Playing for Change – Reimaging a World Connected by Music

The other day, I came across an amazing video clip featuring Robbie Robertson and a bunch of well-known and to me unknown, yet pretty talented other musicians from all over the world, playing The Weight, one of my favorite tunes by The Band. At first, I only paid attention to their great version of the iconic song and ignored the chiron at the beginning and the end of the clip that notes “Playing for Change.” Then, I noticed other video clips on YouTube, which were also put together by Playing for Change. Finally, I got curious. Who or what is Playing for Change?

It didn’t take long to find their website, which describes their story as follows: Playing For Change is a movement created to inspire and connect the world through music… Playing For Change was born in 2002 as a shared vision between co-founders, Mark Johnson and Whitney Kroenke, to hit the streets of America with a mobile recording studio and cameras in search of inspiration and the heartbeat of the people. This musical journey resulted in the award-winning documentary, “A Cinematic Discovery of Street Musicians.”

PFC Co-Founders
PFC co-founders Mark Johnson & Whitney Kroenke

In 2005, Mark Johnson was walking in Santa Monica, California, when he heard the voice of Roger Ridley singing “Stand By Me.” Roger had so much soul and conviction in his voice, and Mark approached him about performing “Stand By Me” as a Song Around the World. Roger agreed, and when Mark returned with recording equipment and cameras he asked Roger, “With a voice like yours, why are you singing on the streets?” Roger replied, “Man I’m in the Joy business, I come out to be with the people.” Ever since that day the Playing For Change crew has traveled the world recording and filming musicians, creating Songs Around the World, and building a global family.

Creating Songs Around the World inspired us to unite many of the greatest musicians we met throughout our journey and form the Playing For Change Band. These musicians come from many different countries and cultures, but through music they speak the same language. Songs Around The World The PFC Band is now touring the world and spreading the message of love and hope to audiences everywhere.

I realize the above may embellish things a bit; still, PFC sounds like an intriguing concept. They also created the Playing for Change Foundation, a separate nonprofit organization that is funded through donations and supports arts and music programs for children around the world. Based on the foundation’s website, it looks like a legitimate organization. That being said, this isn’t an endorsement. Let’s get back to what originally brought me here – recorded musicians all over the world performing the same song and everything being neatly put together in pretty compelling video clips. Before getting to the above mentioned Robbie Roberson clip, let’s take a look at some of PFC’s other videos.

Walking Blues (Son House)

Walking Blues was written and first recorded by delta blues musician Son House in 1930. Robert Johnson, Muddy Waters and other blues musicians recorded their own versions. This clip features Kevin Roosevelt Moore, aka Keb’ Mo’, along with other musicians from Argentina, South Africa, Spain and Morocco. Apparently, the clip was put together in honor of Johnson’s birthday. Check it out!

Soul Rebel (Bob Marley)

Written by Bob Marley, Soul Rebel is the opener to Soul Rebels, the second studio album by Bob Marley and the Wailers, which appeared in December 1970. This clip features Bunny Wailer, an original member of the Wailers, French guitarist Manu Chao and Jamaican reggae singer Bushman, along with other musicians from Jamaica, Spain, Morocco, Cuba, Argentina and the U.S. Feel free to groove along!

Listen to the Music (Tom Johnston)

Listen to the Music is a classic by The Doobie Brothers from their second studio album Toulouse Street released in July 1972. It was written by guitarist and vocalist Tom Johnston, one of the band’s founding members. Apart from Johnston and fellow Doobies Patrick Simmons and John McFee, the clip features other musicians from Venezuela, India, Brazil, Lebanon, Japan, Argentina, Senegal, Congo, South Africa and the U.S., including a gospel choir from Mississippi. This is just a joy to watch!

All Along the Watchtower (Bob Dylan)

While perhaps best known by The Jimi Hendrix Experience, All Along the Watchtower was written by Bob Dylan. He first recorded it for John Wesley Harding, his eighth studio album from December 1967. Check out this riveting take featuring Cyril Neville of The Neville Brothers, John Densmore of The Doors and Warren Haynes of The Allman Brothers Band and Gov’t Mule, along with other musicians from Italy, Zimbabwe, Lebanon, Niger, Ghana, India, Japan, Mali and the U.S. The latter include singers and dancers from the Lakota, a native American tribe that is part of the Great Sioux Nation. This is just mind-boggling to watch!

