The Doobie Brothers Are Still Runnin’ Strong

Liberté is band’s first album of all-new music in 11 years

The Doobie Brothers are back with new music. After having listened to Liberté a few times, I find there is much to like about the band’s 15th studio album, their first with all new original tunes since World Gone Crazy from September 2010. Their most recent studio release Southbound, which appeared in November 2014, featured remakes of their biggest hits and some other songs recorded in collaboration with artists like Zac Brown Band, Toby Keith and Huey Lewis and Brad Paisley.

Released on October 1, Liberté was produced by John Shanks who has worked with a broad array of artists, such as Bonnie Raitt, Sheryl Crow, Stevie Nicks, Bon Jovi and Melissa Etheridge. Shanks also co-wrote all of the 12 tunes with either Tom Johnston (guitar, harmonica, vocals) or Patrick Simmons (guitar, banjo, flute, vocals), who co-founded the Doobies in San Jose, Calif. in 1970, together with Dave Shogren (bass, keyboards, guitar, backing vocals) and John Hartman (drums, percussion, backing vocals).

Doobie Brothers - Official Site
The Doobie Brothers (from left): Michael McDonald, Patrick Simmons, Tom Johnston and John McFee

The Doobie Brothers’ other core members are John McFee (guitar, pedal steel, violin, harmonica, banjo, mandolin, backing vocals), who has been part of the line-up since 1979, and Michael McDonald (keyboards, synthesizers, vocals), who has been and off since he first joined in 1975. McDonald was not involved in recording Liberté. He rejoined the Doobies in November 2019 ahead of their planned 50th anniversary tour in 2020. It was postponed due to the COVID pandemic and finally kicked off on August 22 in Des Moines, Iowa.

When the Doobies first announced Liberté in early August, they released the first four tracks of the album as a self-titled EP. Previously, I included one of these tunes, Don’t Ya Mess With Me, in a Best of What’s New installment. As such, I will skip the rocker here. Let’s get to some of the album’s other music.

Here’s the opener Oh Mexico. Co-written by Shanks and Johnston, the rock tune has a vibe of early Doobies. Johnston sounds great on vocals. I also dig the tune’s neat slide guitar work.

Cannonball is an acoustic-oriented song co-written by Shanks and Simmons. While this doesn’t sounds like classic Doobies, I still like it.

The American Dream, a nostalgic tune reminiscing of the top down and the radio on, and dancin’ in the streets, is another co-write by Shanks and Johnston.

One of my early favorites is the soulful Shine Your Light. The tune was co-written by Shanks and Johnston as well.

The last tune I’d to call out is Just Can’t Do This Alone. Co-written by Shanks and Johnston, this tune reminds me a bit of Listen to the Music, the first hit the Doobies scored in 1972, a single off their sophomore album Toulouse Street.

I wasn’t quite sure what to expect from Liberté. While it’s fair to say it’s no Toulouse Street or The Captain and Me, I find the album an enjoyable listening experience.

“How does any band know?,” Johnston said during a recent interview with The San Diego Union-Tribune. “You’re just trying to get it together and move forward. At the start of this band, we hadn’t done anything yet and we were playing bars like everyone else. Luckily, we did a demo tape that got us a record deal with Warner Bros. Our first album didn’t sell, but the second did. And the rest is history.” Indeed, 51 years and counting; or, if you exclude the band’s five-year hiatus between 1982 and 1987, it’s 46 years – still a mighty long time!

Sources: Wikipedia; Doobie Brothers website; San Diego Union-Tribune; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Is it really Saturday again? Yep, according to my calendar it is! And, if you’re in the U.S., we’re two weeks out from Labor Day weekend – that’s just crazy! Though I’d quickly like to add it’s a widely held misconception the holiday marks the end of summer. The good news is summer officially lasts until September 22, so we still have about a month left! On to newly released music that caught my attention!

Maggie Rose/What Are We Fighting For

Maggie Rose is a Nashville-based country and rock singer-songwriter. According to her Apple Music profile, Cut from the same cloth as fiery crooners Jana Kramer, Miranda Lambert, and Carrie Underwood, country singer Maggie Rose was born Margaret Rose Durante in 1988 in Potomac, Maryland. Durante took to the stage at the age of 16, performing frequently with the B Street Band, a Bruce Springsteen cover group, before heading off to Clemson University. She left school in her sophomore year to focus on music, eventually relocating to Nashville, Tennessee on the advice of industry icon Tommy Mottola. Mottola helped her ink a deal with Universal Republic, which released her debut single, a 2009 cover of Kings of Leon’s “Use Somebody.” She left the label the following year and signed with Emrose Records, releasing a pair of singles and an EP under her birth name before assuming the moniker Maggie Rose for the 2012 single “I Ain’t Your Mama.” A debut full-length album, Cut to Impress, produced by Blake Chancey, Stephony Smith, and James Stroud, appeared from RPM Records in the spring of 2013. Here’s What Are We Fighting For, the soulful opener of Rose’s third album Have a Seat that dropped yesterday (August 20). Rose wrote this great tune together with guitarist Alex Haddad and Larry Florman (background vocals, percussion), who according to her website are longtime band members/collaborators.

The Joy Formidable/Into the Blue

The Joy Formidable are a UK alternative rock band from Wales. They were formed in 2007 by childhood friends Ritzy Bryan (guitar, vocals) and Rhydian Davies (bass), who had previously played together in Manchester group Tricky Nixon, and Justin Stahley (drums). In 2009, following the band’s debut EP, current drummer Matthew James Thomas replaced Stahley. The following year, The Joy Formidable signed with Atlantic subsidiary Canvasback Records. Their debut album The Big Roar from January 2011 led to immediate chart success in the UK, climbing to no. 31 on the Official Albums Chart. Charting in the U.S. didn’t occur until the group’s sophomore album Wolf’s Law, which reached no. 51 and 11 on the Billboard 200 and Alternative Albums charts, respectively. Into the Blue is the title track of The Joy Formidable’s fifth and new album released yesterday. Like all other tracks on it, the song was co-written by Bryan and Davies.

