The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another Sunday Six – jeez, it only feels like yesterday since I put together the previous installment. For newbies to the blog, this weekly feature celebrates great music over the past six decades or so, six tunes at a time. I’d like to think of it as going on an imaginary time travel to visit music of different eras. Hope you join me for the ride!

Elmo Hope/It’s a Lovely Day Today

Today, our journey shall start in 1953 with some groovy music by American jazz pianist, composer and arranger Elmo Hope. Born in New York City in 1923, Hope started playing the piano as a 7-year-old. His recording career began in 1953 with an album that originally appeared as Elmo Hope Trio. It subsequently was packaged with his second record Elmo Hope Quintet, Volume 2, and released as Trio and Quintet in 1989. Tragically, Hope’s life was cut short in May 1967 when he passed away in New York City from heart failure, a few weeks after he had been hospitalized for pneumonia. During his active period, Hope recorded about 20 albums, counting both releases as a leader and as a sideman. Among others, he played with Lou Donaldson, Clifford Brown and Sonny Rollins. It’s a Lovely Day, composed by Irving Ball, is from Hope’s above-mentioned first album. He was backed by Percy Heath (double bass) and Philly Joe Jones (drums) – my kind of music to get me in the mood on a Sunday morning!

George Thorogood & The Destroyers/Bad to the Bone

Our next stop is August 1982 to catch some b-b-b-b-b-b-bad music, a song that’s b-b-b-b-b-b-bad, bad to the bone – coz that’s how we roll here! It’s the title track of the fifth studio album by George Thorogood and the Destroyers, Bad to the Bone. Thorogood began his career in the early ’70s as a solo acoustic performer in the style of Robert Johnson and Elmore James. In 1973, he formed the Delaware Destroyers, who subsequently dropped Delaware from their name. The group’s eponymous debut album appeared in October 1977. Thorogood has since released 14 additional studio albums with the group and one solo record. He remains active to this day and is currently on what looks like an extensive tour of Europe, the U.S., New Zealand, Australia and Canada, with dates booked all the way to May 2023. Catching a show with him should f-f-f-f-f-f-fun! Meanwhile, let’s enjoy this classic from August 1982!

James Brown/I Got You (I Feel Good)

It’s kind of tough to follow George Thorogood. Perhaps it does take who was known as “Mr. Dynamite” and the “hardest working man in show business”: Jaaaaaaaaames Brown! And we’re not stingy here. The year was 1965 and the month was October when James Brown released I Got You (I Feel Good) as a single. Initially, the tune had been recorded for his ninth studio album Out of Sight that came out in September 1964. But the song wasn’t included and the version that appeared as a single a year later was an alternate take. Penned by Brown, I Got You (I Feel Good) peaked at no. 3 on the Billboard Hot 100, making it his highest-charting tune on the U.S. pop chart. It also became his third single to top the R&B chart after Try Me (October 1958) and Papa’s Got a Brand New Bag (June 1965). Man, all I can say is I would have loved to see James Brown live!

Tom Petty and the Heartbreakers/Swingin’

I trust Tom Petty, one of my favorite artists of all time, needs no introduction. Not only did this man write so many great songs, but he also had a true appreciation of music by other artists. And with the Heartbreakers, he had a terrific band. These guys could simply play anything. If you haven’t listened to it, check out the terrific box set The Live Anthology and you’ll know what I mean. Let’s turn to Swingin’, a track from the 10th studio album by Tom Petty and the Heartbreakers. Titled Echo, it was released in April 1999. It didn’t enjoy the same chart and commercial success as Damn the Torpedoes (October 1979), Hard Promises (May 1981) and Into the Great Wide Open (July 1991), or his solo albums Full Moon Fever (April 1989) and Wildflowers (November 1994), for that matter. But Petty didn’t care much about chart success and sales anyway. It was always about the music. Swingin’, written solely by him, also became one of five singles from Echo. Sadly, we lost Tom Petty way too early in October 2017. He was only 66 years old!

The Guess Who/Dancin’ Fool

For our second-to-last stop on today’s journey let’s jump back to 1974 and a tune I had earmarked several weeks ago for a Sunday Six: Dancin’ Fool by The Guess Who. When I heard It was a Saturday night without a whole lot shakin’/Ooh my, ooh my, I was bored, I thought, ‘ooh my, ooh my, that would be a cool tune to feature!’ And here we are. Co-written by the Canadian rock band’s Burton Cummings (lead vocals, keyboards) and Domenic Troiano (guitar, mandolin, backing vocals), Dancin’ Fool became the opener of The Guess Who’s 13th studio album Flavours. By that time, Cummings and drummer Garry Peterson were the only remaining original members. The present version of the group, which no longer includes any founding members, is currently touring the U.S. It looks like that line-up also recorded the most recent Guess Who album When We Were Young, released in September 2018.

AC/DC/Play Ball

And once again, it’s time to wrap up another Sunday Six. Let’s make it count with what I feel is a late-career gem by epic Australian rockers AC/DC. I’ve written about them and their long and tragic history multiple times, for example here, so I’m not going to repeat myself in this post. Play Ball is the terrific opener of AC/DC’s 16th studio album Rock or Bust, which came out in November 2014. It was the band’s first album recorded without co-founding member and long-term rhythm guitarist and song co-writer Malcolm Young who had been forced to retire earlier that year due to dementia. He passed away from the disease in November 2017 at the age of 64. Notably, all tunes on the album were constructed largely by lead guitarist Angus Young from material he and his brother had worked on during the recording sessions of previous records. As such, Play Ball and all other songs on Rock or Bust are credited to Angus Young and Malcolm Young.

