Best of What’s New

A selection of newly released music that caught my attention

Another Saturday is upon us, and this means it’s time to take a fresh look at newly released music. All featured tracks in this post appear on releases that came out yesterday (September 24). Without further ado, let’s get to it!

Third Eye Blind/Goodbye to the Day of Ladies and Gentlemen

Third Eye Blind are an alternative rock band founded in San Francisco in 1993. In the early 1990s, singer-songwriter and guitarist Stephan Jenkins set out to start the group. He worked on early material with bassist Jason Slater that resulted in the band’s first demo. In their early years, Third Eye Blind experienced frequent line-up changes. After Slater’s departure, guitarist Kevin Cadogan joined with whom Jenkins developed a songwriting partnership. In June 1996, the group signed with Elektra Records. Despite significant challenges, Third Eye Blind’s eponymous debut album finally appeared in April 1997. It reached no. 25 in the U.S. on the Billboard 200, also charted in Canada, Australia and New Zealand, and has sold more than six million copies, becoming the band’s best-selling album to date. Third Blind Eye have since since released six additional records including their latest, Our Bande Apart. Here’s the nice opener Goodbye to the Day of Ladies and Gentlemen penned by Jenkins who also wrote or co-wrote all of the album’s remaining tracks.

Jesse Malin/Greener Pastures

Singer-songwriter and guitarist Jesse Malin started his career in 1980 when he was only 12 years old as frontman of New York hardcore group Heart Attack. In 1991, he co-founded D Generation, a glam punk band, in which he continues to perform as lead vocalist to this day. After the group’s break-up in 1999 (they reunited in 2011), Malin launched a solo career. Influenced by Neil Young, Steve Earle and Tom Waits, he changed his sound. His solo debut The Fine Art of Self-Destruction first came out in the UK in October 2002 before it appeared in the U.S. in January 2003. Eight additional solo albums by Malin have since been released. Here’s Greener Pastures, a beautiful tune from Malin’s new Americana-oriented album Sad and Beautiful World.

Mac McCaughan/The Sound of Yourself

According to his profile on Apple Music, Mac McCaughan wears multiple hats. He is a co-founder of the seminal indie band Superchunk, founder and leader of Portastatic, a former member of Seam and Go Back Snowball, and co-owner of Merge Records, one of America’s most successful and influential independent labels. Despite his success, McCaughan has strayed little from his punk rock principles in terms of both music and business, and after more than 25 years of making records, he opted to launch a belated solo career in 2015 with the release of the synthy Non-Believers...While Superchunk continued releasing albums of the high-energy fuzz pop they were known for, McCaughan furthered his deepening fascination with synth sounds, collaborating with ambient harpist Mary Lattimore on a series of improvisations that was released in 2019 as the New Rain Duets album by the Three Lobed label. This brings me to his latest solo release, The Sound of Yourself. Here’s the title track. I like it!

Ringo Starr/Let’s Change the World

Only six months after Zoom In, Ringo Starr is out with another EP, Change the World. Of course, I couldn’t ignore it! Just like the previous EP, the four tracks were recorded at Starr’s Roccabella West studio, according to a recent announcement on his website. “I’ve been saying I only want to release EPs at this point and this is the next one,” he commented. “What a blessing it’s been during this year to have a studio here at home and be able to collaborate with so many great musicians, some I’ve worked with before and some new friends.” Guest artists include Joseph Williams and Steve Lukather, both from Toto, as well as Joe Walsh and Nathan East, among others. Here’s the title track co-written by Williams and Lukather. Backing vocals were provided by Amy Keys, Zelma Davis, Billy Valentine and Darryl Phinnessee. Let’s Change the World perfectly fits the hope and optimism Ringo Starr continues to radiate at age 81 – I just love the man!

Sources: Wikipedia; Apple Music; Ringo Starr website; YouTube

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another installment of The Sunday Six, my weekly recurring feature where I stretch out across different genres and different decades to celebrate music I dig, six tracks at a time. This edition features blue-eyed soul/R&B, Americana rock and Stax soul, bookended by two beautiful guitar-driven instrumentals. It touches the ’60s, ’70s, ’80s, ’90s and 2021.

Marisa Anderson & William Tyler/Hurricane Light

Kicking off this post is beautiful instrumental music by Portland, Ore.-based guitarist and composer Marisa Anderson. From her website: Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her deeply original work applies elements of minimalism, electronic music, drone and 20th century classical music to compositions based on blues, jazz, gospel and country music, re-imagining the landscape of American music…Classically trained, she honed her skills playing in country, jazz and circus bands. Originally from Northern California, Anderson dropped out of college at age nineteen to walk across the US and after more than decade of wandering landed in Portland, Oregon, where she currently lives. Hurricane Light is a track from Anderson’s new album, Lost Futures, which appeared on August 27 and which she recorded together with William Tyler, a fellow guitarist from Nashville, Tenn. I find this music super relaxing. It’s got a cinematic feel to it, which perhaps isn’t surprising. Anderson’s website also notes she writes scores for short films and soundtracks.

Boz Scaggs/Lowdown

Let’s jump back 45 years to a very cool tune by Boz Scaggs. Lowdown, which features a seductive funky bassline and is smooth at the same time, is from Scaggs’ seventh studio album Silk Degrees released in February 1976. Co-written by Scaggs and then-future Toto co-founder David Paich, the song also became the highest-charting single off the album, climbing to no. 3 in the U.S. on the Billboard Hot 100. In Canada, it peaked at no. 2. It also charted in the UK and Australia. BTW, that neat bassline was played by David Hungate, another soon-to-become original member of Toto. And there was a third musician who would join Paich and Hungate to form Toto the following year, together with Steve Lukather and Bobby Kimball: drummer Jeff Porcaro. Scaggs started his career in 1959 in high school as vocalist in Steve Miller’s first band The Marksmen. The two musicians continued to play together in a few other groups, including Steve Miller Band. After staying with them for the first two albums, Scaggs secured a recording deal for himself and focused on his solo career. He is still active and has released 19 solo albums to date, the most recent of which, Out of the Blues, appeared in July 2018.

