Julian Lennon’s First New Album In 11 Years Is a Welcome Surprise

Until July, I had not heard the name Julian Lennon for many years. It’s safe to assume I was not the only one – no pun intended! After Saltwater, a nice tune from Lennon’s fourth album Help Yourself released in 1991, he had disappeared from my radar screen. Now, Lennon is back with Jude, his seventh studio album and first in 11 years, which was released last Friday (Sep 9). If you had been waiting and hoping for new music from him, it was definitely worth the wait!

Julian Lennon of course is the son John Lennon had with his first wife Cynthia Lennon (born Powell). After launching a music career in 1984 with the great album Valotte, he started branching out into other areas, including philanthropy, film (both before and behind the camera), photography and book publishing.

Lennon’s endeavors outside of music became more successful than his albums. For example, his 2006 documentary WhaleDreamers about an aboriginal tribe in Australia and its special relationship with whales won multiple awards and was shown at the 2007 Cannes Film Festival. In 2019, he completed what became a New York Times best-selling trilogy of children’s books.

After his previous album Everything Changes came out in October 2011, Lennon thought he was done with the music business for good. So what made him change his mind? “I just happened upon a box of old demos initially, which I brought to light and found that there were some really good songs that I still loved but I never quite finished or they just didn’t belong on an album or project back then,” Lennon told Smashing Interviews Magazine in June 2022. “I thought, ‘Okay. Let me fix what needs fixing, update the production and go from there.'” And here we are. Let’s get to some music!

Since I just covered the opener Save Me in my latest Best of What’s New installment I’m skipping it here and go right to Every Little Moment. The tune was co-written by Lennon and longtime collaborator Mark Spiro. Together with Freedom, it became available on April 8, coinciding with Lennon’s 59th birthday. “Every Little Moment,” is a song I wrote many years ago, Lennon stated on his website. The lyrical narrative not only confronts the wars within, but the ongoing battles we face on the outside. Commenting on the song’s official video, he added, it represents a more hopeful vision for the future. It celebrates a time of peace where someday, the weapons of war will be replaced with seeds of love. I love the song’s atmosphere! In addition, Lennon sounds very mature, which also is the case on the album’s 10 other tracks.

Not One Night is a nice acoustically-oriented ballad penned by Spiro. The tune has a personal feel to it. I used to dream of only you/But now I don’t do that/And I used to miss talking to you/But now I don’t do that/Since you’ve been gone I’ve learned to stop/Tryna hold on because there’s not/Only night, one single day/That I wouldn’t give to you/So with all my might, in every way/I’ll try to forget you, too…

Lucky Ones is the most recent single from the album, released on August 3. It is credited to multiple writers who in addition to Lennon include Albin Nedler, Gregg Alexander, Gregory Darling, John Martin, Kristoffer Fogelmark, Martijn Garritsen and Michel Zitron. “”Lucky Ones” is the realization of how lucky we really are,” Lennon told SPIN. “We are faced with being on a beautiful planet, in a beautiful world and have the opportunity to have the most incredible of lives. Unfortunately, there are some negativities in this world, which I don’t think will ever go away. But, we must embrace the good and we must embrace it on such a level that we can share it with people, so that love spreads around the world and we can all “Imagine a world without war.””

The last track I’d like to call out is Stay, which Lennon penned together with yet another writer, Peter-John Vettese. Of course, one has to keep in mind Jude includes songs that were written over a long period of time.

I’d like to touch on two additional things. First, the album’s title, an obvious nod to Hey Jude, which Paul McCartney had penned in 1968 to comfort then-5-year-old Julian following his parents’ separation. Originally written as “Hey Jules,” McCartney changed the title to Hey Jude since he felt it sounded better. 

“Calling the album Jude was very much a coming of age,” Lennon explained to Smashing Interviews Magazine. “A lot of people really don’t understand that may have been a great song, a great chanting song, a favorite Beatles song, but it’s a harsh reminder of what actually happened in my life, which was that my Father walked out on my Mother and me. I barely saw him at all before he was taken away. That was a truly, truly difficult time…It’s all about having understood what that was all about, coming to terms with that, coming to terms with me and who I am today and what that means not only for everybody else but for me, too.”