The Weight (Robbie Robertson)

And finally, here comes the crown jewel that inspired the post: The Weight written by Robbie Robertson, and first recorded for the debut album by The Band, Music From Big Pink, released in July 1968. This clip was co-produced by PFC co-founder Mark Johnson and Robbie’s son Sebastian Johnson to celebrate the 50th anniversary of the song. And it’s quite a star-studded affair: In addition to Robertson, the clip features Ringo Starr, blues guitarist Marcus King, roots rockers Larkin Poe and country-rock guitarist Lucas Nelson, along with other musicians from Italy, Japan, Democratic Republic of Congo, Kingdom of Bahrain, Spain, Argentina, Nepal and Jamaica – what a beautiful tribute to this great tune. Just watch the smile on Robertson’s face at the end. He knows how figgin’ awesome this came out – priceless!

PFC clearly has their go-to musicians in each country, and they’re not hobby musicians. Based on PFC’s website, all musicians are professionals who appear to be recognized within their countries. While as such one could argue PFC doesn’t seem to use amateur/ hobby musicians, it doesn’t take away anything of the concept’s beauty, in my view. Most of their videos capture songs performed by individual artists from different countries or by the PFC band. But it’s the song-around-the-world videos I find most impressive. You can watch all of PFC’s clips on their YouTube channel.

Sources: Wikipedia; Playing For Change website; Playing for Change Foundation website; YouTube

Best of What’s New

A selection of new music I like

Last week I introduced Best of What’s New, which I intend to make a recurring feature highlighting new music that caught my attention. I’m trying to keep these posts a bit eclectic and at least occasionally venture beyond my core wheelhouse. This second installment includes blues, southern rock, metal rap and alternative pop.

Sass Jordan/One Way Out

From the website of “Canada’s Queen of Rock”, Sass Jordan: Montreal’s burgeoning ’70’s scene included a ‘no holds barred’ approach to glam, punk, blues, prog, metal, country, jazz, folk, with the added attraction of a homegrown sound created by the Quebecois artists of the decade, unique to the landscape and pertinent to the denizens of the period… This was the backdrop that nurtured one of the pioneers of female fronted rock – Sass Jordan…Sass has found herself working with and in the company of many of the people that inspired her to do what she does, amongst them the incomparable Aerosmith, The Rolling Stones, AC/DC, Steve Miller Band, Van Halen, The Foo Fighters, Cheap Trick, Santana, Joe Cocker, Styx, Rodger Hodgson, April Wine, Jeff Healy, and countless others. She has won various awards, including Juno and Billboard, and has sold over a million records world wide. Two weeks ago on March 13, Jordan released her first blues album Rebel Moon Blues, which is her ninth overall. Here’s the tasty opener and lead single Leaving Trunk, which like most of the tracks on the album is a cover, in this case of a Sleepy John Estes tune. With her raspy voice, I think Jordan is born to sing the blues!

The Outlaws/Southern Rock Will Never Die

With an Allman Brothers Band-like harmony rock guitar intro, it took less than five seconds for me to realize I dig the above tune by The Outlaws, a southern rock band that’s been around for more than 40 years. From their website: Formed in Tampa in 1972, The Outlaws – known for their triple-guitar rock attack and three-part country harmonies – became one of the first acts signed by Clive Davis (at the urging of Ronnie Van Zant) to his then-fledgling Arista Records. The band’s first three albums The Outlaws, Lady In Waiting and Hurry Sundown…would become worldwide gold and platinum landmarks of the Southern Rock era…The Outlaws earned a formidable reputation as an incendiary live act touring with friends The Allman Brothers, Lynyrd Skynyrd, The Marshall Tucker Band and The Charlie Daniels Band as well as The Doobie Brothers, The Who, Eagles and The Rolling Stones. After their first three albums, The Outlaws have seen numerous lineup changes and some downtime. The anthem-like Southern Rock Will Never Die is the opener to Dixie Highway, their 13th studio album that came out on February 28. Sounds like I should also listen to their first three records.