Steve Earle & The Dukes/I Ain’t Ever Satisfied

When my streaming music provider served up I Ain’t Ever Satisfied the other day, I was immediately hooked. I’ve listened to some of Steve Earle’s catalog, but there is a lot left for me to explore. I Ain’t Ever Satisfied, written by Earle, appeared on his sophomore album Exit 0 from May 1987, which he recorded together with his backing band The Dukes. The album placed in the U.S. and Canadian mainstream charts at no. 90 and no. 36, respectively, and earned Earle two 1988 Grammy nominations for Best Male Country Vocalist and Best Country Song. Earle has released 21 studio albums to date, including collaborations with Del McCoury Band and Shawn Colvin. His most recent album J.T., a tribute to his oldest son Justin Townes Earle who passed away from a drug overdose in August 2020, was released in early January this year. I previously reviewed it here.

Son Volt/Driving the View

Alternative country and Americana rock band Son Volt are a recent discovery for me. They entered my radar screen with their latest album Electro Melodier, which came out at the end of July. I featured a tune from it in a previous Best of What’s New installment. The group around singer-songwriter and guitarist Jay Farrar was formed by him in 1994 after the breakup of Uncle Tupelo, another alt. country outfit he had co-founded in 1987. Son Volt’s studio debut Trace appeared in September 1995. To date, the band has released 10 albums. In addition to Farrar, the current members include Chris Frame (guitar), Mark Spencer (keyboards, steel guitar),  Andrew DuPlantis (bass) and Mark Patterson (drums). Here’s Driving the View, a great track from Son Volt’s third studio album Wide Swing Tremolo that appeared in October 1998.

Wilson Pickett/In the Midnight Hour

Next we’re going back to 1965 and Memphis, Tenn. for some sweet soul music recorded at the Stax studio. By the time Atlantic recording artist Wilson Pickett recorded In the Midnight Hour, Stax founder Jim Stewart had signed a formal national distribution deal with Atlantic Records, a contract that would come to haunt him when Atlantic Records was sold to Warner Bros.-Seven Arts in 1967 and Stax would lose the rights to all Atlantic-distributed recordings between 1960 and 1967. Coming back to a happier subject, In the Midnight Hour was co-written by Pickett and guitarist Steve Cropper, a founding member of Stax house band Booker T. & the M.G.s, who also was the label’s A&R man. M.G.s members Al Jackson Jr. (drums) and Donald “Duck” Dunn (bass) participated in the recording session. In the Midnight Hour, which appeared in June 1965, also was the title track of Pickett’s sophomore album released the same year. The tune became Pickett’s first no. 1 on Billboard’s R&B singles chart and his highest charting song at the time on the mainstream Billboard Hot 100, where it reached no. 21. Just a timeless soul classic!

Robben Ford/A Dragon Tail

For the last track in this installment, we’re going back to the present time and a killer instrumental by guitarist extraordinaire Robben Ford, off his new album Pure that came out on August 27. Ford, who began playing the saxophone at age 10 before he discovered the guitar as a 13-year-old, has had a remarkable career. He has collaborated with Miles Davis, Joni Mitchell, George Harrison, Charlie Musselwhite, Larry Carlton and Little Feat, among many others. His solo debut Schizophonic, a jazz album, came out in 1976. Ford has since released close to 30 additional records under his name. This doesn’t include any of his collaboration albums. While primarily being associated with blues, Ford has played many other genres, including jazz, rock and funk. He has been nominated for five Grammys and was named one of the “100 Greatest Guitarists of the 20th Century” by trade publication Musician magazine that folded in 1999. Here’s A Dragon Tail from Ford’s above mentioned new album. Check out this amazing sound!

Sources: Wikipedia; Marissa Anderson website; YouTube

Clips & Pix: Toto/Pamela

I realize this is the second Clips & Pix post in a row about a tune I already covered previously, but when I spotted this live rendition of Pamela by Toto on YouTube, I simply couldn’t resist publishing it. This was recorded during a one night special event on November 21, 2020, featuring Toto’s new line-up. And, boy, do they sound awesome!

After the end of Toto’s 2018-2019 40 Trips Around the Sun Tour to celebrate their 40th anniversary, it looked like they were done. Not so! The above event was the first time the band performed with their new formation. In addition to long-time members Steve Lukather (guitar, vocals), Joseph Williams (vocals) and David Paich (keyboards, vocals), Toto’s 15th incarnation includes Steve Maggiora (keyboards, backing vocals), Dominique “Xavier” Taplin (keyboards), Warren Ham (saxophone, percussion, backing vocals), John Pierce (bass) and Robert “Sput” Searight (drums).

Fifteen line-ups sounds like awfully many. And as bands go through multiple changes, things don’t necessarily get better. It can take time to become a true unit. In this case, all of the above musicians not only sound top notch but also do a nice job playing together. In my opinion, the standout is Searight. While I’m not a drummer, to me, he has great rhythmic feeling and is simply a joy to watch. Pay particular attention to him!

Pamela, co-written by Paich and Williams, first appeared on The Seventh One, Toto’s seventh studio album released in March 1988 – one of their best, in my view. Sadly, it was the last studio album with Jeff Porcaro, the band’s fantastic original drummer. It certainly can’t be easy to fill his shoes, but Searight looks like he’s the guy to do it!

Toto has already announced a major new tour. I guess there are still many fans out there, and it’s probably also lucrative for them to go on the road. The Dogz of Oz World Tour is scheduled to kick off in Germany in July 2022. If they come to my neck of the woods, I will seriously consider seeing them again.

Sources: Wikipedia; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Here we are on another Sunday to explore the diversity of music six tunes at a time. Today marks the official start of summer and, boy, it’s certainly hot in my neck of the woods! But I take sun and heat over a dark and cold winter day any day. Regardless of the weather in your area and how you may feel about it, I hope you find something you enjoy among my picks for this new installment of The Sunday Six.

