The other day while driving in my car, I caught a cool program on SiriusXM, Classic Vinyl (Ch. 26) titled the “Top 50 Albums Turning 50.” Hosted by former Doors guitarist and drummer Robby Krieger and John Densmore, respectively, it was a countdown of records that came out in 1971, as voted by listeners. Once again, this reminded me what an outstanding period the early ’70s were for music, and I’m not only talking about classic rock. The radio show also triggered the idea for this post. While I don’t want to call this a series, I have a funny feeling I’ll do more about 1971, now that I’ve been bitten by the bug.
The amount of great albums released in 1971 is mind-boggling, especially from today’s perspective. It’s a true gold mine! Some artists and bands like Johnny Cash, Carole King, Faces and Yes released even more than one record. Following are my top five albums turning 50 this year. I’m not great at ranking, so I’m listing my picks in no particular order. Live records and debuts are excluded, since I’m contemplating separate posts for these categories. I guess it’s another way to admit that if you love early ’70s music, summing up 1971 with just five albums is mission impossible!
The Who/Who’s Next
As my favorite album by The Who, including Who’s Next in this short list was a no-brainer. The fifth studio album by the British rockers appeared on August 14, 1971. It came out of Lifehouse, another rock opera Pete Townshend had conceived as a follow-up to Tommy. Eight of the nine songs from Who’s Next had initially been written for Lifehouse. Additional tracks from the abandoned project were subsequently released as singles and appeared on other Who and Townshend (solo) records. Except for My Wife, which was penned by John Entwistle, Townhend wrote all tracks. I pretty much could have highlighted any song from the album. Here’s Bargain, which according to Songfacts is an homage to Indian spiritual master Meher Baba. Townshend believed in his message of enlightenment, which also influenced songs like Baba O’Riley and See Me, Feel Me. “Bargain” refers to losing all material goods for spiritual enlightenment.
Folks who follow the blog or know me otherwise won’t be shocked by this pick. When it comes to the singer-songwriter category, Carole King will always remain one of my all-time favorite artists. Tapestry, released on February 10, 1971, is her Mount Rushmore in my book. A couple of months ago, leading up to the 50th anniversary date, I devoted a 10-part series to the album (“Ten Days of Tapestry”, see final part here, which includes links to all previous installments). Therefore, I’m keeping it brief here. Tapestry’s great opener I Feel the Earth Move was solely written by King, like most other tracks on the album.
Led Zeppelin/Led Zeppelin IV
Led Zeppelin IV and Stairway to Heaven marked the start of my Led Zeppelin journey. While they were an acquired taste, Led Zeppelin have become one of my favorite rock bands. To me, their fourth studio album, which came out on November 8, 1971, remains one of the most exciting ’70s rock albums, though I’ve also come to really dig their other records. Instead of the obvious tune Stairway, which I would select if I could only choose one classic rock song, let’s do Rock and Roll. It’s the record’s only tune credited to all four members of the band. In addition to Robert Plant, Jimmy Page, John Paul Jones and John Bonham, Rock and Roll features Rolling Stones co-founder Ian Stewart on keyboards.
The Rolling Stones/Sticky Fingers
Speaking of the Stones, Sticky Fingers is another must-include on my top five short list of the greatest albums released in 1971. You can read more about my favorite Stones album in this recent post I published a few days ahead of the April 23 50th anniversary date. Here I’d like to highlight a track I did not call out in that post: Sway, which also became the b-side of the album’s second single Wild Horses, released on June 12, 1971. The slower blues track features some sweet slide guitar action by Mick Taylor. Another factoid worthwhile noting is the song marked Mick Jagger’s first electric guitar performance on a Stones album. Oh, and there were some notable backing vocalists: Pete Townshend, Ronnie Lane (of Small Faces and Faces) and Billy Nichols, an American guitarist and songwriter who first came to prominence during the ’60s for his work with Motown.
With so many great albums that were released in 1971, it’s tricky to keep this list to five, but that’s what I set out to do, at least for now. Meddle was the sixth studio album by Pink Floyd, which appeared on October 31, 1971. It foreshadowed the band’s mid ’70s masterpieces The Dark Side of the Moon and Wish You Were Here, especially on the 23-minute-plus track Echoes. While I was tempted to feature this epic track, I think it’s safe to assume very few readers would listen. Instead, let’s go with the opener One of These Days. The characteristic pumping bass line was double-tracked, played by bassist Roger Waters and guitarist David Gilmour. The instrumental is credited to all members of the band, which in addition to Waters and Gilmour included Richard Wright (organ, piano) and Nick Mason (drums, percussion). The only spoken line in the song, the cheerful and digitally warped “One of these days I’m gonna cut you up into little pieces,” was spoken by Mason.
Sources: Wikipedia; Songfacts; YouTube