The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another Sunday Six! Once again it’s time to embark on some music time travel. As usual, I got six tunes lined up. Let’s go!

Benny Golson/Terminal 1

Today, our trip starts in 2004 with some great jazz by American bebop/hard bop jazz tenor saxophonist, composer and arranger Benny Golson. Before launching his solo career in the late 1950s, Golson had gained prominence in the big bands s of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer. Apart from releasing multiple albums as a leader, he co-founded and The Jazztet in 1959 together with trumpeter Art Farmer, which the two musicians co-led until the 1990s. Golson also was a sought-after arranger for film and TV from the late ’60s through the ’70s, a period during which he was less active as a performer. Terminal 1, composed by Golson, is the title track of an album he released in June 2004. Golson, who in January turned 93, was backed by Eddie Henderson (trumpet, flugelhorn), Mike LeDonne (piano), Buster Williams (bass) and Carl Allen (drums).

The Crusaders/Street Life

Staying in the jazz lane but going more pop and funk, our next stop is 1979 and a groovy tune by The Crusaders, featuring great vocalist Randy Crawford. The Crusaders were formed as The Jazz Crusaders in 1960. Their debut album Freedom Sound appeared in 1961. After close to 20 additional records, the group became The Crusaders in 1971 and performed under that shortened name until 2010. Street Life is the title track of the band’s most successful album on the U.S. pop charts, which was released in December 1979. The tune was co-written by Jazz Crusaders co-founder Joe Sample and songwriter Will Jennings. The latter is best known for penning Titanic soundtrack tune My Heart Will Go On performed by Celine Dion, and co-writing Eric Clapton’s Tears In Heaven. Street Life also appeared separately as a single and became a U.S. top 40 hit on the Billboard Hot 100 (no. 36). The single did even better in Europe where it hit the top 10 in the UK (no. 5), Norway (no. 6) and Sweden (no. 8). Here’s the album version in all of it’s 11-minute mighty – my type of music!

Spencer Davis Group/I’m a Man

Time for some ’60s rock and one of my favorite British bands from that decade: Spencer Davis Group. They were formed in Birmingham, England in 1963 by Spencer Davis (guitar), Steve Winwood (keyboards, guitar), his 5-year-older brother Muff Winwood (bass guitar) and Pete York (drums). At the time Steve joined, he was 14 and still in school! I’m a Man was released as a non-album single in January 1967. Written by Steve Winwood and producer Jimmy Miller, the tune became Spencer Davis Group’s last top 10 hit in the UK and U.S. (no. 9 and no. 10, respectively). Three months later, Steve Winwood left the band to form Traffic with Dave Mason, Chris Wood and Jim Capaldi. Spencer Davis Group disbanded in July 1969 and had various reunions thereafter with Davis but sans Steve Winwood. Davis passed away in October 2020 at age 81 while being treated for pneumonia. There’s also an incredible cover of I’m a Man by Chicago, then known as Chicago Transit Authority, which they recorded for their eponymous debut album released in April 1969.

Blue Rodeo/Fallen From Grace

On to the ’90s and a tune by a Canadian band I’ve come to dig: Blue Rodeo. The country rock group was formed in 1984 in Toronto by high school friends Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), who had played together in various bands before, along with Bob Wiseman (keyboards). Cleave Anderson (drums) and Bazil Donovan (bass) completed the band’s initial lineup. After gaining a local following in Toronto and signing with Canadian independent record label Risque Disque, Blue Rodeo released their debut album Outskirts in March 1987. The band’s fifth studio project 5 Days in July, which appeared in October 1993 in Canada and September 1994 in the U.S, remains their best-selling album in Canada. It’s also my favorite I’ve explored to date, and I’ve featured various of its tunes. Fallen From Grace, co-written by Cuddy and Keelor, is a song off Tremolo, the group’s seventh studio album released in July 1997. It holds the distinction of being Blue Rodeo’s only no. 1 album in Canada.

The Subdudes/Need Somebody

The Subdudes are a cool band from New Orleans, blending folk, swamp pop, R&B, Louisiana blues, country, cajun, zydeco, funk, soul and gospel into a tasty musical gumbo. They have been around since 1987 with breaks from 1996-2002 and 2011-2014. The band’s current members include Tommy Malone (vocals, guitar), John Magnie (vocals, accordion, keyboards), Steve Amedée (tambourine, drums, other percussions, vocals), Tim Cook (percussion, bass, vocals) and Jimmy Messa (bass, guitar), which is almost still their original line-up. Since their eponymous debut from June 1989, The Subdudes have released nine additional studio and two live albums. Need Somebody, co-written by Magnie, Malone and the band’s former bassist Johnny Ray Allen, is from their first album. I love this band’s warm sound and want to check them out further.