Jesse Colin Young/Song for Juli

Starting us off this time is a beautiful, largely instrumental track by Jesse Colin Young, co-founder and lead vocalist of The Youngbloods. When I stumbled across Song for Juli the other day, I immediately felt it would make for a nice Sunday Six opener. If you’ve read some of the weekly feature’s previous installments, you may have noticed my preference to start these posts on a softer note. After the dissolution of The Youngbloods in 1972, Jesse Colin Young (born Perry Miller) resumed his solo career he had first started in the early ’60s. That pre-Youngbloods phase had yielded two solo albums: The Soul of a City Boy (April 1964) and Young Blood (March 1965). Song for Juli is the title track of Young’s fourth solo album, a folk rock-oriented record that appeared in October 1973. The tune about his first child Juli was co-written by Young and the child’s mother Suzie Young, Young’s first wife. Young who last November turned 79 remains active and has released 13 additional albums to date. His most recent one is titled Dreamers and came out in February 2019.

The Turtles/Wanderin’ Kind

Every time I hear a song by The Turtles, I’m amazed by their great harmony singing. That being said, their biggest hit Happy Together, which I featured in a previous Sunday Six installment, is the only tune I’ve known by name, though I’ve heard some of their other songs. Well, now I can add Wanderin’ Kind, the opener of The Turtles’ debut album It Ain’t Me Babe from October 1965. The tune is one of the record’s four original tracks that were all written or co-written by the band’s lead vocalist and keyboarder Howard Kaylan. Fun fact from Wikipedia: Since at the time The Turtles recorded their first album their members were still underage, they required written permission from their parents to pursue the project. During their original five-year run from 1965 to 1970, The Turtles released six studio albums. In 1983, Kaylan and Turtles co-founder and guitarist Mark Vollman revived the band and have since toured as The Turtles…Featuring Flo and Eddie. They remain active and are planning to go on the road in the U.S. later this summer as part of the Happy Together Tour 2021.

Toto/Pamela

The other day, fellow blogger Music Enthusiast included Toto in an ’80s post, reminding me of a band I’ve listened to on and off since 1982 when they released their hugely successful fourth studio album Toto IV. Pamela is the opener of The Seventh One, which is, well, Toto’s seventh studio album that came out in March 1988. The tune was co-written by keyboarder David Paich and lead vocalist Joseph Williams. Among the features I’ve always dug about Pamela are Jeff Porcaro’s drumming and the cool breaks. Sadly, it turned out to be Porcaro’s final regular studio album with Toto. He died on August 5, 1992 at the age of 38 from a heart attack caused by coronary artery disease resulting from cocaine use. Following Toto’s second hiatus that started in October 2019 after the end of their last 40 Trips Around The Sun tour, they are back in business as of October 2020. A live album titled With a Little Help From My Friends, which captures a special lockdown performance from November 2020, is set to appear on June 25. Toto have also announced their next tour, The Dogz of Oz World Tour. Currently confirmed dates are for Europe starting in Bonn, Germany in July 2022. Paich and Williams are still part of the band’s current line-up, as is guitarist Steve Lukather, Toto’s only founding member who has continuously played in all of their incarnations.

Lord Huron/Mine Forever

Kudos to fellow blogger Angie from The Diversity of Classic Rock, who recently did a great feature on new music that includes Lord Huron, one of her picks that got my immediate attention. The indie folk rock band was initially founded in Los Angeles in 2010 as a solo project of guitarist and vocalist Ben Schneider. After recording and releasing a few EPs all by himself, Schneider started adding members for support during live shows and Lord Huron’s first full-length album Lonesome Dreams from October 2012. Apart from Schneider, the band’s current line-up features Tom Renaud (guitar), Miguel Briseño (bass, keyboards) and Mark Barry (drums, percussion). Mine Forever, written by Schneider, is a track from their new album Long Lost released on May 21. The tune perfectly illustrates what attracted me to Lord Huron, which is their amazing moody sound of layered voices, jangly guitars and expanded reverb. It has a cinematic feel to it. Check it out!

Bob Marley and the Wailers/Is This Love

The first time I heard of Bob Marley must have been on the radio during my teenage years back in Germany. I assume it was Could You Be Loved, his hit single from 1980, which got lots of play on the airways. What I remember much better is how I further got into his music. It was the excellent live album Babylon by Bus, which my best friend had gotten around the same time. Released in November 1978, the double LP captured performances by Bob Marley and the Wailers, mostly from three concerts in Paris in late June 1978. One of my favorite tracks from that album has always been Is This Love. Written by Marley, the tune first appeared on Kaya, the tenth studio album by Marley and his band, which came out in March 1978. There’s just something infectious about reggae. That groove automatically makes me move. Unfortunately, Bob Marley passed away from cancer on May 11, 1981 at the age of 36.

U2/Vertigo

The time has come again to wrap up another Sunday Six. As has kind of become tradition, I’d like to do so with a rocker: Vertigo by U2. I first got into the Irish rock band in the mid-’80s with their fourth studio album The Unforgettable Fire. From there, if I recall it correctly, I went to the live album Under a Bloody Red Sky, which in turn led me to U2’s earlier records. My favorite The Joshua Tree from March 1987 was still nearly three years away. After the follow-on Rattle and Hum, released in October 1988, I became more of a casual U2 listener. I think they have had decent songs throughout their career. Vertigo, the lead single from the band’s 11th studio album How to Dismantle an Atomic Bomb from November 2004, was an acquired taste. The Edge’s more straight hard rock playing was quite a departure from what I consider his signature sound on The Unforgettable Fire and The Joshua Tree album. At the same time, I respect that U2 don’t want to do the same music over and over again. While Vertigo hasn’t become my favorite U2 tune, I’ve come around and think it’s a pretty good song.

Sources: Wikipedia; The Turtles website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Usually, I keep my forays into newly released music to four tunes. This installment includes two more tracks. Why? Easy, ‘coz I can! On a more serious note, unlike other weeks where I feel more challenged to find music that sufficiently speaks to me, I discovered these tracks fairly quickly. And since I couldn’t quite decide on four, I ended up taking all six. Except for the final song, all tunes are included on releases that appeared yesterday (March 19).

