On This Day In Rock & Roll History: October 7

1951: John Mellencamp, one of my longtime favorite music artists, was born in Seymour, Ind. He started his recording career in 1976 with Chestnut Street Incident, an album of mostly covers, released under Johnny Cougar. The stage name was imposed by his manager at the time, who felt the name Mellencamp was too hard to market. The record flopped anyway. But luckily Mellencamp soldiered on and has released 22 additional studio albums to date. The first record credited to his given name instead of John Cougar Mellencamp, the name he used on most of his ’80s albums, was 1991’s Whenever We Wanted. Starting with the excellent Lonesome Jubilee (1987), Mellencamp gradually moved away from straight rock to more stripped down roots-oriented rock. Here’s a clip of Cherry Bomb from the 1987 album. Happy Birthday!

1960: Elvis Presley recorded Flaming Star, the title song to the soundtrack for his 1960 motion picture. Written by Syd Wayne and Sherman Edwards, the track was also included on an EP in February 1961. It peaked at no. 14 on the Billboard Hot 100. While Presley starred in numerous, mostly mediocre movies, this Western film is considered to be one of his best acting performances. I used to be a huge Elvis fan in my early teens and Flaming Star was one of my favorite tunes. While I’m no longer as crazy about Elvis, I still think he had a great voice and was a terrific performer, especially in his early days.

1963: The Rolling Stones recorded I Wanna Be Your Man, which became their second single released November 1, 1963. Credited to John Lennon and Paul McCartney, this Beatles song was primarily written by McCartney. The Stones’ cover, which appeared prior to the release of The Beatles’ version, climbed to no. 12 on the British chart, giving them an early hit. The tune’s characteristic features are Brian Jones’ slide guitar and Bill Wyman’s driving bass, giving it more pep than the original.

1967: American music producer and promoter Sid Bernstein, who had first brought The Beatles to the U.S. in February 1964 and also was involved in their first Shea Stadium appearance in August 1965, tried to get them back for a third time, offering one million dollars. But The Beatles had grown tired of Beatlemania and decided to retire from touring in late August 1966, so they rejected the offer. It’s a reassuring example money can’t buy everything.

Sidney Bernstein

1969: The Youngbloods’ version of Get Together was certified gold. Composed by American singer-songwriter Chet Powers, the Kingston Trio originally recorded the song as Let’s Get Together in 1964. Jefferson Airplane included a cover on their debut album Jefferson Airplane Takes Off, released in August 1966. But the best known and most successful version was recorded by The Youngbloods and first released in July 1967. Initially, it only became a minor hit for the band. Things changed when the tune was used in a radio public service announcement from the National Conference of Christians and Jews calling for brotherhood. The song was reissued in June 1969 and climbed to no. 5 on the Billboard Hot 100.

Sources: Wikipedia, Songfacts, This Day in Music, YouTube

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On This Day In Rock & Roll History: September 9

1956: Elvis Presley appeared for the first time on the Ed Sullivan Show, together with his backup group The Jordanaires. They played three songs: Don’t Be Cruel, Love Me Tender and Ready Teddy. The performance became legendary, not only because it was watched by about 60 million viewers, a record 82.6 percent of the U.S. TV audience, but also because of what TV watchers weren’t allowed to see – Presley’s gyrating hips that Sullivan deemed too offensive for a family audience. So the cameras only showed Presley from only the waist up. Before launching into Don’t Be Cruel, Presley said: “This is probably the greatest honor I’ve ever had in my life. There is not much I can say except if it makes you feel good, we wanna thank you from the bottom of our heart.”

1965: The Rolling Stones were at no. 1 in the U.K. with (I Can’t Get No) Satisfaction, the band’s fourth chart-topping single there, and their first no. 1 in the U.S. on the Billboard Hot 100. The song’s iconic signature riff came to Keith Richards in a dream in a Florida hotel room. He got up and quickly recorded a rough version on a tape recorder, using an acoustic guitar. When he listened to the tape the next morning, there was about two minutes of music and 40 minutes of snoring. I suppose this must have been of Richards’ sweeter dreams!