Zombie Drive-In/The Man From Corpus Christi

Not much information out there on Zombie Drive-In. According to their Facebook page, the band includes Owen Davis (drums, vocals), Austin Sizemore (guitar, vocals), Timothy Schmidt (guitar, vocals) and Josh Holden (bass, vocals). They have been around since 2011 and characterize their music as ’70s metal rap rock. I will say this definitely falls outside my core wheelhouse, but there’s just something about it. What initially attracted me to the song was the harmony guitar intro. My streaming music provider lists albums from 2013 and 2014 and The Man From Corpus Christi, a single the band put out on March 4.

Dez Money/Hold On

Dez Money (born Demond Lennon Mahoney) is the son of rock vocalist and songwriter Eddie Money, who sadly passed away in September 2019 at the age of 70 due to complications from esophageal cancer. According to his websiteDez writes all of his own music and serves as a producer as well. Aside from writing and singing the songs Dez plays the piano, guitar, bass, and drums as well in his music. His first album titled “Take Me Down” debuted in 2015. Dez also co-starred in a reality show about his family, Real Money, and opened up and played in the band of his father. Hold On is from Dez’s sophomore album Blue, which appeared on February 14.

Sources: Wikipedia; Sass Jordan website; American Blues Scene; The Outlaws website; Dez Money website; YouTube

On This Day in Rock & Roll History: March 8

Covering March 8 in rock history was a last-minute decision. In part, I was inspired by the last item on the list, which is related to The Beatles. Interestingly, it turned out this date also saw another event related to The Fab Four, which is the first item. What could be nicer than bookending this installment of my long-running recurrent music history feature with my all-time favorite band? Let’s get to it!

1963: Please Please Me by The Beatles placed at no. 40 on Chicago radio station WLS’s weekly Silver Dollar Survey, according to Songfacts Music History Calendar – the first time a Fab Four tune made a radio station survey in the U.S. This also means WLS may have been the first radio station in America to play one of their songs. As usual, the track was credited to John Lennon and Paul McCartney, though the original composition was by Lennon and the released studio version was significantly influenced by George Martin. About 11 months later, on February 9, 1964, The Beatles would conquer American TV households and start the British Invasion with their first appearance on the Ed Sullivan Show.

1965: Bob Dylan released Subterranean Homesick Blues, the lead single to his fifth studio album Bringing It All Back Home, which appeared two weeks thereafter. The tune marked his first top 40 hit in the U.S., climbing to no. 39 on the Billboard Hot 100. In the UK, it did even better, reaching the top 10 on the Official Singles Chart. According to Songfacts, Dylan told the Los Angeles Times that musically “It’s from Chuck Berry, a bit of ‘Too Much Monkey Business’ and some of the scat songs of the forties.”

1968: The Fillmore East opened in New York City on Second Avenue near East 6th Street. The venue was a companion to rock promoter Bill Graham’s Fillmore Auditorium and its successor Filmore West in San Francisco. Until its closing on June 27, 1971, Fillmore East saw many notable music acts, such as Jimi Hendrix, The Allman Brothers Band, The Kinks, Jefferson Airplane and Led Zeppelin. Due to the venue’s great acoustics, many live albums were recorded there, including the legendary At Fillmore East by the Allmans in 1971. Here they are with the epic Whipping Post, captured on September 23, 1970. The band’s double guitar attack with Duane Allman and Dickey Betts, along with Greg Allman’s mesmerizing vocals and Hammond are on full display. The band was on fire that night. Live rock music simply doesn’t get better. Check it out!

1974: Queen released their sophomore album Queen II in the UK. The record peaked at no. 5 in the UK and cracked the top in the U.S., reaching no. 49 on the Billboard 200. Initially, Queen II was met with mixed reactions, but as is not uncommon with famous bands, eventually, it garnered praise from music critics, fans and fellow musicians. It also marked the first record for Queen where they used multi-layered overdubs, which became a signature feature on their later records. Here’s the lead single Seven Seas of Rhye, which was written by Freddie Mercury and released about two weeks ahead of the album.

