When Live Performances Become the Ultimate Listening Experience

A list of great songs performed live

To me there is nothing that beats the experience of listening to music live. But there are only so many shows one can go to. Plus, at least in my case, some of my favorite artists are no longer around or bands have changed their line-ups to the point where they no longer have much to do with the act I initially came to like.

Fortunately, many music artists have recorded live albums. While a live record can never replace attending an actual show, if well produced, it can at least convey an idea of how it must have felt being there. Obviously, some live albums are better and more authentic than others. Following is a list of songs from some of my favorite live records.

Things We Said Today/The Beatles (The Beatles at the Hollywood Bowl, 1977/1964 & 1965)

Sunny Afternoon/The Kinks (Live at Kelvin Hall, 1967)

Jumpin’ Jack Flash/The Rolling Stones (Get Yer Ya-Ya’s Out!, 1970)

First I Look At the Purse/The J. Geils Band (“Live” Full House, 1972)

Rock And Roll All Nite/Kiss (Alive!, 1975)

Turn the Page/Bob Seger & The Silver Bullet Band (Live Bullet, 1976)

I Want You to Want Me/Cheap Trick (Cheap Trick At Budokan, 1978)

Rock You Like a Hurricane/Scorpions (World Wide Live, 1985)

Nutbush City Limits/Tina Turner (Tina Live In Europe, 1988)

Pride (In the Name of Love)/U2 (Rattle And Hum, 1988)

Sources: Wikipedia, YouTube

When Covers Are Just As Much Fun As Originals

A playlist of some of my favorite remakes

Lately, I’m somehow in the mood of compiling lists: first car songs, then train tunes and now remakes. Given how much I enjoy listening to great covers, it’s a surprise I didn’t do this list first!

In general, remakes I like fall into two categories: A version that changes the character of a song, essentially turning it into a new tune. Perhaps the best example I can think of is Joe Cocker’s version of The Beatles’ With a Little Help From My Friends. Or it simply can be a remake of a tune that stays true to its original – nothing wrong with that, especially if it’s a great song! One terrific example I came across recently is Roger McGuinn’s cover of If I Needed Someone, one of my favorite Beatles tunes. I know, again the Fab Four – I just can’t help it!

Obviously, it won’t come as a big surprise that both of the above tunes are on my list. Here is the entire compilation.

With a Little Help From My Friends/Joe Cocker

Not only credited to John Lennon and Paul McCartney by actually also written collaboratively by the two, With a Little Help From My Friends first appeared in May 1967 on Sgt. Pepper’s Lonely Hearts Club Band. It was one of only a handful of Beatles tunes featuring Ringo Starr on lead vocals. Cocker’s version came out two years later as the title song of his debut album. Here’s a clip of his legendary live performance at Woodstock.

Love Hurts/Nazareth

Written by American songwriter Boudleaux Bryant, Love Hurts was first recorded by The Everly Brothers in July 1960. In 1975, Scottish hard rock band Nazareth turned the tune into an epic power ballad, including it on their sixth studio album Hair of the Dog. It’s another great example of a remake that completely changed the character of the original tune.

Under the Boardwalk/John Mellencamp

Under the Boardwalk was first recorded by The Drifters and released as a single in June 1964. The song was created by songwriters Kenny Young and Arthur Resnick. Perhaps the best known cover of the tune is from The Rolling Stones, which was included on their second U.S. record 12 X 5 released in October 1964. While I like the Stones version, I think John Mellencamp did an even better remake for his 1999 studio album Rough Harvest.

Pinball Wizard/Elton John

Pinball Wizard is one of my all-time favorite tunes from The Who. Written by Pete Townsend, it was released as a single in March 1969 and also included on the Tommy album that appeared two months thereafter. The one thing I always felt about The Who’s version is that it ended somewhat prematurely. Enter Elton John and his dynamite, extended cover for the rock opera’s 1975 film adaption. Here’s a clip from the movie version with The Who – it doesn’t get much better! BTW, it also nicely illustrates how Sir Elton can rock and what a kick-ass piano man he is, no matter what glasses he wears, or boots for that matter! 🙂

Stand By Me/John Lennon

One of the most beautiful ballads of the 60s, Stand By Me was written by Ben E. King, together with the songwriter powerhouse of Jerry Leiber and Mike Stoller. The tune was first released by King as a single in 1961 and also later included on his 1962 studio album Don’t Play That Song. One of my favorite remakes is John Lennon’s version, which he included on his sixth studio album Rock ‘n’ Roll released in February 1975. Here’s a nice clip of Lennon’s performance of the tune on the BBC television show The Grey Whistle Test.

If I Needed Someone/Roger McGuinn

Written by George Harrison, If I Needed Someone was included on The Beatles’ sixth studio album Rubber Soul from 1965. Harrison played his Rickenbacker 360/12 to record the tune, which he had first used the previous year during the motion picture A Hard Day’s Night. That’s where Roger McGuinn for the first time heard the beautiful sound of the 12-string electric guitar. He decided to use it for his own music, which resulted in The Byrds’ signature jingle jangle sound. Given this inspiration, it’s perhaps not a big surprise that McGuinn ended up recording a cover of the tune. It was included on his 2004 studio record Limited Edition.