1968: The Beatles were working on Helter Skelter at Abbey Road Studios in London. On July 18 of that year, they had recorded three takes. During the September 9 session, they transformed what was initially a slow blues into what perhaps became their most frantic song. The tune was included on The White Album, which appeared on November 22, 1968. The following evening, The Beatles added additional overdubs to the track. Commenting on the September 9 session, technical engineer Brian Gibson told Beatles book author Mark Lewisohn, “The version on the album was out of control…Everyone knew what substances they were taking but they were really a law unto themselves in the studio. As long as they didn’t do anything too outrageous things were tolerated.” Oh well, the times of neat suits and ties were definitely long past.

1972: British rockers Slade topped the U.K. single charts with Mama Weer All Crazee Now, scoring their third no. 1 there. Written by lead vocalist Noddy Holder and bassist Jim Lea, the tune also was the lead single from the band’s third studio album Slayed? 

Sources: Wikipedia, This Day in Music.com, The Beatles Bible, YouTube

On This Day in Rock & Roll History: September 2

1964: As part of their second U.S. tour that year, The Beatles played Convention Hall in Philadelphia, performing to some 12,000 people. The 12-track set featured Twist And Shout, You Can’t Do That, All My Loving, She Loves You, Things We Said Today, Roll Over Beethoven, Can’t Buy Me Love, If I Fell, I Want To Hold Your Hand, Boys, A Hard Day’s Night and Long Tall Sally. The bill also included The Bill Black Combo, The Exciters, Clarence ‘Frogman’ Henry, and Jackie DeShannon. Henry joined the tour for this date to replace The Righteous Brothers over complaints their music was drowned out by audience cheers for The Beatles. Here’s a great clip of You Can’t Do That from that gig.

1964: The Rolling Stones recorded Little Red Rooster at Regent Sound Studios in London, England. They released the Willie Dixon blues standard as a U.K. single in November that year. The tune was also included on the band’s third U.S. studio album The Rolling Stones, Now! Little Red Rooster was first recorded in 1961 by Howlin Wolf, who together with Muddy Waters had a major influence on the Stones.

1965: The Doors recorded their first demos at World Pacific Jazz Studios in Los Angeles. The band cut six tracks, which were all written by Jim Morrison. According to BootLegZone, the songs included Hello, I Love YouEnd Of The Night; My Eyes Have Seen You; Moonlight Drive; Summer’s Almost Gone; and Go Insane. Eventually, The Doors released Hello, I Love You as a single in June 1968 and also included it on their third studio album Waiting For The Sun, which appeared in July that year. The tune became a major success for the band, hitting no. 1 in the U.S. and Canada, and reaching no. 15 in the U.K. – their first big hit there.

1972: The Erie Canal Soda Pop Festival, a three-day rock festival held over the Labor Day weekend on Bull Island near Griffin, Ind., kicked off. An estimated 200,000 to 300,000 people attended, a multiple of the 50,000 music fans the promoters had anticipated. With food and water in shortly supply, the festival drifted into anarchy, culminating in three deaths and the burning down of the main stage after the end of the concert. Many artists pulled out as the conditions deteriorated. The remaining performers included Foghat, Albert King, Canned Heat, Ravi Shankar, Rory Gallagher and The Eagles, among others.

Erie Canal Soda Pop Festival Ticket

Sources: This Day in Music.com, The Beatles Bible, BootlegZone, YouTube

Chuck Berry Classics Performed By Other Artists

A list of covers from AC/DC to The Yardbirds

A few days ago, I coincidentally came across a previously created iTunes playlist I had completely forgotten about: Covers of Chuck Berry classics performed by other music artists. I thought it would be fun to develop a post around this theme.

While no one artist can claim they created an entire genre of music, there is a reason why Berry was known as Mr. Rock & Roll. In any case, the number of other artists who covered his tunes sure as heck is impressive.

