I don’t mean to make any advertising for Apple Music. Other music streaming platforms are probably just as good and some may even be better. It just so happens that 20 years ago, I decided to get iTunes and I’ve stuck with Apple ever since. Nowadays, I mostly use their streaming service Apple Music. Once you’re entrenched in one platform, switching becomes hard, so you’re kind of stuck with it.
In the early years of Apple Music, which I started using pretty much when it was introduced in 2015, I made fun of how they categorized music and what kind of listening suggestions they served up. Over time their algorithms have gotten much better. Nowadays, Apple Music pretty much knows what makes me tick. In a way that’s a bit scary.
Similar to Facebook, the presentation of new content based on previous choices can also work to your advantage. A good illustration is the latest “Favorites Mix” Apple Music generated, based on my listening habits. I pretty much dig each tune on here. Following are five of the 25 tracks. I deliberately picked songs I haven’t featured in a while or at all on the blog.
John Mellencamp/Grandview (feat. Martina McBride)
John Mellencamp has been among my favorite artists since the mid-’80s. While I still dig the straight heartland rock from his earlier years, I mostly prefer the roots-oriented music he plays nowadays. Grandview is a great tune from Mellencamp’s 23rd studio album Sad Clowns & Hillbillies that came out in April 2017. Much of that album includes contributions from country artist Carlene Carter. Grandview, co-written by Mellencamp and Bobby Clark, is an exception, featuring another country artist: Martina McBride. Love that tune!
Bonnie Raitt/Sugar Mama
My dear longtime music friend from Germany initially introduced me to Bonnie Raitt in the late ’80s. If you’re a more frequent visitor of the blog you likely know how much I dig that lady. For the most part, Raitt relies on other writers. Her picks tend to be excellent. Here’s Sugar Mama, co-written by Delbert McClinton and Glen Clark, and first released as Sugar Daddy on McClinton’s 1972 debut album Delbert & Glen. Raitt’s funky rendition of the tune was included on her fifth studio album Home Plate, which appeared in 1975.
Jackson Browne/Our Lady of the Well
My introduction to Jackson Browne was the iconic Running On Empty album from December 1977. I believe my brother-in-law had it on vinyl. My guess is I heard it first in the early ’80s – can’t quite remember! I’ve listened to Browne on and off ever since. Our Lady of the Well, written by him, is from his sophomore album For Everyman that came out in October 1973. Browne’s just a great songwriter!
David Bowie/It Ain’t Easy
If I could only pick one David Bowie record, I’d go with The Rise and Fall of Ziggy Stardust and the Spiders from Mars, his fifth studio album released in June 1972. I’ve always loved Bowie’s glam rock period. On Ziggy Stardust, he wrote all except one tune: It Ain’t Easy. That song was penned by American songwriter Ron Davies who first recorded it for his 1970 debut album Silent Song Through The Land. It proved to be a popular cover song. In addition to Bowie, Three Dog Night, Long John Baldry, Dave Edmunds and Shelby Lynne are among the other artists who covered it. I guess the explanation is simple: It’s a great tune!
Genesis/Land of Confusion
Let me preface this final pick by saying I used to like Land of Confusion by Genesis much more when it came out back in 1986 than I do nowadays. Like many other ’80s tunes, to me, it doesn’t hold up that well. Still, I can’t deny a certain weak spot for the ’80s, the decade during which I grew up. Land of Confusion, credited to all three core members of Genesis at the time – Tony Banks, Phil Collins and Mike Rutherford – appeared on the group’s 13th studio album Invisible Touch from June 1986. It also became one of five singles. Perhaps the most memorable aspect of the tune is its remarkable video featuring caricature puppets of political leaders like Ronald Reagan, Margaret Thatcher, Leonid Brezhnev and Helmut Kohl. The video, which got heavy play on MTV, won a Grammy for Best Concept Music Video in 1987. It was also nominated for Video of the Year at the MTV Video Awards that same year but lost to Sledgehammer by former Genesis lead vocalist Peter Gabriel.
Below is a link to the entire playlist. While I supposedly copied the embed code, it doesn’t embed. Oh, well, not sure whether this has anything to do with my computer or my computer skills, which is entirely possible, or whether it’s, dare I say, a bug in Apple Music. I’ve seen fellow bloggers successfully embed Spotify playlists. Perhaps I should have chosen that platform instead – dang it!
Sources: Wikipedia; Discogs; YouTube