Andrea von Kampen/That Spell

Andrea von Kampen is a Lincoln, Neb.-based f0lk singer-songwriter. From her website: With the successful release of two EP’s, Another Day (2015) and Desdemona (2016), a Christmas EP (2016), an Audiotree Live album (2017), and her debut full-length album Old Country (2019), Andrea has quickly established herself in the recording studio and on the road. She has shared the stage with artists such as Tall Heights, Ira Wolf, Dead Man Winter, The Brother Brothers, Dead Horses, Darling West and many more…Inspiration for Andrea’s songs often come from literature, art, and nature; in particular the literature and nature of Nebraska and the Midwest… Andrea von Kampen first appeared in the public eye with her submission of Let Me Down Easy into the 2016 Tiny Desk Contest. Within 24 hours of submission, NPR Music, All Songs Considered tweeted her video as the featured artist of the day, saying “we were completely blown away.” Ultimately, Andrea finished the competition as a top ten finalist, which lead to increased popularity of her EP, Another Day, specifically her song Trainsong. Since then, her EPs have amassed millions of streams on Spotify and continue to grow. On August 6, van Kampen released her sophomore album That Spell. Here’s the title track that had first appeared on July 23 as the lead single – nice music to sit down to listen.

The Doobie Brothers/Don’t Ya Mess With Me

I trust The Doobie Brothers need no introduction. It’s great to see a band that has been active for more than 45 years (with a 5-year hiatus between 1982 to 1987) is still releasing new music. Their official current line-up includes original members Tom Johnston (guitar, harmonica, piano, lead and backing vocals) and Patrick Simmons (guitar, banjo, flute, lead and backing vocals), along with longtime on-and-off member John McFee (guitar, pedal steel guitar, violin, harmonica, banjo, mandolin, backing vocals). Michael McDonald (keyboards, synthesizers, lead and backing vocals), another on-and-off member over the decades, will join the Doobies on their upcoming tour. On October 1, they are scheduled to release their 15th studio album Liberté. The album, which doesn’t include McDonald, is the group’s first new studio release in seven years since Southbound from November 2014, and their first of new original material since 2010’s World Gone Crazy. Here’s lead single Don’t Ya Mess With Me, one of four tracks released upfront as a self-titled EP on August 6 when the band announced Liberté. Johnston penned the rocker with co-producer John Shanks. It may be no China Grove, Rockin’ Down the Highway or Long Train Runnin’, but it still makes me a happy camper!

Sources: Wikipedia; Apple Music; Maggie Rose website; Andrea van Kampen website; YouTube

Planes, Trains and Automobiles – Part II

A three-part mini series of songs related to the three transportation modes

Here’s part II of a mini series of three posts featuring songs related to planes, trains and automobiles. Each installment includes five tunes in chronological order from oldest to newest. Part I focused on planes. Now it’s on to trains. Hop on board!

In case you didn’t read the previous installment, the idea of the mini series came from the 1987 American comedy picture Planes, Trains and Automobiles. The film is about a marketing executive (Steve Martin) and a sweet but annoying traveling sales guy (John Candy) ending up together as they are trying to get from New York home to Chicago for Thanksgiving. Their plane’s diversion to Wichita due to bad weather in Chicago starts a three-day odyssey and one misadventure after the other, while the two, seemingly incompatible men use different modes of transportation to get to their destination.

Elvis Presley/Mystery Train

Let’s kick of this installment with Mystery Train, written and first recorded by Junior Parker as a rhythm and blues track in 1953. When Elvis Presley decided to cover the song, it was turned into a rockabilly tune featuring him on vocals and rhythm guitar, together with his great trio partners Scotty Moore (guitar) and Bill Black (bass). Produced by Sam Philips at Sun Studios in Memphis, Tenn., Presley’s version was first released in August 1955 as the B-side to I Forgot to Remember to Forget, which became his first charting hit in the U.S., hitting no. 1 on the Billboard Hot Country Songs. This has got to be one of the best rockabilly tunes ever!

The Monkees/Last Train to Clarksville

Last Train to Clarksville is the debut single by The Monkees, which was released in August 1966. While at that time they still were a fake band that didn’t play the instruments on their recordings, which as a musician is something that generally makes me cringe, I just totally love this song. It was co-written by the songwriting duo of Tommy Boyce and Bobby Hart, who used their band Candy Store Prophets to record the tune’s instrumental parts. At least there was one member from The Monkees on the recording: Micky Dolenz, who would become the band’s drummer for real, performed the lead vocals. Last Train to Clarksville, a Vietnam War protest song disguised by ambiguous lyrics and a catchy pop rock tune inspired by The Beatles’ Paperback Writer, was also included on The Monkees’ eponymous debut album from October 1966.

The Doobie Brothers/Long Train Runnin’

Long Train Runnin’ has been one of my favorite tunes by The Doobie Brothers since I heard it for the first time many moons ago. As such, it was a must to include in this post. Written by Tom Johnston, the groovy rocker is from the band’s third studio album The Captain and Me that appeared in March 1973. The song was also released separately later that month as the album’s lead single, backed by Without You. Long Train Runnin’ became the first U.S. top 10 hit for the Doobies on the Billboard Hot 100, climbing to no. 8, as it did in Canada. In the U.K., it reached no. 7, marking their highest charting single there.

The Allman Brothers Band/All Night Train

I had not known about this tune by The Allman Brothers Band and wouldn’t have found it without a Google search. All Night Train, co-written by Gregg Allman, Warren Haynes and Chuck Leavell, is included on the band’s 11th studio album Where It All Begins, their second-to-last studio release that appeared in May 1994. The track features some nice guitar action by Haynes and Dickey Betts and, of course, the one and only Gregg Allman on lead vocals and keys. Great late-career tune!

AC/DC/Rock ‘n’ Roll Train

For the final track let’s kick it up. How much? How about kick-ass rock & roll level with AC/DC! Rock ‘n’ Roll Train is the opener to their October 2008 studio release Black Ice. By then, the time periods in-between AC/DC albums had significantly lengthened, especially compared to the ’70s and ’80s. Predecessor Stiff Upper Lip had come out in February 2000. The next release, Rock or Bust, would be another six years away. Obviously, AC/DC has had their share of dramatic setbacks, but last November’s Power Up album proved one shouldn’t count them out yet. There has been some chatter about touring, though I haven’t seen any official announcements. Earlier this month, Brian Johnson joined Foo Fighters at a Global Citizen Vax Live concert in Los Angeles to perform Back in Black. Of course, one song is different from an entire concert, not to speak of an entire tour. Still, I guess it gives AC/DC fans some hope that maybe they’ll get another chance to see the band. Meanwhile, let’s hop on the rock ‘n’ roll train!

