If I Could Only Take One

My desert island song by The Young Rascals

Once again it’s humpday and the thought of escaping to a desert island kind of sounds attractive. But wait, before I can embark on my imaginary trip, I have to make that crucial decision: Which one song to take with me.

For first-time visitors, it can’t be any song. It has to be by a band or artist I’ve rarely or not covered at all on the blog to date. And that band or artist (last name) has to start with a specific letter, which this week is “y”.

Some of the options that came to mind included The Yardbirds, Yes, Yola, Neil Young and The Youngbloods. But I’ve already covered all these artists. Luckily, I found one American group I had not written about: The Young Rascals. Since I could only name two of their songs, the choice was easy: Groovin’.

Written by band members Felix Cavaliere (keyboards, vocals) and Eddie Brigati (vocals, percussion), Groovin’ first appeared as a single in April 1967. The melodic laid-back tune also was the title track of their third studio album released in July that same year. Groovin’ became one of the group’s best-known songs, topping the pop charts in the U.S. and Canada, and climbing to no. 3 and no. 8 in Australia and the UK, respectively.

The group was formed in Garfield, New Jersey in 1965. In addition to Cavaliere and Brigati, the original line-up included Gene Cornish (guitar, harmonica vocals) and Dino Danelli (drums). The band did not have a dedicated bassist, so Cavaliere provided that part with his organ pedals. Initially, they used the name Them, but when they realized there already was a British band with that name, they came up with the Rascals. After signing with Atlantic Records, it turned out there was a group called The Harmonica Rascals who objected they would release records as The Rascals. To avoid conflict their manager Sid Bernstein decided to rename the group The Young Rascals.

Their eponymous debut album appeared in March 1966 and was an instant success in the U.S., rising to no. 15 on the Billboard 200. After the release of the Groovin’ album, the group decided the revert their name to The Rascals. By the time the band’s sixth studio record See appeared in December 1969, their chart and commercial success had started to wane. Brigati and Cornish left The Rascals in 1970 and 1971, respectively. Two more albums came out before the group broke up in 1972. There were a few reunions thereafter. In May 1997, The Rascals were inducted into the Rock and Roll Hall of Fame.

Following are some additional insights for Groovin’ from Songfacts:

Felix Cavaliere and Eddie Brigati of The Rascals wrote this song after they realized that because of their work schedule, they could see their girlfriends only on Sunday afternoons…Cavaliere told Seth Swirsky, who was shooting footage for his documentary Beatles Stories, “I met this young girl and I just fell head over heels in love. I was so gone that this joyous, wonderful emotion came into the music. Groovin’ was part of that experience. If you look at the story line, it’s very simple: we’re groovin’ on a Sunday afternoon because Friday and Saturdays are when musicians work…”

The record company executives who worked on “Groovin'” didn’t particularly like the song, but as they listened to the playback, influential New York DJ Murray the K overheard it and pronounced it a #1 record. Unbeknownst to the group, Murray went to Atlantic Records president Jerry Wexler and demanded it be released. As the program manager and top DJ on the first FM rock station (WOR-FM), Murray the K had this kind of clout, and also the rare ability to connect with listeners and recognize what songs would become hits…

The term “Groovy” was becoming popular around this time, and the title of this song is a variation on the term. The first popular “Groovy” song was “A Groovy Kind Of Love,” and the first popular use in lyrics was in “59th Street Bridge Song.”

Smokey Robinson got the idea for his song “Cruisin'” from this one – his original hook was “I love it when we’re groovin’ together,” but he thought “cruisin'” was more intimate.

Sources: Wikipedia; Songfacts; YouTube

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Best of What’s New

A selection of newly released music that caught my attention

Sometimes it’s funny how things go. Even though my employer observed Martin Luther King Jr. Day and, as such, I was officially off on Monday, this week still felt very long. Finally, Saturday and another installment of my weekly new music feature are here. This time, my picks include three artists/bands who are entirely new to me and two I’m familiar with, especially one I’ve known since the ’80s. Except for the last tune, all tracks appeared on albums that were released yesterday (January 21).