Mason Lively/Love Ain’t Done a Damn Thing

Mason Lively is a country/Americana artist from Victoria, Texas. According to his website, he grew up in a country music atmosphere. His appreciation for the genre can be traced back to his childhood. Though he enjoyed and was exposed to many types of music, he would listen to artists like Willie Nelson, Merle Haggard, and Ray Price to name a few. Growing up, while also being influenced by Blues and Classic Rock, Mason started to take interest and study the songwriting of artists from his home state’s music scene like Robert Earl Keen, Pat Green, Hayes Carll, and many more. As a result, when he started playing guitar at age 14, Mason claims that song-writing “sort of snuck up on him” not long after that. Lively’s debut album Stronger Ties appeared in April 2018. Love Ain’t Done a Damn Thing is a track from his new eponymous sophomore album.

Michigander/Let Down

Jason Singer, performing as Michigander, is a singer-songwriter hailing from Midland, Mich., who has been active since 2014. His artist profile on Apple Music describes Michigander’s music as a rich blend of hook-driven and radio-ready indie rock with electronic flourishes and earnest, big-hearted storytelling that invokes names like Lord Huron and Mumford & Sons. He is a self-taught multi-instrumentalist who spent his formative years building a sonic persona that looked to a wide array of influencers, including Coldplay, Rush, James Taylor, and the White Stripes. After honing his skills playing solo sets, Singer relocated to Kalamazoo in 2014 and began operating under the Michigander moniker. In 2016 he issued the nostalgia-driven single “Nineties,” which garnered over a million online streams. Looking to capitalize on the success of the single, Singer turned his one-man solo project into a fully-fledged rock & roll band and hit the road, sharing bills with contemporaries like Ra Ra Riot, Tokyo Police Club, and Twin Peaks, and released the group’s debut EP, Midland, in 2018. The following year saw the band ink a deal with C3 Records and issue a second EP, Where Do We Go from Here? Well, I suppose the answer is Everything Will Be Ok Eventually, Michigander’s latest EP. Here’s lead single Let Down. I have to say I find this tune quite catchy.

Alice Phoebe Lou/Dusk

South African singer-songwriter Alice Phoebe Lou first entered my radar screen in July 2020, when I covered her then-latest single Touch in a previous Best of What’s New installment. As noted there, Lou grew up on a mountainside in South Africa, attending a local Waldorf school that cultivated her innate love of music and the arts. She made her first visit to Europe at 16, a life-changing journey that first saw her taking her songs to the streets. Lou returned home to finish school but as soon as she was able made her way back to Europe, specifically Berlin. Armed with just her guitar, a small amp, a passel of distinctive original songs, and an utterly intoxicating voice and charm, she soon built a devoted fan following, not just in Berlin but around the world as tourists and passers-by from faraway places were so captivated by her music that they began sharing it amongst friends and social media. Lou self-released her debut EP, Momentum, in 2014, followed two years later by her acclaimed first full-length, Orbit. Dusk, written by Lou, is from her new album Glow. Just like I felt previously, her music falls outside my core wheelhouse but there’s just something about it.

Ringo Starr/Waiting For the Tide to Turn

Just like his ex-Beatles mate Paul McCartney, Ringo Starr kept busy during the pandemic. One of the results is a new EP titled Zoom In. A statement on his website notes it features 5 songs all of which were recorded at Starr’s home studio between April-October 2020...Joining Starr were musicians Nathan East (bass), Steve Lukather (guitar), Bruce Sugar (synth guitar), Benmont Tench (piano), Charlie Bisharat (violin), Jacob Braun (cello), and Jim Cox (string arrangements and synth strings). Dave Grohl, Ben Harper and Jenny Lewis also joined Starr in the home studio, and all contributed to the first single, Here’s To The NightsI previously covered it hereRingo co-wrote “Waiting For The Tide to Turn” with his engineer Bruce Sugar, adding Tony Chen and his extensive reggae roots; “This was something my engineer Bruce Sugar started, but it didn’t have a lot of words, so we wrote it together. I did my version of reggae and what was great was we had Tony Chen, who played with Bob Marley and lives here in LA, come over and play on it. He said, ‘hey Mon, that you on drums mon?’ and I said yes, and he said ‘great drums mon, very reggae!’ and my heart swelled! It was so great coming from him.” Ringo and reggae was something I didn’t expect, but I think it came out pretty well!

Joyce Wrice/Chandler

Joyce Wrice is an R&B and soul artist from Los Angeles. There isn’t any background on her website and Facebook page, so I’m relying on a news story by MTV. Chandler is the opener of Wrice’s debut album Overgrown. The release follows a series of EPs and publishing covers on YouTube for 10 years. Some of her influences include Missy Elliott, Aaliyah and Sade. Apparently, she is also influenced by her Japanese heritage and Buddhism. “One of the things that I’ve learned through my Buddhist practice is to create opportunities within the obstacle or the struggle,” Wrice pointed out to MTV News. “It’s actually helped me to dig deeper and not be swayed by the situation and keep pushing through.” This tune has a cool vibe. I can hear some early ’70s Marvin Gaye in here.

Tigers Jaw/New Detroit

American rock band Tigers Shaw were formed in Scranton, Pa. in 2005. The group was started in high school by Ben Walsh, who played drums at the time, and Adam McIlwee (guitar, vocals). A few months later, they were joined by Brianna Collins (keyboards, vocals). The band released their debut album Belongs to the Dead in October 2006. By the time of their eponymous sophomore album from September 2008, Tigers Shaw had grown to a five-piece and Walsh had switched to guitar and vocals. He and Collins remain part of the current formation that also includes Colin Gorman (bass, rhythm guitar) and Theodore Roberts (drums). According to their Apple Music profile, the band’s music evolved from pop punk to Emo to indie rock. New Detroit is from their sixth studio album I Won’t Care How You Remember Me, which appeared on March 5. I really like how melodic and catchy this song is!

