What I’ve Been Listening to: The Nude Party/The Nude Party

This has happened to me before and I love it! Until about a week ago, I had never heard of The Nude Party. Then my streaming music provider served up a playlist that included one of the American band’s tunes off their eponymous debut album from July 2018. I immediately dug the ’60s vibe of their sound blending garage and psychedelic rock, The Rolling Stones and Lou Reed/The Velvet Underground. When I checked out the album, I realized the song from that playlist wasn’t a one-off.

The Nude Party were formed in 2012 when freshman students at Appalachian State University in Boone, N.C. decided to start a band. Their members are Patton Magee (lead vocals, guitar, harmonica), Shaun Couture (guitar, vocals), Don Merrill (piano, vocals), Alexander Castillo (bass, vocals), Austin Brose (percussion, vocals) and Connor Mikita (drums). At the end of their freshman year, they all moved together to a house outside of town and learned how to play their instruments. It almost sounds a bit like a fairytale!

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The group quickly gained a following in Boone where they oftentimes performed in the nude at a local party venue. You can’t make this stuff up! They became known as “the naked party band,” which in turn inspired their name The Nude Party. Before moving on to playing other venues in the area, they put on some clothes. After their members had graduated, the band started touring nationally.

In 2014, they met Oakley Munson, the drummer of garage rock band Black Lips. Munson recorded The Nude Party’s debut EP Hot Tub EP, which was released in early 2016. The band continued to build their reputation through heavy touring and supporting higher profile groups like King Gizzard & the Lizard Wizard, Cold War Kids and The Murlocs. By early 2018, they had secured a deal with New West Records and went into the studio to record their eponymous debut album. This finally brings me to some music!

Here’s the opener Water on Mars. Like all other tracks on the album, it’s credited to all members of the group. The song is pretty representative of their cool sound.

Chevrolet Van, which also became the record’s lead single, is the tune that caught my attention and made me listen to the album. Following the brilliant suggestion by Munson, it features Jon “Catfish” DeLorme on pedal steel, who subsequently became a touring member. This sounds like a ’70s country tune by the Stones. Arctic Monkeys’ Alex Tuner and the band’s drummer Matt Helders included the song in their top 5 during a 2018 interview with Matt Wilkinson for Beats 1 Radio, as reported by NME. This further boosted their visibility.

War is Coming has a nice psychedelic flavor. In particular, I dig the keyboard that could be my beloved Vox Continental. I just don’t get tired of that sound!

Live Like Me has more of that seductive keyboard sound and a cool guitar riff. This is quite catchy!

Let’s do one more: Gringo Che. This could be a song by The Animals. It also reminds me a bit of Them. I just love it!

According to Wikipedia, the band’s debut album was well received. Rolling Stone called it “equal parts ‘I’m Waiting for the Man’ Velvet Underground and Exile on Main Street Stones” – clever! American Songwriter opined The Nude Partyblow the roof off but do it with style and class, nodding to the past without slavishly imitating it.”

Like Hot Tub EP, the album was produced by Oakley Munson. The Nude Party have since released their second full-length album Midnight Manor, which appeared in October 2020.

Sources: Wikipedia; NME; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Welcome to another installment of Best of What’s New, a look at new or recently released music that sufficiently speaks to me to write about it. If you’re a first-time visitor of the blog, I should point out that oftentimes my picks in these posts represent the first exposure to the featured artists. That’s certainly the case this week, which includes different flavors of rock from the U.S. and Australia, as well as beautiful pop-oriented folk from England. Let’s get to it!

Wavves/Hideaway

Wavves is an alternative rock music project started in San Diego, Calif. in 2008 by singer-songwriter Nathan Williams. Apple Music characterizes his music as a blend of distorted no-fi and refined sunshiny melodies. Charmingly messy, most of his lyrics, while difficult to decipher, generally revolve around the subjects of weed, boredom, and the beach — when he isn’t poking jabs at the gloomy subculture of goth rock (a common theme, found in “Goth Girls,” “California Goths,” “Summer Goths,” “Surf Goths,” and “Beach Goths”). Current members of Wavves also include Alex Gates (guitar, backing vocals) and Stephen Pope (bass guitar, backing vocals). Wavves’ eponymous debut album appeared in September 2008. Their third album King of the Beach received generally positive reviews and was the first to enter the U.S. charts, climbing to no. 28 and no. 168 on the Billboard Independent Albums and 200 charts, respectively. Hideaway, co-written by Williams and producer Dave Sitek, is the title track of Wavves‘ upcoming seventh studio album slated for July 16. The tune was released as the third upfront single on June 8.