Sources: Wikipedia; YouTube

In Appreciation of Healthcare Professionals

Not a day goes by that you don’t see stories on TV and in other news outlets, reporting about the incredible work healthcare professionals are doing around the U.S. to care for people who are sick from the coronavirus. Last night, I caught a segment on CNN, which really got to me. For a change, I wished it was fake news, but it wasn’t!

A CNN anchor interviewed two women who are working as hospital nurses in New York City: A 20-year-old and another nurse who I guess was in her ’50s – hard to tell! Both looked extremely exhausted. The older nurse was working despite having some COVID-19 symptoms herself. Why was she still coming to work? ‘Because that’s what we do,’ she said. In the beginning, the 20-year-old tried to put on an optimistic face as best as she could, but it was obvious she was scared to death. She had just written her will and admitted she had cried a lot over the past week.

Twenty years old and feeling compelled to write her will? That’s only two years older than my son! And this is happening in America in the 21st century?

Both women pleaded with government officials that healthcare workers be provided with the protective equipment they need to continue caring for patients while reducing the risk of getting sick themselves. I have to say I never thought I would witness something like this in the U.S., one of the richest countries in the world. WTF!

It’s beyond my comprehension why certain so-called leaders at the state and federal level don’t use their full authorities to help contain the spread of the virus and fight it with all means they have at their disposal. This is not a time to question scientists or view things through an ideological lens. People are dying all around us, for crying out loud!

I’ll stop the rant here to get to the essence of the post – music, more specifically songs that in a broader sense are about doctors. Admittedly, I have to stress the word “broader” here. In any case, the idea is to give a shoutout and honor the selfless work healthcare professionals are doing across the U.S. every day. Typically for lousy pay!

Steely Dan/Dr. WuDonald FagenWalter Becker; Katy Lied (1975)

Bruce Springsteen/The Lady and the DoctorBruce Springstein; Before the Fame (1997)

Jethro Tull/Doctor to My DiseaseIan Anderson; Catfish Rising (1991)

Robert Palmer/Bad Case of Loving You (Doctor, Doctor)Moon Martin; Secrets (1979)

Jackson Browne/Doctor, My EyesJackson Browne; Jackson Browne (1972)

Blue Öyster Cult/Dr. MusicJoe Bouchard, Donald Roeser & Richard Meltzer; Mirrors (1979)

Counting Crows/HospitalCoby Brown; Underwater Sunshine (Or What We Did On Our Summer Vacation) (2012)

Doobie Brothers/The DoctorTom Johnston, Charlie Midnight & Eddie Schwartz; Cycles (1989)

Black Sabbath/Rock ‘n’ Roll DoctorTony Iommi, Geezer Butler, Bill Ward & Ozzy Osbourne; Technical Ecstasy (1976)

The Fray/How to Save a LifeIsaac Slade & Joe King; How to Safe a Life (2005)

Sources: Wikipedia; Ultimate Classic Rock; YouTube

Playing for Change – Reimaging a World Connected by Music

The other day, I came across an amazing video clip featuring Robbie Robertson and a bunch of well-known and to me unknown, yet pretty talented other musicians from all over the world, playing The Weight, one of my favorite tunes by The Band. At first, I only paid attention to their great version of the iconic song and ignored the chiron at the beginning and the end of the clip that notes “Playing for Change.” Then, I noticed other video clips on YouTube, which were also put together by Playing for Change. Finally, I got curious. Who or what is Playing for Change?

It didn’t take long to find their website, which describes their story as follows: Playing For Change is a movement created to inspire and connect the world through music… Playing For Change was born in 2002 as a shared vision between co-founders, Mark Johnson and Whitney Kroenke, to hit the streets of America with a mobile recording studio and cameras in search of inspiration and the heartbeat of the people. This musical journey resulted in the award-winning documentary, “A Cinematic Discovery of Street Musicians.”

PFC Co-Founders
PFC co-founders Mark Johnson & Whitney Kroenke

In 2005, Mark Johnson was walking in Santa Monica, California, when he heard the voice of Roger Ridley singing “Stand By Me.” Roger had so much soul and conviction in his voice, and Mark approached him about performing “Stand By Me” as a Song Around the World. Roger agreed, and when Mark returned with recording equipment and cameras he asked Roger, “With a voice like yours, why are you singing on the streets?” Roger replied, “Man I’m in the Joy business, I come out to be with the people.” Ever since that day the Playing For Change crew has traveled the world recording and filming musicians, creating Songs Around the World, and building a global family.

Creating Songs Around the World inspired us to unite many of the greatest musicians we met throughout our journey and form the Playing For Change Band. These musicians come from many different countries and cultures, but through music they speak the same language. Songs Around The World The PFC Band is now touring the world and spreading the message of love and hope to audiences everywhere.

I realize the above may embellish things a bit; still, PFC sounds like an intriguing concept. They also created the Playing for Change Foundation, a separate nonprofit organization that is funded through donations and supports arts and music programs for children around the world. Based on the foundation’s website, it looks like a legitimate organization. That being said, this isn’t an endorsement. Let’s get back to what originally brought me here – recorded musicians all over the world performing the same song and everything being neatly put together in pretty compelling video clips. Before getting to the above mentioned Robbie Roberson clip, let’s take a look at some of PFC’s other videos.

Walking Blues (Son House)

Walking Blues was written and first recorded by delta blues musician Son House in 1930. Robert Johnson, Muddy Waters and other blues musicians recorded their own versions. This clip features Kevin Roosevelt Moore, aka Keb’ Mo’, along with other musicians from Argentina, South Africa, Spain and Morocco. Apparently, the clip was put together in honor of Johnson’s birthday. Check it out!

Soul Rebel (Bob Marley)

Written by Bob Marley, Soul Rebel is the opener to Soul Rebels, the second studio album by Bob Marley and the Wailers, which appeared in December 1970. This clip features Bunny Wailer, an original member of the Wailers, French guitarist Manu Chao and Jamaican reggae singer Bushman, along with other musicians from Jamaica, Spain, Morocco, Cuba, Argentina and the U.S. Feel free to groove along!

Listen to the Music (Tom Johnston)

Listen to the Music is a classic by The Doobie Brothers from their second studio album Toulouse Street released in July 1972. It was written by guitarist and vocalist Tom Johnston, one of the band’s founding members. Apart from Johnston and fellow Doobies Patrick Simmons and John McFee, the clip features other musicians from Venezuela, India, Brazil, Lebanon, Japan, Argentina, Senegal, Congo, South Africa and the U.S., including a gospel choir from Mississippi. This is just a joy to watch!