And then there’s also that captivating photo of young Julian on the album cover. “I remember at that point [when the photo was taken – CMM] Dad was seeing May Pang and May Pang and my mother were trying to get Dad and I to spend more time together,” Lennon pointed out to SPIN. “It was taken in Disney World in 1974 after Christmas that year. It was just a moment where I looked like I was in another world, where all around was a blur. I guess because although I was happy to see dad again, it was a weird and unique situation not having seen him for years, to finally be with him again. The biggest question for me at this time, was “How long is this going to last?” or “Is he going to disappear again?” I think that’s predominately what the look on my face represents. It’s one big question.”

Jude is a mature pop album by a versatile artist who after nearly 40 years into his career finally appears to be fully comfortable in his own skin. The album appears on BMG. In March, Lennon announced he had signed a new global recordings agreement with that label. Jude was co-produced by Lennon and Justin Clayton, the lead guitarist of Lennon’s backing band who has played on most of his albums.

The final word shall belong to Lennon: “I feel very much that I am my own man, and I’ve built a very serious working foundation on many, many levels, and that cannot be taken away from me,” he told Smashing Interviews Magazine. “So some people think I’ve been a hermit, but no, I’ve just not been on the camera in front of everything. That’s not a place I actually like to be really. I could be there sometimes to do certain things, but for the most part, let me be behind the camera. I’m happiest behind the scenes on most of the things that I do. I just try to be me these days, and that’s part of who I am.”

Here’s a link to the album on Spotify.

Sources: Wikipedia; Smashing Interviews Magazine; Julian Lennon website; SPIN; YouTube; Spotify

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The Sunday Six

Welcome to the final Sunday Six of 2021 – can’t believe I’m writing this! To those celebrating, I hope you had a nice Christmas and are still enjoying the holiday season. To everybody else, hope you’ve been having a great time anyway! Today, this weekly recurring feature is hitting a milestone with its 50th installment. It’s another eclectic set of music touching the ’50s, ’60s, ’70s, ’80s, ’90s and 2021. Ready for the last mini music excursion of the year? Let’s do it!

Frank Zappa/Pink Napkins

I’d like to start today’s music time travel with an artist I never thought I’d feature. While I recognize Frank Zappa was widely acclaimed, except for the weirdly catchy Bobby Brown Goes Down, I always found it difficult to listen to his music and never warmed to him. That being said, I’ve always known he was a pretty talented musician. When my streaming music provider served up Pink Napkins the other day, I was immediately intrigued by this guitar-driven instrumental. And, yes, I was quite surprised to learn I had just listened to Frank Zappa! Pink Napkins is from Son of Shut Up ‘n Play Yer Guitar, the second in a series of three all-instrumental albums released in May 1981, which subsequently appeared as a box set in 1982. It’s a very improvisational collection of what essentially are guitar solos. While hey there, people, you may wonder, wonder, why Zappa released a massive collection of guitar solos, dare I say it, I actually dig Pink Napkins!

Pink Floyd/Stay

Next is what I would call a deep track from Pink Floyd’s catalog. Stay, co-written by the band’s keyboarder Richard Wright and guitarist David Gilmour, was included on the group’s seventh studio album Obscured by Clouds that came out in June 1972. It was the soundtrack for a French motion picture titled La Vallée and directed by Iranian-born Swiss film director and producer Barbet Schroeder. Among others, he’s known for directing Hollywood films Barfly (1987) and Single White Female (1992). While Obscured by Clouds didn’t match the chart performance of the group’s two preceding records Meddle and Atom Heart Mother, it still reached a respectable no. 6 in the UK. By comparison, it remained, well, a bit more obscure in the U.S. where it stalled at no. 46. This was in marked contrast to Pink Floyd’s next album The Dark Side of the Moon.