Maybelline/Foghat

English blues and boogie rock band Foghat included a killer version of Maybelline on their 1972 eponymous album. The tune was written and recorded by Berry in 1955, and first released as a single in July that year. It also appeared on his 1959 iconic third study album Berry Is On Top, which also included many of his other major hits. Here’s a great clip of the tune from a Foghead live performance.

School Days/AC/DC

AC/DC recorded a cool cover of School Days for their second Australian studio album T.N.T., which appeared in December 1975. Originally, Berry released the song as a single in March 1957, two months ahead of his debut studio album After School Session.

Too Much Monkey Business/The Yardbirds

Too Much Monkey Business is the first track on Five Live Yardbirds, the band’s terrific debut live album from 1964. Berry released the song as his fifth single in September 1956. It was also included on the After School Session album.

Sweet Little Sixteen/John Lennon

John Lennon recorded a nice Memphis soul-style cover of Sweet Little Sixteen for Rock ‘n’ Roll, his sixth studio album from 1975. Berry released the track as a single in January 1958. It was also included on his second studio album One Dozen Berries, which appeared in March 1958.

Rock & Roll Music/The Beatles

Rock & Roll Music is among my favorite rock & roll covers from The Beatles. They included it on their 1964 fourth studio album Beatles For Sale. Berry initially released the tune as a single in September 1957. It also appeared on the One Dozen Berrys studio album. Unfortunately, I couldn’t find a clip of the Beatles’ studio version, so here is a live performance captured from a 1965 performance in Paris.

Carol/The Rolling Stones

I’ve always loved the cover of the song The Rolling Stones recorded. Initially, they included it on their 1964 eponymous debut album, but my favorite version appeared on the fantastic 1970 live record Get Yer Ya-Ya’s Out. First released in 1958 as a single, Carol is also one of the gems from Chuck Berry Is On Top. Here’s a great clip of the Get Yer Ya-Ya’s Out version.

Johnny B. Goode/Jimi Hendrix

If I only had one classic rock & roll tune to choose, it would be Berry’s 1958 gem Johnny B. Goode, which first appeared as a single in March that year and is yet another highlight from Chuck Berry Is On Top. Who could possibly do a better cover of it than Jimi Hendrix? Here is a great clip of Hendrix absolutely killing it live – not sure whether it is the same performance that was also captured on Hendrix in the West, a 1972 posthumous live album.

Little Queenie/The Kentucky Headhunters with Johnnie Johnson

Frankly, I do not quite remember how I came across this cover of Little Queenie when I put together the above iTunes playlist, but I find it pretty awesome. It’s performed by country and southern rock band The Kentucky Headhunters featuring Johnnie Johnson, a jazz, blues and rock & roll pianist, and was included on a 2015 release titled Meet Me In Bluesland. Originally, Berry released Little Queenie as a single in 1959, another tune from Chuck Berry Is On Top.

Roll Over Beethoven/Electric Light Orchestra

It’s safe to say this is one of the most unique covers of the track performed by Electric Light Orchestra. Blending elements of classical music with rock & roll and other styles of rock, ELO is one of the weirdest ’70s bands, in my opinion. While most of their productions were bombastic and completely over the top, I still have to admit there is something intriguing about their music. Their 8-minute-plus cover of Roll Over Beethoven was included on their eponymous second studio album, which was released in 1972. Berry first recorded the tune as a single in May 1956. It also appeared on Chuck Berry Is On Top. The following clip is an abbreviated live version of the song, captured from a 1973 performance on The Midnight Special, an American late-night music variety show that aired during the 1970’s and early ’80s.

Memphis/The Hollies

This cover from The Hollies was included on the band’s debut album Stay With The Hollies, which appeared in the U.K. in January 1964. The track was also included on the U.S. version of the album titled Here I Go Again, released in June that year. Berry first recorded Memphis as a single in 1959.