All Along the Watchtower (Bob Dylan)

While perhaps best known by The Jimi Hendrix Experience, All Along the Watchtower was written by Bob Dylan. He first recorded it for John Wesley Harding, his eighth studio album from December 1967. Check out this riveting take featuring Cyril Neville of The Neville Brothers, John Densmore of The Doors and Warren Haynes of The Allman Brothers Band and Gov’t Mule, along with other musicians from Italy, Zimbabwe, Lebanon, Niger, Ghana, India, Japan, Mali and the U.S. The latter include singers and dancers from the Lakota, a native American tribe that is part of the Great Sioux Nation. This is just mind-boggling to watch!

The Weight (Robbie Robertson)

And finally, here comes the crown jewel that inspired the post: The Weight written by Robbie Robertson, and first recorded for the debut album by The Band, Music From Big Pink, released in July 1968. This clip was co-produced by PFC co-founder Mark Johnson and Robbie’s son Sebastian Johnson to celebrate the 50th anniversary of the song. And it’s quite a star-studded affair: In addition to Robertson, the clip features Ringo Starr, blues guitarist Marcus King, roots rockers Larkin Poe and country-rock guitarist Lucas Nelson, along with other musicians from Italy, Japan, Democratic Republic of Congo, Kingdom of Bahrain, Spain, Argentina, Nepal and Jamaica – what a beautiful tribute to this great tune. Just watch the smile on Robertson’s face at the end. He knows how figgin’ awesome this came out – priceless!

PFC clearly has their go-to musicians in each country, and they’re not hobby musicians. Based on PFC’s website, all musicians are professionals who appear to be recognized within their countries. While as such one could argue PFC doesn’t seem to use amateur/ hobby musicians, it doesn’t take away anything of the concept’s beauty, in my view. Most of their videos capture songs performed by individual artists from different countries or by the PFC band. But it’s the song-around-the-world videos I find most impressive. You can watch all of PFC’s clips on their YouTube channel.

Sources: Wikipedia; Playing For Change website; Playing for Change Foundation website; YouTube

On This Day in Rock & Roll History: March 15

Time for another installment in my long-running, somewhat geeky music history feature. I still get a kick out of researching what happened on a certain date throughout the decades in rock & roll, even though it’s such an arbitrary concept. Admittedly, I’m using the term rock & roll loosely here. It pretty much includes all music genres I dig – hey, it’s my blog, so I get to make the rules. Without further ado, let’s get to March 15!

1967: The Beatles began work on Within You Without You, a song by George Harrison. According to The Beatles Bible, Harrison had written the tune at the London home of longtime Beatles friend Klaus Voormann who first had met the band in Hamburg and had shared a flat with Harrison and Ringo Starr in the British capital in early ’60s. Several musicians from the collective Asian Music Circle played traditional Indian instruments during the recording session. They were joined by Harrison and The Beatles’ then-personal assistant Neil Aspinall on tamburas. “The tabla had never been recorded the way we did it,” commented sound engineer Geoff Emerick. “Everyone was amazed when they first heard a tabla recorded that closely, with the texture and the lovely low resonances.” Within You Without You was included on Sgt. Pepper’s Lonely Hearts Club Band instead of Only a Northern Song, another Harrison tune that would later appear on Yellow Submarine.

1969: Cream hit the top spot on the UK Albums Chart with their fourth and final studio album appropriately titled Goodbye. It would stay in that position for two weeks. Here’s one of the record’s tracks, Politician, which also is one of my favorite Cream tunes. Co-written by Jack Bruce and Pete Brown, Politician was one of three live tracks on the record that were captured on October 19, 1968, at The Forum in Los Angeles during the band’s farewell tour. By the time Goodbye came out in February 1969, Cream had already disbanded.

1975: Black Water, a classic by The Doobie Brothers, climbed to the top of the Billboard Hot 100, the first of only two no. 1 hits the band had in the U.S. The second one was What a Fool Believes in 1979. Penned by Patrick Simmons who also sang lead, Black Water first appeared on the Doobies’ fourth studio album What Were Once Vices Are Now Habits released in February 1974. Interestingly, the initial single release of Black Water was as the b-side to the record’s lead single Another Park, Another Sunday. While it’s not a bad song, you still have to wonder about that decision, which seems to suggest that between the band and the record company, they hadn’t quite noticed what a gem Black Water was.

1986: The Bangles reached no. 2 on the UK Singles Chart with Manic Monday, scoring their first hit, which also peaked at no. 2 in the U.S., Australia, Germany and Ireland, and placed in the top 5 in Austria, Norway, New Zealand and Switzerland. Written by Prince under the pseudonym Christopher, the tune was included on the American pop-rock band’s sophomore album Different Light, which had appeared in January of the same year. I generally find listening to The Bangles fairly enjoyable. In particular, I like their harmony singing, plus they have some pretty catchy songs. Just please spare me with Eternal Flame, which at the time was hopelessly burned by overexposure on the radio back in Germany and I suspect in many other countries. BTW, The Bangles are still around in almost their original lineup. Following the band’s breakup in 1989, they reunited in 1998.

1999: Curtis MayfieldDel ShannonDusty SpringfieldPaul McCartneyThe Staple SingersBilly Joel, and Bruce Springsteen were inducted into the Rock and Roll Hall of Fame by Sean Combs, Art Alexakis, Elton John, Neil Young, Lauryn Hill, Ray Charles and Bono, respectively –  sounds fucking unreal to me! Springsteen reunited with the E Street Band to perform at the ceremony. Here are Bruce and the boys with Wilson Pickett, performing a scorching version of In The Midnight Hour, a Stax classic Pickett had co-written with Steve Cropper in 1965. Watching Pickett say he wants to kick Bruce in the ass but will keep it light since he’s The Boss and Bruce responding ‘Let’s give it a shot’ is priceless –  damn, this wants me to go and listen to some kickass live music, so badly – fuck you, COVID-19!

Sources: Wikipedia; The Beatles Bible; This Day In Music; This Day In Rock; Songfacts Music History Calendar; YouTube

Music From Down Under That Rocks: Part 2

A two-part musical journey to Australia

Here is the second and last part of this mini-series about music from Australia. You can read part I here. I also should point out that by “music from Australia” I mean bands that were founded down under.

