The Sunday Six

Celebrating music with six random tracks at a time

It’s Sunday, July 3 and a long holiday weekend for folks in the U.S. Perfect timing to embark on another mini-excursion to celebrate music from different decades, six tunes at a time. If you don’t have anything better to do, hop on; if you’re busy, hop on anyway – most things go better with great music! 🙂

Lettuce/Insta-Classic

Usually, I start these trips with a jazz instrumental from the past. This time, let’s get underway with music from the presence by Lettuce, a neat American jazz and funk band I first featured in a June 2020 Best of What’s New installment. Initially, this group came together in Boston in the summer of 1992 when all of its founding members attended Berklee College of Music as teenagers. While it was a short-lived venture that lasted just this one summer, they reunited in 1994 when all of them had become undergraduate students at Berklee. In 2002, Lettuce released their debut album Outta There. They have been pretty productive since then with seven additional albums. Insta-Classic is a cool-sounding track from their latest release Unify, which appeared on June 3.

Keith Richards/Take It So Hard

I trust guitarist Keith Richards doesn’t need an introduction. Obviously, Keef is best known as co-founder of The Rolling Stones and for his longtime writing partnership with Mick Jagger. But, of course, no good rock & roll story is without big egos and drama, and the Glimmer Twins are no exception. By the time Richards’ solo debut Talk Is Cheap came out, his relationship with Jagger was, well, on the rocks. The Stones were in their third decade. While Jagger wanted to stay hip and follow music trends, Richards wanted to preserve the band’s roots. After Jagger had released two solo albums in relatively short order (She’s the Boss, 1985; and Primitive Cool; 1987) and appeared to be more interested in continuing his solo career, Keef decided to strike out by himself as well. The result was the above-mentioned Talk Is Cheap, his first of three solo efforts to date. Let’s check out Take It So Hard, which Keef wrote with co-producer Steve Jordan who also provided bass and backing vocals – good traditional Stonesy tune I frankly take any day over Undercover of the Night.

Elvis Presley/Blue Suede Shoes

While I haven’t watched the new Elvis biopic, I can’t deny the movie is the reason why Elvis Presley is on my mind again these days. I’ve mentioned before I adored Elvis when I was a young kid. It all goes back to the start of my music journey. Soon after I got my first turntable (must have been around the age of 10 – frankly, I don’t remember), I received a 40 greatest hits sampler as a Christmas present. The 2-LP set had pink discs, which I thought was pretty cool. While I’ve since matured (at least that’s what I want to believe) and no longer idolize Elvis or anybody else for that matter, I still get a kick out of the King of Rock and Roll. In particular, I keep going back to his ’50s classic rock & roll tunes he recorded and performed with guitarist Scotty Moore and bassist Bill Black. One of my favorites remains their rendition of Blue Suede Shoes, which also features D.J. Fontana on drums. The classic was written and first released by Carl Perkins in January 1956. Elvis’ version, which appeared in September of the same year, surged to no. 2 on the Billboard Hot Country Songs chart – almost matching Perkins who scored his only no. 1 with Blue Suede Shoes on the same chart. Let’s go, cats!

Dr. Feelgood/She Does It Right

Let’s slightly slow it down but keep rockin’ and rollin’ with a killer tune by Dr. Feelgood. I guess the first time I heard of the English pub and blues rockers was in the late ’70s when they scored their biggest hit with Milk and Alcohol, a tune I loved from the get-go. Dr. Feelgood were formed on Canvey Island, England in 1971 by Wilko Johnson (guitar, piano, vocals), Lee Brilleaux (lead vocals, harmonica, slide guitar) and John B. “Sparko” Sparks (bass, backing vocals), who soon added John Martin (drums). That line-up remained in place until 1977 and recorded the group’s dynamite debut album Down by the Jetty (January 1975), as well as two additional records. Dr. Feelgood are still around, though their current line-up hasn’t included any founding members since 1994. She Does It Right, penned by Johnson, is a tune off Down by the Jetty. Man, I love their raw sound!

