Buddy Guy Fires On All Cylinders On New Album

Last Friday (September 30), Buddy Guy’s anticipated new album The Blues Don’t Lie came out. Once I started listening to what is yet another late-career gem by the now 86-year-old blues guitar dynamo, I literally couldn’t stop. Sure, Guy doesn’t reinvent the blues, but you can be damn sure the man still got the blues, firing on all cylinders and leaving no doubt he was born to play the guitar.

The release date of the album, Guy’s 19th, coincided with the 65th anniversary of his arrival to Chicago from Louisiana to pursue his calling to play the blues. Once again, production was handled by the great Tom Hambridge, Guy’s longtime collaborator, who also played the drums and co-wrote most of the original tunes.

The Blues Don’t Lie also features notable guests, which according to this review in Rock & Blues Muse include Mavis Staples, James Taylor, Elvis Costello, Jason Isbell and Bobby Rush. Reese Wynans, a former member of Stevie Ray Vaughan’s backing band Double Trouble, plays keyboards – certainly an impressive cast, but frankly, which musician who digs the blues wouldn’t want to record with Buddy Guy?

I’d say it’s finally time to take a closer look at some of the music on this new album. The opener I Let My Guitar Do the Talking provides a perfect entry point. Co-written by Guy and Hambridge, the tune recalls the above-noted 65th anniversary of Guy’s arrival to the windy city. Now let his guitar do the talking. Check it out – damn!

If I don’t have your attention by now, this post may not be for you. Or maybe give it one more try? How about The World Needs Love, the only tune solely penned by Guy. Sadly, Guy’s words ring very true: The world needs love like never before/The world needs love like never before/People are hurtin’ and killin’ people/People they don’t know…This tune is a great example that the soft-spoken Guy is a great vocalist, in addition to being a killer guitar player!

I’m skipping Guy’s amazing duo with Mavis Staples since I recently covered it here and go right to another guest appearance: Symptoms of Love featuring Elvis Costello. The tune was co-written by Richard Fleming, another longtime collaborator, and Hambridge.

Are you ready for some funky blues? Ready or not, here’s What’s Wrong With That featuring Bobby Rush. Of course, there’s nothing with that! The smoking hot tune, another Fleming-Hambridge co-write, is one of my early favorites.

In addition to 13 original tracks, The Blues Don’t Lie includes three covers. Here’s one of them, which I have a feeling deep inside you may have heard of before: I’ve Got a Feeling, by four lads from Liverpool called The Beatles. The combination of two unfinished songs – Paul McCartney’s I’ve Got a Feeling and John Lennon’s Everybody Had a Hard Year – appeared on Let It Be, the final released (though not the final recorded) album by The Beatles that came out in May 1970. I’ve also got a feeling Sir Paul likes this groovy rendition.

Let’s do one more, another cover: King Bee, a swamp blues classic written by James Moore, aka. Slim Harpo, who also first released it in 1957. The tune has since been recorded by numerous other artists, such as The Rolling Stones, Muddy Waters and even early Pink Floyd, who at the time (December 1964) were still called The Tea Set. It’s notable to recall Syd Barrett derived the name Pink Floyd by combining the first names of two blues musicians who were part of his record collection: Pink Anderson and Floyd Council. I love Guy’s stripped-back acoustic delivery and his slightly fragile vocals. So good! You also gotta love his final words: “Is that enough? [laughs] All right.”

If you’re still with me, I would encourage you to check out the entire album. Here’s a Spotify link:

So what’s Buddy Guy’s reaction to The Blues Don’t Lie? One clue is the album’s opener: I don’t say too much/I let my guitar do the talking…Another is the following image that accompanied a recent tweet. As they say, a picture speaks more than a thousand words!

Sources: Wikipedia; Rock & Blues Muse; YouTube; Spotify

Peter Frampton Releases Covers Album Featuring His Favorite Blues Classics

Peter Frampton these days seems to get the kind of attention I imagine he hasn’t seen since 1976 when he broke through with Frampton Comes Alive!, one of the most acclaimed live rock albums. Unfortunately, the story has been a mixed bag for the 69-year-old rock guitarist. The good news is his new covers album All Blues, which is out via UMe since yesterday. The not so great side of the story: his recently disclosed diagnosis with inclusion body myositis, a progressive autoimmune disease causing muscle inflammation, weakness and atrophy. Since the condition eventually is likely to prevent Frampton from playing guitar, he decided to do a farewell tour and retire from touring thereafter – and ultimately I guess from music altogether.

