Cordovas, Seductive Americana Rock From Nashville

Last year, Rolling Stone included them as one of “10 new country artists you need to know.” Now, Cordovas are about to release their studio debut on ATO Records

It’s simply amazing what kind of bands you sometimes encounter when going to free summer-concert-in-the-park events, at least in my neck of the woods. Until yesterday, I had never heard of Americana/country rock band Cordovas. Since it was a beautiful summer evening and – big shocker – I enjoy seeing live music, I decided to go to Parker Press Park in Woodbridge, N.J. I’m glad I did!

While this central Jersey town may not exactly be a metropolis, they surely have an impressive summer concert series. Between late June and mid-September, there are frequent concerts each day of the week except for Saturdays. Most days even have a dedicated theme: Mondays are oldies, on Tuesdays they have tribute bands, and on Fridays it’s jazz. As the “king of tribute bands,” my eyes lightened up when I saw their Tuesday theme, so chances are I’ll be back! Anyway, Wednesdays appear to be reserved for artists playing original music. And last night, it was Cordovas.

So who the hell are Cordovas? A five-piece band hailing from Nashville, Tenn. While it’s not entirely clear to me when they were founded, these guys definitely are no beginners, and this isn’t their first trip to the rodeo! Pictured above, the band’s members include (left to right) Toby Weaver (guitar, vocals), Graham Spillman (drums), Lucca Soria (guitar, vocals), Sevans Henderson (keyboards) and Joe Firstman (bass, vocals).

Cordovas’ music features impressive triple harmony vocals and nice double-lead guitar lines. When Rolling Stone described them in the above story, they dropped names like Grateful Dead, Little Feat and The Allman Brothers Band. I could definitely hear some influences from all of these mighty bands last night. Some others that come to mind are CSNY, The Band and early-phase Eagles.

The band’s set included a mix of covers and original tunes. Following is a clip I recorded – frankly, not sure whether that’s one of their own compositions or a cover. In any case, it gives you a nice flavor of the band’s style.

Here’s a second clip featuring the two guitarists performing a nice version of Robert Johnson’s Sweet Home Chicago, while the rest of the band took a short break. Blues just never gets boring!

According to a May 6 announcement, Cordovas are set for their debut album on ATO Records for August 10. Based on the band’s website, this record doesn’t appear to be their first. The merchandise section lists their eponymous album on vinyl, adding it is out of stock. One can still get it on Amazon. Apparently, it’s from 2017 and weirdly listed as an import.

Anyway, speaking of the new album, two tunes already are out. Here’s a clip of opener This Town’s A Drag – more great harmony singing and a great Telecaster twang!

And here’s the second track: Frozen Rose. Does this sound great or what?!

I’ll be surely to keep Cordovas on my radar screen. BTW, the band has a busy performance schedule. They just returned to the U.S. from a European tour that had started in early June. Between now and the end of September, they have some 20 domestic dates lined up at what appear to be smaller venues. Some of their upcoming gigs are in Boston (Jul 20), New York (Jul 30), Chicago (Aug 16), Washington (Aug 23) and Cleveland (Sep 5). Frankly, while I never mind a free show, I’d pay money to see these guys!

Sources: Cordovas Facebook page and official website, Rolling Stone, YouTube

Clips & Pix: Gregg Allman & Jackson Browne/Melissa

When I saw this clip on Facebook earlier today, I decided right away to post it when I get a chance: Gregg Allman and Jackson Browne performing one of Gregg’s most beautiful tunes, Melissa. Perhaps even nicer than listening to their voices, which go perfectly together, is to watch the obvious joy these two artists and good friends had – it’s truly priceless!

The clip is taken from All My Friends: Celebrating The Songs & Voice Of Gregg Allman, a tribute concert to Allman that was held in Atlanta on January 10, 2014. In addition to Browne, it featured many other high profile artists, such as Keb’ Mo’, Taj Mahal, Dr. John and John Hiatt. The show was recorded and appeared on CD and DVD.

Gregg Allman_All My Friends

According to Wikipedia, Gregg wrote Melissa in late 1967, using his brother Duane’s guitar. Apparently, Duane considered it to be one of Gregg’s best songs. It was included on Eat A Peach, the third studio album by The Allman Brothers Band from February 1972, as a tribute to Duane, who had died in a motorcycle accident three months prior to the recording. The track also became the album’s second single released in August that year.