Aphoristic Album Reviews noted New Zealand could claim Crowded House, one of the bands included in part I, as their own, given founding member Neil Finn is from there but lived in Melbourne when they were formed. Moreover, with three Finns, their current line-up has a clear majority of New Zealanders. Fair points. Plus, one could add Neil Finn has been the band’s key songwriter.

Australian Music Collage 2

I guess one could also challenge the notion that the Bee Gees, which were also highlighted in part I, are from Australia. After all, as I noted, the Gibb brothers were born in England, only lived in Australia for about nine years and didn’t become famous until after they had returned to England.

But like Crowded House, they were formed there. That’s why I included them. But I suppose, there is no perfect science behind the madness. With that being said, let’s stir up some more potential controversy!

The Easybeats

The Easybeats were formed in Sydney in late 1964. Their founding members were Stevie Wright (lead vocals), Harry Vanda (lead guitar), George Young (rhythm guitar),  Dick Diamonde (bass) and Gordon “Snowy Fleet (drums). All came from families that had emigrated from Europe to Australia: Wright and Fleet from England, Vanda and Diamonde from the Netherlands, and Young from Scotland. I let you be a judge whether that actually makes them an English-Scottish-Dutch band. What is undisputed was their inspiration by the British Invasion. After signing with Parlophone/Albert Productions, The Easybeats released their debut single For My Woman in March 1965, which reached no. 33 in the Australian charts. The follow-on She’s So Fine, which appeared in May 1965, marked their national breakthrough, climbing to no. 2 on the domestic charts. The tune was also included on their debut album Easy that came out in September of the same year. In July 1966, The Easybeats relocated to London. A couple of months later, they recorded what became their biggest hit, Friday On My Mind. Co-written by Young and Vanda, the song was released in October that year. It topped the Australian and Dutch charts, and reached no. 6 and 16 in the UK and U.S., respectively. Following international success in 1966 and 1967, the band’s popularity declined and eventually, they broke up in October 1969. Here’s Friday On My Mind. I just love that tune!

INXS

INXS were founded as The Farriss Brothers in Sydney in 1977 by Garry Gary Beers (bass), Andrew Farriss (keyboards), Jon Farriss (drums), Tim Farriss (guitar), Michael Hutchence (lead vocals) and Kirk Pengilly (guitar, saxophone). The following year, the band started to regularly support Midnight Oil and other local bands. In September 1979, they performed for the first time as INXS, a name that been suggested by a crew member of Midnight Oil. In early 1980, INXS signed a deal with Sydney independent label Deluxe Records and released their eponymous debut album in October that year. It wasn’t until their fourth studio record The Swing from April 1984 that the band gained recognition beyond Australia. The lead single Original Sin, which was recorded in New York with Nile Rodgers and featured Daryl Hall on backing vocals, became their first hit beyond Australia. The next studio album Listen Like Thieves from October 1985 marked their international breakthrough. A series of successful records followed. After Hutchence’s suicide in November 1997, INXS relied on guest vocalists before starting to work with a series of permanent lead vocalists. In November 2012 during a concert in Perth, Australia, the band announced they would no longer tour. Their final studio album Original Sin had appeared in November 2010. Here’s Need You Tonight, one of INXS’ biggest hits and their only no. 1 on the Billboard Hot 100. Co-written by Andrew Farriss and Michael Hutchence, the song was included on their sixth studio album Kick from October 1987.

Men At Work

Men At Work were established in Melbourne in June 1979 by Colin (James) Hay (lead vocals, guitar) and Ron Stykert (bass), who had performed as an acoustic duo since 1978, and Jerry Speiser (drums). Soon thereafter, they were joined by Greg Ham (flute, saxophone, keyboards) and John Rees (bass). After Rees had entered, Stykert switched to lead guitar. In 1980, Men At Work self-financed their debut single Keypunch Operator, which was backed by Down Under. A slightly different version of the latter tune was included on the band’s debut album Business As Usual from November 1981 and became their biggest hit. In 1984, long-standing tensions between Hay and Speiser led to Speiser’s departure, along with Rees. Together with session musicians, Hay, Strykert and Ham recorded Men At Work’s third and final studio album Two Hearts released in April 1985. By early 1986, the band was toast and Hay started a solo career. In mid-1996, Hay and Ham brought Men At Work back together with a new lineup. They toured but did not record any new music. The band broke up a second time in 2002. Afterward, Hay and Ham periodically reunited to perform as Men At Work with guest musicians. In April 2012, Ham who had suffered from depression and anxiety over the loss of a copyright lawsuit related to his flute part in Down Under, passed away from a heart attack. Last June, Hay toured Europe with backing musicians as Men At Work. Here’s Who Can It Be Now?, the great lead single from the band’s debut record, which was written by Hay.

Midnight Oil

Midnight Oil were formed as Farm in Sydney in 1972, playing covers of Cream, Creedence Clearwater Revival and Led Zeppelin. Since the previous year Rob Hirst (drums), Andrew James (bass) and Jim Moginie (keyboards, lead guitar) had performed together. After they had placed an ad for a band member, Peter Garrett joined as their new vocalist and synthesizer player. In late 1976, the band changed their name to Midnight Oil, a reference to the Jimi Hendrix tune Burning of the Midnight Lamp. Martin Rotsey (guitar) joined in 1977 and together with their manager Gary Morris, Midnight Oil founded their own record label Powderworks. Their eponymous debut album appeared in November 1978. In 1982, they broke through in Australia and internationally with their fourth studio album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 – yep, that’s the title! In 2002, Midnight Oil disbanded following Garrett’s decision to quit the band and focus on his political career. After temporary reunions in 2005 and 2009, Midnight Oil came back together in 2016. Last year, they announced plans for new material to be released this year. I knew about Midnight Oil because of their great 1987 tune Beds Are Burning. Here’s another song I like: Blue Sky Mine, credited to of the band’s members, and appearing on their seventh studio album Blue Sky Mining from February 1990.

