The Pretenders Are Back And Sound Mighty

“Hate for Sale” will go in music history as one of the English-American rock band’s best albums ever

Back in May, I included The Pretenders in a Best of What’s New installment with You Can’t Hurt a Fool, a great tune and the third single from their then-upcoming new album Hate for Sale. Yesterday, I randomly remembered that post and it occurred to me I had forgotten about the album that came out two weeks ago on July 17. I’m not going to pretend (no pun intended here) I know each and every record of the band in and out, but based on what I’ve heard, Hate for Sale must be one of the best albums they’ve ever released.

Not counting Alone from October 2016, a Chrissie Hynde solo album she recorded with a different backing band and released under the Pretenders name, Hate for Sale is the band’s first new album in nearly 12 years since Break Up the Concrete from October 2008. When I say the band, I’m referring to Hynde, James Walbourne (guitar, backing vocals) and Nick Wilkinson (bass). Drummer and original co-founder Martin Chambers, who is back in the fold, had not been on a Pretenders record since Loose Screw released in November 2002.

The Pretenders (from left): Nick Wilkinson, Chrissie Hynde, Martin Chambers and James Walbourne. Not pictured: Carwyn Ellis

Welsh singer-songwriter and multi-instrumentalist Carwyn Ellis is also listed as a member on the band’s website but neither is on the album cover nor seems to appear in official press photos. Perhaps that’s because Ellis is also the founder and front man of British alternative band Colorama.

All songs on Hate for Sale were co-written by Hynde and Walbourne. Not only is that different from Break Up the Concrete, which saw Hynde as the sole writer, but I think it also benefits the album. In addition to strong tunes, what stands out to me on Hate for Sale are a great, oftentimes raw rock sound and Hynde’s singing, which sounds as great as ever. But don’t take it from me. Let’s get to some music!

Here’s the official video of the title track. I like the false start. It’s also really a kickass tune!

One of Hate of Sale’s highlights is The Buzz. That track was also one of the three singles that came out leading up to the album’s release. Quite a catchy tune!

Lightning Man has a cool ska-ish groove, providing a nice contrast to the other tunes.

Next up: Turf Accountant Daddy, another great tune.

The songs I’ve highlighted thus far are the album’s first four tracks. I’m only skipping the fifth song You Can’t Hurt a Fool, since I previously wrote about it. I think this goes to show what a compelling album Love for Sale is! Let’s do one more: Maybe Love Is in NYC.

Hate for Sale is the 11th studio album by The Pretenders. It was produced by Stephen Street, who had worked with the band on ¡Viva El Amor!, their seventh studio album from May 1999, which he co-produced with Stephen Hague. Street is also known for his work with The Smiths, The Cranberries and English alternative rock band Blur. According to Wikipedia, Hate for Sale has been well received. Frankly, if you like the early music by The Pretenders, it’s hard for me to see how you couldn’t dig Love for Sale. My only regret is that with 30 minutes, the album definitely is on the short side!

Sources: Wikipedia; The Pretenders website; YouTube

23-Year-Old Southern Rock Guitarist Marcus King Shines On Soulful Solo Debut

Two weeks ago, I blogged about Playing For Change and that organization’s incredible videos produced with musicians from all over the world, covering well-known songs. One of the clips I highlighted was The Weight, featuring Robbie Robertson, Ringo Starr and professional musicians from eight other countries. The first thing I thought was, ‘how cool is it that Robertson and Starr are in the video. My second thought: ‘The young dude playing guitar and singing is killing it on vocals with his soulful voice. That guitarist was 23-year-old Marcus King. Earlier today, I listened to his solo debut album El Dorado and have to say I’m pretty blown away!

King who hails from Greenville, S.C. is not a newcomer. In fact, he has performed for a whopping 15 years! After beginning to play guitar at a very young age, already as an eight-year-old he started to be on stage with his father Marvin King, a professional blues guitarist. In 2013, as a 15-year-old, he formed the Marcus King Band. In October 2015, their debut album Soul Insight appeared. They have since released two additional records and two EPs. El Dorado, which came out on January 17 this year, was produced by Dan Auerbach of the Black Keys. Let’s get to some music!

Here’s the beautiful opener Young Man’s Dream. Spill Magazine called it reminiscent of Neil Young’s After the Gold Rush era. With King’s high pitched vocals and the tune’s sound, I think that’s not too far-fetched. Co-written by King, Auerbach and Nashville singer-songwriter Pat McLaughlin, the track also has some early Rod Stewart feel. It’s just cool!

The Well, a nice blues rocker that’s right up my alley, was co-written by King, Auerbach and Ronnie Bowman, a bluegrass vocalist and songwriter. I dig the main guitar riff and sound of that tune. Check it out!

Next up is Wildflowers & Wine, another co-write by King, Auerbach and Bowman. I really find it impressive how much soul the 23-year-old has in his vocals. That’s three great songs in a row, which already make it worthwhile to listen to this album.

There’s more. How about some country? Ask and you shall receive. Here’s Sweet Mariona, yet another tune co-written by King, Auerbach and Bowman. Listen to that sweet-sounding pedal steel guitar!

Another soul gem with a dose of country flair is Beautiful Stranger. I also love the gospel type backing vocals. To write this song King and Auerbach teamed up with country singer-songwriter Paul Overstreet.

The last track I’d like to call out is Too Much Whiskey, another co-write by King, Auerbach and Overstreet. It’s a great mix of blues and country.

In addition to King (lead vocals, guitar) and Auerbach (bass, guitar, backing vocals), other musicians on El Dorado include Gene Chrisman (drums), Matt Combs (strings), Paul Franklin (steel guitar), Chris St. Hillaire (percussion), Russ Pahl (guitar), Ray Jacildo (Glockenspiel, keyboards), Dave Roe (bass), Mike Rojas (keyboards), Billy Sanford (guitar), Bobby Woods (keyboards), as well as backing vocalists Ashley Wilcoxson and Leisa Hans.

Deservedly, El Dorado has received great reviews. Rolling Stone called it “excellent” and King “one of the most exciting guitarists to break through in years.” NPR’s rock critic Ken Tucker characterized the record as “a real beauty — and a turning-point for King.” Last but not least, Spill Magazine opined the album is a “musical masterpiece.”

King seems to be happy with the result as well, as he should be. “I’m really proud of it,” he told Rolling Stone. And what did Auerbach, who has produced for other artists like Dr. John, Ray LaMontagne and The Pretenders, have to add? “It’s staggering how good he is, how crazy-good his vocals are, how he can go anywhere on guitar.” I think that nicely sums up my sentiments.

Sources: Wikipedia; Spill Magazine; Rolling Stone; NPR; AllMusic; YouTube