Holy cow, until I just came across a YouTube clip, I had not known The Faces covered Maybe I’m Amazed. I really dig their version. Musically, it’s similar to the original, but what stands out to me is Rod Stewart’s voice, which sounds perfect for this tune.
Maybe I’m Amazed was written by Paul McCartney and first appeared on his debut solo album McCartney from April 1970. I know I’ve said this before, the live version that appeared in December 1967 on Wings Over America is much better.
The Faces included their cover, which is also a live recording, on their second studio album Long Player that was released in February. The performance had been captured at Fillmore East in November 1970.
BTW, the guy who starts on lead vocals before Stewart takes over is Ronnie Lane, the band’s bassist. He later comes back to sing harmony. In addition to him and Stewart, The Faces included Ronnie Wood (guitar, vocals), Ian McLagan (keyboards) and Kenny Jones (drums). Man, what a fantastic band – I guess I have to listen to some more!
The recent appearance of the previously unreleased Charming Mess by The Black Crowes, which I included in my latest Best of What’s Newinstallment, reminded me of this great band. While I wouldn’t call myself an outright fan, I’ve always enjoyed their songs, especially their ’70s style blues rockers. This triggered the idea to put together a career-spanning post about their music.
Chris Robinson (lead vocals, guitar) and his younger brother Rich Robinson (lead guitar) formed the band in Marietta, Ga. in 1984 while they were still in high school. Initially called Mr. Crowe’s Garden after the children’s book Johnny Crowe’s Garden by Leonard Leslie Brookes, they were influenced by R.E.M., classic southern rock and ’60s psychedelic pop before embracing ’70s style blues rock.
In 1987, the band recorded their first demos at A&M Records. Two years later, they met A&R executive George Drakoulias, who signed them at Def AmericanRecordings (now American Recordings), the label founded by Rick Rubin. Apparently, Drakoulias had an important influence, turning the band’s attention to The Faces and Humble Pie, and encouraging them to cover Rolling Stones tunes.
By the time the band released their debut album Shake Your Money Maker in February 1990, they had changed their name to The Black Crowes. In addition to the Robinson brothers, the group included Jeff Cease (guitar), Johnny Colt (bass) and Steve Gorman (drums). Their line-up would frequently change over the years, with the Robinson brothers as the only constant members.
After releasing five more studio and two live albums between 1992 and 2001, The Black Crowes went on hiatus, and the Robinson brothers recorded solo albums. In early 2005, the brothers reassembled the group with a new line-up. Two studio and several live and compilation albums followed, together with more line-up changes before The Black Crowes came to an end for the second time in January 2015. Apparently, it was due to differences between the brothers regarding ownership of the band – in other words, a typical rock & roll story!
The current chapter of The Black Crowes started in late 2019 when the Robinson brothers during an interview with Howard Stern revealed they had overcome their disagreements and were planning to revive the band for a 2020 tour to celebrate the 30th anniversary of the Shake Your Money Maker album. The newly reformed group premiered on November 11, 2019 at The Bowery Ball Room New York City with a backing band comprised of Isiah Mitchell (guitar), Tim Lefebvre (bass), Joel Robinow (keyboards) and Raj Ojha (drums). The tour was stopped by COVID-19 and is now set to resume in Florida in late June.
Time for some music. Let’s kick it off with the excellent Jealous Again from the Shake Your Money Maker debut. Like all originals, the tune was co-written by the Robinson brothers.
Here’s another track from the same album I really dig: She Talks to Angels.
In May 1992, The Black Crowes released their sophomore record The Southern Harmony and Musical Companion. It topped the Billboard 200, fueled by four singles that each hit no. 1 on the Mainstream Rock chart. Here’s one of them: Remedy.
A Conspiracy, off the band’s third album Amorica from November 1994, features some cool wah-wah guitar action and is reminiscent of Led Zeppelin, especially in the beginning.
Three Snakes and One Charm, the fourth album by The Black Crowes, appeared in July 1996. Here’s Blackberry.
On By Your Side from January 1999, The Black Crowes returned to a more straightforward approach from their debut album. According to Wikipedia, it drew praise from many reviewers while some critics dismissed it as a knock off of Rod Stewart and The Rolling Stones – well, I suppose you can’t make everybody happy. Here’s the dynamic opener Go Faster.
May 2001 saw Lions, the band’s sixth studio release and the last prior to their hiatus. Apple Music calls the Don Was-produced work “the most unusual album in The Black Crowes’ catalog.” Soul Singing, which became the album’s second single, has a soul and gospel touch.
Warpaint, released in March 2008, was the first album by The Black Crowes after they had reemerged from hiatus and their seventh studio effort overall. It became their first top 10 album on the Billboard 200 since their 1992 sophomore release, peaking at no. 5. Here’s Wounded Bird, which also appeared separately as the second single in June of the same year.