Sources: Wikipedia; Mason Lively website; Apple Music; Ringo Starr website; MTV News; YouTube

Best of What’s New

A selection of newly released music that caught my attention

While McCartney III kept me busy yesterday, Paul McCartney’s new album wasn’t the only great new music. Ringo Starr also released a new single. I wonder how many times has it happened before that two ex-Beatles come out with new music during the same week! But wait, there’s more.

How about an indie rock band from LA and a young R&B artist and producer from South Korea? Or a prolific Australian rock band I had never heard of before, which apparently is considered to be one of the most genre-hopping bands of all time.

Last but not least, this latest Best of What’s New installment also features a longtime New Jersey singer-songwriter and musician, who is perhaps best known for having performed the music of Steely Dan for more than 26 years, faithfully capturing the vocals of Donald Fagen.

The Wrecks/Static

The Wrecks are a band from the Los Angeles area, which was formed in 2016. Apple Music’s profile describes their music as exuberant, melodic, emo- and punk-influenced indie rock. The group found early success with their 2016 breakout single, “Favorite Liar,” and after a pair of EPs signed to the Big Noise label for their 2020 full-length Infinitely Ordinary. Hailing from Thousand Oaks, California, singer/guitarist Nick Anderson, guitarist Nick Schmidt, guitarist Westen Weiss, bassist Aaron Kelley, and drummer Billy Nally had barely formed when they chanced on the opportunity for a few covert days in a local studio. In just three hectic days, they recorded their 2016 debut EP, We Are the Wrecks, which featured the catchy single “Favorite Liar.” The song picked up steam online and helped the Wrecks land some key gigs opening for Paramore and the Struts along with festival slots at Lollapalooza and BottleRock. A second EP, Panic Vertigo, arrived in 2018, followed in 2020 by the Wrecks’ first LP, Infinitely Ordinary, on the Big Noise imprint. Static, co-written by Anderson and Schmidt, is the title track of The Wrecks’ new EP, which appeared yesterday. Admittedly, it falls outside my core wheelhouse, but my pop ear can’t deny it’s catchy.

Mike Caputo/Maya Lee

Unless you’ve read my blog for a long time, you probably haven’t heard of New Jersey singer-songwriter and musician Mike Caputo. Mike has been active for over 50 years. According to a bio on his website, A vocalist who plays keyboards and drums, Mike was signed to ABC Dunhill records at 15 years old after playing the Cafe Wha? in NYC in 1967. From that point he performed as a lead vocalist and either drummer, or keyboardist in a variety of local bands in the club circuit. Performing 5 to 6 nights a week playing Pop, Progressive, Jazz, R&B, Funk and his own Original Compositions, led him to more studio experience at Private Stock Records in the 70’s...Mike is also a published writer who wrote lyrics and melody for “A Question Of  Time” by B.J. Thomas from the album “Once I Loved” and “Manhattan Blue” for Rich Cecere’e Big Band. For the past more than 26 years, he has performed the music of Steely Dan, faithfully capturing the voice of Donald Fagen. His current project Good Stuff also features music of Gino Vannelli, Stevie Wonder and Sting, all artists who influenced him. Mike’s also a dear friend, and I’ve been to many of his shows. This doesn’t mean I’m featuring Maya Lee, a song he recently wrote, to do him a favor. In fact, he has no idea what’s coming at him! 🙂 When I saw this tune on Facebook the other day, I immediately dug it. It’s got a great smooth pop jazzy sound – and, yes, I can definitely hear some Donald Fagen/Steely Dan in here. I also really like the bass and guitar work, provided by Scott Hogan and Don Regan, respectively, who are also members of Good Stuff.

Ringo Starr/Here’s to the Nights

It turns out Paul McCartney wasn’t the only ex-Beatle who was busy working on new music during the pandemic. His former band mate Ringo Starr released Here’s to the Nights on Wednesday (December 16), the lead single from his forthcoming EP Zoom In scheduled for March 19, 2021. An announcement on his website notes, As this crazy year comes to a close, Ringo is offering a song of peace, love and friendship – “Here’s To The Nights” available today as a single…Written by Diane Warren, Ringo is joined by his friends, some longtime and some new, including: Paul McCartney, Joe Walsh, Corinne Bailey Rae, Eric Burton (Black Pumas), Sheryl Crow, FINNEAS, Dave Grohl, Ben Harper, Lenny Kravitz, Jenny Lewis, Steve Lukather, Chris Stapleton and Yola. Of course, I can see cynics dismissing this as an aging pop star getting a little help from celebrity musician friends. While it’s coming out just prior to the holidays, I don’t think this is about making a quick buck. Instead, I fully buy Ringo’s statement: “This is the kind of song we all want to sing along to, and it was so great how many wonderful musicians joined in. I wanted it out in time for New Years because it feels like a good song to end a tough year on. So here’s to the nights we won’t remember and the friends we won’t forget – and I am wishing everyone peace and love for 2021.”

Miso/Let It Go

Here’s another selection that’s not the kind of music I usually listen to, but there’s just something about Miso, a 28-year-old R&B artist and producer from South Korea. According to a mini bio on last.fm, Miso lived in England during her childhood. Her songs are characterized by a very peculiar modern and soft beat. Her name has often been associated with artists like DEAN and she has worked with CRUSH too – no idea who these artists are. Let It Go, for which Miso wrote both the music and lyrics, is from her new EP Metanoia released December 14. I guess it’s mostly her voice that drew me in. And check out that cool bassline! This tune definitely has something.

King Gizzard & The Lizard Wizard/If Not Now, Then When?

King Gizzard & The Lizard Wizard (what a name!) are an Australian rock band founded in 2010 in Melbourne. Initially, they started as a group of friends jamming together until a mutual friend asked them to play at a show – sounds like the rest is history. The current line-up features Stu Mackenzie (vocals, guitar, bass, keyboards, flute), Ambrose Kenny-Smith (vocals, harmonica, keyboards), Cook Craig (guitar, bass, vocals), Joey Walker (guitar, bass, keyboards, vocals), Lucas Harwood (bass, keyboards) and Michael “Cavs” Cavanagh (drums, percussion). Their profile on Apple Music notes they have built a reputation as one of the most prolific and adventurous genre-hopping bands of all time. Their debut studio album 12 Bar Bruise appeared in September 2012. And, yes, this band has been pretty prolific indeed ever since, releasing 15 additional studio albums, six live albums, two EPs, one compilation and more than 40 singles. If Not Now, Then When? is their latest single that came out on December 10. This is just a cool tune. The groove and the falsetto vocals remind me a bit of Prince. Check it out!