But let’s focus on the positive. While by its very nature a covers album doesn’t really present anything new, this is a great collection of classic blues tunes, which nicely displays Frampton’s blues chops. And, btw, he’s a pretty decent vocalist as well. The rock guitarist is getting a little from his friends, including Kim Wilson, Larry Carlton, Sonny Landreth and Steve Morse. All Blues was co-produced by Frampton and Chuck Ainlay, and recorded at Frampton’s studio in Nashville, together with his long-time touring band featuring Adam Lester (guitar, vocals), Rob Arthur (keyboards, guitar, vocals) and Dan Wojciechowski (drums).

“I have always loved to play the blues,” Frampton explains on his website. “When we formed Humble Pie, the first material we played together was just that. For the last two summers I had been playing a handful of blues numbers every night on stage with Steve Miller Band. I enjoyed this immensely and it gave me the idea of doing an ‘All Blues’ album live in the studio with my band. We started the resulting sessions nine days after coming off the road last year. Over a two-week period, we recorded 23 tracks, all live in the studio. The energy of these tracks is completely different from building a track one instrument at a time…I’m not sure if you can say we had fun playing the blues. But we definitely did.” With that, let’s get to some it!

Here’s the great opener I Just Want To Make Love To You. Written by Willie Dixon in 1954 and first recorded by Muddy Waters, Frampton’s version features great harmonica playing by Kim Wilson, who is best know as the lead vocalist and frontman of The Fabulous Thunderbirds.

Next up: A nice instrumental take of Georgia On My Mind, which was made famous by Ray Charles in 1960. And while as such the tune is mostly associated with Charles, it was actually co-written by Hoagy Carmichael and Stuart Gorrell in 1930 and first recorded that year. A few weeks ago when I first learned about the album, I read somewhere that when the song was proposed to Frampton, he saw no way his voice could give it justice. But since he digs the tune, he decided to cover it as an instrumental – great choice, I really like Frampton’s tone here!

All Blues, the title track, is another beautiful instrumental. It features guitarist extraordinaire Larry Carlton, who has played with artists like Steely Dan and Joni Mitchell, and has been a member of jazz fusion band The Crusaders. All Blues was written by Miles Davis and first appeared on his 1959 album Kind Of Blue. Again, I love the guitar tone on this cover.The smooth jazzy groove is pretty cool as well!

Next up: The Thrill Is Gone, one of my all-time favorite blues tunes I just couldn’t skip. Co-written by Roy Hawkins and Rick Darnell in 1951 and first recorded by Hawkins that same year, it became a signature song and major hit for B.B. King in 1970. The thrill is definitely not gone on this great rendition, which features Louisiana blues guitarist Sonny Landreth.

The final track I’d like to call out is Frampton’s cover of I’m A King Bee. In part I decided to select the 1957 Slim Harpo swamp blues classic since it includes what became a distinct feature of Frampton’s sound in the ’70s – a talk box!

Similar to the great new Santana album I reviewed in the previous post (btw, I can’t remember the last Friday that saw the release of two great albums the same day!),  All Blues on some level makes me feel I should see Frampton during his upcoming tour, especially given it looks like it is going to be the last opportunity. But again, it’s the same old dilemma that I simply can’t see everybody I’d like to see, and I’m probably already going beyond what I should do – unfortunately! And while he’s undoubtedly a great guitarist, I’m not sure I’m enough of a Peter Frampton fan to justify buying a ticket.

Frampton’s farewell tour, which has many dates together Jason Bonham’s Led Zeppelin Evening (sounds like fun to me as well!), kicks off in Tulsa, Olka. on June 18. It won’t be until Sep 13 before they come to New York City’s Madison Square Garden. I guess this means I have some more time to change my mind! 🙂 The current last scheduled show is Oct 12 in Concord, Calif. The full schedule is here.

Sources: Wikipedia, Peter Frampton website, JamBase, YouTube