2016: Legendary producer George Martin passed away at the age of 90 at his home in Wiltshire, England. His death was announced by Ringo Starr on Twitter and later confirmed by Universal Music Group. The cause was not disclosed. Of course, Martin is best known for his work with The Beatles. I think it is fair to say they would not have been the same without him. Following the disbanding of The Beatles, Martin worked with many other well-known artists, such as America, Jeff Beck, UFO and Little River Band. One of my personal favorites Martin did for The Beatles was the string arrangement for Eleanor Rigby. Primarily written by Paul McCartney, the tune appeared on the Revolver album from August 1966.

Sources: Wikipedia; This Day In Music; Songfacts Music History Calendar; This Day In Rock; YouTube

Another Turkey Day Brings Another Rock & Roll Radio Marathon

I’m not much of a radio guy, not even in the car, where despite having access to Sirius XM, I prefer listening to music from my streaming provider most of the time. An exception for the past few years has been a massive four and a half-day countdown of songs New York classic radio station Q104.3 does around each Thanksgiving. Ingeniously, they call it the Top 1043 Classic Rock Songs of All Time.

To come up with the list, the station asks listeners to submit their top 10 songs in no particular order, which each counting as one vote. They then tally the submissions, determine the 1043 songs with the most votes, and play all of them in one shot, starting with the tune that got the least votes. The only interruption happens at noon on Thanksgiving, when they play Arlo Guthrie classic Alice’s Restaurant in its entire 18 minutes plus. The whole thing lasts from 1:00 pm ET on Wednesday prior to Thanksgiving until sometime on Sunday evening after the holiday!

Q104.3 Countdown

This year marks the 19th annual annual countdown. Wow, that’s what I call devotion – and smart marketing/audience engagement! Remarkably, each year Led Zeppelin’s Stairway to Heaven has been the most popular song. And while the station does not reveal actual vote totals, the hosts have said in the past the tune has always won by many votes.

Don’t get me wrong, I dig Stairway – big time. In fact, if I could only choose one rock song, it probably would be that Zep classic, even though The Beatles generally remain my all-time favorite band. There are other tunes that usually make the top 10, such as Hey Jude and Queen’s Bohemian Rhapsody. Again, there’s nothing wrong with these songs and I like them as well.

But the recurrence of the above tracks makes the countdown predictable. To me this means it’s not as much fun as it could be. As I noted before, I think it’s time to shake things up a bit. Following is the set of tunes I submitted. I almost would have forgotten about it and literally did so at 3:00 am this morning when I went to the bathroom and remembered – okay, call me a loony! Here are my choices in no particular order.

Of course, it’s unlikely my selections will change much if anything. On the other hand it’s like elections. If everybody thought they couldn’t impact the outcome, nobody would vote. And that would indeed guarantee that nothing would ever change! So here’s to hoping for a new number one this year. How about Hey Jude?😆

Sources: Q104.3 website; Wikipedia; YouTube

 

 

 

The Venues: Beacon Theatre

In July 2017, I introduced The Venues, a category featuring famous concert halls, such as The Apollo Theatre and well known TV music programs like The Ed Sullivan Show. For some reason, the category fell off the bandwagon after the third post in November that year – not quite sure why. In any case, I felt the time was right for another installment. One of the venues that came to my mind immediately is the Beacon Theatre in New York City, in part because the beautiful historic theater on Manhattan’s Upper West Side is associated with two of my favorite bands: The Allman Brothers Band and Steely Dan, which both had frequent annual residencies there. The Dan still does! But first things first – a bit of history.

The Beacon Theatre opened as the Warner’s Beacon Theatre on December 24, 1929. It was designed by Chicago architect Walter W. Ahlschlager as a venue for silent films. But when the original owners financially collapsed, Warner Theatres acquired the theater to be a first-run showcase for Warner Bros. films on the Upper West Side. By that time, the movie genre of silent films had already become obsolete. The Beacon, which subsequently was operated by Brandt Theaters, remained a movie theater over next few decades. It would take until 1974, when Steven Singer became the first owner who turned the Beacon into a venue for live music.

