The Sunday Six

Celebrating music with six random tracks at a time

Hope everybody is enjoying their Sunday. I find it hard to believe we’ve already come to the end of January. Once again it’s time to embark on another mini-excursion to explore music of the past and present, six tunes at a time. Fasten your seatbelt and off we go!

Jimmy Smith/The Organ Grinder’s Swing

Our first stop on today’s time travel is groovy jazz by organist Jimmy Smith who helped popularize the magnificent Hammond B-3. Smith was already on stage in clubs as a 6-year-old when he joined his father for a song-and-dance routine. After Smith had taught himself how to play the piano, he won a Philadelphia radio talent contest as a boogie-woogie pianist when he was nine years old. Following service in the U.S. Army, Smith attended Royal Hamilton College of Music in Hamilton, Ontario in 1948, followed by Leo Ornstein School of Music in Philadelphia a year later. He began exploring the Hammond organ in 1951, and played piano and organ in various Philadelphia R&B bands before switching to organ permanently in 1954. When Alfred Lion, co-founder of jazz label Blue Note Records, heard Smith perform in a local club, he signed him right away. Already his sophomore release The Champ from 1956 established Smith as a new jazz star. Between 1956 and 2005, he released an enormous amount of albums both as a leader and as a sideman playing with other prominent jazz musicians. The Organ Grinder’s Swing, a composition by Will Hudson, Irving Mills and Mitchell Parish, is from a 1965 album titled Organ Grinder Swing. It features Kenny Burrell on guitar and Grady Tate on drums. Take it away, boys!

Santana/Anywhere You Want to Go

After this groovy start, let’s jump to April 2016 and keep groovin’ while adding some Latin flavor. If you are a more frequent visitor of the blog, chances are you have seen me write that I dig Carlos Santana, particularly his first three albums with the classic Santana band, which appeared between 1969 and 1971. As such, I was quite excited when I learned in 2016 that Carlos had reunited most of the band’s surviving members for a new album aptly called Santana IV. It was released in April that year, and Santana also toured with the band. I caught one of the fantastic shows in Allentown, Pa. You can see the setlist here. And here’s a tune from Santana IV, Anywhere You Want to Go. Keyboarder Gregg Rolie wrote that song, which they also played during the above-mentioned show. Other original members from the classic Santana band playing on the album and during the tour included Neal Schon (guitar, vocals), Michael Shrieve (drums) and Michael Carabello (congas, percussion, backing vocals).

Bonnie Raitt/All At Once

For my next pick, I’m slowing things down with a beautiful tune by Bonnie Raitt, another artist I’ve loved for many years. Not only is Raitt an outstanding slide guitarist, but she’s also a no BS artist: What you get is what you see! All At Once, penned by her, is from Luck of the Draw, Raitt’s 11th studio album. It appeared in June 1993 and became her second hugely successful record following Nick of Time from March 1989, her commercial breakthrough that had come after years of personal and professional struggles. While unlike Nick of Time it didn’t top the U.S. charts (but reached a close no. 2), Luck of the Draw sold even more copies than its predecessor. Raitt dedicated the album to Stevie Ray Vaughan who had died in a helicopter crash in 1990 and had encouraged her to stop drinking. Apparently, Vaughan’s encouragement had a huge impact on Raitt’s becoming sober.

Badfinger/No Matter What

I would now like to turn to Badfinger, a band I’ve come to appreciate largely thanks to fellow blogger Max, aka badfinger20 from PowerPop. The Welsh rock band, widely recognized for their influence on ’70s power pop, evolved from The Iveys, a group formed in 1961. In 1968, they became the first band that was signed by The Beatles’ Apple label. Following the release of their debut album Maybe Tomorrow in July 1969, the group changed their name to Badfinger. From 1970 until 2000, nine albums appeared under that name. While Badfinger had four consecutive hits between 1970 and 1972, things tragically unraveled after Apple folded in 1973, and they struggled with a host of legal, managerial and financial problems. It drove two of the band’s members to commit suicide, Pete Ham in 1975 and Tom Evans in 1983 – one of the saddest stories in pop rock history! Here’s No Matter What, Badfinger’s second hit released in the U.S. and UK in October and November 1970, respectively. Written by Ham, the beautiful power pop tune was also included on the group’s third studio album No Dice, released in November of the same year.

You’re Among Friends/Don’t Borrow Trouble

The next stop on this musical journey is the present. Shout-out to fellow blogger Eclectic Music Lover who does a great job in highlighting contemporary artists and bands who oftentimes aren’t widely known. One great example is You’re Among Friends, an indie rock band from Cleveland, Ohio. According to their blog/website, they were formed in 2007 by Anthony Doran (lead vocals and guitars) and Kevin Trask (bass, keyboards and backing vocals), together with Chris Tarka (drums). Their current drummer Mike Janowitz has been with the group since 2019. Their website notes, Tagged as “casual rock” by Powerpopaholic, their music has been described as having “rollicking blues at its core with a sugary coating of power pop” by Cleveland Scene and as “a laid-back style of funky, blues-infused folk rock” by Eclectic Music Lover. To date, You’re Among Friends have released four full-length albums, as well as a couple of EPs and singles. Don’t Borrow Trouble is the catchy opener of the band’s fourth and latest album Good Enough Sometimes, released on January 10 this year.

