Space, the Final Frontier

Yesterday’s successful landing of NASA’s robotic explorer Perseverance on Mars once again reminds us of humankind’s fascination with distant planets and what’s out there beyond our galaxy. Not surprisingly, many music artists have embraced the theme of space in their songs. The first who always comes to my mind in this context is David Bowie, who repeatedly wrote about the topic in tunes like Space Oddity, Starman, Life on Mars and Ashes to Ashes. There are plenty of additional examples. This playlist features some of these songs, ordered according to their release date.

The Byrds/Mr. Spaceman

While birds cannot fly in space, this didn’t prevent The Byrds from recording this happy-sounding tale about a kid who wakes up from the light of a flying saucer and cheerfully asks the ETs for a space ride. Mr. Spaceman, written by Roger McGuinn, appeared on the band’s third studio album Fifth Dimension from June 1966.

Pink Floyd/Astrodomine

This Syd Barrett tune, an early example of space rock, was the opener of Pink Floyd’s debut studio album The Piper at the Gates of Dawn. Released in August 1967, this early phase Floyd gem also featured another track in the same genre: Interstellar Overdrive. I decided to go with the shorter tune! 🙂

The Rolling Stones/2000 Light Years From Home

2000 Light Years from Home is a song from Their Satanic Majesties Request, a lovely psychedelic album by The Rolling Stones, which appeared only a few months after Floyd’s debut in December 1967. Co-written by Mick Jagger and Keith Richards, the tune also became the B-side to the American single She’s a Rainbow that was released in November of the same year. Charmingly weird! 🙂

Steve Miller Band/Space Cowboy

Listening to Space Cowboy by Steve Miller Band was the tune that inspired this post, not the Mars rover, though I guess the timing worked out nicely. Co-written by Steve Miller and the band’s keyboarder at the time Ben Sidrin, the song was included on their third studio album Brave New World that came out in June 1969. The vibe of the main riff is a bit reminiscent of Peter Gunn, the theme music for the American detective TV show of the same name, composed by Henry Mancini in 1958. In 1979, Emerson, Lake & Palmer popularized that theme on their live album Emerson, Lake and Palmer in Concert.

Deep Purple/Space Truckin’

Time to go for some Space Truckin’ with Deep Purple. This track is the closer of the band’s sixth studio album Machine Head from March 1972, which to me remains their Mount Rushmore to this day. Like all remaining tracks on the record, Space Truckin’ was credited to all members of the band: Ritchie Blackmore (guitar), Ian Gillan (vocals, harmonica), Jon Lord (keyboards), Roger Glover (bass) and Ian Paice (drums, percussion).

Elton John/Rocket Man

One of my all-time favorites by Elton John happens to be related to space as well: Rocket Man, from his fifth studio album Honky Château that came out in May 1972. As usual, Sir Elton composed the music while Bernie Taupin provided the lyrics. Honky Château became John’s first no. 1 record in the U.S. He was literally flying on top of the word – six additional no. 1 albums in America would follow in a row!

David Bowie/Starman

I guess 1972 was a year, during which space themes were particularly popular in rock and pop music. In June 1972, only one and three months after Honky Château and Machine Head, respectively, David Bowie released his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. I have to say I tend to like him best during his glam rock period, and Ziggy Stardust is my favorite Bowie album. Like all except for one tune, Starman was written by Bowie.

Stevie Wonder/Saturn

Even soul great Stevie Wonder got into the “space business.” Saturn, co-written by Michael Sembello and Wonder, became a bonus track to Songs in the Key of Life, his magnum opus from September 1976.

The Police/Walking on the Moon

The year was 1979 when The Police released their sophomore album Reggatta de Blanc in October. Walking on the Moon, written by Sting, is the first track on the B-side. Yes, this was still pre-CDs, not to mention music streaming! I’ve always liked the reggae vibe of this tune.

R.E.M./Man on the Moon

Let’s wrap up this collection of space-themed songs with Man on the Moon by R.E.M. The tune, a tribute to American comedian and performer Andy Kaufman, was credited to the entire band: Michael Stipe (lead vocals), Peter Buck (guitar, mandolin, bass), Mike Mills (bass, keyboards, accordion, backing vocals) and Bill Berry (drums, percussion, keyboards, melodica, bass, backing vocals). It was recorded for R.E.M.’s eighth studio album Automatic for the People from October 1992. The album became their second major international success after Out of Time that had been released in March 1991.