NYT2009021118564738C

Fortunately, an effort in 1987 to convert the theater into a night club was blocked in court, given its historic and protected architecture. In 1982, it had been added to the National Register of Historic Places. Through the ’80s and ’90s, the Beacon Theatre continued to fill a spot in the midsize category venue in New York between the larger Radio City Music Hall and various smaller clubs and ballrooms. In 2006, sports and entertainment holding company The Madison Square Garden Company started operating the Beacon. In November that same year, the theater began a 20-year lease by Cablevision, which also leases Radio City Music Hall and owns Madison Square Garden.

Between the second half of 2008 and early 2009, the theater underwent a complete renovation. As reported by The New York Times, the work involved about 1,000 workers, lasted seven months and cost $16 million. The result can be seen in the above photo and is certainly stunning. I was fortunate to experience the mighty venue myself when I saw Steely Dan there in October 2018.

In addition to pop and rock concerts, the Beacon Theatre has hosted political debates, gospel choirs, comedians and many dramatic productions. The 2008 Martin Scorsese picture Shine a Light, which captured The Rolling Stones live in concert, was filmed there. In January 2016, Joan Baez celebrated her 75th birthday with a show at the Beacon. She also played the venue in May this year as part of her now completed 2018/2019 Fare Thee Well Tour. Time for some music that was performed at the Beacon.

Let’s kick things off with the Grateful Dead, who performed two shows at the theater on June 14 and 15, 1976. Apparently, the following footage of Not Fade Away was captured during a soundcheck there, not one of the actual concerts but, hey, close enough! Plus, it’s a fun clip to watch. Not Fade Away was written by Charles Hardin, a.k.a. Buddy Holly. His producer Norman Petty received a co-credit. The tune was first released as a single in October 1957. It was also included on Holly’s debut album The “Chirping” Crickets, released in November of the same year.

Next up: The Black Crowes and Remedy. Co-written by lead vocalist Chris Robinson and his brother and rhythm guitarist Rich Robinson, the tune appeared on the band’s sophomore album The Southern Harmony and Musical Companion from May 1992. The footage is from late August 1992 when the Black Crowes played a series of four shows at the Beacon.

James Taylor is one of my favorite singer-songwriters. One tune I dig in particular is Fire And Rain.  He recorded it for his second studio album Sweet Baby James, which was released in February 1970. The song also came out separately as a single and became Taylor’s first hit, peaking at no. 3 on the Billboard Hot 100. This clip was captured during a show on May 30, 1998.

Here are The Rolling Stones with Jumpin’ Jack Flash from the aforementioned Martin Scorsese concert film. Credited to Mick Jagger and Keith Richards, the tune was released as a single in May 1968. The film includes footage from two shows the Stones played at the Beacon. This performance is from their second night there on November 1, 2006.

Starting from 1998, The Allman Brothers Band played spring residencies at the Beacon for 19 years in a row except for 2010 when the theater wasn’t available. This performance of Dreams is from their March 2013 series of gigs. The Gregg Allman song first appeared on the band’s eponymous debut album from November 1969.

On April 1 and 2, 2016, Bonnie Raitt played the Beacon Theatre as part of her extended Dig In Deep Tour, named after her most recent studio album from February 2016. I caught her during that tour in August 2016, which thus far was the first only time. Her gig at New Jersey Performing Arts Center in Newark remains one of the best shows I’ve seen. Co-written by Gordon Kennedy  and Wayne KirkpatrickGypsy In Me is one of the tracks from Dig In Deep. Not only is Raitt a superb guitarist and great vocalist, but she also is as genuine as it can get. There is no BS with this lady. What you get is what you see!

From The Allman Brothers it wasn’t a big leap to former member Derek Trucks, his wife Susan Tedeschi and the group they formed in 2010: Tedeschi Trucks Band. My knowledge of their music is fairly limited, and I definitely want to explore them more closely. Here’s their take of Ain’t Wastin’ Time No More, another great tune written by Gregg Allman. It first appeared on the Allmans’ third studio album Eat A Peach from February 1972, long before Trucks joined them in 1999. The song was also released separately as a single in April that year. This clip was captured on October 11, 2017 during what looks like a six-date residency the band did at the Beacon that year.