Men At Work/Down Under

And, once again, this brings me to the sixth and final pick. This one’s by a band that came from a land down under: Men at Work. The group was formed in Melbourne in 1979 by Colin Hay (lead vocals, guitar), Ron Strykert (bass) and Jerry Speiser (drums), who were subsequently joined by Greg Ham (flute, sax, keyboards). By the time Men at Work recorded their debut album Business as Usual in 1981, they had added John Rees on bass and Strykert had switched to guitar. Down Under, co-written by Hay and Strykert, became the record’s second single in November that year and Men at Work’s biggest hit, topping the charts in Australia, the U.S., Canada, New Zealand, the UK and various other European countries. The tune introduced most of the world to the Vegemite sandwich, an Australian snack, as well as Australian slang terms, such as “fried-out” (overheated) and “a head full of zombie” (a marijuana reference). Late last year, Australian producer Christian “Luude” Benson remixed Down Under featuring Hay on vocals, which in January charted in the UK and Australia at no. 32 and no. 48, respectively – not my cup of tea, though I really like the original.

As usual, here’s a playlist with all of the above tunes. Hope there’s something for you.

Sources: Wikipedia; You’re Among Friends website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Hard to believe it’s Saturday again, and another week just flew by since my last revue of newly released music. Most of the times, Best of What’s New features artists I’m not familiar with or only have heard of in passing. This week is different. Two of my picks include artists who have been around for more than five decades, and I’ve listened to each for some 40 years. I had not been aware of the other two, though they’re not new artists. All tunes except for the last one are on releases that came out yesterday (October 15).

Santana/Joy (feat. Chris Stapleton)

I’d like to start with Carlos Santana who I trust needs no introduction. He first entered my radar screen when I was 8 or 10 years old. That’s when I listened to his band’s first compilation Santana’s Greatest Hits from 1974, which my older sister had on vinyl. I loved the combination of Latin rhythms and rock right away, which was front and center on that record, since it covers Santana’s first three studio albums. Of course, Santana’s music has since evolved. Which brings me to the band’s new and 26th studio album Blessings and Miracles. After the Latin rock-focused Africa Speaks and Santana IV, released in 2019 and 2016, respectively, Blessings and Miracles is reminiscent of previous records like Supernatural and All That I Am, marking return to a more pop-oriented sound and a collaborative approach. Here’s Joy, a tune co-written by Carlos Santana and Chris Stapleton, one of the many guests on the new album, who also include Rob Thomas (remember Smooth?), Steve Winwood and Chick Corea, among others. I didn’t expect Stapleton to sing a reggae-like tune, but it works and has a cool groove!

Wilderado/The Worst of It

Wilderado are an indie rock band that originally hails from Tulsa, Okla. and is currently based in Los Angeles. According to their Apple Music profile, their expansive indie rock fuses soaring vocals and rumbling guitars with an open-road, Americana-inspired feel…Co-songwriters Max Rainer (vocals, guitar) and Tyler Wimpee (vocals, guitar) began working together in college, initially using the name Bird Dog. By 2016, the band also included bassist Colton Dearing and drummer Justin Kila and the quartet, now called Wilderado, released their debut EP, Misty Shrub. The Worst of It, written by all four members of the band, together with co-producers Chad Copelin and James McAlister, is a track from Wilderado’s new eponymous album, their first full-length release. I like this!

Erin Enderlin/Somebody’s Shot of Whiskey

Erin Enderlin is a Nashville-based county singer-songwriter who originally is from Conway, Ark. She has written songs for a number of other country artists, such as Alan Jackson, Lee Ann Womack, Randy Travis and Reba McEntire. Some became hits on the Billboard Country Chart, such as Jackson’s Monday Morning Church from 2004 and Womack’s Last Call from 2008, which reached no. 5 and no. 14, respectively. In August 2013, Enderlin released her debut album I Let Her Talk. Two additional records have since appeared, as well as Enderlin’s new EP Ballroom Mirrors. Here’s the opener Somebody’s Shot of Whiskey. The tune was co-written by Enderlin and Ben Chapman. Looks like it was first released back in July. I suppose three months still count as newish. Plus, the EP is definitely new.

Neil Young & Crazy Horse/Song of the Seasons

I’d like to finish this Best of What’s New post with the latest from Neil Young and Crazy Horse. Song of the Seasons is the first track from their forthcoming album Barn scheduled to drop on December 10. This is Young’s 40th studio album and his 14th with Crazy Horse, and follows Colorado from October 2019, which he also recorded with the band. According to a short statement on Young’s website, Song of the Seasons was written about a year ago (by him) and is the oldest tune on the record. Released on October 14, the song features Young (guitar, harmonica, vocals), together with band members Nils Lofgren (accordion, backing vocals), Billy Talbot (bass, backing vocals) and Ralph Molina (drums). This acoustic folk tune sounds like classic Neil Young – love it!

Sources: Wikipedia; Apple Music; Neil Young website; YouTube