Sources: Wikipedia; YouTube

Advertisement

Best of What’s New

A selection of newly released music that caught my attention

It’s that time of the week again to take a look at newly released music. This installment of Best of What’s New features tunes from an Irish instrumental post-rock band, a Nashville-based singer-songwriter, as well as a hard rock outfit and a blues rock band, which are both from New York. All music except for one noted tune came out yesterday (February 12).

The Pretty Reckless/Rock and Roll Heaven

The Pretty Reckless are a hard rock band that was formed in New York in 2009. The group is fronted by Taylor Momsen (lead vocals, rhythm guitar), a former actress and model. The other members, who have each been part of the band since 2010, include Ben Phillips (lead guitar, backing vocals), Mark Damon (bass) and Jamie Perkins (drums). After signing with Interscope, they released their eponymous debut EP in June 2010, followed by their first full-length album Light Me Up in August of the same year. The band’s studio albums have enjoyed decent success on mainstream albums charts in the U.S. and the UK. According to Wikipedia, The Pretty Reckless also hold the distinction of being the only female-fronted band to date with five no. 1 singles on the Billboard Mainstream Rock chart. Rock and Roll Heaven, co-written by Phillips and Momsen, is from their fourth and new album Death by Rock and Roll.

God Is An Astronaut/In Flux

God Is An Astronaut are an instrumental post rock band from Ireland, formed in 2002 by brothers Torsten Kinsella (guitars, keyboards) and Niels Kinsella (bass, guitars). The current line-up also includes Jamie Dean (keyboards, synthesizer, guitar) and Lloyd Hanney (drums). The band’s Apple Music profile notes their music combines the epic melodies of post-rock, the precision of electronic-fueled Krautrock à la Tangerine Dream, and elements of space rock…[The brothers], the group’s driving force,…played in a number of local bands before teaming up with drummer Lloyd Hanney, the disciple of the famous jazzman Johnny Wadham, to form God Is an Astronaut. Their electro-tinged album The End of the Beginning came out on their own label, Revive Records, in 2002. The two singles off the CD, “The End of the Beginning” and “From Dust to the Beyond,” got airplay on several European MTV channels. Their second album, All Is Violent, All Is Bright, followed in 2005, and included the single “Fragile.” The band has continued to issue new albums pretty frequently. In Flux is from God Is An Astronaut’s new album (their 10th) Ghost Tapes #10. While I prefer music with vocals most of the time, I find the band’s spacey sound pretty cool.

Jillette Johnson/Jealous

Jillette Johnson, who grew up in New York, is a Nashville-based singer-songwriter. According to her website, she started writing songs at age 8; by her teens, she was playing three-hour sets of original music at a restaurant near her suburban New York home. Soon, she was generating enough outside interest that she attended her public high school only one day a year while she developed and recorded her music. That dedication landed Johnson a record deal that resulted in two albums, 2013’s Water in a Whale and 2017’s All I Ever See in You Is Me, the latter of which was produced by fellow Nashvillian Dave Cobb. She began touring 200+ days each year, earning slots at major music festivals, TV appearances and press accolades from outlets ranging from Billboard, Rolling Stone Country, and Paste  to Marie Claire, Elle, and Cosmopolitan. Jealous is a tune from Johnson’s third album It’s a Beautiful Day and I Love You – nice pop rock tune that has a bit of a Sheryl Crow vibe.

Jane Lee Hooker/Jericho

Jane Lee Hooker are a dynamic blues rock band from New York I have covered on a few previous occasions, for example here and here. Formed in 2013, the band consists of Dana “Danger” Athens (vocals), Tracy Hightop  (guitar), Tina “T-Bone” Gorin (guitar), Hail Mary Z (bass) and ‘Lightnin’ Ron Salvo (drums), who joined last year after the departure of original drummer Melissa “Cool Whip” Houston. In 2015, Jane Lee Hooker signed with German independent blues label Ruf Records and released their debut No B! in April 2016. This was followed by their sophomore release Spiritus from November 2017. Jericho is the band’s new single that came out on January 29. “Jericho is one of those songs that kind of wrote itself, the music and lyrics just poured out of me,” stated Athens on the group’s website.  “A lot of songs have been written about the Battle of Jericho, it’s a timeless anecdote for having the strength inside to use our voices to break down the walls that divide us and change our world for the good.” 