Little Richard/Good Golly, Miss Molly

Okay, boys and girls, it’s time to get movin’ and groovin’ with some killer classic rock & roll by the great Little Richard: Good golly, Miss Molly, sure like to ball, whoo/Good golly, Miss Molly, sure like to ball/When you’re rockin’ and a rollin’/Can’t hear your momma call…Even though I’ve listened to Good Golly, Miss Molly countless times since I first heard it 40-plus years ago, I’m still amazed by Richard’s energy. This man was a force of nature and an incredible performer. Good Golly, Miss Molly was co-written by John Marascalco and producer Robert “Bumps” Blackwell. It was first recorded by Richard and appeared as a single in January 1958. It was also included on Richard’s eponymous sophomore album released in July of the same year.

The Reverend Peyton’s Big Damn Band/Ways and Means

Let’s keep rockin’ and jump to 2021 and The Reverend Peyton’s Big Damn Band. If you happened to read part 1 of my recent year-in-review feature, you may recall the name of this unusual country blues trio, which has been around since 2003. Ways and Means is the opener of Dance Songs for Hard Times, the trio’s energetic 10th studio album that came out back in April. Check out the official video, which is fun to watch. These guys are just amazing! Peyton is a really talented guitarist, and his singing ain’t too shabby either – my kind of reverend!

The Mamas & The Papas/Monday Monday

After two high-energy tunes, I’d like to slow it down a little with some beautiful sunshine pop from the ’60s. For the purposes of this feature, the tune really should have been titled “Sunday Sunday”, but I’ll gladly go with Monday Monday. The third single by The Mamas & The Papas, released in March 1966, became the L.A. vocal group’s only no. 1 in the U.S. on the Billboard Hot 100. Written by the group’s leader John Philipps, aka Papa John Phillips, the tune was a big hit outside the U.S. as well, reaching no. 2 in Austria, Belgium, Germany and The Netherlands; no. 3 in the UK; and no. 4 in Australia, among others. Monday Monday was also included on The Mamas & The Papas’ debut album If You Can Believe Your Eyes and Ears from February of the same year. I’ve always loved their beautiful harmony singing.

Bonnie Raitt/You

I’d like to wrap up this installment with one of my all-time favorite artists: Bonnie Raitt. Since I was introduced to her with Nick of Time in 1989, I’ve come to love her music and amazing slide guitar-playing. I also finally had a chance to see her in August 2016 in New Jersey. If you’re curious you can read more about the show here and watch a clip of the entire gig, which is still up! For this post, I’ve picked You, a beautiful tune from Raitt’s 12th studio album Longing in Their Hearts that appeared in March 1994. The song was co-written by John Shanks, Bob Thiele and Tonio K. (born Steven M. Krikorian). Bonnie Raitt will tour in 2022. Man, would I love to catch her again – we’ll see whether conditions are going to responsibly allow it!

Last but not least, here’s a playlist with the above tunes!

Sources: Wikipedia; YouTube

The Sunday Six

Can you believe it’s Sunday morning again? After having done home office for about a year now and also spent most of my other time at my house, I’ve pretty much lost sense of time. On the upside, Sunday morning also means it’s time for another Sunday Six. This new installment, which btw is the sixth of the weekly recurring feature, includes jazz-oriented instrumental music, soul, blues, funky R&B, straight rock and glam rock – in other words, a good deal of variety, and that’s the way uh huh I like it!

Mike Caputo/Space and Time

Let’s kick things off with a beautiful journey through space and time. Not only does this newly produced saxophone-driven instrumental by Mike Caputo feel timely in light of NASA’s recent landing of the Mars rover, but it also represents the kind of smooth music I like to feature to start Sunday Six installments. If you’re a more frequent visitor of the blog, Mike’s name may ring a bell. The New Jersey singer-songwriter, who has been active for more than 50 years, is best known for his incredible renditions of Steely Dan’s music, faithfully capturing the voice of Donald Fagen. His current project Good Stuff also features music of Gino Vannelli, Stevie Wonder and Sting, who have all been major influences. Like many artists have done during the pandemic when they cannot perform, Mike went back into his archives and unearthed Space and Time, which he originally had written as part of a movie soundtrack a few years ago. BTW, that amazing saxophone part is played by Phil Armeno, a member of Good Stuff, who used to be a touring backing musician for Chuck Berry, Bo Diddley and The Duprees in the ’70s. Check out that smooth sax tone! Vocals? Who needs vocals? 🙂