Little River Band

Little River Band were founded in Melbourne in March 1975 by Glenn Shorrock (lead vocals), Beeb Birtles (guitar, vocals), Graeham Noble (guitar, vocals) and Derek Pellicci (drums), along with session musicians Graham Davidge (lead guitar) and Dave Orams (bass). In May 1975, they signed with EMI Records and released their eponymous debut album in November that year. The record was an instant success, peaking at no. 12 in Australia and no. 80 on the Billboard 200. The excellent single It’s a Long Way There, which was my introduction to the band, became their first top 40 hit in the U.S. Little River Band remain active to this day. They have had many lineup changes over the decades, and none of their original members are still around. The band’s most recent 17th studio album Cuts Like a Diamond was released in 2013. I only know a number of Little River Band songs until their May 1986 album No Reins. I generally dig their harmony singing on these tunes, which I think is comparable to other rock bands like the Eagles, Crosby, Stills, Nash & Young, and The Doobie Brothers. Here’s Lonesome Loser, written by David Briggs, the band’s lead guitarist from 1976 until 1981. The song is the opener to their fifth studio record First Under the Wire from July 1979. It was one of six top 10 hits Little River Band scored in the U.S. on the Billboard Hot 100.

Sources: Wikipedia; YouTube

Clips & Pix: The Doobie Brothers/Rockin’ Down the Highway

The news this morning that The Doobie Brothers are among the 2020 inductees into the Rock & Roll Hall of Fame made me happy. This band represents two worlds I generally dig: Great ’70s rock and precious multi-part vocal harmonies. While I didn’t have time to write a longer post, at least I wanted to celebrate the occasion with a nice clip of one of my favorite Doobie tunes: Rockin’ Down the Highway.

This great footage was captured in July 2004 at Wolf Trap National Park in Virginia. The Doobies also recorded an album from that gig in October of the same year, titled Live at Wolf Trap. Written by Tom Johnston, the great rocker first appeared on the band’s sophomore album Toulouse Street released in July 1972.

Inducted into the Rock & Roll Hall of Fame as part of The Doobie Brothers are Patrick Simmons (guitar, vocals), the only member who has been in all of the band’s line-ups from the beginning; additional founding members Tom Johnston (guitar, vocals) and John Hartman (drums); as well as members who joined later, including John McFee (guitar, vocals), Michael Hossack (drums, percussion), Tiran Porter (bass, vocals), Keith Knudsen (drums, backing vocals), Jeff ‘Skunk’ Baxter (guitar) and Michael McDonald (keyboards, vocals).

2020 promises to be an eventful year for The Dobbie Brothers. In addition to the induction, the band will release an EP with five new songs in the spring, as Simmons told Rolling Stone today. The Doobies will also tour North America to celebrate their 50th anniversary, for which current core members Simmons, Johnston and McFee reunite with McDonald. The 50-plus-date tour is set to kick off in West Plam Beach, Fla. on June 9. Some of the other dates include Nashville, Tenn. (June 17); Mansfield, Mass. (July 3); Toronto, Canada (July 19); Indianapolis (July 30); St. Louis (Aug 14); Denver (Aug 30); Los Angeles (Sep 18); and Houston (Oct 10). The final currently announced gig is Memphis, Tenn. (Oct 17). The full schedule is here.

Sources: Wikipedia; Rock & Roll Hall of Fame website; Rolling Stone; Doobie Brothers website; YouTube

The Year That Was 2019

Highlights of my rock & roll journey during the past 12 months

It feels unreal to me Christmas and New Year’s are upon us again – not to mention a new decade! I still recall a conversation with a school friend when we were 12 years old. He and I imagined where we might be when the year 2000 comes. At the time, the turn of the century was still more than two decades out. It seemed so far away. Now, not only has 2000 come and go, but we’re 20 years down the road, baby – crazy how time flies!

Well, this post doesn’t span decades. The idea is much more moderate: Looking back at my personal music journey over the past 12 months, as documented by this blog. While to some extent it reflects what happened in music this year, it’s not a broad review piece. Since I mostly listen to ’60s and ’70s artists or new music they release, I couldn’t do a legitimate comprehensive look-back on 2019 in music.

In the past, I’ve said more than once most new music nowadays lacks true craftsmanship and sounds generic and soulless to me. And while I still largely ignore what dominates today’s charts, I’ve finally come to accept contemporary music isn’t inherently bad. It’s just different and I generally don’t like it. Here’s the good news: I don’t have to. There’s so much “old” music out there I’ve yet to discover, and while artists may retire or pass away, their music will stay. Forever. That’s the beauty of music. It means for those of us who dig it, rock & roll will never die! Okay, enough with the wise-cracking and on to some highlights of my music journey this year.

Concerts

As a retired band-turned-closet musician, live music remains the ultimate thrill to me. Yes, ticket prices continue to be outrageous for most top acts, and that’s not going to change. But this hasn’t deterred me yet from seeing artists I dig. However, it did require being more selective (for example, I skipped Steely Dan and The Doobie Brothers, since I had seen both in 2018) and oftentimes settling for cheaper seats.

My two concert highlights this year were The Rolling Stones at MetLife Stadium in East Rutherford, N.J. in early August and The Who at New York’s Madison Square Garden in May. I had seen both before, but since they are among my longtime favorite bands and in the twilight of their careers, I simply did not want to miss the opportunity. I’m glad I was able to catch both, especially The Who. At the time I bought my ticket, I had not realized this wasn’t a “regular” gig but The Who backed by a symphonic orchestra. Had I understood this, it may have deterred me. But the concept worked pretty well, so I’m happy I didn’t read the fine print! Here’s a clip from each show: Jumpin’ Jack Flash and the Love Reign O’er Me, two tunes that will never go out of style in my book!

I also saw various other great shows: Walter Trout (The Iridium, New York, April 9), Joe Jackson (State Theatre, New Jersey, New Brunswick, May 18), Govt’ Mule (The Stone Pony, Asbury Park, N.J., June 28), Southern Avenue (The Wonder Bar, Asbury Park, N.J., July 11) and Hall & Oates (Fairgrounds, Allentown, Pa.). I wouldn’t have gone to that last concert, had it not been for my wife. While I wouldn’t call myself a Hall & Oates fan, it was a great show.

As King/Emperor of Tribute Bands (blame Music Enthusiast for the title! 🙂 ), this concert section wouldn’t be complete without acknowledging the many tribute shows that continued to attract me. I know some folks roll their eyes when they hear the word tribute band. I find nothing wrong listening to music I dig, especially when it’s faithfully captured. Among the many tribute concerts I saw, two stood out: Pink Floyd tribute Brit Floyd (Sands Bethlehem Event Center, Bethlehem, Pa., March 30) and the annual Rock The Farm Tribute Festival (Seaside Heights, N.J., September 28). Here’s a clip from the Brit Floyd gig: Comfortably Numb – epic!