Sources: Wikipedia; Apple Music; Jillette Johnson website; Jane Lee Hooker website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

It’s hard to believe another week just flew by. This year is already starting to feel old. The good news is another end of the week means more new music. This latest Best of What’s New installment is pretty eclectic, featuring psychedelic space rock, piano jazz, indie rock and folk-oriented pop. Let’s get to it.

The Besnard Lakes/Blackstrap

The Besnard Lakes are a space and psychedelic rock band from Canada, which was formed in 2003. According to an artist profile on Apple Music, the Montreal band became known for long, intricately textured songs and even longer album titles…Marital and musical partners Jace Lasek (vocals, guitar) and Olga Goreas (vocals, bass)…formed the Besnard Lakes in 2001 as a sideline to Lasek’s day job as an in-demand producer at the Montreal recording studio he and Goreas own, Breakglass Studios. In addition to them, the band’s current line-up includes Robbie MacArthur (guitar), Richard White (guitar), Sheenah Ko (keyboards) and Kevin Laing (drums). Apart from having released six studio albums, three EPs and various singles to date, the band has also written two film scores. Blackstrap, co-written by Lasek and Goreas, is the opener of their new album The Besnard Lakes Are the Last of the Great Thunderstorm Warnings, released yesterday (January 29) – no kidding above about long album titles! And, yes, it’s definitely spacey!

Emmet Cohen/Symphonic Raps

Emmet Cohen is a jazz pianist and composer from New York City. According to his website, he is one of his generation’s pivotal figures in music and the related arts. [Jazz and blues magazine] Downbeat praised the “nimble touch, measured stride and warm harmonic vocabulary” he employs to communicate with other musicians and audiences at what he terms “the deepest level of humanity and individuality.” Leader of the “Emmet Cohen Trio” and creator of the “Masters Legacy Series,” Cohen is an internationally acclaimed jazz artist and dedicated music educator. Cohen, who started playing the piano at age 3, is the winner of the 2019 American Pianists Awards. ‘Jazz?’ you might ask. While I rarely listen to jazz and admittedly don’t know much about it, this doesn’t mean I don’t like it. In fact, Symphonic Rags from Cohen’s new album Future Stride, which came out yesterday, grabbed me immediately – I dig the bouncy groove, which makes you want to tap your foot right along or snip your fingers!

Kiwi jr./Cooler Returns

Kiwi jr. are an indie rock band from Canada formed in 2015. Their Apple Music profile notes, made up of guitarist/vocalist Jeremy Gaudet, drummer Brohan Moore, bassist Mike Walker, and second guitarist Brian Murphy, the band’s sound was one part Pavement’s snarky melodicism, one part C-86 jangle, and sprinklings of restless wit in their lyrics about house parties, strange friends, and suburban landscapes. The band moved to Toronto shortly after forming, integrating themselves in the music scene there. Murphy split his time between playing guitar with Kiwi Jr. and bass in Alvvays, as the former band worked on their debut album between 2016 and 2017. In 2019, Kiwi jr. signed with Mint Records and released their debut album Football Money last year. Cooler Returns is the title track of the band’s sophomore album that came out on January 15.

Passenger/Remember to Forget

Let’s wrap things up with Passenger, the stage name of British folk pop singer-songwriter Michael David Rosenberg. According to his Apple Music profile, he took classical guitar lessons as a kid and eventually brought those skills to the streets to busk around England and Australia after leaving home at age 16. Upon returning to Brighton, he co-founded the folk-rock band Passenger in 2003. They released just one album before calling it quits, but Rosenberg, the group’s main songwriter, stuck with the name. He officially went solo as Passenger in 2009 with Wide Eyes Blind Love, a stripped-down acoustic set evoking the intimate storytelling of David Gray. Since, he’s been highly prolific, releasing 10 albums in his first decade alone, carefully tweaking his sound every step of the way. Remember to Forget is from Passenger’s 12th solo album Songs for the Drunk and Broken Hearted, which appeared on January 8.

Sources: Wikipedia; Apple Music; Emmett Cohen website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

This week’s installment of my recurring new music feature presents another combination of younger and older artists. I’ve kept it to four tunes. There’s some folk, jazz, space rock and indie pop. Let’s get to it!

