My Busy 2018 Music Journey Part 2: New Music & 2019 Preview

Part 1 of this 2-part series looked back on the concerts I was fortunate to catch this year. Another significant aspect of my 2018 journey was listening to music, both familiar and new. While most of the music that’s coming out these days isn’t my cup of tea, I still ended up reviewing 24 new releases this year. About half (13) are studio albums, while the remainder is a mix of reissues, vault type releases and live records. Even if you only consider the new studio releases, 13 albums over the course of one year, or an average of approximately one per month, isn’t so bad for somebody who almost entirely lives in the past when it comes to music.

From the above studio albums, I’d like to call out the following: John Mellencamp, Other People’s Stuff, Dec 7 (review); Greta Van Fleet, Anthem Of The Peaceful Army, Oct 19 (review); Paul McCartney, Egypt Station, Sep 7 (review); Buddy Guy, The Blues Is Alive And Well, Jun 15 (review); Roger Daltrey, As Long As I Have You, June 1 (review); and Sting & Shaggy, 44/876, Apr 20 (review). Following are some clips.

Teardrops Will Fall, a ’60s tune co-written by Gerry Granaham and Marion Smith, was first recorded by John Mellencamp for his June 2003 album Trouble No More. But it actually sounds he could have taken the tune from his 1987 gem The Lonesome Jubilee, Mellencamp’s first record where he moved away from straight rock toward a more roots-oriented sound.

While Greta Van Fleet will probably need to find a more original style to ensure their longevity, selfishly, I can’t deny getting a kick out of their Led Zeppelin-style rock. The Cold Wind from their new album is a great example. I don’t know of any other band that sounds like the mighty early Zep. One thing is for sure: Robert Plant can no longer deliver vocals with this degree of intensity.

Egypt Station is Paul McCartney’s 17th solo study album. Here’s I Don’t Know, a classic McCartney piano-driven pop song. Yes, Macca’s voice has noticeably changed since New from October 2013, but I actually think it goes pretty well with his latest songs. Based on YouTube clips I’ve watched, I’m less sure about Beatles tunes. Many are in high keys and as such tough to sing, so Macca may have to make some adjustments.

Moving on to Buddy Guy, who at age 82 shows no signs of slowing down. One of the highlights of his latest record is Cognac, where he trades guitar licks with Jeff Beck and Keith Richards. If you’re a guitarist with basic blues skills, you just feel like grabbing your instrument and joining in!

As Long As I Have You is Roger Daltrey’s first solo album in close to 26 years. Here’s the excellent title track, a cover of a tune that initially was recorded by soul singer Garnet Mimms in 1964. The Who also played it in their early days.

Last but not least in the new studio album category is what at first sight may look like a somewhat odd pairing: Sting & Jamaican pop reggae fusion artist Shaggy. But they actually blend quite well, and here’s some pretty groovy evidence: Just One Lifetime.

This year also saw various great reissues and songs from the vault type albums. The two releases I’d like to highlight here are the reissue of The Beatles’ White Album (review) and Songs For Judy, an excellent Neil Young compilation of live solo performances from his November 1976 tour with Crazy Horse (review).

To me the true revelation of the Beatles’ reissue are the so-called Esher Demos, early and unplugged versions of most of the original album tracks, along with a few additional songs that didn’t make the White Album. They were all recorded at George Harrison’s bungalow in Esher located to the southwest of London. Here’s the Esher demo of Revolution.

The song I’d like to call out from Neil Young’s recent vault release is The Needle And The Damage Done. It remains one of my favorite tunes from Harvest, Young’s fourth studio album that came out in February 1972.

I also would like to acknowledge two Jimi Hendrix releases: The reissue of Electric Ladyland, the third and final studio album by The Jimi Hendrix Experience, and Both Sides Of The Sky, the third in a trilogy of posthumous albums after Valleys Of Neptune  (2010) and People, Hell and Angels (2013).

The last category of 2018 albums I’d like to touch on are live releases. I already noted Neil Young’s record. Three others that deserve to be called out are Bruce Springsteen’s Springsteen On Broadway (review), Sheryl Crow’s Live At The Capitol Theatre (review) and Soulfire Live (review) by Little Steven and The Disciples of SoulSpringsteen On Broadway is one of the best new albums I’ve heard this year. While Bruce Springsteen as a great music performer wasn’t any news to me, I had not fully appreciated his compelling verbal story-telling capabilities. There’s a bit of that on the Live/1975-1985 box set where Springsteen talks about how he was drafted for Vietnam and that his dad was happy they didn’t take him. Springsteen on Broadway takes his story-telling to another level. In fact, Springsteen’s monologues that precede his songs are almost more compelling than the music performances. Here’s part 1 of the introduction to My Hometown.