The last and most recent clip I’d like to feature is footage of Steely Dan from their 2018 U.S. tour, which ended with a seven-date residency at the Beacon. Of course, I couldn’t leave out the Dan! This performance of Pretzel Logic was from their final gig on October 30. Co-written by Walter Becker and Donald Fagen, Pretzel Logic is the title track of Steely Dan’s third studio album that appeared in February 1974.

Until last year when I saw them twice, which included the Beacon for an October 20 show dedicated to my favorite album Aja, I had never seen Steely Dan. Both concerts were fantastic. Fagen and co are currently touring again, which will bring them back to the Beacon in October. While the thought of returning to this beautiful venue is tempting, I can’t justify it to myself, given I saw them twice last year and other shows I’ve been to or still consider for this year.

Sources: Wikipedia, The New York Times, setlist.fm, YouTube

Mule Rule Stone Pony Summer Stage But Not Weather Gods

Jersey jam rockers Resurrextion open evening at storied Asbury Park venue

While I had heard of Gov’t Mule before, my introduction to the band only happened about a year ago when I went to see one of their excellent Dark Side of the Mule Pink Floyd tribute shows. Recently, New Jersey jam rock band Resurrextion invited me to their kickoff yesterday of an evening of music at The Stone Pony to be headlined by Mule. I’ve visited the Asbury Park performance venue many times, but last evening was my inaugural for a summer stage show – and a reminder that outdoor events aren’t immune from inclement weather! 🙂

But first things first. Initially formed in Jersey City in 2006, Resurrextion  started out as a jam rock cover band. After beginning to work on own material, they released their studio debut Comin’ Home in 2013. As the band gained more visibility and opened for national acts like Dickey Betts, Foghat, Poco and Blues Traveler, music increasingly started to interfere with their day jobs and families, so they decided to take a break.

Ressurrextion
Resurrextion (from left): Phil Ippolito, Johnny Burke, Joey Herr and Lou Perillo

Last year, Resurrextion reunited and have since performed at many Jersey venues in Asbury Park and beyond. In April, they opened for Iron Butterfly at The Wonder Bar. Earlier this month, they played the Stonehenge Music Festival in Pennsylvania. They’re also currently working on a new album while still continuing their daytime jobs, not to mention their family responsibilities. It looks like things are coming together nicely again for this band! The current lineup includes Phil Ippolito (lead vocals, keyboards),  Joey Herr (guitar, vocals), Lou Perillo (bass, vocals) and Johnny Burke (drums, vocals). I’ve known most of the guys for a couple of years.

Here’s Highway, an original tune with a nice southern rock vibe from the aforementioned debut album – my personal favorite!

And here’s another song they wrote, I Know, also from their first record.

On to The Mule. The southern jam rock band was co-founded by Warren Haynes and Allen Woody in 1994 as a side project to The Allman Brothers Band, where at the time they played guitar and bass, respectively. Their eponymous debut album came out in June 1995. They have since released 21 additional albums, including various life records. Their most recent studio album Revolution Come…Revolution Go appeared in June 2017.

Gov't Mule
Gov’t Mule (from left): Matt Abts, Danny Louis, Jorgen Carlsson and Warren Haynes

The band’s current lineup features Haynes (guitar, lead vocals), Matt Abts (drums), Danny Louis (keyboards, backing vocals) and Jorgen Carlsson (bass). Haynes and Abts are the only original members. Woody passed away in August 2000. Louis joined Mule prior to their sixth studio album Déjà Voodoo from September 2004, while Carlsson has been with the band since 2008. Time for more music!

Here’s Beautifully Broken. Co-written by Haynes and Louis, the tune is from The Deep End, Volume 1, Mule’s fourth studio album released in October 2001.

Next up: I’m A Ram, the opener from Mule’s eighth studio album Mighty High from October 2007. The song was co-written by Al Green and Mabon Hodges and first appeared on Green’s 1971 studio album Al Green Gets Next To You. I dig the combination between rock and reggae on this one, though I guess I would have been okay, had the band stuck to the already mighty 7:41-minute studio version rather than stretching the track even further to more than 9 minutes. Note to self: When seeing another jam rock band, bring a friggin’ tripod!