Proud Mary/Ike & Tina Turner

Proud Mary was written by the great John Fogerty and first released by Creedence Clearwater Revival in early 1969, both as a single and on their second studio album Bayou Country. Then in 1971, Ike & Tina Turner recorded an amazing remake. It appeared as a single and was included on the album Working Together. The cover, which became their biggest hit, is another great example of how a remake can become a completely new song.

Light My Fire/José Feliciano

Credited to all four members of The Doors – Jim Morrison, Robbie Krieger, John Densmore and Ray Manzarek – Light My Fire appeared on the band’s eponymous debut album from January 1967. It was also released as a single in April that year. I’ve always loved the organ part on that tune. And then there is of course the cover from José Feliciano, which as a guitarist I appreciate in particular. It appeared on 1968’s Feliciano!, his fourth studio record. Feliciano’s laid-back jazzy style to play the tune is exceptionally beautiful.

Runaway/Bonnie Raitt

Runaway is one of my favorite early 60s pop tunes. Written by Del Shannon and keyboarder Max Crook, it was first released as a single by Shannon in February 1961. The song was also included on his debut studio album Runaway with Del Shannon, which appeared in June that year. Bonnie Raitt, who I’ve admired for many years as an exceptional guitarist and songwriter, recorded a fantastic remake for her 1977 studio album Sweet Forgiveness.  I was fortunate enough to see this amazing lady last year. She is still on top of her game! Here’s a nice clip of a live performance I found, which apparently occurred at the time the record came out.

Hard to Handle/The Black Crowes

Hard to Handle is one of the many great tunes from Otis Redding, who co-wrote it with Al Bell and Allen Jones. It was released in June 1968, six months after Redding’s untimely death at age 26 in a plane crash. In 1990, The Black Crowes recorded a fantastic rock version of the song for their debut studio album Shake Your Money Maker, scoring their first no. 1 single on the Billboard Album Rock Tracks. It is perhaps the tune’s best known cover.

Sources: Wikipedia, The Beatles Bible, YouTube

British Invasion Rocks Atlantic City

Amazing tribute bands took audience back to greatest period in rock music

One of the main reasons I am on Facebook is to get news about the artists and music I love. Last weekend, an announcement popped up in my newsfeed about a British Invasion tribute festival in Atlantic City. With cool-looking bands and free admission, it didn’t take long to convince me to go there. After all, what could possibly go better together than the sin of gambling and rock & roll? And so I hopped in my car and went there yesterday.

To say it right upfront, I had a great time, and so did the other folks who had come out to the deck at the Golden Nugget Hotel & Casino. Three tribute bands brought back the 60s and 70s: Glimmer Twins, Who’s Next and Britain’s Finest. Each did a great job looking and sounding like the rock & roll heroes they represented.

Glimmer Twins

Adopting the nickname of the songwriting partnership of Mick Jagger and Keith Richards, the Glimmer Twins hail from Philly, Pa. The band is led by Keith Call (vocals, harp) and Bernie Bollendorf (guitars, vocals), who bring to life Jagger and Richards in the ’70s. Call has Jagger’s facial expressions, moves and swagger down to the details, while Bollendorf beautifully captures Richards’ onstage persona, from the way he’s holding his guitars to the cigarettes in his mouth while playing. Even both of their voices sound similar to Jagger and Richards – amazing!

Glimmer Twins 2

Call and Bollendorf are backed up by a kick ass band, which according to their Facebook page consists of Michael Rubino (guitars), Chris Bollendorf (drums), Rob Ekstedt (bass), Rocco Notte (keyboards), Valorie Steel (backup vocals), Bobby Michaels (saxophone, flute, organ) and Bill Cancel (saxophone, flute, organ). In fact, it’s safe to assume they sound better than the their stoned rock & roll heroes during many of their ’70s shows!

Some of The Rolling Stones classics the band played included Start Me Up, Wild Horses, Doo Doo Doo Doo Doo (Heartbreaker), (I Can’t Get No) SatisfactionHappy, It’s Only Rock ‘N’ Roll (But I Like It) and what I thought was a highlight: Gimme Shelter, where the band’s African-American backing vocalist demonstrated her amazing pipes. Here’s a little demo.

Who’s Next

Unfortunately, I couldn’t find much public information on this tribute band to The Who. They have a Facebook group, which I’ve asked to join. What I can say for the time being is these four guys would make Roger Daltrey and Pete Townshend really proud. Who knows, perhaps they’re even aware of them!

Who's Next 2

Apparently named after The Who’s fifth legendary studio album from 1971, the band strives to look and sound like the real thing during the ’70s. The singer looks like he could be a younger brother of Daltrey – similar height, similar body build, similar stage persona; oh, and he has a pretty good voice, too! The guitarist, bassist and drummer also do an excellent job personifying Townshend, John Entwistle and Keith Moon, respectively.