Sources: Wikipedia, YouTube

When Live Performances Become the Ultimate Listening Experience

A list of great songs performed live

To me there is nothing that beats the experience of listening to music live. But there are only so many shows one can go to. Plus, at least in my case, some of my favorite artists are no longer around or bands have changed their line-ups to the point where they no longer have much to do with the act I initially came to like.

Fortunately, many music artists have recorded live albums. While a live record can never replace attending an actual show, if well produced, it can at least convey an idea of how it must have felt being there. Obviously, some live albums are better and more authentic than others. Following is a list of songs from some of my favorite live records.

Things We Said Today/The Beatles (The Beatles at the Hollywood Bowl, 1977/1964 & 1965)

Sunny Afternoon/The Kinks (Live at Kelvin Hall, 1967)

Jumpin’ Jack Flash/The Rolling Stones (Get Yer Ya-Ya’s Out!, 1970)

First I Look At the Purse/The J. Geils Band (“Live” Full House, 1972)

Rock And Roll All Nite/Kiss (Alive!, 1975)

Turn the Page/Bob Seger & The Silver Bullet Band (Live Bullet, 1976)

I Want You to Want Me/Cheap Trick (Cheap Trick At Budokan, 1978)

Rock You Like a Hurricane/Scorpions (World Wide Live, 1985)

Nutbush City Limits/Tina Turner (Tina Live In Europe, 1988)

Pride (In the Name of Love)/U2 (Rattle And Hum, 1988)

Sources: Wikipedia, YouTube

When Covers Are Just As Much Fun As Originals

A playlist of some of my favorite remakes

Lately, I’m somehow in the mood of compiling lists: first car songs, then train tunes and now remakes. Given how much I enjoy listening to great covers, it’s a surprise I didn’t do this list first!

In general, remakes I like fall into two categories: A version that changes the character of a song, essentially turning it into a new tune. Perhaps the best example I can think of is Joe Cocker’s version of The Beatles’ With a Little Help From My Friends. Or it simply can be a remake of a tune that stays true to its original – nothing wrong with that, especially if it’s a great song! One terrific example I came across recently is Roger McGuinn’s cover of If I Needed Someone, one of my favorite Beatles tunes. I know, again the Fab Four – I just can’t help it!

Obviously, it won’t come as a big surprise that both of the above tunes are on my list. Here is the entire compilation.

With a Little Help From My Friends/Joe Cocker

Not only credited to John Lennon and Paul McCartney by actually also written collaboratively by the two, With a Little Help From My Friends first appeared in May 1967 on Sgt. Pepper’s Lonely Hearts Club Band. It was one of only a handful of Beatles tunes featuring Ringo Starr on lead vocals. Cocker’s version came out two years later as the title song of his debut album. Here’s a clip of his legendary live performance at Woodstock.

Love Hurts/Nazareth

Written by American songwriter Boudleaux Bryant, Love Hurts was first recorded by The Everly Brothers in July 1960. In 1975, Scottish hard rock band Nazareth turned the tune into an epic power ballad, including it on their sixth studio album Hair of the Dog. It’s another great example of a remake that completely changed the character of the original tune.

Under the Boardwalk/John Mellencamp

Under the Boardwalk was first recorded by The Drifters and released as a single in June 1964. The song was created by songwriters Kenny Young and Arthur Resnick. Perhaps the best known cover of the tune is from The Rolling Stones, which was included on their second U.S. record 12 X 5 released in October 1964. While I like the Stones version, I think John Mellencamp did an even better remake for his 1999 studio album Rough Harvest.