Jane Lee Hooker/Lucky

Before wrapping up yet another Sunday Six, I got one more tune for you by one of the hottest contemporary bands I know: Jane Lee Hooker. If you’re a frequent visitor of the blog, their cool name may sound familiar. Or perhaps you’ve read about the group on fellow blogger Robert Horvat’s Rearview Mirror, who recently included them in a 2022 best new albums post. Founded in 2013, the band from New York currently features four co-founding ladies – Dana “Danger” Athens (vocals), Tina “T-Bone” Gorin (guitar), Tracy Hightop  (guitar), Hail Mary Zadroga (bass) and Tracy Hightop (guitar) – and one gent: ‘Lightnin’ Ron Salvo (drums). In April this year, Jane Lee Hooker released their third studio album Rollin’, which offers their familiar hard-charging guitar-driven rock, as well as some new elements, including acoustic blues and vibes of soul. Here’s Lucky, a smoking mid-tempo blues rocker credited to the entire band, for which they recently released an official video.

Last but not least, here’s a Spotify playlist of the above tunes.

Sources: Wikipedia; YouTube; Spotify

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Peter Frampton Releases Covers Album Featuring His Favorite Blues Classics

Peter Frampton these days seems to get the kind of attention I imagine he hasn’t seen since 1976 when he broke through with Frampton Comes Alive!, one of the most acclaimed live rock albums. Unfortunately, the story has been a mixed bag for the 69-year-old rock guitarist. The good news is his new covers album All Blues, which is out via UMe since yesterday. The not so great side of the story: his recently disclosed diagnosis with inclusion body myositis, a progressive autoimmune disease causing muscle inflammation, weakness and atrophy. Since the condition eventually is likely to prevent Frampton from playing guitar, he decided to do a farewell tour and retire from touring thereafter – and ultimately I guess from music altogether.

But let’s focus on the positive. While by its very nature a covers album doesn’t really present anything new, this is a great collection of classic blues tunes, which nicely displays Frampton’s blues chops. And, btw, he’s a pretty decent vocalist as well. The rock guitarist is getting a little from his friends, including Kim Wilson, Larry Carlton, Sonny Landreth and Steve Morse. All Blues was co-produced by Frampton and Chuck Ainlay, and recorded at Frampton’s studio in Nashville, together with his long-time touring band featuring Adam Lester (guitar, vocals), Rob Arthur (keyboards, guitar, vocals) and Dan Wojciechowski (drums).

Peter Frampton

“I have always loved to play the blues,” Frampton explains on his website. “When we formed Humble Pie, the first material we played together was just that. For the last two summers I had been playing a handful of blues numbers every night on stage with Steve Miller Band. I enjoyed this immensely and it gave me the idea of doing an ‘All Blues’ album live in the studio with my band. We started the resulting sessions nine days after coming off the road last year. Over a two-week period, we recorded 23 tracks, all live in the studio. The energy of these tracks is completely different from building a track one instrument at a time…I’m not sure if you can say we had fun playing the blues. But we definitely did.” With that, let’s get to some it!

Here’s the great opener I Just Want To Make Love To You. Written by Willie Dixon in 1954 and first recorded by Muddy Waters, Frampton’s version features great harmonica playing by Kim Wilson, who is best know as the lead vocalist and frontman of The Fabulous Thunderbirds.

Next up: A nice instrumental take of Georgia On My Mind, which was made famous by Ray Charles in 1960. And while as such the tune is mostly associated with Charles, it was actually co-written by Hoagy Carmichael and Stuart Gorrell in 1930 and first recorded that year. A few weeks ago when I first learned about the album, I read somewhere that when the song was proposed to Frampton, he saw no way his voice could give it justice. But since he digs the tune, he decided to cover it as an instrumental – great choice, I really like Frampton’s tone here!

All Blues, the title track, is another beautiful instrumental. It features guitarist extraordinaire Larry Carlton, who has played with artists like Steely Dan and Joni Mitchell, and has been a member of jazz fusion band The Crusaders. All Blues was written by Miles Davis and first appeared on his 1959 album Kind Of Blue. Again, I love the guitar tone on this cover.The smooth jazzy groove is pretty cool as well!

Next up: The Thrill Is Gone, one of my all-time favorite blues tunes I just couldn’t skip. Co-written by Roy Hawkins and Rick Darnell in 1951 and first recorded by Hawkins that same year, it became a signature song and major hit for B.B. King in 1970. The thrill is definitely not gone on this great rendition, which features Louisiana blues guitarist Sonny Landreth.

The final track I’d like to call out is Frampton’s cover of I’m A King Bee. In part I decided to select the 1957 Slim Harpo swamp blues classic since it includes what became a distinct feature of Frampton’s sound in the ’70s – a talk box!

Similar to the great new Santana album I reviewed in the previous post (btw, I can’t remember the last Friday that saw the release of two great albums the same day!),  All Blues on some level makes me feel I should see Frampton during his upcoming tour, especially given it looks like it is going to be the last opportunity. But again, it’s the same old dilemma that I simply can’t see everybody I’d like to see, and I’m probably already going beyond what I should do – unfortunately! And while he’s undoubtedly a great guitarist, I’m not sure I’m enough of a Peter Frampton fan to justify buying a ticket.

Frampton’s farewell tour, which has many dates together Jason Bonham’s Led Zeppelin Evening (sounds like fun to me as well!), kicks off in Tulsa, Olka. on June 18. It won’t be until Sep 13 before they come to New York City’s Madison Square Garden. I guess this means I have some more time to change my mind! 🙂 The current last scheduled show is Oct 12 in Concord, Calif. The full schedule is here.

Sources: Wikipedia, Peter Frampton website, JamBase, YouTube