John Fogerty Finally Feels Like a Fortunate Son

After 50-year quest, Fogerty gains publishing rights to most of CCR song catalog

John Fogerty managed to acquire the majority of his historic song catalog from Concord for an undisclosed amount, giving him the U.S. and worldwide publishing rights to most of the songs he wrote for Creedence Clearwater Revival. This marks the end of Fogerty’s 50-year quest to finally own this music, a remarkable story that was first reported by Billboard. It broke just in the wake of Jeff Beck’s death and I almost would have missed it.

According to Billboard, the reclaimed CCR copyrights cover more than 65 songs, mostly written by Fogerty, including gems such as Proud Mary, Down on the Corner, Fortunate Son, Bad Moon Rising, Up Around the Bend and Green River. Concord, which owned the rights since 2004 when it acquired CCR’s original record label Fantasy Records, retains the CCR master recordings in its catalog. They will also continue to administer Fogerty’s share of the publishing catalog for an unspecified amount of time.

John Fogerty signing publishing rights deal with Concord (Photo: Julie Fogerty)

This whole saga started in 1967 when Fantasy Records owner Saul Zaentz offered CCR, who were then still called The Golliwogs, the opportunity to record a full-length album. When they signed a deal with the label, John Fogerty didn’t realize Fantasy would also own the publishing rights to his songs. Fogerty who extricated himself from Fantasy in 1974 made repeated attempts to gain control over his early CCR catalog to no avail. After his relationship with Zaentz had soured, he even refused to perform CCR songs during his concerts until the late ’80s, since he didn’t want Zaentz to profit from any royalties.

Things took a turn to the outright bizarre in 1985 when Zeantz sued Fogerty for copyright infringement, claiming his song The Old Man Down the Road essentially was the music of Run Through the Jungle, a CCR tune to which Zaentz owned the rights. Fogerty prevailed and was also successful in his efforts for reimbursement of legal fees, though it required taking the case all the way to the U.S. Supreme Court. In 1989, it appeared Fogerty through mediation had reached a deal with Zaentz to finally buy his publishing rights, but it fell apart when according to Fogerty Zaentz doubled the price at the last minute, something he couldn’t afford.

While Fogerty signed with Concord after they had acquired Fantasy from Zaentz in 2004 and they reinstated artist royalties to him, Fantasy wasn’t ready to sell any of the publishing rights as recently as 18 months ago. That’s when according to Billboard, he and his wife and manager Julie Fogerty realized that under U.S. copyright law, rights to his compositions would begin reverting back to him in a few years as the songs turned 56 years old, but that wouldn’t have included rights outside the U.S. I think it’s safe to assume this legal context played a role in reaching a deal.

John Fogerty with his wife and manager Julie Fogerty (Photo: Kyle Spicer)

“As of this January, I own my own songs again,” John Fogerty said in a statement on his website. “This is something I thought would never be a possibility. After 50 years, I am finally reunited with my songs. I also have a say in where and how my songs are used. Up until this year, that is something I have never been able to do. I am looking forward to touring and celebrating this year!”

Added Julie Fogerty: “I was always hoping for a miracle that John would own his songs, and I’m so blissful knowing that this has finally come true for him. The songs he wrote for CCR were going to start reverting in approximately three years, continuing for each year forward. I thought to myself that if there was anything I could do to make that happen now, it would be that miracle that we have been waiting for more than 50 years. I began to produce a plan to purchase his publishing right now. In doing so, I enlisted the help of Irving Azoff, Jason Karlov, Susan Genco and we were able to secure the US Rights in addition to Worldwide Rights, which would not have been part of the copyright reversions. I am so joyful, grateful, and excited for John.”

Billboard rightly notes that Fogerty’s purchase decision stands in contrast to other artists like Bruce Springsteen, Bob Dylan and Neil Young, who recently sold their publishing rights for millions of dollars. Of course, nothing would prevent John Fogerty from doing the same. But after a 50-year quest, for now, he’s planning to hang to his publishing rights and for the first time in his life enjoy control over this music.

I’m happy for John and like to wrap up this post with clips of some of the songs he now fully owns. I’m also throwing in a Spotify playlist with these and some other tunes from his 55-year-plus recording career.