The Impressions/People Get Ready

Before Curtis Mayfield, one of my favorite artists, launched his solo career with his amazing 1970 album Curtis, he had been with doo-wop, gospel, soul and R&B group The Impressions for 14 years. When he joined the group at the age of 14, they were still called The Roosters. People Get Ready, written by Mayfield, was the title track of the group’s fourth studio album that came out in February 1965, about seven years after they had changed their name to The Impressions. People Get Ready gave the group a no. 3 hit on the Billboard Hot R&B Songs (now called Hot R&B/Hip-Hop Songs). On the mainstream Hot 100, the tune climbed to no. 14. Many other artists like Bob Marley, Al Green, Aretha Franklin and The Staple Singers have covered it. Perhaps the best known rendition is by Jeff Beck, featuring Rod Stewart on Beck’s 1985 studio album Flash. But on this one, I always like to go back to the original and the warm, beautiful and soulful vocals by The Impressions – to me, singing doesn’t get much better!

Peter Green/A Fool No More

I think it’s safe to assume Peter Green doesn’t need much of an introduction. The English blues rock singer-songwriter and guitarist is best known as the first leader of Fleetwood Mac, initially called Peter Green’s Fleetwood Mac featuring Jeremy Spencer, the band he formed following his departure from John Mayall and the Bluesbreakers with former Bluesbreakers members Mick Fleetwood (drums) and Jeremy Spencer (guitar), as well as Bob Brunning (bass) who was subsequently replaced by Green’s first choice John McVie. What’s perhaps less widely known outside of fan circles is Peter Green’s solo career he launched after leaving Fleetwood Mac in May 1970 due to drug addiction and mental health issues. Unfortunately, these demons would stay with him for a long time and impact his career, especially during the ’70s. A Fool No More, written by Green, is a track from his excellent second solo album In the Skies. The record was released in May 1979 after eight years of professional obscurity due to treatment for schizophrenia in psychiatric hospitals in the mid-’70s. Yikes- it’s pretty scary what havoc LSD can cause! Considering that, it’s even more remarkable how amazing Green sounds. Check it out!

Stevie Wonder/I Wish

Let’s speed things up with the groovy I Wish, a tune by Stevie Wonder from his 18th studio album Songs in the Key of Life released in September 1976. Frankly, I could have selected any other track from what’s widely considered Wonder’s magnum opus. It’s the climax of his so called classic period, a series of five ’70s albums spanning Music of My Mind (1972) to Songs in the Key of Life. I Wish, which like most other tracks on this double-LP were solely written by Wonder, also became the lead single in December 1976 – and his fourth no. 1 ’70s hit in the U.S. on the Billboard Hot 100. The song also topped the charts in Canada, and was a top 10 in Belgium, Ireland, The Netherlands and the UK. Take it away, Stevie!

John Mellencamp/Melting Pot

Here’s what you might call an out-of-left-field pick from John Mellencamp, one of my long-time favorite artists. Melting Pot is a great rocker from his 11th studio album Whenever We Wanted that appeared in October 1991. It marked a bit of a departure from Mellencamp’s two previous albums Big Daddy (1989) and The Lonesome Jubilee (1987), on which he had begun incorporating elements of roots music. Instead, Whenever We Wanted is more reminiscent of the straight rock Mellencamp had delivered on earlier albums like American Fool (1982), Uh-Huh (1983) and Scarecrow (1985). Like all other tunes except for one on the album, Melting Pot was written by Mellencamp. While Whenever We Wanted didn’t do as well on the charts as the aforementioned other albums, it still placed within the top 20 in the U.S., reaching no. 17 on the Billboard 200. The album performed best in Australia where it peaked at no. 3.

