalities end! 🙂 Browne released his latest song last Friday shortly after he had learned a test for COVID-19 had come back positive – yikes! While he had written A Little Soon to Say prior to the pandemic, Browne told Rolling Stone he decided, “Just put it out now while these things are so uncertain.” Fortunately, his symptoms appear to be mild and he is currently at home in quarantine.

Kendall Rucks/Bloom

From her website: With her powerful vocals and sultry sound, Kendall Rucks fuses elements of rock, blues and dream pop to create music that is both provocative and captivating. A Florida native now based in Los Angeles, Kendall has recently released her latest single SKIN THE SUN while also juggling multiple writing and recording projects. With her band, The Zodiac Mafia, Kendall is preparing for a US tour in 2020 as well as the release of multiple new singles…With artist inspirations such as Fiona Apple, Lana Del Rey, and Cat Power as well as groups like Nirvana, Radiohead and Garbage, Kendall makes music that is deep, thought-provoking and has soul with a sultry edge. Apparently, her bio is slightly outdated. Released March 6, Bloom is Rucks’ most recent single. Pretty good – reminds me a bit of Tanita Tikaram.

Cory Vincent/I’d Love to Change the World

With that title, how could I not have selected this tune during these crazy times? From Vincent’s website: What do you get when you combine the hard edged, dreary sounds of the Pacific Northwest with the soulful, southern themed voicings of the blues? The fans of Cory Vincent have appropriately coined it, “Grunge Blues.” Drawing inspiration from genre-blending trailblazers like Neil Young, Jimi Hendrix, and Jack White; Cory’s songwriting is a throwback to an era where the song was the king…Born and raised in the small town of Sedro-Woolley, Cory’s passion for music and songwriting began at young age, with a heavy influence of Country music from legends like Hank Williams, Willie Nelson, Waylon Jennings, and Garth Brooks. It wasn’t until the age of 13, when his father brought home the Stevie Ray Vaughan album “Texas Flood,” that Cory decided to pick up the guitar. Often saying that there are way too many influences to list, Cory sums up his guitar background as follows- “I play guitar because of Stevie Ray Vaughan, Tony Iommi (Black Sabbath) changed the way I thought about guitar, and Warren Haynes confirmed it all!” All sounds good to me! I’d Love to Change the World is his latest single that came out on March 15. Written by Alvin Lee, the song was first recorded by British blues rock band Ten Years After for their sixth studio album Space in Time from October 1971.

Kings Ransome/Solo

From the band’s website: Kings Ransome started years ago as Vannare when future rock icon Porter Dowdy realized his dream of holding a guitar every day for the rest of his life. He teamed up with longtime friend, shampoo model candidate, and bassist Davis Huggins to do this band thing. Funk/fusion drummer Matt Malphrus joined the gang with a charming smile and a stellar high school football career. Not long after – enter guitarist Leo Santana. With hair that contains more rock’n’roll than most people have in their whole body, Leo upped the band’s sound and image. The guys created a kickin’ EP, but the singer quit during recording. Luckily Porter knew a guy. Trey Duncan had quit his job and was trying to pay the bills as a solo artist. Porter called him the day he told his girlfriend he needed a band to boss around, and the rest, as they say, is history. Credited to all members of the band, Solo is their most recent single that came out on January 1. Nice guitar-oriented rock – check it out!

Heinz Rudolf Kunze/Die Zeit Ist Reif

Wow, the last time I had heard from Heinz Rudolf Kunze was some 35 years ago when the German singer-songwriter and book author suddenly was everywhere on the radio with Dein Ist Mein Ganzes Herz (rough translation: You’re my everything). Some critics called Kunze “Oberlehrer” (secondary schoolteacher) for his often didactic lyrics. Including his 1981 debut, he has released 28 albums to date. Cowritten by Kunze and Heiner Lürig, Die Zeit Ist Reif (the time is now) is from his most recent album Der Wahrheit Die Ehre (pay attention to the truth), which was released on February 21. It’s a nice pop rock ballad.

Sources: Wikipedia; Kendall Rucks website; Cory Vincent website; Kings Ransome website; YouTube

Clips & Pix: Jackson Browne/Running On Empty

Jackson Browne has been one of my favorite artists for many years. When I recently learned he is touring, I simply couldn’t resist and got a ticket for a show on May 13 in Bethlehem, Pa. I was lucky, since the concert was almost sold out, though the ticket wasn’t exactly cheap. Still, I’m completely psyched!

Running On Empty was the first song by Browne I ever heard in the late ’70s/early ’80s. The title track of his fifth album from December 1977 immediately grabbed me and still does. The entire record is amazing and is one of the best ’70s albums, in my opinion.

Apparently, the above clip was captured during a gig in Adelaide, Australia in March this year. It shows Browne’s current touring band, which consists of Bob Glaub (bass), Mauricio Lewak (drums), Shane Fontayne (guitar), Alethea Mills (vocals), Chavonne Stewart (vocals), Jeff Young (keyboards) and multi-instrumentalist Greg Leisz (guitar, lap steel, pedal steel). While it is perhaps impossible to replace the amazing David Lindley, who played lap steel guitar on the original recording, it surely sounds like Leisz is doing a great job.

Browne’s current tour schedule shows some 40 dates across the country between early May and early August.

Sources: Wikipedia, Jackson Browne official website, YouTube

Great Songs For the Road

Some of my favorite tunes when driving the car

One thing on my bucket list is to drive across the U.S. from the East Coast to the West Coast and back. I know this sounds very cliche, but if possible, I’d do the trip in a cool car, such as a ’68 Mustang GT Fastback, aka the “Bullit” Mustang from the legendary 1968 motion picture with Steve McQueen. Of course, I’d behave myself and wouldn’t get into a chase with a Dodge Charger!:-)

If I ever get to do the trip – with or without the Mustang – of course, I’m going to need plenty of rock & roll – coz drivin’ ain’t even half the fun without music! Following are some of the tunes I’d make sure to have for the trip.

Route 66/Chuck Berry (New Juke Box Hits, 1961)

409/The Beach Boys (Surfin’ Safari, 1962)

Born to be Wild/Steppenwolf (Steppenwolf, 1968)

Roadhouse Blues/The Doors (Morrison Hotel, 1970)

Highway Star/Deep Purple (Machine Head, 1972)

Radar Love/Golden Earring (Moontan, 1973)

Busted in Georgia/Thunderhead (Thunderhead ’75, 1975)

Running On Empty/Jackson Browne (Running On Empty, 1977)

Highway to Hell/AC/DC (Highway to Hell, 1979)

Life Is a Highway/Tom Cochrane (Mad Mad World, 1991)

Sources: Wikipedia, YouTube