Pinball Wizard/Elton John

Pinball Wizard is one of my all-time favorite tunes from The Who. Written by Pete Townsend, it was released as a single in March 1969 and also included on the Tommy album that appeared two months thereafter. The one thing I always felt about The Who’s version is that it ended somewhat prematurely. Enter Elton John and his dynamite, extended cover for the rock opera’s 1975 film adaption. Here’s a clip from the movie version with The Who – it doesn’t get much better! BTW, it also nicely illustrates how Sir Elton can rock and what a kick-ass piano man he is, no matter what glasses he wears, or boots for that matter! 🙂

Stand By Me/John Lennon

One of the most beautiful ballads of the 60s, Stand By Me was written by Ben E. King, together with the songwriter powerhouse of Jerry Leiber and Mike Stoller. The tune was first released by King as a single in 1961 and also later included on his 1962 studio album Don’t Play That Song. One of my favorite remakes is John Lennon’s version, which he included on his sixth studio album Rock ‘n’ Roll released in February 1975. Here’s a nice clip of Lennon’s performance of the tune on the BBC television show The Grey Whistle Test.

If I Needed Someone/Roger McGuinn

Written by George Harrison, If I Needed Someone was included on The Beatles’ sixth studio album Rubber Soul from 1965. Harrison played his Rickenbacker 360/12 to record the tune, which he had first used the previous year during the motion picture A Hard Day’s Night. That’s where Roger McGuinn for the first time heard the beautiful sound of the 12-string electric guitar. He decided to use it for his own music, which resulted in The Byrds’ signature jingle jangle sound. Given this inspiration, it’s perhaps not a big surprise that McGuinn ended up recording a cover of the tune. It was included on his 2004 studio record Limited Edition.

Proud Mary/Ike & Tina Turner

Proud Mary was written by the great John Fogerty and first released by Creedence Clearwater Revival in early 1969, both as a single and on their second studio album Bayou Country. Then in 1971, Ike & Tina Turner recorded an amazing remake. It appeared as a single and was included on the album Working Together. The cover, which became their biggest hit, is another great example of how a remake can become a completely new song.

Light My Fire/José Feliciano

Credited to all four members of The Doors – Jim Morrison, Robbie Krieger, John Densmore and Ray Manzarek – Light My Fire appeared on the band’s eponymous debut album from January 1967. It was also released as a single in April that year. I’ve always loved the organ part on that tune. And then there is of course the cover from José Feliciano, which as a guitarist I appreciate in particular. It appeared on 1968’s Feliciano!, his fourth studio record. Feliciano’s laid-back jazzy style to play the tune is exceptionally beautiful.

Runaway/Bonnie Raitt

Runaway is one of my favorite early 60s pop tunes. Written by Del Shannon and keyboarder Max Crook, it was first released as a single by Shannon in February 1961. The song was also included on his debut studio album Runaway with Del Shannon, which appeared in June that year. Bonnie Raitt, who I’ve admired for many years as an exceptional guitarist and songwriter, recorded a fantastic remake for her 1977 studio album Sweet Forgiveness.  I was fortunate enough to see this amazing lady last year. She is still on top of her game! Here’s a nice clip of a live performance I found, which apparently occurred at the time the record came out.

Hard to Handle/The Black Crowes

Hard to Handle is one of the many great tunes from Otis Redding, who co-wrote it with Al Bell and Allen Jones. It was released in June 1968, six months after Redding’s untimely death at age 26 in a plane crash. In 1990, The Black Crowes recorded a fantastic rock version of the song for their debut studio album Shake Your Money Maker, scoring their first no. 1 single on the Billboard Album Rock Tracks. It is perhaps the tune’s best known cover.

Sources: Wikipedia, The Beatles Bible, YouTube

British Invasion Rocks Atlantic City

Amazing tribute bands took audience back to greatest period in rock music

One of the main reasons I am on Facebook is to get news about the artists and music I love. Last weekend, an announcement popped up in my newsfeed about a British Invasion tribute festival in Atlantic City. With cool-looking bands and free admission, it didn’t take long to convince me to go there. After all, what could possibly go better together than the sin of gambling and rock & roll? And so I hopped in my car and went there yesterday.

To say it right upfront, I had a great time, and so did the other folks who had come out to the deck at the Golden Nugget Hotel & Casino. Three tribute bands brought back the 60s and 70s: Glimmer Twins, Who’s Next and Britain’s Finest. Each did a great job looking and sounding like the rock & roll heroes they represented.

