Welcome to another Sunday Six to celebrate the beauty of music in different flavors, six tunes at a time. Before getting to that, I’d be remiss not to acknowledge today’s 21st anniversary of the September 11 terror attacks on the U.S. One thing that came out of the unspeakable horror that day was a strong sense of solidarity to come together. I feel we could badly need some of that spirit today. Back to what this blog aims to be, a “happy destination” that leaves any troubles you may have behind, at least while you’re here!
Dave Stewart/Lily Was Here (feat. Candy Dulfer)
The first stop on today’s musical excursion is the year 1989 and a beautiful smooth jazz track I was reminded of the other day. English musician, songwriter and producer Dave Stewart is best known for being one half of Eurythmics, the British pop duo he launched with Scottish singer-songwriter Annie Lennox in 1980. Candy Dulfer is a Dutch jazz and pop saxophonist. The daughter of Dutch tenor saxophonist Hans Dulfer began playing the drums as a five-year-old before discovering the saxophone a year later. Since the age of seven, she has focused on the tenor saxophone. By the time she was 11, Dulfer made her first recordings for her father’s jazz band De Perikels (the perils). Three years later, she opened up two European concerts for Madonna with her own band Funky Stuff. In 1989, Stewart invited Dulfer to play sax on Lily Was Here, an instrumental he had composed for the soundtrack of a Dutch movie of the same name. The single became a no. 1 in The Netherlands and a top 20 in several other European countries, Australia and the U.S. It encouraged Dulfer to launch a solo career, which continues to this day. Hard-core jazz aficionados may consider the track to be “on the light side,” but I absolutely love it, mainly because of Dulfer’s amazing saxophone part!
Dire Straits/Once Upon a Time In the West
For this next track, we’re going to jump back 1o years to June 1979, which saw the release of Dire Straits’ sophomore album Communiqué. After the British rock band had received favorable reviews for their eponymous debut that had come out the year before, critics were generally lukewarm about the follow-up. Many felt it sounded too similar to Dire Straits. While that is not an unfair observation, I still like Communiqué and especially this tune, Once Upon a Time In the West. Written by Mark Knopfler, it also became a U.S. single in October of the same year. Unlike the internationally successful Sultans of Swing, Once Upon a Time In the West missed the charts altogether. In my opinion, that’s unfortunate – I just love that Mark Knopfler signature Fender Stratocaster guitar sound!
Lucinda Williams/Metal Firecracker
Since I saw Lucinda Williams open up for Bonnie Raitt in Philadelphia back in June, I’ve been planning to explore the catalog of the American singer-songwriter. While I featured her in a Sunday Six installment in August with a tune from her ninth studio album Little Honey from October 2008, I haven’t made much progress to date – too much great music, too little time! Metal Firecracker, penned by Williams, is from Car Wheels On a Gravel Road. Her fifth studio album, released in June 1998, marked her commercial breakthrough. Nine additional studio albums have since appeared. Luckily, Williams largely recovered from a debilitating stroke she suffered in November 2020 and was able to resume performing. I love this tune – check out this neat electric guitar sound! Based on the credits listed underneath the YouTube clip, it appears that part was played by Gurf Morlix who was a member of Williams’ backing band from 1985 until 1996 and co-produced her 1988 eponymous studio album and the 1992 follow-on Sweet Old World.
Creedence Clearwater Revival/Green River
Okay, we’re four stops into this trip, so don’t you agree it’s time for some ’60s music? I trust Creedence Clearwater Revival don’t need much if any introduction. The American rock band led by singer-songwriter John Fogerty (lead guitar, vocals) was active under that name between 1967 and 1972. Initially, the members of the group, who also included John’s brother Tom Fogerty (rhythm guitar), Stu Cook (bass) and Doug Clifford (drums), had performed as The Blue Velvets (1959-1964) and The Golliwogs (1964-1967). For some reason, that latter name always reminds me of the Gremlins! Green River, written by John Fogerty, was the great title track of CCR’s third studio album that appeared in August 1969. It also became the record’s second single in July that year, one month ahead of the group’s performance at the Woodstock music festival.
Let’s travel to the current century. The year is 2006. The month is November. That’s when Robert Plant released a box set titled Nine Lives. It features remastered and expanded editions of nine albums the ex-Led Zeppelin vocalist released post-Zep between 1982 and 2005, both under his name and The Honeydrippers. Turnaround was first recorded during the sessions for Plant’s sophomore solo album The Principle of Moments released in July 1983, but the tune didn’t make the album. In addition to being featured on this box set, the tune is included as a bonus track on a 2007 remastered version of the aforementioned second solo effort by Plant.
Buddy Guy/We Go Back (feat. Mavis Staples)
And once again, we’ve reached the point to wrap up another Sunday Six, and I have a real goodie: We Go Back, the second single from Buddy Guy’s upcoming new album The Blues Don’t Lie. The 86-year-old blues guitar legend’s 34th record is scheduled for September 30. The release date marks the 65th anniversary of Guy’s arrival in Chicago from Baton Rouge, Louisiana. This ambassador of the blues is just incredible! On the nostalgic We Go Back, released on September 2nd and co-written by Richard Fleming and Guy’s longtime collaborator, drummer and producer Tom Hambridge, Guy is joined by none other than Mavis Staples. What an amazing duo and tune – really looking forward to that album!
Last but not least, here’s a Spotify playlist featuring the above tunes. Hope there’s something you dig!
Sources: Wikipedia; YouTube; Spotify