Wikipedia’s entry about Melissa also includes a great excerpt from Allman’s memoir My Cross To Bear, in which he explains how he came up with the title:

It was my turn to get the coffee and juice for everyone, and I went to this twenty-four-hour grocery store, one of the few in town. There were two people at the cash registers, but only one other customer besides myself. She was an older Spanish lady, wearing the colorful shawls, with her hair all stacked up on her head. And she had what seemed to be her granddaughter with her, who was at the age when kids discover they have legs that will run. She was jumping and dancing; she looked like a little puppet. I went around getting my stuff, and at one point she was the next aisle over, and I heard her little feet run all the way down the aisle. And the woman said, “No, wait, Melissa. Come back—don’t run away, Melissa!” I went, “Sweet Melissa.” I could’ve gone over there and kissed that woman. As a matter of fact, we came down and met each other at the end of the aisle, and I looked at her and said, “Thank you so much.” She probably went straight home and said, “I met a crazy man at the fucking grocery.”

Sources: Wikipedia, AllMusic, YouTube

Today, Gregg Allman Would Have Turned 70 Years Old

As true Allman Brothers Band connoisseur and fan Music Enthusiast posted earlier, today Gregg Allman would have turned 70 years old.

Gregg, one of the finest artists who sadly passed away this May at the age of 69, played the blues hard. He lived and partied just as hard, especially during the anything-goes 70s. While he sobered up following the band’s induction into the Rock & Roll Hall of Fame in 1995, undoubtedly, Gregg’s lifestyle was a factor in his untimely death.

But his music will live on, and there is so much incredible material this artist has recorded. Here is one of my all-time favorite clips showing Gregg and the band he used for his solo recordings and performing Just Another Rider, which appeared on his excellent second-to-last 2011 studio album Low Country Blues. Gregg was very proud of these musicians. When you watch this clip, you’ll understand why:

 

Sources: Wikipedia, YouTube

In Memoriam of Gregg Allman

Rock music has lost another giant

Considering I’ve been a music fan for nearly 40 years, I feel a bit embarrassed to admit that I “discovered” The Allman Brothers Band very late. Sure, I had known and liked Ramblin’ Man for a long time, but it wasn’t until just a couple of years ago that I really started exploring their music. From there I quickly proceeded to Gregg Allman’s solo records. Once I did, I quickly realized what I had missed between the two for all this time!

Even though I knew Allman was not in good health and also read rumors about hospice care a few months ago, I’m still in disbelief this great artist is gone. As I’m writing this post, new reports about his death and obituaries literally keep appearing by the minute. I don’t feel I need to add to this by writing another recap of his life. Instead, I’d like to let his music do the talking.

Undoubtedly, one of the most remarkable performances of the Allman Brothers is Whipping Post at Fillmore East in 1970, when killer guitarist Duane Allman was still around. It’s just epic!

Here is another one – the “laid back” version of Midnight Rider, which I’ve come to like even more than the Brothers’ original version.

Soulshine live at the Beacon Theatre in New York City in 2013. This literally brings tears to my eyes.

Last but not least, here is an awesome rehearsal version of Just Another Rider from Allman’s last solo album Low Country Blues (2011).

To quote a Rolling Stone story, “Gregg Allman was blessed with one of blues-rock’s great growling voices and, along with his Hammond B-3 organ playing (beholden to Booker T. Jones), had a deep emotional power.” Well said!

Allman may be gone, but I’ve no doubt his music will live on.

Sources: Wikipedia, Rolling Stone, YouTube

Rolling Stones Come Full Circle With New Blues Album

“Blue & Lonesome” feels like the Stones took a journey back to the early 1960s and made their best album in more than 20 years.

Yesterday (Dec 2, 2016), The Rolling Stones released their long anticipated blues album, Blue & Lonesome. After having listened to it for a few times, I would say it’s their best music since 1989’s Steel Wheels.

Blue & Lonesome is the band’s first studio album since 2005 when they released A Bigger Bang, and their 23rd British and 25th American studio release overall. It is also their first full-length record that includes covers only. While the Stones started out playing mostly blues covers, even their early albums had at least one song credited to Mick Jagger and Keith Richards.

Produced by long-time Stones’ producer Don Was, the collection of 12 vintage blues songs was recorded in a London studio in just three days. According to a recent feature in Rolling Stone, the Stones initially went into the studio to work on an album of original songs that is still in its early stages. To warm up they did what they oftentimes do – play blues songs they have loved for many years. Since they knew the tunes so well, they played them (mostly) live and didn’t need to run through many takes. This gives the album a fresh and spontaneous feel.

