The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another installment of The Sunday Six. I always look forward to writing these weekly posts. It feels very liberating to explore the music of the past 60 years or so with no set theme or rules other than I have to like it and keep my picks to six tracks at a time. That being said, frequent readers may have noticed that I’ve kind of settled into a groove on how I tend to structure these posts.

Usually, they kick off on a softer note, given I’m publishing these installments on Sunday mornings, at least in my neck of the woods. I feel these intros present a nice opportunity to feature some jazz and other instrumental music. From there, the posts are pretty much all over the place, jumping back and forth between different decades and featuring different genres. With my methodology behind the madness now having been officially revealed in case you hadn’t already noticed, let’s get to this week’s picks!

Federico Albanese/The Stars We Follow

I’d like to begin today’s journey with beautiful instrumental music by Federico Albanese, an Italian composer, pianist and music producer. He emerged in Spotify after I had looked up the latest composition by English contemporary pianist Neil Cowley I featured in two previous Sunday Six installments, most recently here. From Albanese’s website: Albanese’s compositions are airy and cinematic, blending classical music, pop and psychedelia...When Federico Albanese was just two years old, a local music store owner told his mother that her son had a gift for music...After an early childhood playing piano, the next stop on Albanese’s musical journey was jazz. Inspired by a Woody Allen film, his father gave the young teenager a clarinet, and booked him lessons...Next came the bass guitar, because he wanted to play in a punk rock band. In addition to playing in several rock bands, he and his friends were listening to new age music of the late 90s, from Brian Eno to William BasinskiAll of these musical interests have combined to influence his genre-fusing piano soundscapes, which also incorporate guitar, bass, violin and electronica. This brings me to The Stars We Follow, which is part of a soundtrack released in May 2019 Albanese wrote for a motion picture titled The Twelve. I find this music very relaxing and a nice way to start a Sunday morning.

Chuck Brown and Eva Cassidy/Dark End of the Street

Next, let’s turn to Eva Cassidy, a versatile American vocalist who was known for her interpretations of jazz, blues, folk, gospel, country and pop songs. Sadly, Cassidy’s life was cut short at age 33 when she passed away from melanoma. What a loss and at such a young age – truly heartbreaking! Cassidy gained most of her popularity after her death, especially overseas where three of her postmortem releases – a studio album, a live record and a compilation – topped the Offical Albums Chart in the UK and also reached the top 20 in various other European countries. Cassidy’s cover of Dark End of the Street appeared on The Other Side from January 1992, the only album released during her lifetime. She recorded it together with American guitarist, bandleader and vocalist Chuck Brown who was known as The Godfather of Go-Go. Written by Dan Penn and Chips Moman in 1967, Dark End of the Street was first recorded by R&B and soul singer James Carr that same year. Check out Cassidy’s beautiful rendition – I find it incredible!

The Box Tops/The Letter

After two mellow tracks, it’s time to speed things up. Here’s a great tune that became the first and biggest hit for American blue-eyed soul and rock band The Box Tops: The Letter, which first appeared as a single in May 1967. The tune, written by Wayne Carson, was also included on the group’s first album The Letter/Neon Rainbow. It was quickly put together and released in November of the same year after The Letter had reached no. 1 in the U.S. on the Billboard Hot 100. The Letter featured 16-year-old Alex Chilton on lead vocals, who after The Box Tops had disbanded in February 1970 became a co-founder of power pop group Big Star. The original line-up of The Box Tops also included Gary Talley (lead guitar, backing vocals), John Evans (keyboards, backing vocals), Bill Cunningham (bass, backing vocals) and Danny Smythe (drums, backing vocals). I’ve always loved The Letter, an excellent rendition of which was also recorded by Joe Cocker in 1970.

The Hooters/All You Zombies

While I was thinking about the ’80s the other day and a tune I could feature in a Sunday Six installment, suddenly, I recalled American rock band The Hooters. They became quite popular in Germany in the mid-’80s. The first song that brought them onto my radar screen was All You Zombies. I vaguely seem to recall rocking out on the dance floor to this great tune during high school parties and festivities as a young college student. The song was co-written by the band’s founding members Eric Brazilian (lead vocals, guitars, mandolin, harmonica, saxophone) and Rob Hyman (lead vocals, keyboards, accordion, melodica) who remain with the still-active group to this day. An initial version of All You Zombies first appeared on The Hooters’ debut album Amore and as a single, both released in 1983, and went unnoticed. I can see why it was the re-recorded and extended version from 1985, which became a hit. That take appeared on the band’s sophomore album Nervous Night from May 1985 and also separately as a single. The tune was most successful in Australia where it climbed to no. 8. It also charted in the top 20 in New Zealand and Germany (no. 16 and no. 17, respectively). In the U.S., it peaked at no. 11 on Billboard’s Mainstream Rock chart and no. 58 on the Billboard Hot 100 pop chart.