Sources: Wikipedia; Apple Music; Ringo Starr website; last.fm; YouTube

Best of What’s New

A selection of newly released music that caught my attention

This has been an extremely busy week on the work and family fronts, which hardly left any time to listen to music and reading posts written by my fellow music bloggers – not to mention writing something myself. Time to start catching up! A great place to begin is to take a look at newly released music. And I found some really good stuff, mostly by bands I had not heard of before. There’s also a nice collaboration single by former Toto guitarist Steve Lukather.

South of Eden/The Talk

South of Eden, formerly known as Black Coffee, are a four-piece rock band from Columbus, Ohio: Ehab Omran (lead vocals, acoustic guitar), Justin Young (lead guitar, vocals), Tom McCullough (drums) and Nick Frantianne (bass). According to their website, the band has already performed alongside everyone from the Foo Fighters to System of a Down, and invite you to join them on their journey of looking at rock ‘n’ roll through a modern lensOriginally from the country of Jordan, Ehab primarily listened to the Arabic music his parents would play, in addition to superstars like Michael Jackson, Phil Collins, and James Brown. After coming to America, he was introduced to a wider range of music that inspired him: eighties and nineties rock including Guns N’ Roses and notably QueenEhab and Nick performed together in various bands (channeling Iron Maiden, Red Hot Chili Peppers, and Alice In Chains) and eventually joined Justin and Tom who had been working on their own band (influenced by Van Halen and Black Sabbath). The Talk is the title track of the band’s debut EP, which came out yesterday (August 21). Credited to Omran, Young, McCullough and producer Greg Wells, this nice rocker reminds me a bit of Greta Van Fleet. While it’s more on the aggressive side, it’s got a catchy melody. Check it out!

The Lemon Twigs/Hell on Wheels

The Lemon Twigs are a rock band from Long Island, N.Y., fronted by brothers and multi-instrumentalists Brian D’Addario and Michael D’Addario. Brian and Michael, who had significant stage experience as children, formed The Lemon Twigs in 2014 when they were still in high school. The band’s touring line-up also includes Daryl Johns (bass), Tommaso Taddonio (keyboards) and Andres Valbuena (drums). Their first release was a cassette, What We Know, issued as a limited edition in 2015. This was followed by the debut studio album Do Hollywood from October 2016. They have since released two additional albums, an EP and various singles. Co-written by the brothers, Hell on Wheels is the opener of the band’s new studio album Songs for the General Public, which appeared yesterday (August 21). I think it’s a catchy tune.

Steve Lukather/Run to Me

Last October, following Toto’s final show in Philadelphia to wrap up their 40th anniversary tour, Steve Lukather told Pennsylvania local newspaper The Morning Call the gig marked “certainly the end of this configuration of Toto.” But apparently Lukather already had other plans. He was supposed to join Ringo Starr and His All-Starr Band for a tour earlier this year, which of course didn’t happen and has been postponed until 2021. Now he’s out with a new song, Run to Me, the first single from an upcoming solo album, which as reported by Rolling Stone, is set for release sometime next year. The tune was co-written by Lukather together with his former Toto band mates David Paich and Joseph Williams. In addition to Paich and Williams, it features Ringo Starr and Huey Lewis and the News bassist John Piece. “This is a happy summer single for less than happy times,” commented Lukather on his website. “It just seemed like this was the right time to release the song…A little out of character for myself, but fun.  Inspired by my youth…” There’s definitely a ’60s vibe in this melodic tune, which came out on August 20. Here’s the official video.

Sea Girls/Forever

Let’s wrap up this new music installment with some indie rock from England. Sea Girls, formed in London in 2015, feature Henry Camamile (vocals, guitar), Rory Young (lead guitar), Andrew Noswad (bass) and Oli Khan (drums). The band’s debut single Call Me Out appeared in June 2017. This was followed by various additional singles and three EPs, which were all self-released. Last year, the band managed to get a deal with Polydor Records. After a few more singles and another EP, Sea Girls recorded their full-fledged studio debut Open Up Your Head, released on August 14. It includes the above tune Forever, which was written by Young. I really dig the guitar-driven sound of this tune – pretty catchy song!

Sources: Wikipedia; South of Eden website; The Morning Call; Rolling Stone; YouTube

#PeaceAndLove and a Big Virtual Birthday Show

Today is the 80th birthday of Ringo Starr, which does seem to be a bit unreal, at least to me. As he has done since 2008, Ringo is asking people wherever they are on the planet to say the words ‘peace and love’ at noon their local time. He’s also doing a birthday show, but given the global COVID-19 pandemic, things will be a bit different this year. Rather than repeating what I previously said, I let him address it directly. Ringo is much more entertaining than I could ever be, which is one of several reasons why The Beatles wouldn’t have been the same without him.

To join Ringo’s Big Birthday Show later today at 8:00 pm U.S. EDT/5:00 pm U.S. PDT, go to his YouTube channel. Here’s a little fun teaser what to expect.

I’m also using the occasion to republish a post from exactly three years ago. Coz, why not?

And don’t forget, love and peace!

I feel we need it more than ever, especially in this country these days!

Repost from July 7, 2017

Today, Ringo Starr celebrated his 77th birthday and announced his upcoming 19th studio album. As the Los Angeles Times reported, Starr and hundreds of fans and fellow musicians gathered at Capitol Records Tower in Hollywood for a “Peace and Love” birthday celebration. The annual event has been conducted since 2008, when Starr was asked about his birthday wish and replied “more peace and love.” Ever since he has asked his fans all over the world to stop at noon their local time and say the words “peace and love” to spread the message.

