The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another Sunday Six where I take little journeys into the beautiful world of music, including different eras and different flavors, six tunes at a time. Hope you’ll join me!

Jeff Beck/Cause We’ve Ended As Lovers

Earlier this week, we lost one of the greatest guitarists in rock history, Jeff Beck, who suddenly passed away near his home in Southern England at the age of 78 from bacterial meningitis. As such, it feels right to start today’s mini-excursion in March 1975 and Blow By Blow. Beck’s second album that appeared under his name followed Beck, Bogert & Appice, the eponymous and only release by the short-lived power trio Beck had formed after he had dissolved the Jeff Beck Group. Beck gained initial prominence as a member of The Yardbirds where he succeeded Eric Clapton. For a short time, he intersected with Jimmy Page. Somewhere I read all three of these British ‘guitar gods’ grew up in the same geographic area. Unlike Clapton and Page, Beck never achieved huge chart success or record sales. It didn’t take away anything from his brilliance. Here’s his beautiful instrumental rendition of Cause We’ve Ended as Lovers, a tune written by Stevie Wonder. I was happy to see it’s Beck’s most streamed track on Spotify.

The Walkabouts/Nightdrive

We will visit the ’70s one more time. For now, let’s continue our trip with a stop in December 1994 and Setting the Woods On Fire, the seventh album by The Walkabouts. Before continuing, I’d like to give a shoutout to fellow blogger Hotfox63 who covered one of the band’s other records last December, which brought them on my radar screen. The Walkabouts were formed in Seattle, Wa. in 1984. Inspired by folk and country music from the likes of Townes Van Zandt, Neil Young and Johnny Cash, the group released 13 studio albums before they disbanded in 2015. Their rich sound also drew from other genres and artists, such as Scott Walker, Leonard Cohen and Jacques Brel. This brings me to Nightdrive, a song off the above-mentioned album. It’s credited to all members of the group, who at the time included co-founders Chris Eckman (vocals, electric & acoustic guitars, lyrics) and Carla Torgerson (vocals, acoustic & electric guitars, cello), along with Glenn Slater (piano, organ, accordion, loops), Michael Wells (bass guitar, harmonica) and Terri Moeller (drums, percussion, backup vocals) – love that tune!

R.E.M./It’s the End of the World As We Know It (And I Feel Fine)

And we’re on to the ’80s with a song by R.E.M. I had earmarked for a Sunday Six several months ago. Coincidentally, fellow blogger Mike from Ticket to Ride just took a look back at the studio catalog of the American band that started in 1980 in Athens, Ga., and was active until 2011. While I like R.E.M. for their melodic songs and jangly guitar sound, I only know them based on certain songs and have yet to take a deeper dive into their albums. One of the tunes I’ve been aware of for a long time is It’s the End of the World As We Know It (And I Feel Fine). Credited to all members and co-founders of the band – Michael Stipe (lead vocals), Peter Buck (guitar), Mike Mills (bass, keyboards, backing vocals) and Bill Berry (drums, backing vocals), the tune first appeared on R.E.M.’s fifth studio album Document released in September 1987, their most successful at the time. It also became the record’s second single but didn’t match the success of the lead single The One I Love. I’ve always dug both tunes.

Bruce Cockburn/Wondering Where the Lions Are

When I was recently in Germany, I met with my longtime friend and music buddy who has given me many great tips since the days when we were bandmates during the second half of the ’80s. One of the artists he mentioned during our recent get-together is Bruce Cockburn (pronounced KOH-b…ôrn). Frankly, other than the name, I wasn’t familiar at all with the Canadian singer-songwriter and guitarist. Where do you start with an artist who has been active since 1967 and released 30-plus albums? Admittedly, I took a shortcut and checked Spotify. The most streamed tune there is Wondering Where the Lions Are. While I can’t tell you at this time whether it’s Cockburn’s best song, I liked it right away. Included on his 1979 album Dancing in the Dragon’s Jaw, the tune is his only U.S. top 40 hit on the Billboard Hot 100, reaching no. 21. In his native Canada, it got to no. 39 on the mainstream chart and no. 7 on the adult contemporary chart. Overall, it looks like Cockburn has been most successful in his home country. Based on another album I heard, he appears to be pretty versatile and definitely is an artist I’d like to further explore. For now, here’s Wondering Where the Lions Are, which like all other tracks on the album was penned by Cockburn – a beautiful folk tune that reminds me a bit of fellow Canadian singer-songwriter Gordon Lightfoot!

Southern Avenue/Control

Time to pay a visit to the present. When it comes to contemporary artists one of the bands I keep coming back to are Southern Avenue. The group from Memphis, Tenn., which has been around since 2015, blends blues and soul with flavors of contemporary R&B. I also love the racial diversity they represent.  Southern Avenue are Israeli blues guitarist Ori Naftaly; three amazing African American ladies, lead vocalist Tierinii Jackson and her sisters Tikyra Jackson (drums, backing vocals) and Ava Jackson (backing vocals); white bassist Evan Sarver; and African American keyboarder Jeremy Powell. Tellingly, in 2016, they became the first new act signed to Stax Records in many years. Control, co-written by Naftaly and Tierinii Jackson, is from the band’s most recent third studio album Be the Love You Want, released in August 2021, which I reviewed here at the time. The funky tune also appeared separately as a single leading up to the album’s release. I find this music is full of soul and pretty seductive.

Byrds/So You Want to Be a Rock ‘n’ Roll Star

The sixth tune means we’re once again about to reach the final stop of yet another music excursion. Let’s make it count with a ’60s gem by the Byrds: So You Want to Be a Rock ‘n’ Roll Star. Co-written by co-founders Roger McGuinn (credited as Jim McGuinn) and Chris Hillman, the tune has been characterized by Byrds expert Tim Conners as “an acerbic, but good-natured swipe at the success of manufactured rock bands like the Monkees.” While I’m not a fan of how The Monkees came to be, I love their music. Plus, once Don Kirshner was out of the picture, the group’s members started playing their own instruments and getting more control over their music. So You Want to Be a Rock ‘n’ Roll Star first appeared in January 1967 as the lead single of the Bryrds’ fourth studio album Younger Than Yesterday, which came out the following month.

Of course, this post wouldn’t be complete without a Spotify playlist featuring each of the highlighted six tunes. Hope there’s something for here!

Sources: Wikipedia; YouTube; Spotify

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