Proud MaryBayou Country (January 1969)

Green RiverGreen River (August 1969)

Bad Moon RisingGreen River (August 1969)

Down On the CornerWilly and the Poor Boys (November 1969)

Fortunate SonWilly and the Poor Boys (November 1969)

Have You Ever Seen the RainPendulum (December 1970)

Here’s the aforementioned Spotify playlist:

Sources: Wikipedia; Billboard; John Fogerty website; YouTube; Spotify

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Aw, The ’80s (Part 2: 1985-1989)

A two-part feature looking back at music of the decade

Here is the second and final installment of my feature looking back at music and some related events in the ’80s. This part is focused on the second half of the decade. As noted in part 1, it isn’t meant to be a comprehensive review but instead a selection of things I find noteworthy.

1985

To me the key music event during this year and perhaps the entire decade was Live Aid. I was watching it on TV from Germany while simultaneously taping it on music cassette from the radio. Organized by Bob Geldorf and Midge Ure as a fundraiser to fight starvation in Ethiopia, Africa, the benefit concert was conducted on July 13 simultaneously in the U.K. at London’s Wembley Stadium and the U.S. at John F. Kennedy Stadium in Philadelphia. Among others, it featured Status Quo, Queen, U2, David Bowie, The Who and Paul McCartney at Wembley, while some of the performers in Philly included Joan Baez, Madonna, Tom Petty, Bob Dylan, Mick Jagger, Tina Turner and, in a less-than-stellar appearance, a reunited Led Zeppelin featuring Phil Collins on drums. The concerts were watched by an estimated global TV audience of 1.9 billion across 150 countries and raised approximately 150 million British pounds.

Live Aid Wembley
The Live Aid concert at London’s Wembley Stadium was attended by 72,000 people

Other events that year included the official launch of VH-1 on cable TV in the U.S. (Jan 1); recording of the charity single for Africa We Are The World (Jan 28), co-written by Michael Jackson and Lionel Ritchie and performed by USA For Africa, who apart from Jackson and Ritchie featured Ray Charles, Billy Joel, Cindy Lauper, Paul Simon, Bruce Springsteen, Stevie Wonder and numerous other top artists; release of Dire Straits’ fifth studio album Brothers In Arms, their best-selling record that among others became known for its exceptional sound quality due to its all-digital recording (May 13); Michael Jackson’s purchase of the publishing rights for most of The Beatles’ catalog for $47 million, out-bidding former artistic collaborator McCartney whose success in music publishing had inspired Jackson to increase his activities in the business (Sep 6); and Roger Waters’ announced intention to leave Pink Floyd, which marked the start of a two-year legal battle over the rights to the band’s name and assets.

The biggest hit singles of 1985 were Shout (Tears For Fears), We Are The World (USA For Africa), Take On Me (a-ha), I Want To Know What Love Is (Foreigner) and Material Girl (Madonna). Following is Money For Nothing, the second single from Dire Straits’ Brothers In Arms album, which they performed at Live Aid. Like on the studio recording, it featured Sting on backing vocals.

1986

On Jan 30, the Rock and Roll Hall of Fame held its first induction ceremony. The first batch of inductees included Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Buddy Holly, Jerry Lee Lewis, Little Richard and Elvis Presley. While over the years since, there has been much debate over who should be in the Rock Hall, the selection process, the award categories, etc., I think there is no doubt that the above artists all well-deserving inductees.

Rock Roll Hall of Fame 1986 Inductees
Rock & Roll Hall of Fame 1986 inductees (left to right): upper row: Chuck Berry, James Brown, Ray Charles, Sam Cooke and Fats Domino; lower row: The Everly Brothers, Buddy Hollie, Jerry Lee Lewis, Little Richard and Elvis Presley

Other events: Bob Geldorf’s knighthood award to recognize his work for Live Aid and other charity concerts for Africa (Jun 10); release of Madonna’s True Blue album, the best-selling record of year (Jun 30); and disbanding of The Clash, Electric Light Orchestra (revived by Jeff Lynne in 2000) and Men At Work.