Following a 20-minute intermission, Mule opened their second set with my personal highlight of the night: Stone Cold Rage. It’s the opener from the Revolution Come…Revolution Go album and another Haynes/Louis co-write.

After one more tune, Kind Of Birth, a Stone Pony official walked up on stage and told something in Haynes’ ear. And before people knew it, Haynes told the crowd there was lightening close by, and the concert needed to be interrupted. Immediately thereafter, security cleared the outdoor area and directed everybody inside the Pony where another band was playing. Minutes later, rain came down heavily.  While the downpour only lasted about 20 to 25 minutes, Mule did not resume their show.

It certainly was a less than ideal ending of the evening, and based on Facebook comments, some folks were pretty pissed about how the situation was handled. My guess is the primary culprit were local noise ordinances, which probably prevented the band from resuming the concert after the rain had stopped – or at least would not have allowed them to complete their second set. One also wonders whether the weather situation could have been monitored more closely and Mule could have skipped their break to play more music. In fairness, I will add it was pretty hot, at least when they started their first set, so one can defend taking a break after playing some 45 to 60 minutes.

Here’s last night’s set list:

Set 1:
– Hammer & Nails
– Rocking Horse
– Game Face
– Mountain Jam
– Game Face
– Beautifully Broken
– Birth Of The Mule
– I’m A Ram
– Broke Down On The Brazos
– Tributary Jam

Set 2:
– Stone Cold Rage
– Kind Of Bird with Les Brers In A Minor tease

Overall, I thought Mule’s musicianship was outstanding. Haynes undoubtedly is a kickass guitarist and a pretty capable vocalist. The other standout to me, and I’m of course completely unbiased here, was Carlsson who really killed it on bass. 🙂 To be clear, Abts and Louis were excellent as well. Perhaps my one point of criticism is the jam aspect, which at times felt a bit overwhelming to me, with songs frequently exceeding seven or eight minutes in length. Yes, you might say, long tracks and instrumental parts are kind of the essence of jam music, and I understand that. I still would have preferred a bit more of a mix between longer and shorter pieces.

Mule continues their current tour tonight at the Smoky Run Music Festival in Butler, Ohio. This is followed by a series of dates in North Carolina, including Asheville (Jul 3), Charlotte (Jul 5), Greensboro (Jul 6) and Manteo (Jul 7). Then it’s on to Charlottesville, Va. (Jul 10) and Baltimore (Jul 11). The full schedule is, well, jam-packed and available here.

Sources: Wikipedia, Gov’t Mule website, YouTube

A Blues & Soul Playlist That’s Cooking

Yesterday, my streaming music service suggested the enclosed great playlist of blues-oriented tunes. To be clear, this isn’t some hidden advertising. While I’ve acknowledged Apple Music on previous occasions as an inspiration for some of my posts, not all of their listening suggestions, which are supposed to reflect your previous music choices, are great; in fact, sometimes I find it outright bizarre what they serve up because I like genre X or have listened to artist Y. While overall their music selection algorithm works pretty well, there’s clearly some room left for improvement. I guess this proves algorithms, which also have started to be utilized in other creative fields like journalism, can never fully replace actual human beings, which is a good thing!

Here’s how Apple Music describes the playlist that features 26 songs: Blues is tradition, but it’s also evolution—the sound of hard times and healing, then and now. Filled with gritty, Howlin’ Wolf-style throwbacks, progressive hybrids, and sophisticated soul, this mix represents the best of the blues right now—with a few old favorites thrown in for balance. We regularly update these tunes, so if you hear something that rips you up or breaks you down (in that good way, of course), add it to your library.

Following I’d like to highlight a few of these tunes. I’m deliberately leaving out tracks I already featured in previous posts, such as Leave The Light On (Beth Hart), Too Cold To Cry (Lindsay Beaver) or Cognac (Buddy Guy with Jeff Beck and Keith Richards). But in case you haven’t listened to these songs and like blues and soul, you definitely should. On to some music clips!