Miles Kane/Change the Show

My first pick is Miles Kane, who is known as a solo artist and as a member of English supergroup The Last Shadow Puppets. He also used to be the lead vocalist of English rock band The Rascals, who were active from 2007 until 2009 when Kane decided to launch a solo career. His Apple Music profile describes him as an artist with a “resonant croon and charismatic stage swagger” who is “known for his vintage ’60s- and ’70s-inspired rock sound.” Here’s more from Apple Music: Born in 1986 in Merseyside, Kane was an 18-year-old guitarist when he formed his first band Little Flames with childhood friends vocalist Eva Petersen, guitarist Mat Gregory, bassist Joe Edwards, and drummer Greg Mighall. However, after Petersen and Gregory left the band due to creative differences, Kane and the remaining members formed the Rascals with Kane taking on vocal duties...In 2011, he delivered his full-length solo debut, Colour of the Trap. This brings me to Change the Show, the title track of Kane’s new and fourth solo album. The tune was co-written by him and Jamie Biles – catchy pop/rock with a retro flavor.

Texas Hill/Heaven Down Here

Texas Hill are an alternative country trio founded in 2020. According to their website, Craig Wayne Boyd offers a voice full of gospel-tinged country smoke, Adam Wakefield blends a rootsy bluegrass-and-Americana rasp, and Casey James wraps it with a blue-eyed soul quality and deft blues guitar chops. [Casey James did ring a bell, and it turned out in June 2017, I covered his sophomore solo album Strip It Down.]…The Voice and American Idol worked in creating a fan base for all three...That connection helped forge Texas Hill. James and Boyd, who grew up 60 miles apart on the outskirts of the Dallas-Fort Worth metroplex, ran into one another at a 2019 event in Nashville and dove into conversation…Roughly a month later, Boyd brought Wakefield into the musical conversation, and when the three of them met up, Boyd introduced a song he’d just written. In September 2020, Texas Hill released their eponymous debut EP. Heaven Down There, credited to all three members, is the title track of their first full-length album. Great country rock with beautiful harmony singing – the kind of music that makes me happy!

Keb’ Mo’/Good Strong Woman

Keb’ Mo’ (born Kevin Roosevelt Moore) probably doesn’t need much of an introduction. While typically characterized as a blues artist, the Nashville-based guitarist and singer-songwriter also integrates elements of pop and Americana into his music. I grew fond of Moore when he teamed up with Taj Mahal for their great 2017 “uplifting blues” collaboration album TajMo, which I reviewed here. I also saw the two later that same year during the tour that supported TajMo. Good Strong Woman, which features former Hootie & the Blowfish lead vocalist Darius Rucker, is a track from Keb’ Mo’s new album Good To Be…The soulful, country-flavored tune was co-written by Moore and Jason Gantt. This sounds really sweet! Here’s the official video.

Penny & Sparrow/Voodoo

Penny & Sparrow are an indie folk duo of Texas singer-songwriters Andy Baxter and Kyle Jahnke. According to their Apple Music profile, they rose out of Austin, Texas, in the early part of the 2010s, combining rich harmonies and a modern sensibility inspired by acts like Bon Iver, the Swell Season, and Mumford & Sons. After honing their sound with a few indie releases, they signed with Southern indie Single Lock Records and issued a trio of well-received albums including 2016’s Let a Lover Drown You and 2019’s Finch. Voodoo is a tune off Penny & Sparrow’s new album Olly Olly. Like all except one of the other 11 tracks on the record, it was co-written by Baxter and Jahnke. Sounds pretty!

Scorpions/Rock Believer

This brings me to my final pick, which comes from Scorpions. When I last featured the German rock/pop metal stalwarts in a Best of What’s New installment in May 2020, I referenced a statement by the group that noted they “are working on lot’s of Hard‘n Heavy Rockers for our new album these days.” That album, Rock Believer, is now in the can and scheduled for February 25. Here’s the title track, which was released on January 14 as the second upfront single of what will be the band’s 19th studio album. Scorpions were formed in 1965 in Hannover, Germany by guitarist Rudolf Schenker, who remains with the group to this day. The present line-up also features Klaus Meine (lead vocals, guitar; since 1969), Matthias Jabs (lead and rhythm guitar, backing vocals; since 1978), Paweł Mąciwoda (bass, backing vocals; since 2003) and Mikkey Dee (drums; since 2016). Scorpions first entered my radar screen with their immensely successful 1984 album Love at First Sting. In general, I dig their melodic pop metal, though whether I want to listen to it also depends on my mood, which I think applies to most other music as well.

Last but not least, here’s a Spotify list featuring the above tunes.

Sources: Wikipedia; Apple Music; Texas Hill website; Scorpions website; YouTube; Spotify