And then there’s of course Woodstock’s 50th anniversary. I finally got to see the director’s cut of the documentary on the big screen. While I can’t deny 224 minutes is pretty massive, I enjoyed every minute of it. Here’s the main post I did to commemorate the festival. And here’s a clip of one of the most iconic rock performances of all time: Joe Cocker and With A Little Help From My Friends.

New Music

As stated above, for the most part, new music means new albums released by “old” artists I dig. As I looked back through my previous posts, I was surprised to find that I reviewed 22 new albums. Granted this number includes three live albums (The Doobie Brothers/Live From The Beacon Theatre, The Rolling Stones/Bridges To Bremen and Paul McCartney/Amoeba Gig) and an excellent posthumous compilation by Tom Petty And The Heartbreakers (The Best Of Everything), which do not feature new music. Even if you exclude these, it still leaves you with 18 albums. This makes me wonder what I would do if I also paid more attention to contemporary artists. It pretty much would be impossible to review their new music as well, given I have a family and a full-time job – another good reason to focus on what I truly dig! 🙂

Albums by “old hands” I’d like to call out are The Who (WHO), Booker T. (Note By Note), Neil Young (Colorado), Ringo Starr (What’s My Name), Santana (Africa Speaks),  Little Steven And The Disciples of Soul (Summer of Sorcery), Joe Jackson Fool and Sheryl Crow (Threads). One artist who seems to be missing here is Bruce Springsteen and Western Stars. While I dig Springsteen and don’t think it’s a bad record, it just doesn’t speak to me the way other music by The Boss does, so I ended up skipping a review. Crow said Threads is her final full-fledged release, explaining in the age of streaming music, most people make playlists and no longer listen to entire albums. Boy, this statement really reflects how much listening habits and the music business have changed! Here’s Live Wire, a nice bluesy tune co-written by Crow and Jeff Trott and featuring Bonnie Raitt and Mavis Staples.

There were also some new blues releases I enjoyed by both older and younger artists, including Walter Trout (Blues Survivor), Jimmie Vaughan (Baby, Please Come Home), Kenny Wayne Shepherd Band (The Traveler) and “wunderkind” Jontavious Willis (Spectacular Class), as Taj Mahal has called him. How about some music from Willis’ sophomore album? By the way, it was executive-produced by Mahal. Here’s opener Low Down Ways.

I also would like to call out albums from three other contemporary artists: Rick Barth (Fade), SUSTO (Ever Since I Lost My Mind) and Southern Avenue (Keep On). If you’re a more frequent visitor of the blog, you may recall Southern Avenue is one of the very few young bands I truly dig. I just love how these guys blend blues, soul and R&B, and the vocals are just killer! Here’s the title track from the above album, which is their second one. The tune was co-written by guitarist Ori Naftaly, lead vocalist Tierini Jackson and producer Johnny Black. There’s just something about Southern Avenue’s sound I find really seductive.

Coolest Clip

I think I came across a number of great clips I posted throughout the year. One of the best has to be this footage of The Who performing Won’t Get Fooled Again. That’s the raw power of rock & roll! It was filmed on May 25, 1978 at England’s Shepperton Studios, about 20 miles southwest of London, for the closing sequence of the band’s rockumentary The Kids Are Alright. And then, there’s this very different but equally mesmerizing clip: a live demonstration of the Hammond B3 by the amazing Booker T. Jones. To really get excited about it, I realize maybe you need to be a musician.

And Finally…

2019 marks the third full year I’m doing this blog. While I really wanted to start writing about my passion, I wasn’t sure whether I could keep it going when I set out in June 2016. Due to personal reasons, I had to slow down a bit during the past couple of months. But music and writing about artists I dig is therapy to me, so I have every intention to continue and hopefully pick up the pace again. When starting the blog, I also felt I’m doing this for myself first and foremost, not to become some “Internet sensation.” While that is still the case, I can’t deny it’s great to see visitors and that traffic has trended up nicely. Of course, growing from tiny numbers is relatively easy, and there is realistically no way I can keep up the current momentum.

Blog Stats

I’m leaving you with a clip from my most popular post this year (measured by total views): The above mentioned Rock The Farm Tribute Festival. The positive reception made me really happy, since it’s great music for a great cause. Here’s It’s Late by Canadian Queen tribute Simply Queen.

I’d like to thank all visitors for reading and especially those who go through the trouble of leaving comments. I always love getting feedback, even if I may not agree with everything folks say. But that’s cool.

Merry Christmas!

Merry Christmas Emoji

Sources: Christian’s Music Musings; YouTube

If You Can’t See The One You Love, See The One You Can – Part 2

As more frequent visitors of the blog know, I generally dig tribute bands and wrote a feature about some of them about a year ago. While then I did not plan a part 2, the reality is I’ve seen many more tribute acts than I could ever feature in one post. So, who knows, this may turn into a series of occasional posts with additional parts in the future. For now, I’d like to focus on part 2. Since I couldn’t figure out in which order to lists the acts, I decided to do so alphabetically.

Almost Queen

As their name suggests, this band is a tribute to Queen. While I could not find public information on the backgrounds of the musicians, these guys from New York surely impressed me when I saw them last September at The Stone Pony in Asbury Park, N.J. Almost Queen are Joseph Russo as Freddie MercurySteve Leonard as Brian MayRandy Gregg as John Deacon and John Cappadona as Roger Taylor. Their delivery of four-part harmonies and Queen’s music, combined with their looks, make for a fun live experience. More information on the band and their impressive touring schedule that extends beyond the tri-state area of New York, New Jersey and Connecticut, can be found on their website and Facebook page. Here’s a sample: We Will Rock You and We Are The Champions.

Beginnings

This tribute to Chicago is one of the most compelling tribute bands I’ve seen, and without meaning to brag, I’ve seen many! Another group from New York, Beginnings is a national act, performing over 100 shows each year – great news for Chicago fans. Founded in the fall of 2002, the band consists of Mason Swearingen (bass, vocals), Johnny Roggio (guitar, vocals), Dan Hendrix (trombone, percussion, vocals), Adam Seely (saxophone, percussion), Doug Woolverton (trumpet, percussion), Scott Chasolen (keyboards, vocals) and Chris Milillo (drums, vocals). Beginnings’ impressive member credits include recording and performing with artists like Peter Frampton, Don Henley, Aretha Franklin, The Temptations and Blood Sweat & Tears, and awards like the Billboard Songwriter’s Award and ASCAP Songwriter’s Award – frankly, way too many credits I can list here! Check out their website and Facebook page for more information. Here’s a great rendition of Just You ‘N’ Me I saw during a recent summer concert. BTW, the band mostly focuses on Chicago’s early and in my opinion best work.