The Rolling Stones 2016

To me one of the highlights is Jagger’s blues harp playing. I have to say I wasn’t aware how talented he is. Keith Richards and Ronnie Wood also provide great guitar work, while drummer Charlie Watts and Darryl Jones,  who after playing bass for more than 20 years still is not an official member of the band, effectively drive the rhythm.

And then there is Eric Clapton, who happened to work on an album at the same study while the Stones were doing their sessions. They invited him to play slide guitar on two songs: Everybody Knows My Good Thing, a tune by Miles Grayson and Lermon Horton, and Willie Dixon’s I Can’t Quit You Baby.

Other contributing musicians include Matt Clifford (keyboards);  Chuck Leavell (keyboards), who was a member of The Allman Brothers Band in the 70s and has frequently recorded and toured with the Stones since 1981; and long-time session drummer Jim Keltner who worked with John Lennon, George Harrison, Ringo Starr, John Hiatt and Ry Cooder, among others, and plays percussion on Hoo Doo Blues (Otis Hicks & Jerry West).

Following are a few clips of tunes on the album.

Just Your Fool (Walter Jacobs)

Blue and Lonesome (Walter Jacobs)

Everybody Knows My Good Thing (featuring Eric Clapton) (Miles Grayson and Lermon Horton)

Ride ‘Em On Down (Eddie Taylor Jr.)

I think what Richards said about Jagger’s harmonica playing and the album overall in the above mentioned Rolling Stone feature sums it up perfectly. “This is the best record Mick Jagger has ever made…It was just watching the guy enjoying what he really can do better than anybody else. And also, the band ain’t too shabby.”

This post was updated on August 4, 2020.

Sources: Wikipedia; Rolling Stone; YouTube

What I’ve been listening to: The Allman Brothers At Fillmore East

Like many other folks in the U.S., I haven’t been exactly cheerful over the past few days. Music including this 1971 classic can be great to overcome the post-election blues.

I certainly don’t want to trivialize the outcome of the U.S. presidential election, which does concern me a great deal. Turning to the blues in this situation may also seem to be ironical. But I find there is something in this great music that puts me at ease, providing a welcome distraction from all the post-election media coverage and analysis.

At Fillmore East is the third album by The Allman Brothers Band. I agree with critics who consider it to be one of the best live albums in rock music. It captures material from three concerts the band performed at Fillmore East, a legendary late 60s/early 70s music venue in New York City, which also featured other icons like Jimi Hendrix, The Kinks and Led Zeppelin.

Even though the Allman Brothers had already released two excellent studio albums, their eponymous debut (1969) and the follow-up Idlewild South (1970), it was At Fillmore East that gave them their commercial breakthrough. It’s really not a surprise, since the band was such an amazing live act.

At Fillmore East showcases the Allman Brothers’ outstanding musical craftsmanship. It features long jams mixing blues and rock with country and jazz elements. Of the seven songs on the original release only two are Allman Brothers compositions: Dickey Betts’ In Memory of Elizabeth Reed from Idlewild South, and Gregg Allman’s Whipping Post. Both are among the album’s highlights blending amazing dual lead guitar parts by Duane Allman and Dickey Betts with the treffic sound of Gregg Allman’s Hammond.

Statesboro Blues nicely showcases Duane’s slide guitar work. Another standout is Stormy Monday. The tune starts off as a slow blues, picks up to a jazz grove driven by Gregg’s organ and then slows down again to a blues tune. It’s just brilliant!

Released July 1971, At Fillmore East reached No. 13 on the Billboard 200 and received RIAA Gold certification in October that year. Eventually, it was certified platinum in August 1992. The album is No. 49 on Rolling Stones’ 500 Greatest Albums of All Time and was one of the 50 recordings the Library of Congress selected in 2004 to be added to the National Recording Registry.

At Fillmore East is the last album the band released when all of its original members were still alive: Duane Allman (slide guitar, lead guitar), Gregg Allman (piano, organ, vocals), Dickey Betts (lead guitar), Berry Oakley (bass guitar), Jai Johanny Johanson (drums, congas, timbales) and Butch Trucks (drums, tympani). A few months after the album had come out Duane Allman was killed in a motorcycle accident.