Billy Joel/New York State of Mind

The other day, Graham who pens the great Aphoristic Album Reviews blog did a post titled “10 Worst Billy Joel Lyrics”. Just in case any Billy Joel fans are reading this, Graham digs the piano man, just not necessarily all of his lyrics, and I think he explains it very well. Joel also happens to be one of my longtime favorite singer-songwriters and I’ve yet to dedicate a post to him – I guess a new idea was just born. Perhaps one of the most remarkable things about the artist from Long Island, N.Y. is that while he hasn’t released a new pop album since his 12th studio record River of Dreams from August 1993, he remains as popular as ever. Joel is selling out one show after the other as part of his monthly residency at New York’s Madison Square Garden, a venue that can hold up to 20,000 people for concerts. One of my favorite songs by the piano man, especially musically, is New York State of Mind. The track appeared on Joel’s fourth studio album Turnstiles from May 1976. Surprisingly, this gem wasn’t released as a single at the time. Eventually, it appeared as a single in 2001, off a Tony Bennett album titled Playin’ with My Friends: Bennett Sings the Blues. You can check out Joel’s and Bennett’s jazzy bar tune-like take here – beautiful!

Jerry Lee Lewis/Whole Lot of Shakin’ Going On

And once again, it’s time to wrap up, so let’s make it count. Are you ready to groovin’? Ready to movin’? Ready to rockin’? Ready to rollin’? Get shakin’ with one of the best tunes by The Killer. I give you Jerry Lee Lewis, who at age 86 is the last man standing of the classic rock & roll era, and Whole Lot of Shakin’ Going On! Written by Dave “Curlee” Williams, the original jazzy version of the tune appeared as Whole Lotta Shakin’ Goin’ On by American R&B singer Big Maybelle in 1955. While it’s pretty groovy, Jerry Lee Lewis took the tune to a new level when he released his high-charged rendition as a non-album single in April 1957. Lewis’ propulsive boogie piano was backed by Sun Records session drummer J. M. Van Eaton and rockabilly guitarist Roland E. Janes, literally turning the tune into a killer rendition. “I knew it was a hit when I cut it,” a confident Lewis later proclaimed. “Sam Phillips [Sun Records founder – CMM] thought it was gonna be too risqué, it couldn’t make it. If that’s risqué, well, I’m sorry.” Whole Lot of Shakin’ Going On became one of Lewis’ highest-charting hits, climbing to no. 3 in the U.S. on the mainstream Billboard Hot 100, and topping both Billboard’s country and R&B charts. In the UK, the tune reached no. 8. Since it’s so much fun, I give you both the studio version and an incredible extended live take from 1964- and, yes, feel free to shake along!

Last but not least, here’s a Spotify playlist including the above picks!

Sources: Wikipedia; Federico Albanese website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

For this latest installment of the recurring feature, I had lots of new/recently released music to choose from: various singer-songwriters, Americana, rock and blues. It would have been easy to add at least four additional songs, but I’d like to keep these posts to no more than four to six tracks. As in previous installments, it’s a mix of young and more established artists, which is exactly what I’d like it to be. I’m really glad that my foray into new music continues to yield many promising discoveries. Here we go!

John Craigie/Don’t Ask

From his website: Renowned for his eloquent Americana style, engaging live shows, and off-the-cuff clever observations, John Craigie carries on the legacy of classic singer-songwriters, while blazing a trail of his own. Recently, that trail twisted and turned into new territory for the Portland, OR performer who The Stranger appropriately dubbed, “the lovechild of John Prine and Mitch Hedberg.” Released on May 8, Don’t Ask is the latest single from the 39-year-old’s upcoming new album Asterisk the Universe, slated for June 12. Two additional tracks from the record, which should be his seventh, are already available. According to Wikipedia, Craigie has been called a “modern day troubadour” reminiscent of Woody Guthrie and Ramblin’ Jack Elliott. While I don’t know about that, I’ve no doubt I really dig what I’m hearing.