Next up: Sheryl CrowIf It Makes You Happy is one of my favorite Crow tunes from her eponymous second studio album released in September 1996. On the new live album, she starts off with another unidentified song I don’t recognize, before launching into Happy.

On to Little Steven. Soulfire Live captures his 2017 tour with The Disciples of Soul in support of his excellent Soulfire album, one of my favorite new records from that year. Among the live album’s highlights is a terrific cover of the Etta James tune Blues Is My Business. In addition to Steven demonstrating that he can be more than just a side-kick,  The Disciples of Soul prove what a terrific backing band they are.

So what’s in store for my music journey next year? On the concert front the only thing I can say for sure is I’m thrilled I got a ticket for The Rolling Stones on June 13 at MetLife Stadium in East Rutherford, N.J. It will only be my second time to see the Stones. Three other artists who are currently on my radar screen are John Mellencamp, John Mayall  and Paul McCartney.

Mellencamp has a series of gigs in New Jersey and New York at the end of February. I’d definitely enjoy seeing him again! Mayall has started booking dates in Europe for February and March. I’ve never been to one of his shows and hope he’ll add a U.S. leg to the tour that includes at least one logistically feasible concert. As for McCartney, his current tour schedule shows U.S. gigs between late May and mid-June. Unfortunately, none of them are within reasonable reach, so hopefully there will be additional dates closer to my location.

To frequent visitors of the blog it won’t come as a shock that I have every intention to continue seeing tribute bands. In fact, I already have a ticket for Neil Young tribute Decade for January 11 in Asbury Park, N.J., where they are going to recreate Young’s MTV Unplugged concert from 1993 – should be pretty cool! On February 23, I’m hoping to see Good Stuff, a great new tribute to Steely Dan, Gino Vannelli, Sting and Stevie Wonder. I’m planning to do more about these guys in the near future. Assuming the above British Invasion and Rock The Farm festivals will happen again in 2019, I certainly want to return to both events. Undoubtedly, there will also be plenty of other tribute opportunities.

2019 Outlook

Before finally wrapping up this post, I also would like to take the opportunity to reflect on the current status of the blog. I’m generally pretty happy where things stand at this time. Sticking with it wasn’t necessarily a given when I started out in late June 2016. While I’ve always emphasized I’m doing this because of my passion about the subject of music, not to become “famous,” I cannot deny that getting recognition in the form of comments, likes and followers is encouraging. I’m happy traffic has multiplied from 2017 and to date includes visitors from more than 70 countries.

I’d like to thank all readers, especially those who keep returning and leave comments. Apart from learning new stuff about music, feedback can also help me gain new perspectives. Whether you’re a fist-time visitor or one of the regulars, I’d like to wish you a great and peaceful Holiday season. And if you’re a fellow music blogger, to borrow creatively from Neil Young, keep on rockin’ in the blogosphere!

Christian

Rocking Bitmoji

Sources: Wikipedia, Christian’s Music Musings, YouTube

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John Mellencamp’s New Album Features His Now-Familiar Roots Sound With A Twist

“Other People’s Stuff” presents selection of covers from seminal albums, compilations, unearthed sessions and documentaries

John Mellencamp today released his new previously announced 24th studio album Other People’s Stuff. Fans of his transformation from straight rock to a roots-oriented sound, which has been gradual and begun with the excellent The Lonesome Jubilee from 1987, are going to dig what they hear – count me as one of them! Whether Other People’s Stuff will gain Mellencamp new fans is perhaps less certain. Something tells me the fiercely independent-minded Indiana rocker, who clearly is comfortable with the place to which his long musical journey has taken him, won’t be losing any sleep over it!

According to an announcement accompanying its release, Other People’s Stuff presents a collection of covers Mellencamp has recorded throughout his long career. It also includes a new version of Eyes On The Prize, a song he originally performed at The White House during a 2010 Obama Administration celebration of music from the civil rights movement, as I previously covered here. Yes, it still is hard to believe that not long ago America had a leader who truly cared about these issues – and the arts I might add. Eyes On The Prize also became the album’s lead single in early November, coinciding with the record’s initial announcement.

