Does it sometimes happen to you as well that suddenly you remember an artist you really liked when you first discovered them but then they somehow completely disappeared from your radar screen? That’s exactly the experience I had earlier today with Muddy Magnolias and their fantastic debut album Broken People from October 2016. I had first come across this urban-R&B-meets-country-and-delta-blues duo of Jessy Wilson and Kallie North in August 2017 and blogged about the record’s title track here.
So when I checked whether they had released any new music in the meantime, it turned out North had left at the end of 2017. That’s too bad since I really dug their sound! But there was some good news. I couldn’t find any trace of North but learned Wilson went on to release her solo debut Phase in May 2019. And while at least initially I don’t like it as much as Broken People, there are some pretty intriguing tunes on this album.
Before getting to the record, I’d like to say a few words about Wilson. She grew up in Brooklyn, New York, listening to artists like Aretha Franklin, Gladys Knight, Curtis Mayfield, Lauryn Hill, Jay-Z and Biggie. After high school, Wilson became a backup singer, working and touring with artists like Alicia Keys, Usher, Kanye West, Faith Hill and Macy Gray. She also met John Legend who became her mentor. In 2013, she decided to strike out on her own as a full-time songwriter and moved to Nashville, Tenn.
There she met North, who originally hailed from Beaumont, Texas, and had worked as a photographer before deciding to pursue a career in music. Eventually, Muddy Magnolias got to Third Generation Records, which released their above-mentioned debut in October 2016. North left at the end of 2017. While her departure was a surprise to those following the band and no official reason was given at the time, Wilson during a November 2019 interview with NPR said she had seen it coming. Unlike Wilson who had been well accustomed to the ebbs and flows of the music business and the demands of touring, the lifestyle became too overwhelming for a married woman like North whose husband as a farmer could not accompany her on the road.
Wilson decided to soldier on by herself. Not only that but she already had decided she wanted to work with Patrick Carney, drummer for the Black Keys. “Growing up in New York listening to hip hop…but still loving rock & roll music, I really became infatuated with the Black Keys,” Wilson told NPR. “And it was not just because it was rock music, it was music that was informed by all of the other stuff I really love. You know, when I would listen to Dan’s (Auerbach) vocals, I could hear Smokey Robinson in there. When I would listen to Patrick’s drumming, I could hear like that Wu-Tang girth, just like swag…for my ears and my taste, they were the only rock band that struck me that had like that swag, that street swag.”
Apparently, it took Wilson some time to convince Carney who initially did not appear to be impressed with her songs. But eventually, he agreed to work with her. This resulted in 11 tracks that with one exception are all co-written by Wilson, Carney and Jim McFarlin. In addition to being the producer, Carney also provides drums, bass, guitar and keyboards. McFarlin handles keyboards and backing vocals, while Wilson sings lead and backing vocals and plays keyboards. Other musicians on the album include Casey Kaufman (cello) and Steve Marion (guitar). Let’s get to some music.
Here’s the great opener Oh, Baby!
Clap Your Hands is an intriguing mix of hip hop, rock and R&B. Here’s the official video.
Waiting On… is a beautiful soulful ballad and a standout on the album. The tune is credited to an army of people who in addition to Wilson, Carney, McFarlin and Wilson’s former partner Kallie North include Luke Enyeart, Weldon Irvine, Calvin Knowles and interestingly Nina Simone. Not sure what the deal with Simone is – perhaps they sampled a part of one of her songs.
Another cool tune is aptly called Stay Cool.
Let’s do one more: Cold In the South.
Phase definitely is outside my core wheelhouse. But lately, the boundaries of that core wheelhouse have started to become a bit fuzzy. Plus, at the end of the day what really matters is whether I dig music or not.
Sources: Wikipedia; NPR; AllMusic; YouTube