“The great thing is that it’s continuing to grow,” Starr said in the above LA Times story. “When this started in Chicago in 2008, there were maybe 60 or 100 people…My dream — my fantasy — is that one day in the future everyone on the planet will stop at noon and say, ‘Peace and love.’”

Starr was born as Richard Starkey on July 7, 1940 in Liverpool, England. Of course, he is best known as the drummer of The Beatles, replacing Pete Best in August 1962. Prior to that he had played in Rory Storm and The Hurricanes, which had become one of Liverpool’s leading bands in early 1960. Starr met The Beatles for the first time at Kaiserkeller in Hamburg, Germany on October 1, 1960. Just like The Beatles, The Hurricanes had accepted a residency in the Northern German city.

Only two weeks later after the initial encounter, Starr joined John Lennon, Paul McCartney and George Harrison to back up Hurricanes singer Lou Walters during a recording of the George Gershwin tune Summertime. During that time period in Hamburg, Starr also filled in for Best on a few occasions. In August 1962, Lennon asked Starr whether he wanted to join The Beatles. Apparently, George Martin wasn’t very impressed with Best’s drumming. Five months later, the Fab Four recorded their debut studio album Please Please Me, which was released in March 1963.

After the official break-up of The Beatles in early 1970, Starr launched a solo career, which to date has included 18 studio albums. No. 19 is called Give More Love and scheduled for September 15th. Rolling Stone just reported that Paul McCartney appears in two songs on the record: We’re On the Road Again and Show Me the Way. Other guests include Joe Walsh, Edgar Winter, Steve Lukather, Peter Frampton, Richard Marx, Dave Stewart, Don Was and Timothy B. Schmit. The record’s title song, a nice mid-tempo tune, has already been released, and the album is available for pre-order.

In mid-October, Starr and his All-Starr Band will kick off a 19-gig U.S. tour in support of the album. The All-Starr Band, a live rock supergroup, has existed in different configurations since 1989. The upcoming line-up will include Lukather, Todd Rundgren, Gregg Rolie, Richard Page, Warren Ham and Gregg Bissonette.

Following is a selection of songs to celebrate Starr’s birthday:

Octupus’s Garden (The Beatles, Abbey Road, 1969)

It Don’t Come Easy (non-album single, 1971)

Photograph (Ringo, 1973)

Wrack My Brain (Stop and Smell the Roses, 1981; written by George Harrison)

Walk With You (Y Not, 2010; duet with Paul McCartney)

Postcards From Paradise (Postcards From Paradise, 2015)

Sources: Wikipedia; Christian’s Music Musings; Los Angeles Times; Rolling Stone; Ringo Starr web site & YouTube channel; YouTube

What I’ve Been Listening to: Toto/The Seventh One

I fully expect Toto is going to elicit different reactions from readers, ranging from excellent to rather mediocre. Let there be no doubt where I stand: While like every band some of Toto’s songs were more compelling than others, overall, I really dig these guys for their outstanding musicianship and, yes, many of their catchy and well executed pop-rock tunes. The Seventh One from March 1988 is probably my favorite album.

My initial introduction to Toto was Hold the Line, a track from their eponymous debut album from October 1978. It was included on a compilation titled The Rock Album – The Best of Today’s Rock Music, which came out in 1980. A friend gave it to me as a present on music cassette. Then came Toto IV from April 1982, and songs like Rosanna, Africa and I Won’t Hold You Back, which each received extensive radio play in Germany. I was hooked!

Toto’s next two albums, Isolation and Fahrenheit from October 1984 and August 1986, respectively, didn’t excite me as much. As a result, the band started fading a bit from my radar screen. And then The Seventh One was released. I dug this album right from the get-go.

Since Toto IV, the band’s line-up had changed. Lead vocalist Bobby Kimball and bassist David Hungate, who were both part of Toto’s initial members, had been replaced by Joseph Williams and Mike Porcaro, respectively. But frankly, I don’t feel this impacted the quality of the album at all. Let’s get to some music!

I’d like to kick it off with the opener Pamela, co-written by David Paich (keyboards, backing vocals) and Joseph Williams. The tune was also released separately as the lead single in February 1988 ahead of the album. Apart from its catchy melody, I dig Jeff Pocaro’s drums part in particular including the cool breaks. To me, Pocaro was one of the best drummers in rock and pop. Of course, the caveat here is I don’t play the drums myself. But I suppose if you were good enough to pass the audition for perfectionists Walter Becker and Donald Fagen, you must have been a bloody good drummer! Not to mention countless other top-notch artists like Eric Clapton, Dire Straits, Pink Floyd and Bruce Springsteen, to name a few.

Here’s a tune guitarist Steve Lukather considers to be one of his best compositions: Anna. He co-wrote the ballad with Randy Goodrum, an American songwriter, pianist and producer. In August 1988, it also became the album’s third single.

Stop Loving You with its upbeat groove just is an infectious pop song. Co-written by Lukather and Paich, the track also appeared as the album’s fourth single. While it did well in Europe, hitting no. 2 in each The Netherlands and Belgium and reaching no. 37 in Italy, it didn’t chart in the U.S. Here’s the official video.

Ready for some rock? How about that and with a little help from Linda Ronstadt on vocals and some smoking lap steel guitar by David Lindley? Here’s Stay Away, another Paich-Lukather co-write. Perhaps, they should have released that one as a single!

And since it’s so much fun, how about another pop rocker: Only the Children, co-written by Paich, Lukather and Williams.

Let’s end things on a quieter note with another ballad: A Thousand Years. I actually would have bet that Lukather had a role in writing the tune. But nope, it was co-written by Williams, Paich and Mark Towner Williams.

While Toto and Columbia Records were confident The Seventh One was one of the band’s strongest albums to date, its chart performance remained far below expectations. In part, Wikipedia attributes this to upheaval at the record company with president Al Teller’s departure right in the wake of Pamela’s release. Apparently, this led to waning promotion of the song that ended up stalling at no. 22 on the Billboard Hot 100 – not exactly terrible, but certainly a huge difference to Africa and Rosanna, which had peaked at no. 1 and no. 2 in the U.S., respectively. Of course, chart performance is a double-edged indicator to begin with. Just look at today’s charts!