John Mellencamp 2019 Tour Poster

“Most, if not all, of the songs on Other People’s Stuff come from The Great American Songbook,” Mellencamp reiterated. “These are songs that have been recorded over the last 40 years of my career, but had never been put together as one piece of work. Now, they have.”

So there’s your little twist – rather than your traditional covers album an artist typically records at given time period, here you have recordings Mellencamp initially captured at different times during his career and subsequently put a collection of thesm on one record. The other commonality of all these tunes are lyrics that are clearly on the darker side – probably a reflection of Mellencamp’s sentiments about the current state of the country. Let’s get to some music.

Here’s Teardrops Will Fall, which Mellencamp first recorded for the Trouble No More album from June 2003. His great take, which prominently features accordion and violin, would have been a perfect fit for The Lonesome Jubilee. The song was co-written by singer and record producer Gerry Granaham and Marion Smith. Granaham had a string of charting singles in the late 1950s and early ’60s, performing as Dickey Doo & The Don’ts.

Next up: Stones In My Passway, a great Robert Johnson blues tune Mellencamp also first recorded for Trouble No More. It features some nice slide guitar-playing – I assume by multi-instrumentalist Andy York, who has been part of Mellencamp’s band for some 20 years.

Wreck Of The Old ’97 is a song Mellencamp initially recorded for a 2004 compilation album titled The Rose & The Briar: Death, Love And Liberty In The American Ballad. Credited to Fred Lewey, Henry Whitter and Charles Noell, the old country song was inspired by a bad rail accident in September 1903 when a Southern Railway mail train derailed near Danville, Va. The accident, which became known as the Wreck of the Old ’97, killed seven on-board personnel, injured seven others and destroyed a bridge as the train careened off the side of the structure.

The last track I’d like to highlight is I Don’t Know Why I Love You. Interestingly, it’s a Stevie Wonder tune from his ninth studio album For Once In My Life, which was released in December 1968. I didn’t think Wonder, one of my favorite artists, was on Mellencamp’s radar screen, so I was surprised about this pick. Mellencamp’s cover first appeared on a sampler from June 2003 called Conception – An Interpretation of Stevie Wonder’s Songs. The tribute to the soul legend also featured Eric Clapton, Mary J. Blige and Brian McKnight, among other artists.

Mellencamp will support his new album with The John Mellencamp Show (see tour poster above). Appropriately, the 2019 tour is scheduled to kick off on February 7 in South Bend, Ind. The dense 40-date schedule among others includes Cincinnati (Feb 10), Baltimore, Md. (Feb 20), New York (Feb 25-27), Kansas City, MO (Mar 14), Nashville, Tenn. (Mar 19-20) and Wichita (Apr 16), before it concludes on Apr 20 in Albuquerque, N.M.

One of the other stops is right in my backyard in New Brunswick, NJ (Feb 23) at a great theatre. The thought of seeing Mellencamp for what would be my third time is certainly appealing. I guess I just need to find another reason to justify buying a ticket – and hope by the time I do remaining seats will be reasonably affordable!

Sources: Wikipedia, John Mellencamp website, YouTube

My Longtime Favorite Albums

Ten records I continue to enjoy after more than three decades

Earlier this week, I got nominated on Facebook to name 10 music albums that have made an impact on me and that I continue to enjoy today. The task was to post one album cover daily, and each time when doing so to nominate somebody else to do the same. Usually, I don’t participate in these types of chain activities, so initially, I ignored it. But since it was a close relative, who had nominated me, and music is my passion after all, I decided to go along. The exercise of identifying the 10 records inspired this post.

Because I found it impossible to limit myself to just 10 albums, I decided to narrow the field to only those records I started listening to as a teenager and in my early 20s. This explains why some of my favorite artists like The Allman Brothers Band, Buddy Guy and even The Rolling Stones are “missing.” It was only later that I started exploring them and many other artists I like today in greater detail. Without further ado, here is the list in no particular order, together with one song from each album.

As frequent readers of the blog know, I’m a huge fan of The Beatles. Sgt. Pepper’s Lonely Hearts Club Band, their 8th studio album from May 1967, is my favorite among their records.

The Beatles_Sgt. Pepper

Here’s the great closer A Day In The Life, which except for the middle section was mainly written by John Lennon, though as usually was credited to him and Paul McCartney.