David Gilmour/Yes, I Have Ghosts

At first, I was a bit lukewarm about David Gilmour’s new single, which appeared on July 3. I really dig him as a guitarist and think his solo in Pink Floyd’s Comfortably Numb is one of the most epic rock guitar solos I know. To be clear, Yes, I Have Ghosts is no Comfortably Numb; but the more often I listen to it, the more I like this tune. The lyrics were written by Gilmour’s wife and long time collaborator, English novelist, lyricist and journalist Polly Samson. Gilmour composed the music, which to me is pretty obvious, based on the chord changes. The track was inspired by Samson’s the new novel A Theatre for Dreamers. Interestingly, the song features Gilmour’s 18-year-old daughter Romany on harmony vocals and harp. While that had not been his initial plan and he ended up working with her because of the COVID-19 lockdown, I think the two of them really sound great together. This largely explains why I dig Yes, I Have Ghosts. There is also beautiful violin work by John McCusker. As reported by Rolling Stone, Gilmour’s single is his first new song in five years. Perhaps the beginning of another solo album? Who knows… Meanwhile, I’d be curious how you feel about this tune. Perhaps, give it more than one listen.

Aaron Parks/Solace

According to his website, Aaron Parks is a forward-thinking jazz musician who came to the public’s attention during his time with trumpeter Terence Blanchard. Born in Seattle, Washington, Parks began playing piano at a young age and by the time he was 14 had enrolled in an early entrance degree program at the University of Washington. Originally, Parks pursued both science and music degrees; however, his prodigious talent won out and by age 16 he had transferred to the Manhattan School of Music. While there, he studied with noted pianist Kenny Barron…At age 18 he joined Blanchard’s ensemble and subsequently recorded four albums with the veteran trumpeter…Besides playing with Blanchard, Parks has performed with a variety of artists including trumpeter Christian Scott, drummer Kendrick Scott, vocalist Gretchen Parlato, and others. In 1999, Parks released his debut album The Promise as a band leader. Solace, composed by him, is a relaxing instrumental from his most recent album Little Big II: Dreams of a Mechanical Man, which appeared on May 8. It has a bit of a late night bar background music flair.

Hawklords/Aerospaceage Inferno

Going from a relaxing jazz instrumental to a full-blown space rock attack may be a bit of a leap, but why not? Hawklords initially were formed in 1978 as a spin-off from Hawkwind, a British space rock band fellow blogger Vinyl Connections featured in a recent post. Hawklords’ former Hawkwind members were Robert Calvert (vocals), Dave Brock (guitar) and Simon King (drums), who teamed up with Harvey Bainbridge (bass), Martin Griffin (drums) and Steve Swindells (keyboards). The first active phase of Hawklords only lasted until 1979. In 2008, a new version of the band emerged around Bainbridge, together with Dave Pearce (drums), Jerry Richards (guitar, keyboards), Tom Ashurst (bass) and ex-Hawkwind vocalist Ron Tree. Aerospaceage Inferno is from the band’s latest album Hawklords Alive released on May 29. Written by Calvert, the tune first appeared on his second solo album Lucky Leif and the Longships from September 1975. Calvert died from a heart attack in August 1988 at the age of 43. As reported by Louder, Hawklords’ new live album was recorded during a concert at Live Rooms in Chester, England in May 2019 during the band’s Hawklords Generations Tour.

Alice Phoebe Lou/Touch

Alice Phoebe Lou is a soon-to-be 27-year-old singer-songwriter hailing from Kommetjie, South Africa. According to her website, Lou grew up on a mountainside in South Africa, attending a local Waldorf school that cultivated her innate love of music and the arts. She made her first visit to Europe at 16, a life-changing journey that first saw her taking her songs to the streets. Lou returned home to finish school but as soon as she was able made her way back to Europe, specifically Berlin. Armed with just her guitar, a small amp, a passel of distinctive original songs, and an utterly intoxicating voice and charm, she soon built a devoted fan following, not just in Berlin but around the world as tourists and passers-by from faraway places were so captivated by her music that they began sharing it amongst friends and social media. Lou self-released her debut EP, MOMENTUM, in 2014, followed two years later by her acclaimed first full-length, ORBIT. She has since released two additional albums and two EPs. Touch is Lou’s new single, which I don’t believe is associated with an album (yet).

Sources: Wikipedia; Rolling Stone; Aaron Parks website; Louder; Alice Phoebe Lou website; YouTube