Sources: Wikipedia; YouTube

What’s My Name…Ringo!

Starr’s new album is full of energy and features impressive friends

Last Friday, Ringo Starr released What’s My Name, his 20th studio album. After having listened to it a few times, I’m quite excited about the record. Admittedly, as a huge fan of The Beatles, I may not be entirely objective here – so be it! I said it before and I say it again: While Ringo isn’t the greatest vocalist and songwriter and perhaps even not the most sophisticated drummer, he is one of the coolest musicians in my book. I just dig the man who at age 79 remains pretty vibrant and just delivered what may be his best work in many years.

Appearing on UMe, What’s My Name was produced by Starr, with longtime collaborator Bruce Sugar handling recording and mixing. The album was recorded at Ringo’s home studio known as Roccabella West. “I don’t want to be in an old-fashioned recording studio anymore, really,” Starr pointed out on his website. “I’ve had enough of the big glass wall and the separation.  We are all together in here, whoever I invite over. This is the smallest club in town. And I love it, being at home, being able to say hi to Barb [referring to his wife, actress Barbara Bach], it’s just been good for me and the music.”

Ringo Starr

The album features an impressive array of other artists, including Paul McCartney, Joe Walsh, Edgar Winter, Dave Stewart, Benmont Tench, Steve Lukather, Nathan East, Colin Hay, Richard Page, Warren Ham, Windy Wagner and Kari Kimmel, among others. Most of the songs on this record are collaborations between Ringo and others. Let’s get to some music!

Previously, I already featured the album’s nice title track, so here I’d like to kick things off with the opener Gotta Get Up to Get Down. The nice mid-tempo rocker was co-written by Starr and his brother-in-law and guitarist extraordinaire Joe Walsh. In addition to Ringo (drums, vocals) and Walsh (guitar, vocals), the tune features Edgar Winter (clavinet, synthesizer, vocals), Nathan East (bass), Bruce Sugar (synthesizer) and backing vocalists Richard Page, Warren Ham, Windy Wagner and Kari Kimmel.

The most remarkable song on the album is Ringo’s version of Grow Old With Me, one of the last tunes written by John Lennon. It was recorded as a demo in Bermuda in 1980 and later appeared on his first posthumous album Milk And Honey from January 1984. The inspiration for Ringo to cover the song came during an encounter with Jack Douglas, the producer of Double Fantasy, the 1980 studio album by Lennon and Yoko Ono, and the last released by Lennon during his lifetime. “Jack asked if I ever heard The Bermuda Tapes, John’s demos from that time,” Ringo recalled. “And I had never heard all this. The idea that John was talking about me in that time before he died, well, I’m an emotional person. And I just loved this song.”

“I sang it the best that I could,” Ringo went on. “I do well up when I think of John this deeply. And I’ve done my best. We’ve done our best. The other good thing is that I really wanted Paul [McCartney] to play on it, and he said yes. Paul came over and he played bass and sings a little bit on this with me. So John’s on it in a way. I’m on it and Paul’s on it. It’s not a publicity stunt. This is just what I wanted. And the strings that Jack [Douglas] arranged for this track, if you really listen, they do one line from “Here Comes The Sun.” So in a way, it’s the four of us.” Apart from Ringo (drums, vocals) and McCartney (bass, backing vocals), the recording features Walsh (guitar); Jim Cox (piano); Rhea Fowler and Bianca McClure (violin); Lauren Baba (viola); Isaiah Gage (cello); and Allison Lovejoy (accordion).

Another nice track on this album is Magic, which was co-written by Starr and Steve Lukather.  “I wrote that with Steve Lukather, who is magic,” commented Ringo. “I made a mistake of telling Steve, “You’re my last best friend,” and so that how we’re live now. And he’s a beautiful guy. He sometimes puts out a hard shell, but he is so soulful. We work well together. And he’s even better when he’s not playing a thousand notes a minute – which he can. He’s the man. I love the man. Don’t tell him. Sometimes Steve’s so happy playing with me, I say, “You’re having too much fun.” In addition to Ringo (drums, percussion, vocals) and Lukather (guitar, piano), other musicians on the recording include John Pierce (bass), Bruce Sugar (synthesizer), as well as Richard Page, Warren Ham, Windy Wagner and Kari Kimmel on backing vocals.

Money (That’s What I Want) is the second cover on the album. I always liked this tune, which was co-written by Berry Gordy and Janie Bradford. Initially recorded by Barrett Strong in 1959, it became the first hit for Motown. In addition to Ringo, the song has been covered by many other artists including The Beatles in 1963. This latest cover features Starr (drums, percussion, vocals), Lukather (guitar), East (bass), Sugar (piano, organ, synthesizer), as well as Maxine Waters and Julia Waters on backing vocals.

The last track I’d like to highlight is Better Days written by songwriter Sam Hollander. “He [Hollander] had written a song out of things I said in an interview in Rolling Stone,” noted Starr. “I loved the sentiment of it – he had one verse about spending too much time in hospitals, but I didn’t want to even sing that verse – the pity verse. Sam came over and I put the vocals on, and said, `You produce this one,’ but Sam said, “Well, you’re going to do drums.” So, I went in and played it through twice.” I like two takes. And he took “Better Days” away and did it.” Performing on Better Days are Starr (drums, percussion, vocals), Grant Michaels (piano), Peter Levin (organ), Kaveh Rastegar (bass), Pete Min (guitar), James King (horns), as well as Zelma Davis and Garen Gueyikian (backing vocals).

The last word shall belong to Ringo. “When I was a teenager, my mom always said, “Son, you’re at your happiest when you’re playing.” And it’s still true to this day. I’m blessed. I had a dream back when I was thirteen, and just last night I played with all my friends at the Greek, and I’ve been putting together All-Starr bands for 30 years. And it’s still a thrill.” Well said. And it shows!

Sources: Wikipedia, Ringo Starr website, YouTube