Tapestry by Carole King was one of the earliest albums I listened to when I was 10 years old or so. Back then, I didn’t understand the lyrics but liked the music. Today, I dig the record for both the music and the lyrics. There is a timeless beauty in King’s tunes, and to me Tapestry is perhaps the ultimate singer-songwriter record.

carole-king-tapestry

There are so many great songs on this gem from February 1971, so it’s hard to chose one. Here’s Way Over Yonder. King’s soulful singing and the saxophone solo are two of the tune’s features I’ve always liked.

The Eagles’ Hotel California is an album I’ve owned on vinyl since I guess the early ’80s. It was released in December 1976 as the band’s fifth studio record.

Eagles_Hotel California

Here’s a live version of the epic title song, which is included in the album’s 40th anniversary deluxe edition that appeared in November last year. The tune was co-written by Don Felder, Don Henley and Glenn Frey. The distinct extended guitar interplay at the end featured Felder and Joe Walsh. This tune just never gets boring!

It was the Born In The U.S.A. album from June 1984, which put Bruce Springsteen on my radar screen.

Bruce Springsteen_Born In The USA

Here’s Bobby Jean, one of the album’s few tunes that wasn’t also released separately as a single. On this one, I particularly love the saxophone solo by Clarence Clemons, who was such an ace player.

Deep Purple to this day remains my first choice when it comes to hard rock, and Machine Head from March 1972 is the crown jewel in their catalog. The band’s sixth studio album featured their best line-up that included Ian Gillan (vocals), Ritchie Blackmore (guitar), Jon Lord (keyboards), Roger Glover (bass) and Ian Paice (drums, percussion).

Deep Purple_Machine Head

Here’s Pictures Of Home, which like all tracks on the album were credited to all members of the band. In addition to Lord’s great keyboard work, one of the tune’s characteristic features is a cool bass solo by Glover (starting at 3:40 minutes).

My introduction to John Mellencamp was Scaregrow, his eighth studio album from August 1995, but it was the follow-up record The Lonesome Jubilee, released in August 1987, that turned me into a fan.

John Mellencamp_The Lonesome Jubilee

Here is the great opener Paper In Fire, which also became the album’s lead single. Like all tunes except one, it was written by Mellencamp.

While it was pretty clear to me that a Pink Floyd album needed to be among my longtime top 10 records, the decision which one to pick wasn’t easy. I decided to go with The Dark Side Of The Moon but also could have gone with Wish You Were Here. I started listening to both albums at around the same time during the second half of the ’70s.

Pink Floyd_The Dark Side Of The Moon

I’ve chosen to highlight The Great Gig In The Sky. I’ve always liked the incredible part by vocalist Clare Torry.

I believe the first Steely Dan song I ever heard was Do It Again on the radio. By the time I got to Aja, I already knew the band’s debut record Can’t Buy A Thrill and, because of Rikki Don’t Lose That Number, their third album Pretzel Logic. While I liked both of these records, the Aja album from September 1977 became my favorite, after a good friend had brought it to my attention.

Steely Dan_Aja

Here is Deacon Blues, which also was released separately as the album’s second single. Like all tunes on the record, it was co-written by Walter Becker and Donald Fagen.

I was hooked to Live Rust the very first time I listened to it. Neil Young’s album from November 1979 pretty much is a live compilation of his greatest ’70s hits.

Neil Young_Live Rust

My, My, Hey, Hey (Out Of The Blue) is among the record’s highlights. The song was co-written by Young and Jeff Blackburn.

Led Zeppelin wasn’t exactly love at first sight. My first exposure was Led Zeppelin IV, the band’s fourth studio album from November 1971. I bought the record because of Stairway To Heaven.

Led Zeppelin_Led Zeppelin IV

I had listened to Stairway on the radio where they always faded it out before the heavy rock section at the end of the tune. I still remember the shock when I listened to the song in its entirety for the first time. I had just started taking classic guitar lessons and was very much into acoustic guitar. I simply couldn’t understand how Zep could have “ruined” this beautiful song by giving it a heavy metal ending. Well, today it is exactly because of its build why this track has become one of my favorite tunes. But instead of Stairway, I’d like to finish this post with Going To California, a beautiful acoustic ballad co-written by Jimmy Page and Robert Plant.

Sources: Wikipedia, YouTube