Got To Go Where The Love Is, Van Morrison

Van Morrison may no longer release another Astral Weeks or Moondance, but at age 73, the Belfast Cowboy surely isn’t done yet with music. In fact, if anything, for the past two years, he seems to be on some sort of recording spree! Here’s Got To Go Where The Love Is, a great soulful Morrison tune from his most recent album The Prophet Speaks, his 40th studio release, which appeared last December.

We Made It, Cedric Burnside

Frankly, I had never heard of Cedric Burnside before. Wikipedia describes him as an American electric blues drummer, guitarist, singer and songwriter. He definitely has blues in his genes. Burnside is the son of blues drummer Calvin Jackson and grandson of blues singer, songwriter and guitarist R. L. Burnside. Since his 2006, he has released eight albums. We Made It is from his most recent record Benton County Relic that came out in September 2018. I really dig the rough sound and the energy of this tune.

Whipping Post, Nakia

Nakia, another name I hadn’t heard before, is a musician, singer-songwriter and actor from Austin, Texas. From his website: Before he was on “The Voice” [semi-finalist on the first season of the NBC singing competition], Nakia was a Blues Grifter. Named for the age-old concept of stealing from the greats, the Blues Grifters formed in 2010. In August 2018, Nakia released his latest album appropriately called Blues Grifter, a smoking hot compilation of blues covers. Instead of Double Trouble, which the Apple Music playlist features, I decided to highlight Nakia’s soulful take of Whipping Post. While taking an Allman Brothers Band classic and changing it up is a gutsy move, I like the outcome!

Home, Janiva Magness (featuring Cedric Burnside)

Janiva Magness is a blues, soul and Americana singer-songwriter from Detroit. Apparently, she has been an active artist since the 1980s. Between 1991 and February 2018, she has released 14 albums. In 2009, Magness became only the second woman after Koko Taylor named B.B. King Entertainer of the Year by the Blues Foundation. She has also received seven Blues Music Awards from the foundation and other accolades. Here’s Home, a powerful duo with the above noted Cedric Burnside. It appears on Magness’ most recent album Love Is An Army from February 2018.

Cry No More, Danielle Nicole

Another great soul-oriented tune is Cry No More by Danielle Nicole, a blues and soul musician from Kansas City, Mo. I previously included her in a post about ladies who excel at singing the blues. Written by Nicole, Cry No More is the title track from her last album, which was released in February 2018.

Here’s the entire playlist:

Leave the Light On (Live), Beth Hart

Got To Go Where The Love Is, Van Morrison

Too Cold To Cry, Lindsay Beaver

We Made It., Cedric Burnside

Double Trouble, Nakia

Another Mule, Elvin Bishop

Cognac (feat. Jeff Beck & Keith Richards), Buddy Guy

Revolution, Eric Lindell

Rock and Stick, Boz Scaggs

Ain’t Got Time For Hate, Shemekia Copeland

Shine Bright, Marcia Ball

Plastic Hamburgers, Fantastic Negrito

Soul Shake, Tommy Castro

Things Have Changed, Bettye LaVette

Home (feat. Cedric Burnside), Janiva Magness

Damn Your Eyes, Beth Hart & Joe Bonamassa

Blue No More (feat. James Bay), Buddy Guy

Upper Hermosa Mountain Blues, Casey Wickstrom

Sound of a Broken Man, Tinsley Ellis

When I Go, Ben Harper & Charlie Musselwhite

Come Together, Gary Clark Jr. & Junkie XL

I Want My Dog To Live Longer (The Greatest Wish), Curtis Salgado & Alan Hager

Cry No More, Danielle Nicole

The High Cost of Low Living, Nick Moss

Cannonball (feat. Fantastic Negrito) [Acoustic], ZZ Ward

We’re All In This Together (feat. Joe Bonamassa), Walter Trout

If you have access to Apple Music, you can find the playlist at https://itunes.apple.com/us/playlist/the-a-list-blues/pl.a9faca07cf8f47e19f1819b0f5a2e765

Sources: Apple Music, Wikipedia, Nakia website, YouTube