Gregg Allman/My Only True Friend

Alrighty, after a series of rockers the time has come to really take it down. Gregg Allman is another artist I trust doesn’t need an introduction. For the longest time, the only tune I had known by The Allman Brothers Band had been Ramblin’ Man. Finally, eight or nine years ago, I decided to explore what has since become one of my favorite groups – just in time to see them once in New Jersey in the summer of 2014, a few months prior to their final curtain at the Beacon Theater in New York City. Soon my exploration of the Brothers also led to Gregg Allman’s solo work. Even though he started releasing albums by himself early, in 1973, his solo catalog is relatively moderate, featuring seven studio albums, two live recordings and a few compilations. My Only True Friend, co-written by Allman and guitarist Scott Sharrad, is the great opener of Allman’s final studio album Southern Blood. It was released in September 2017, four months after his death at the age of 69 due to complications from liver cancer. Sharrad who also served as musical director had been a member of Allman’s backing band since 2008. Gosh, I love this tune and album!

Lenny Kravitz/Always On The Run

And once again, another Sunday Six excursion is coming to an end. For this last pick, let’s go back to April 1991 and Mama Said, the sophomore album by Lenny Kravitz. It came less than two years after his debut Let Love Rule, which he wrote and produced nearly all by himself and on which he played nearly all instruments. For Mama Said, he got a little help from some friends, including Guns N’ Roses guitarist Slash. Kravitz has since released nine additional studio albums, with the most recent being Raise Vibration in September 2018. I previously reviewed here. Back to Mama Said and the album’s great lead single Always On The Run. Kravitz wrote the tune together with Slash, who also played guitar including a cool solo – just a great funky rocker!

Before wrapping up, here’s a Spotify list featuring the above tunes. Hope there’s something you like!

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Celebrating music with six random songs at a time

Welcome to a new Sunday Six and another hot weekend, at least in my area of Central New Jersey. This is the latest installment of my recurring weekly feature that celebrates music I love in different flavors and from different periods, six tunes at a time.

In some cases, my picks are songs that I earmarked over the course of the week. On other occasions, the posts are coming together pretty spontaneously at the last minute. This one predominantly falls into the latter category. I’m happy with the way it turned out. Hope you find something in here you dig!

Colin McLeod/Old Soul (featuring Sheryl Crow)

Starting this week’s set is Colin McLeod, a Scottish singer-songwriter and farmer I had not heard of until yesterday. McLeod got my attention when I spotted a clip on Facebook, featuring a song he recorded with Sheryl Crow and included on his new album Hold Fast, which was released on June 18. The mellow atmospheric tune spoke to me right away – I love these types of coincidences! For a bit of additional background, here’s an excerpt from his Apple Music profile: Raised on the Isle of Lewis, the largest island of Scotland’s Outer Hebrides archipelago, MacLeod amassed a wide array of influences, from regional folk and pop to widescreen Springsteen-esque rock, before leaving the island in 2009 to test his mettle as a performer. An A&R scout from Universal caught one of MacLeod’s gigs in Aberdeen, which resulted in the release of his debut album Fireplace, which he issued under the moniker Boy Who Trapped the Sun in 2010. The experience left a bad taste in his mouth, so, exhausted and homesick, he returned to the Isle of Lewis, where he spent his days raising sheep and growing crops. It proved to be a fortuitous move. Inspired by the sights, sounds, smells, and stories of his remote part of the world, MacLeod was able to parlay those experiences into his music, culminating in the release of the acclaimed Ethan Johns-produced Bloodlines, his first collection of songs to be issued under his own name. McLeod’s new album is his sophomore release. Old Soul was written by him. Call me crazy, I can hear a bit of Bono in his voice. I also think his vocals beautifully blend with Sheryl Crow’s.

Buddy Guy/Kiss Me Quick (featuring Kim Wilson)

On to some great electric guitar blues. Yes, it’s quite a leap. But you see, that’s the thing about The Sunday Six – it can be arbitrary. If you’re into the blues and see the names Buddy Guy and Kim Wilson, you know you’re in for a treat. What can I say about the amazing Buddy Guy? He’s the last man standing from the old Chicago blues guard, who played with the likes of Muddy Waters, Howlin’ Wolf and Little Walter. Guy who is turning 85 in July is a force of nature. I’ve been fortunate to see him live twice over the past five years. Wilson, of course, is best known as the lead vocalist and frontman of blues rockers The Fabulous Thunderbirds. I’d love to see these guys as well! So what do get when combining the two artists? A nice blues shuffle titled Kiss Me Quick that appeared on Guy’s 17th studio album appropriately titled Born to Play Guitar, which won the Grammy for Best Blues Album in 2016. The tune was co-written by Richard Fleming and producer Tom Hambridge. Makes me want to listen to the entire bloody album!