The top-performing hit singles included Rock Me Amadeus (Falco) – the first German-language song to top the U.S. Billboard Hot 100Papa Don’t Preach (Madonna), The Final Countdown (Europe), Take My Breath Away (Berlin) and West End Girls (Pet Shop Boys). The 1986 tune I’d like to highlight is Sledgehammer by Peter Gabriel, which was first released as a single in April. It also appeared on his fifth studio album So that came out the following month. Here’s the song’s official video, which won multiple accolades in 1987, including a record nine awards at the MTV Music Video Music Awards and “Best British Video” at the Brit Awards. It’s definitely one of the most memorable music videos of the decade.

1987

Some of the events in music during that year included the induction of Aretha Franklin as the first woman into the Rock and Roll Hall of Fame (Jan 3); release of U2’s fifth studio album The Joshua Tree (Mar 9), which topped the charts in 20-plus countries and became one of the world’s most commercially successful records, selling more than 25 million copies; Whitney Houston’s second studio album Whitney, the first record by a female artist to debut at no. 1 on the Billboard 200 (Jun 27); launch of MTV Europe (Aug 1); and release of A Momentary Lapse Of Reason, Pink Floyd’s first studio album after the departure of and legal battle with Roger Waters (Sep 7). Waters finally wrapped up his legal separation from the band later that year.

The highest-charting hit singles were La Bamba (Los Lobos), Never Gonna Give You Up (Rick Astley); I Wanna Dance With Somebody Who Loves Me (Whitney Houston), It’s A Sin (Pet Shop Boys) and Who’s That Girl (Madonna) – I remember each of these songs like it was yesterday! Here’s Where The Streets Have No Name from my favorite U2 album The Joshua Tree. Credited to the band (music) and Bono (lyrics), the tune was released as the album’s third single in August 1987, five months after the record’s appearance.

1988

Some of the music events that year included the induction of The Beach Boys, The Beatles, The Drifters, Bob Dylan and The Supremes into the Rock and Roll Hall of Fame (Jan 20); near-death experience for Alice Cooper on stage after one of the props, the Gallows, malfunctioned – yikes! (Apr 7); sale of legendary soul label Motown Records to MCA and financial firm Boston Ventures for $61 million (Jun 27); John Fogerty’s win of what sounds like a frivolous self-plagiarism lawsuit Fantasy Records had brought against him, claiming his 1985 comeback tune The Old Man Down The Road was too similar to Run Through The Jungle, which he had recorded with Creedence Clearwater Revival in 1970 (Nov 7); and final concert by Roy Orbison in Akron, Ohio (Dec 4) prior to his death from a heart attack only two days thereafter.

Leading hit singles: A Groovy Kind Of Love (Phil Collins), Don’t Worry Be Happy (Bobby McFerrin), Always On My Mind (Pet Shop Boys),  Heaven Is A Place On Earth (Belinda Carlisle) and Take Me To Your Heart (Rick Astley). One 1988 song I like in particular is Under The Milky Way Tonight by Australian outfit The Church. Co-written by Steve Kilbey and Karin Jansson, it became the lead single to their excellent fifth studio album Starfish. Both were released in February that year. Here’s a clip.

1989

I can’t believe I made it to the last year of the decade! Some of the events I’d like to highlight are criticism of Madonna by religious groups worldwide over alleged blasphemous use of Christian imagery in her music video for Like A Prayer (Feb 23), which had premiered on MTV the day before; release of Bonnie Raitt’s 10th studio album Nick Of Time, one of my favorite records from her (Mar 21); release of Tom Petty’s excellent debut solo album Full Moon Fever (Apr 24); Ringo Starr’s formation of his All-Starr Band (Jul 23); opening of The Rolling Stones’ North American tour in Philadelphia to support their comeback album Steel Wheels (Aug 31), two days after the album had dropped; and release of Neil Young’s 17th studio album Freedom (Oct 2), best known for the epic Rockin’ In The Free World.

Key hit singles were Like A Prayer (Madonna), Eternal Flame (The Bangles), Another Day In Paradise (Phil Collins), The Look (Roxette) and Love Shack (The B-52s). The final ’80s tune I’d like to call out via clip is Down To London by Joe Jackson, an artist I’ve listened to for many years. He recorded the song for his 10th studio release Blaze Of Glory, which appeared in April 1989.

Sources: Wikipedia, YouTube