Here’s a Spotify playlist of the above tunes. Hope there’s something there you dig!

Sources: Wikipedia; George Thorogood website; The Guess Who website; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

After a busy week with two back-to-back “big ticket” concerts, I’m ready to take a short break from live shows and celebrate the beauty of music from home with another Sunday Six. Hope you’ll join me on my trip to visit six tunes of the past and the present.

Weather Report/Forlorn

Let’s get underway gently with some jazz fusion by Weather Report. Forlorn is a smooth track from their ninth studio album Night Passage, which came out in November 1980. The piece was composed by Austrian jazz keyboarder Joe Zawinul, who is regarded as one of the creators of jazz fusion. Zawinul co-founded Weather Report in 1970 with saxophone maestro Wayne Shorter. By the time Night Passage was released, the group also featured the amazing Jaco Pastorius (fretless bass), Robert Thomas Jr. (percussion) and Peter Erskine (drums). Weather Report would record six more albums before they disbanded in early 1986 after Shorter had left to focus on solo projects.

The Guess Who/Hand Me Down World

While I’ve only heard a handful of songs by The Guess Who, I know one thing for sure: I love this next tune! The Canadian rock band’s origins go back to 1958 when Winnipeg singer and guitarist Chad Allan formed a local group called Allan and the Silvertones. In January 1965, the band, then called Chad Allan & The Expressions, released their debut album Shakin’ All Over. The group’s cover of the Johnny Kidd & the Pirates song also became their fourth single. The band’s American label Quality Records thought it would be clever to disguise the group’s name by crediting the tune to Guess Who? Not only did the publicity stunt work but it also gave birth to the band’s new name. Hand Me Down World, written by lead guitarist Kurt Winter, is from The Guess Who’s seventh studio album Share the Land, released in October 1970. It also became one of their hit singles, reaching no. 10 in Canada and no. 17 in the U.S. A version of The Guess Who is still around and currently touring the U.S.

Tal Bachman/She’s So High

Let’s stay in Canada for this next pick from April 1999. There’s also another connection to the previous tune. Tal Bachman is the son of guess who? Yep, Randy Bachman, who in turn was a co-founder of The Guess Who and, of course, Bachman–Turner Overdrive. When I heard She’s So High in 1999, I loved it right away and got Tal Bachman’s eponymous debut album on CD. It’s pretty good power pop, and I’m a bit surprised Bachman junior only issued one additional studio album, Staring Down the Sun, in July 2004. Man, with this jangly guitar sound and the catchy melody, I still love this song as much as I did back in 1999. Beware, it might get stuck in your brain!

The Kinks/Till the End of the Day

After some catchy power pop music, I think it’s time for some ’60s rock, don’t you agree? I’ve said it before. The Kinks are among my favorite British rock bands, together with The Beatles, The Rolling Stones and The Who. Till the End of the Day, written by the great Ray Davies, first came out as a single in November 1965. Subsequently, it was also included on the band’s third studio album The Kink Kontroversy, which appeared a week after the single – clever and quite appropriate title. If you’d like to know why I’d encourage you to read this post by fellow blogger Dave from A Sound Day, who just discussed The Kinks’ volatile behavior the other day. Till the End of the Day became their sixth top ten single in the UK (no. 8). It was most successful in The Netherlands where it peaked at no. 6. Elsewhere, it charted in Germany (no. 19), Canada (no. 34), Australia (no. 63) and the U.S. (no. 50). Baby, I feel good!

Band of Horses/The Funeral

If I recall it correctly, it was on Eclectic Music Lover’s blog where I first learned about Band of Horses. In fact, his most recent Weekly Top 30s installment features Warning Signs, a tune by the indie rock band from Seattle, off their current album Things Are Great. Band of Horses have been around since 2004 and released six studio albums to date. The Funeral, despite its grim title, is a great tune from their March 2006 studio debut Everything All the Time. The music is credited to the entire group, with lyrics written by singer-songwriter Ben Bridwell who has been the band’s sole constant member throughout numerous lineup changes. The Funeral also became Band of Horses’ debut single – check out that great sound!

Rival Sons/Pressure & Time

And once again it’s time to wrap up another Sunday Six. Let’s make it count with a kickass rocker by Rival Sons: Pressure & Time. The band from Long Beach, Calif. was founded in 2009 and still includes three original members: Jay Buchanan (lead vocals, harmonica, rhythm guitar), Scott Holiday (guitar, backing vocals) and Mike Miley (drums, backing vocals). Dave Beste (bass, backing vocals) who has been with the group since 2013 completes the current lineup. Pressure & Time, credited to the entire band, is the title track of the group’s sophomore album. Released in June 2011, it was their first to make the charts, climbing to no. 19 in the U.S. on Billboard’s Top Heatseekers. Wikipedia notes that while Rival Sons oftentimes are compared to ’70s rock, they have cited Prince, D’Angelo, The Roots, Muddy Waters and Howlin’ Wolf as influences. Whatever the case may be, when listening to Pressure & Time, I can hear some Zep in here, and that makes me really happy!

Last but not least here’s a Spotify playlist featuring the above tunes.

Sources: Wikipedia; YouTube; Spotify