The Who/The Real Me

Let’s kick things up a notch with The Who and The Real Me. Why pick the second track from side one of Quadrophenia? To begin with, The Who’s sixth studio album from October 1973 is one of the gems in their catalog. Another reason why I chose this particular tune is John Entwistle and his outstanding bass work. As a former hobby bassist, perhaps I pay closer attention and get a little bit more excited about bass runs than some other folks. All I can tell you is this: Seeing The Ox with The Who at New York’s Madison Square Garden in 2001 was an unforgettable event. In typical fashion, Entwistle was standing pretty much motionless on one side of the stage, while Pete Townshend launched from one windmill attack to the other, Roger Daltrey engaged in impressive lasso acrobatics with his microphone, and Zak Starkey (yep, Ringo Starr’s son) was working that drum kit. It was really something else! Sadly, Entwistle passed away about six months after that show in Las Vegas, the day before The Who were scheduled to kick off their 2002 U.S. tour. He was only 57 years old – what a loss!

Seals & Crofts/Summer Breeze

Time to slow things down again. And since summer is in full swing, here’s one of the warmest sounding tunes I can think of in this context: Summer Breeze by Seals & Crofts. Every time I hear this song, it puts me at ease. Behind the soft rock duo were multi-instrumentalists James Eugene “Jim” Seals  and Darrell George “Dash” Crofts. Summer Breeze, the title track of their fourth studio album from September 1972, probably is their best known song. It peaked at no. 7 and no. 6 on the U.S. and Canadian mainstream charts, respectively. The album marked their commercial breakthrough. Seals & Crofts also scored two other hits: Diamond Girl (1973) and Get Closer (1976). Unlike Summer Breeze, I had to sample these tracks to remember them. Then the hits stopped, and in 1980, after their record company had dropped them, Seals & Crofts decided to go on hiatus. They have since reunited a few times. There are also younger torch bearers. Wikipedia notes in 2018, Jim Seals’ cousin Brady Seals and Darrell Crofts’ daughter Lua Crofts began touring as Seals and Crofts 2, performing Seals & Crofts music as well as some originals.

The Zombies/She’s Not There

The first time I heard She’s Not There was the cover by Santana from their excellent 1977 Moonflower album. Since it certainly sounds very much like a Carlos Santana tune, I simply assumed it was their song. Only years later did I find out She’s Not There was written by Rod Argent, the keyboarder of The Zombies. The tune first appeared in the UK in July 1964 as the British rock band’s debut single. Two months later, it came out in the U.S. She’s Not There was also included on The Zombies’ debut album. In this case, the self-titled U.S. version was first out of the gate in January 1965. The U.K. edition, titled Begin Here, appeared in April that year. As was common at the time, there were some differences between the two versions. After the breakup of The Zombies in 1969 and a couple of impersonating bands, Argent and original lead vocalist and guitarist Colin Blunstone reunited in 2000, moved to the U.S. and recorded an album, Out of the Shadows, released in 2001. Starting from 2004, they began touring again as The Zombies. There have also been three additional albums since, released under the name Colin Blunstone and Rod Argent/The Zombies. The most recent one, Still Got That Hunger, appeared in October 2015. The band is still around. Ticketmaster currently lists some gigs for 2022.

Gregg Allman/My Only True Friend

The time has come again to wrap up things. My final pick is by Gregg Allman. He and The Allman Brothers Band were a very late discovery for me. Fortunately, it happened just in time to see them once in New Jersey on their very last tour in 2014, a couple of months before their final curtain at the Beacon Theatre in New York. After exploring the band, I also got into Gregg Allman’s solo catalog. I particularly dig Low Country Blues from January 2011 and his final album Southern Blood, which I got on vinyl. It came out in September 2017, four months after Allman had passed away at the age of 68 due to complications from liver cancer. Even though I had only become fond of his music a few years earlier, his death really moved me. I still get emotional about it. There was something very special about Gregg Allman when he was singing and hitting those keys of his Hammond B3. I can’t quite explain it. Here’s Southern Blood’s opener My Only True Friend, the sole track on the album that was co-written by Allman. The other writer was Scott Sharrad, lead guitarist and musical director of Allman’s backing band. You can read more about the album here.

Sources: Wikipedia; Apple Music; YouTube