This brings me to Before the Frost…Until the Freeze, the eighth and to date most recent studio album by The Black Crowes. It was recorded at The Barn, Levon Helm’s studio in Woodstock, N.Y., before a live audience. Here’s the tasty opener Good Morning Captain.
I’d like to wrap things up with a track from Croweology, a compilation of new acoustic-based recordings of songs from The Black Crowes’ first six studio albums. Hotel Illness initially appeared on their 1992 sophomore release The Southern Harmony and Musical Companion.
While looking for clips of The New Barbarians after listening to their excellent album Buried Alive: Live In Maryland, I came across the above gem: Rod Stewart & The Faces with Keith Richards as a guest, performing an amazing version of the Chuck Berry classic Sweet Little Rock & Roller. Apparently, this footage was captured during a gig in London in December 1974.
Not only are the musicians killing it, but Stewart proves he once was a bad ass rock vocalist. The Faces consisted of Ronnie Wood (guitars, vocals), Ian McLagan (piano, organ, vocals), Kenney Jones (drums) and Tetsu Yamauchi (bass). Richards, Wood and McLagan would also become part of The New Barbarians, a band formed by Wood and Richards in 1979 to support Wood’s third solo album Gimme Some Neck.
Sweet Little Rock & Roller was first released by Berry as a single in October 1958. It is also included on his third studio album Chuck Berry Is On Top, which appeared in July 1959. Like many of Berry’s songs, Sweet Rock & Roller has been covered by various other artists over the years. I don’t believe I’ve heard a better version than the above.
You’d think the time between the Christmas holiday and New Year would be dead when it comes to music. At least I didn’t expect to find much when I checked my usual sources for this feature. Well, it turns out that at least for December 27, the above notion is not exactly true.
1963: In a story titled What Songs The Beatles Sang William Mann, music critic of the UK newspaper The Times wrote, “The outstanding English composers of 1963 must seem to have been John Lennon and Paul McCartney, the talented young musicians from Liverpool whose songs have been sweeping the country since last Christmas, whether performed by their own group, the Beatles, or by the numerous other teams of English troubadours that they also supply with songs.” Only two days thereafter, Sunday Times music critic Richard Buckle kicked it up a few notches, proclaiming Lennon and McCartney were “the greatest composers since Beethoven.” Even as a die-hard fan of The Beatles, I have to say that Buckle may have had a few too many eggnogs before the wrote this!
1967:Bob Dylan released his eighth studio record, John Wesley Harding. After three electric rock-focused albums – Bringing It All Back Home (March 1965), Highway 61 Revisited (August 1965) and Blonde On Blonde (May 1966) – Dylan returned to acoustic and roots music on this album, which was recorded in Nashville. John Wesley Harding was liked by critics and fans alike. It hit no. 1 on the UK Albums Chart and no. 2 on the Billboard 200. Only less than three months after it had appeared, the album was certified Gold by the Recording Industry Association of America (RIAA). Among others, John Wesley Harding includes All Along The Watchtower, which Jimi Hendrix widely popularized with his recording the following year. Here’s a clip of a Dylan live performance, which apparently was captured during a show in Italy in 1984.
1969:Led Zeppelin II, the English rock band’s second studio album, hit no. 1 on the U.S. Billboard 200. Released on October 22 that year, it was Led Zeppelin’s first record to top the charts in the U.S. and the UK. The album also became a big seller. On November 15, 1999, it was certified 12 times Platinum by RIAA. This album includes gems, such as Whole Lotta Love, The Lemon Song, Heartbreaker, Ramble On, Moby Dick and Thank You, one of my favorite acoustic Zep tunes.
1975:The Faces, one of the great British rock bands of the late ’60s and early ’70s officially called it quits. Lead vocalist Rod Stewart, who already had released six albums under his name and scored a big international hit with Sailing a few months earlier, decided to entirely focus on his solo career. Guitarist Ronnie Wood already had started recording and touring with The Rolling Stones and became an official member in February 1976. Bassist Ronnie Lane went on to form his own band, Slim Chance, while drummer Kenney Jones eventually joined The Who in November 1978, following the death of Keith Moon. Here’s a cool clip of a live performance of Stay With Me. If you ever doubted that Stewart once was a kick-ass rock & roll singer, check it out.
1980:Double Fantasy, the album credited to John Lennon and his wife Yoko Ono, reached no. 1 on the U.S. Billboard 200, where it would stay for eight weeks, while the record’s lead single Just Like Starting Over started a five-week run as no. 1 on the singles chart. Undoubtedly, the remarkable chart performance was driven by Lennon’s tragic death on December 8 that year, when he was shot at the entrance to his Manhattan apartment building by Mark David Chapman, an apparently mentally deranged former Beatles fan. Initially, Double Fantasy had been poorly received. While I’m not particularly fond of Ono’s songs, I’ve always thought the album includes some of Lennon’s greatest tunes of his solo period. Here’s a clip of one of my favorites, Watching The Wheels.
Sources: The Beatles Bible, This Day in Music.com, Songfacts Music History Calendar, Wikipedia, YouTube