Glimmer Twins

Adopting the nickname of the songwriting partnership of Mick Jagger and Keith Richards, the Glimmer Twins hail from Philly, Pa. The band is led by Keith Call (vocals, harp) and Bernie Bollendorf (guitars, vocals), who bring to life Jagger and Richards in the ’70s. Call has Jagger’s facial expressions, moves and swagger down to the details, while Bollendorf beautifully captures Richards’ onstage persona, from the way he’s holding his guitars to the cigarettes in his mouth while playing. Even both of their voices sound similar to Jagger and Richards – amazing!

Glimmer Twins 2

Call and Bollendorf are backed up by a kick ass band, which according to their Facebook page consists of Michael Rubino (guitars), Chris Bollendorf (drums), Rob Ekstedt (bass), Rocco Notte (keyboards), Valorie Steel (backup vocals), Bobby Michaels (saxophone, flute, organ) and Bill Cancel (saxophone, flute, organ). In fact, it’s safe to assume they sound better than the their stoned rock & roll heroes during many of their ’70s shows!

Some of The Rolling Stones classics the band played included Start Me Up, Wild Horses, Doo Doo Doo Doo Doo (Heartbreaker), (I Can’t Get No) SatisfactionHappy, It’s Only Rock ‘N’ Roll (But I Like It) and what I thought was a highlight: Gimme Shelter, where the band’s African-American backing vocalist demonstrated her amazing pipes. Here’s a little demo.

Who’s Next

Unfortunately, I couldn’t find much public information on this tribute band to The Who. They have a Facebook group, which I’ve asked to join. What I can say for the time being is these four guys would make Roger Daltrey and Pete Townshend really proud. Who knows, perhaps they’re even aware of them!

Who's Next 2

Apparently named after The Who’s fifth legendary studio album from 1971, the band strives to look and sound like the real thing during the ’70s. The singer looks like he could be a younger brother of Daltrey – similar height, similar body build, similar stage persona; oh, and he has a pretty good voice, too! The guitarist, bassist and drummer also do an excellent job personifying Townshend, John Entwistle and Keith Moon, respectively.

Who’s Next’s set included classics, such as Can’t ExplainSubstitute, Pinball Wizard and appropriately various tunes from the 1971 album, such as Baba O’Riley, Bargain, Behind Blue Eyes and the epic Won’t Get Fooled Again. Here’s a nice promo clip I found from the band.

Britain’s Finest

I’ve seen various tribute bands to The Beatles over the decades, including some that were very good and others that were – well – not as great. The music of the Fab Four, especially the songs they played during their live period, may be relatively simple. But The Beatles were a fantastic live act, and it’s sure as heck not easy to replicate that experience. Britain’s Finest comes pretty darn close to it, both in terms of their looks and the way they’re playing the songs.

Britain's Finest 2

The members of the band are Ruben Amaya (John Lennon), Benjamin Chadwick (Paul McCartney), Robert F. Bielma (George Harrison) and Luis G. Renteria (Ringo Starr). According to their Facebook page, these guys are based in Los Angeles and founded the band in 2011. Based on their website, the band recreates both the live years and the later studio period of John, Paul, George and Ringo.

Yesterday’s set was focused on The Fab Four’s live period. It included classics, such as A Hard Day’s Night, Help, I Saw Her Standing There, Roll Over Beethoven and Twist and Shout. The guys also did something you could well imagine The Beatles might do, if they would still be around: Announcing a song from The White Album, they played Nirvana’s Smells Like Teen Spirit. Not only was it a hilarious joke, but they were really killing it! Here’s a clip that in addition to the music also nicely illustrates how these guys do a great job portraying The Beatles’ humor.

To anyone who enjoys listening to the British Invasion and the Stones, The Who and The Beatles in particular, I can highly recommend the above bands. I’ve said it before and I’ll say it again: It may only be rock & roll, but I sure as heck liked it!

Sources: Glimmer Twins Facebook page, Britain’s Finest Facebook page and website, Wikipedia, YouTube