David Bowie/Suffragette City

Time to wrap up this installment of The Sunday Six. Let’s go with another great rocker: Suffragette City by David Bowie. If you’ve read my blog, you probably know I really dig Bowie’s glam rock period. As such, it’s perhaps not surprising that his fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars is my favorite. It was released in June 1972. Suffragette City also became the B-side of lead single Starman that appeared ahead of the album in February that year. Eventually and deservedly, Suffragette City eventually ended up on the A-side of a 1976 single that was backed by Stay to promote the fantastic compilation Changesonebowie. This is one kickass rock & roll song. Bowie said it best, or I should say sang it best: Ohhh, wham bam thank you ma’am!

Sources: Wikipedia; YouTube

On This Day In Rock & Roll History: January 1st

What could possibly happen on a January 1st when it’s safe to assume many folks are recovering from celebrating the New Year? Well, it turns out quite a bit!

1956: Carl Perkins released Blue Suede Shoes as a single on Sun Records. Written by him, it is considered to be one of the first rockabilly tunes. The song spent 16 weeks on the Best Selling Singles chart from music industry publication Cash Box, a competitor to Billboard at the time, peaking at no. 2. The song was also covered by many other artists, including Buddy Holly, Eddie Cochran and Elvis Presley.

1959: Johnny Cash performed one of his first prison shows at San Quentin prison in San Rafael, Calif. Among the audience members was future country artist Merle Haggard who was serving a sentence for burglary. According to Songfacts, the performance captivated the then 19-year-old who later credited Cash for his “outlaw sound.” About 10 years later, the two men ended up performing together on the TV series The Johnny Cash Show. In February 1969, Cash recorded a live album at that prison, Johnny Cash At San Quentin. Here’s a clip of I Walk The Line, one of the tunes Cash likely also performed during the 1959 gig.

1962: Decca Records Head of A&R (singles) Dick Rowe became the record company executive who rejected The Beatles after A&R representative Mike Smith recorded a session with them at Decca’s studios in West Hampstead, London. At the time, the band’s line-up consisted of John Lennon, Paul McCartney, George Harrison and Pete Best. While manager Brian Epstein and The Beatles were confident Decca would sign them, instead they went with Brian Poole and The Tremeloes, a local band. According to the Beatles Bible, Rowe thought it would be easier to work with them than a band from Liverpool. The official reason given to Epstein: “Guitar groups are on the way out, Mr. Epstein.” While it is safe to assume Rowe bitterly regretted his decision, he did sign up The Rolling Stones, ironically following Harrison’s recommendation.

1964: The television music program Top of the Pops (TOTP) debuted on the BBC. The inaugural of the show that aired weekly until July 2006 featured The Rolling Stones (I Wanna Be Your Man), Dusty Springfield (I Only Want To Be With You), The Dave Clark Five (Glad All Over), The Hollies (Stay), The Swinging Blues Jeans (Hippy Hippy Shake) and The Beatles (I Want To Hold Your Hand). Thanks to its large viewing audience, TOTP became a significant part of British pop culture, according to Wikipedia.

1966: The Sound Of Silence (originally called The Sounds Of Silence) by Simon & Garfunkel reached no. 1 on the Billboard Hot 100. Written by Paul Simon, the duo initially recorded it in March 1964 for their studio debut Wednesday Morning, 3 A.M. But the record bombed and they broke up. After the song had received growing radio play during the spring of 1965, producer Tom Wilson decided to remix the track and release it in September that year. Simon & Garfunkel were only informed about this after the fact. The song’s chart success led them to reunite and record their second album, Sounds Of Silence. On that record, the tune appeared as The Sound Of Silence.

1972: Carole King’s third studio album Music, which had been released in December 1971, reached no. 1 on the Billboard 200. The follow-up to King’s iconic 1971 record Tapestry from maintained that position for three consecutive weeks. In fact, both albums were simultaneously in the top 10 for many weeks. Here is a clip of Sweet Seasons, which was co-written by King and Toni Stern and also released separately as a single.

Sources: This Day In Music.com, Songfacts Music History Calendar, The Beatles Bible, Wikipedia, YouTube