Israel Nash/Canyonheart

Israel Nash is a 39-year-old singer-songwriter from Dripping Springs, TX. Wikipedia puts his music in the Americana, rock and indie rock genres. Based on his most recent release – the EP Topaz – I can also hear some soul influences. Nash came to Texas via New York from Missouri, his original home. After moving to New York in 2006 and performing in local clubs, Nash independently released his debut album New York Town in 2009. After the appearance of his sophomore album Barn Doors and Concrete Floors in March 2011, Nash moved to Dripping Springs late in the same year. He has since released three additional studio records, one life albums and two EPs including Topaz, which came out on May 22. Here’s the great opener Canyonheart. Check out that tune’s beautiful warm sound!

John “Papa” Gros/It’s Raining

To start with, what an awesome name, and very much New Orleans – admittedly, it was part of the reason why I took a closer look at John “Papa” Gros, who hails from the big easy. For over three decades, Gros has brought his city’s celebratory culture to listeners around the globe., according to his website. Gros mixes all the sounds of New Orleans – funk, trad jazz, brass band, blues  – and makes it his own signature gumbo. His new solo album Central City, shows Gros capturing New Orleans’ distinct feel-good charm with help from some of its’ most renowned players. Gros began playing gigs when he was just fifteen years old but didn’t truly kick off his career until after graduating from Loyola in 1989 with a degree in French Horn performance…Between 2000 and 2013, Gros began his transition into the spotlight by leading Papa Grows Funk, a highly revered group that mixed hard-hitting funk grooves with often unpredictable jazz spontaneity. The band has since broken up, and John “Papa” John has carried on with a solo career. Central City, which came out on April 17, is his third solo effort. Here’s the beautiful It’s Raining. I hear some Randy Newman in here!

Scott Ellison/All Wound Up

Are you ready for some good ole’ blues and honky tonk? Enter singer-songwriter, guitarist and blues rocker Scott Ellison was born in Tulsa, Okla. in on June 13, 1954. According to his website, he started his career in the ’70s, playing with country singer Jesseca James and blues artist Clarence “Gatemouth” Brown in 1981. After relocating to Los Angeles in the mid-’80s, Ellison played with The Box Tops, The Shirelles, The Drifters and Gary U.S. Bonds, among others. By the ’90s he had formed his own blues band and opened for other artists like Joe Cocker, The Fabulous Thunderbirds and Buddy Guy. In 1993, Ellison’s first solo album Chains of Love appeared. Skyline Dive is his most recent record, which appeared on May 8. Here’s All Wound Up, a nice smoking blues rocker – my kind of music!

Fretland/Say It Well

I couldn’t find a lot of information on Fretland, an Americana band from Snohomish WA. The apparently still young group was founded by singer-songwriter Hillary Grace Fretland (vocals, guitar). The band also includes Luke Francis (guitar), Jake Haber (bass) and Kenny Bates (drums). Say It Well is the beautiful closer of Fretland’s eponymous album released on May 22. It’s a very bare bones acoustic tune, which sounds like is performed by Hillary with guitar only.

Dr. Joe/Believer

Dr. Joe is another artist I had not heard of before. From his website: Based in Austin TX but raised on a farm outside Salina, Kansas, band leader Joe Sparacino spent his early childhood learning piano from a southern gospel choir matron and listening to his family’s old vinyl collection of Ray Charles, Leon Russell and James Booker. Their debut single: “Tell Your Mother” was produced by Vance Powell (six-time Grammy Award winning record producer) whose credits include Jack White, The Raconteurs, White Stripes, Kings of Leon, Arctic Monkeys, Chris Stapleton, etc. and recorded at his famed Sputnik Studio in East Nashville. GOOD DAYS [apparently their second single] was recorded by – Niles City Sound (Leon Bridges) in Fort Worth Texas with additional work by Adrian Quesada (Black Pumas), Abhi The Nomad and Austin Jenkins (White Denim). It was mixed and mastered at Abbey Road in London. Believer is Dr. Joe’s latest single, which came out on April 10 (Good Friday). I think this tune is cooking. I suppose this means I’m a believer! 🙂

Sources: Wikipedia; John Craigie website; John “Papa” Gros website; Scott Ellison website; Fretland website; Fretland Facebook page; Hillary Grace Fretland Facebook page; YouTube