Brit Floyd

This amazing tribute to Pink Floyd is the brainchild of musical director Damian Darlington, who also provides vocals and plays guitar and lap steel. Prior to forming the band in Liverpool, England in 2011, he had played for 17 years with long-running Aussie tribute The Australian Pink Floyd Show. The other members of Brit Floyd include Rob Stringer (keyboards, vocals), Ian Cattell (bass, vocals Chapman Stick, trumpet), Edo Scordo (guitar, vocals), Arran Ahmum (drums), Thomas Ashbrook (keyboards, vocals), as well as backing vocalists Ola BienkowskaAngela CervantesRoberta FreemanEmily Jollands and Jacquie Williams – quite a mighty line-up! For more on this band, read my previous post from March of this year when I saw them in Bethlehem, Pa., and visit their website and Facebook page. Here’s Brit Floyd with Pink Floyd classic Comfortably Numb.

Decade

I have mentioned Decade on previous occasions, but as a huge Neil Young fan, I simply couldn’t resist to include this fantastic tribute from New Jersey in this post. The band revolves around singer-songwriter and Neil Young tribute artist John Hathaway. A life-long fan of Young, Hathaway has faithfully studied this artist in and out, and it shows. While he typically focuses on capturing the music, he can also act like Young, which I have witnessed myself. To bring the Canadian artist’s music to life in its full mighty, Hathaway is usually backed by a varying line-up of other long-time musicians. This clip of Old Man was captured during a gig earlier this year at Tim McLoone’s Super Club in Asbury Park. The backing musicians that night included Gordon Bunker Strout (guitar, backing vocals), Pam McCoy (backing vocals), John Dickson (bass), Bob Giunco (drums), Thomas Stevenson (banjo),  Dave O’Brien (pedal steel guitar), Jeff Levine (keyboards) and James Doyle (guitar, banjo). More information about Decade and John Hathaway is available on Facebook here and here.

The Doobie Others

I really dig The Doobie Brothers, so a tribute I came across last month caught my immediate attention. Ingeniously called The Doobie Others, this six-piece band from New York and New Jersey features Pat Montefusco (lead vocals, guitar), Joe Torres (lead vocals, percussion), Eddie Profet Jr. (bass, backing vocals), Allan Korenstein (keyboards, backing vocals), Mike Quadrino (saxophone, keyboards, backing vocals), Ron Lovisa (lead guitar) and Jim Del (lead & backing vocals, drums). While The Doobie Others mostly seem to perform in the New York-New Jersey-Connecticut tri-state area, their current schedule shows they occasionally venture out to other states on the East Coast. For more information, check their website and Facebook page. Here’s the band in action with Jesus Is Just Alright. Captured during a summer concert last month, the footage doesn’t do their high musical caliber full justice, but I feel you still get a good idea.

Free Fallin

This band from Minneapolis is a great tribute to Tom Petty, one of my all-time favorite artists. Founded in September 2007 and named after one of Petty’s songs, Free Fallin  are Tom Brademeyer (as Tom Petty, guitar & lead vocals), Mark Larsen (as Stan Lynch, drums), Russ Lund (as Ron Blair, bass), Karl Swartz (as Mike Campbell, guitar & vocals), Dale Peterson  (as Benmont Tench, keyboards, percussion & vocals) and Craig Volke (as Scott Thurston, guitar, keyboards, harmonica, percussion & vocals). Free Fallin is a full-time tribute band performing throughout the U.S. and even internationally. Check out their website and Facebook page, as well as this cover of Refugee from last year’s Rock The Farm Festival in Seaside Heights, N.J., which I previously covered here.

Good Stuff

Good Stuff is another outstanding tribute act I covered before here, but similar to Decade, I did not want to leave them out – how could I as a huge Steely Dan fan? Formed about a year ago and named after a Donald Fagen tune, Good Stuff features Mike Caputo (lead vocals), Don Regan  (guitar), Axel Belohoubek  (keyboards), Jay Dittamo  (drums), Scott Hogan (bass), Phil Armeno (saxophones, flute) and vocalists  Deanna Carroll and Linda Ferrano. Among them, these professional musicians have very impressive credits, such as tour pre-production for Madonna and David Bowie, and touring musicians for Chuck BerryBo DiddleyThe Duprees , The Les Paul TrioJose Feliciano and  Keith Emerson – yep, that Keith of ELP. Similar to Beginnings, there is too much to list. I should also mention that in addition to Steely Dan, the band performs music by Gino Vannelli, Sting and Stevie Wonder. While this may look somewhat arbitrary, combining music from these four artists works pretty well. The key is selecting songs that have a common denominator, which is a jazz influence. Check out more about this unique tribute act on their website and Facebook page. Oh, and here’s My Old School.

Kiss The Sky

With the 50th anniversary of Woodstock going on, I’d like to close this post with a compelling tribute act to Jimi Hendrix. Again, if you are a frequent reader of the blog, the name Kiss The Sky may sound familiar, since I covered them before here. The band revolves around Jimi Hendrix tribute artist Jimy Bleu, who actually met Hendrix in 1968 as a teenager. The following year, Bleu attended Woodstock and got one of the guitar straps Hendrix used during his performance there. You can read more about his cool background story in the above post. Kiss The Sky covers music from both the Jimi Hendrix Experience and Band of Gypsys. Bleu’s excellent backing musicians for The Experience include bassist A.J. Hager as Noel Redding and drummer Ted Edwards as Mitch Mitchell. The Band of Gypsys tribute features Jay Powerz as Billy Cox (bass) and James Jaxon as Buddy Miles (drums). You can find more information about this tribute act on their Facebook page. I also encourage you to check out this clip of Voodoo Child I took last October. Filming conditions weren’t ideal, but I think the footage still gives a good impression about this outstanding band.

Pictured in the image on top of the post are (clockwise from upper left corner) Almost Queen, Beginnings, Brit Floyd and Jimy Bleu/Kiss The Sky.

Sources: Almost Queen website and Facebook page; Beginnings website and Facebook page; Brit Floyd website and Facebook page; Decade and John Hathaway Facebook pages; The Doobie Others website and Facebook page; Free Fallin website and Facebook page; Good Stuff website and Facebook page; Kiss The Sky Facebook page; YouTube