Who’s Next’s set included classics, such as Can’t ExplainSubstitute, Pinball Wizard and appropriately various tunes from the 1971 album, such as Baba O’Riley, Bargain, Behind Blue Eyes and the epic Won’t Get Fooled Again. Here’s a nice promo clip I found from the band.

Britain’s Finest

I’ve seen various tribute bands to The Beatles over the decades, including some that were very good and others that were – well – not as great. The music of the Fab Four, especially the songs they played during their live period, may be relatively simple. But The Beatles were a fantastic live act, and it’s sure as heck not easy to replicate that experience. Britain’s Finest comes pretty darn close to it, both in terms of their looks and the way they’re playing the songs.

Britain's Finest 2

The members of the band are Ruben Amaya (John Lennon), Benjamin Chadwick (Paul McCartney), Robert F. Bielma (George Harrison) and Luis G. Renteria (Ringo Starr). According to their Facebook page, these guys are based in Los Angeles and founded the band in 2011. Based on their website, the band recreates both the live years and the later studio period of John, Paul, George and Ringo.

Yesterday’s set was focused on The Fab Four’s live period. It included classics, such as A Hard Day’s Night, Help, I Saw Her Standing There, Roll Over Beethoven and Twist and Shout. The guys also did something you could well imagine The Beatles might do, if they would still be around: Announcing a song from The White Album, they played Nirvana’s Smells Like Teen Spirit. Not only was it a hilarious joke, but they were really killing it! Here’s a clip that in addition to the music also nicely illustrates how these guys do a great job portraying The Beatles’ humor.

To anyone who enjoys listening to the British Invasion and the Stones, The Who and The Beatles in particular, I can highly recommend the above bands. I’ve said it before and I’ll say it again: It may only be rock & roll, but I sure as heck liked it!

Sources: Glimmer Twins Facebook page, Britain’s Finest Facebook page and website, Wikipedia, YouTube

It’s Only Rock & Roll, But I Like It

It took me to the second-to-last day of Exhibitionism in New York City to catch this great installation about one of my favorite bands, The Rolling Stones.

Usually, I’m not a guy who waits until the last minute, but somehow this is what happened with Exhibitionism. I’m glad I finally got to visit this comprehensive, multimedia, interactive exhibition about The Rolling Stones at Industria in New York City’s West Village, just before it moves to Chicago.

Nine thematic galleries allow visitors to take a look at “The World’s Greatest Rock and Roll Band” from many different angles. I mostly agree with the organizers that Exhibitionism is not only for Stones fans, although they will mostly appreciate it.

Things start out with a collage of videos projected on a wall, showing concert and other footage of the Stones, with commentary from different members of the band. It gets you right in the mood for more.

The next gallery is an impressive recreation of a tiny apartment in London where the Stones lived together in their early days. The mess everywhere makes it quite obvious the guys were not much concerned about cleaning.

Exhibitionism 1

The focus of the third gallery is a replica of London’s Olympic Studios packed with music equipment- pretty awesome! The gallery also features some cool vintage guitars from Keith Richards and Brian Jones, concert posters, photos and other memorabilia.

Exhibitionism 2

The fourth gallery is the highlight of the installation, but I admit that as a hobby musician, I’m biased here. It revolves all around guitars, mostly from Ronnie Wood and Keith Richards. It also displays the 1963 Gibson acoustic guitar Mick Jagger used to write You Can’t Always Get What You Want. Right before you enter, you can also see Bill Wyman’s Framus semi-acoustic bass and a gorgeous Modulus fretless bass from Daryl Jones, who became a Stones touring member in 1993, following Wyman’s retirement.

Exhibitionism 8

Another cool feature of this gallery are interactive mixing desks in the middle of the room. They allow you to isolate or otherwise manipulate different recording tracks, such as Jagger’s voice, Richard’s and Wood’s guitars and Watts’ drums, for various Stones songs like Rocks Off, Start Me Up and Angie.

Another gallery revolves around art work, from the iconic lips-and-tongue logo, to tour advertisements to album covers. A screening cinema presents footage from various Rolling Stones concert movies, narrated by Martin Scorsese, who has frequently used the band’s music in his motion pictures. Scorsese also shot his own Stones concert movie, Shine a Light, which documents the band’s 2006 performances at New York City’s Beacon Theatre during the A Bigger Bang Tour.

Exhibitionism 12

One of the largest galleries toward the end of the exhibition presents an eclectic collection of Stones’ stage outfits over five decades. Exhibitionism also recreates a backstage area and culminates in a 3D concert experience of (I Can’t Get No) Satisfaction. While the 3D display is a neat effect, I wish the film would use a larger screen, so the Stones would be more life-size.

Today is Exhibitionism’s last day in New York City after three months. Next it will travel to Chicago, an appropriate host city, given the Stones’ long and strong connection with the Blues. The installation will debut there at Navy Pier on April 15 for a four-month engagement. Exhibitionism had its world premiere in April 2016 at London’s Saatchi Gallery.

Here is a nice clip of Jagger, Richards, Watts and Woods discussing the exhibition and their active input in shaping it.

Sources: Wikipedia, YouTube