The Murlocs/Bittersweet Demons

The Murlocs are a rock band from Melbourne, Australia, which was founded in 2011. Their current line-up features Ambrose Kenny-Smith (vocals, harmonica), Cal Shortal (guitar), Tim Karmouche (keyboards), Cook Craig (bass) and Matt Blach (drums). Kenny-Smith and Craig are also members of fellow Aussie act King Gizzard & the Lizard Wizard. Both bands also share the same label, Flightless Records. On their Bandcamp profile, The Murlocs describe their music as “firmly placed in their own blown-out, distorted brand of soulful RnB.” After two EPs in 2012, the band released their first full-length studio album Loopholes in April 2014. Rolling On, the second single from September 2015 off their sophomore album Young Blindness, marked a breakthrough for The Murlocs and remains one of their most popular songs. Their third and fourth albums from July 2017 and March 2019, respectively, reached the top 20 on the main Australian music charts. Bittersweet Demons, credited to The Murlocs, is the title track of the band’s upcoming fifth studio album set for release on June 25. According to this review by Melodic Magazine, the piano-driven tune was inspired by the death of a close friend of Kenny-Smith. I dig the catchy melody and the cool retro sound.

Benjamin Francis Leftwich/Full Full Colour

Benjamin Francis Leftwich is a singer-songwriter from York, England. According to his Apple Music profile, he is known for his introspective, acoustic folk sound. Leftwich emerged in 2011 with Last Smoke Before the Snowstorm, which peaked at number 35 on the U.K. Albums Chart. He continued to hone his melancholic brand of acoustic folk-pop on subsequent efforts like After the Rain (2016) and To Carry a Whale (2021), which drew similar acclaim and elicited comparisons to the likes of Jose Gonzalez and Iron & Wine. Born in York in 1989 to South African and Australian parents, Leftwich lived a nomadic childhood, spending as much time in Sydney as in his native U.K. Inspired by Elliott Smith and Bruce Springsteen, he taught himself to play the guitar at age ten, and fronted indie pop outfit the Nicoles in his teens before embarking on a solo career. The above mentioned To Carry a Whale is Leftwich’s fourth full-length studio album released yesterday (June 18). Here’s the closer Full Full Colour co-written by him and fellow English musician Samuel Duckworth. The track was also previously released as a single on May 14. It’s a lovely mellow tune!

Reigning Sound/Let’s Do It Again

Reigning Sound are a rock and soul band founded in Memphis, Tenn. in 2001 by garage punk musician Greg Cartwright (vocals/ guitar). Apple Music describes them as blending “the hot wired energy of garage rock with the deep emotional resonance of classic soul music in a manner that suggests a cross between the early Rolling Stones and the Sonics.” Cartwright is also known for his involvement in Compulsive Gamblers and Oblivians, two other Memphis garage rock bands. Reigning Sound’s lineup has changed over the years. After their first single Two Sides to Every Man from early 2001, the band released Break Up, Break Down, their country folk-oriented debut album in May of the same year. Let’s Do It Again is the seductive opener of Reigning Sound’s eight and new studio album A Little More Time with Reigning Sound that came out on May 21. According to this Pitchfork review, it reunites Cartwright with Alex Greene (organ, guitar, backing vocals), Jeremy Scott (bass, backing vocals) and Greg Roberson (drums), the band’s lineup before Cartwright relocated to Ashville, N.C. in 2004 where he has since been based.

Sources: Wikipedia; Apple Music; Murlocs Bandcamp profile; Melodic Magazine; Pitchfork; YouTube