Best of What’s New

A selection of newly released music that caught my attention

Happy Saturday and welcome to the first 2023 installment of Best of What’s New, a weekly feature looking at newly released music. For first-time visitors, my picks typically fall outside the current mainstream pop charts, where I tend to find much more music that speaks to me. All featured tunes in this post are on albums that appeared yesterday (January 6), except for the last track.

Brandon Ratcliff/Tale of Two Towns

Kicking off things is Brandon Ratcliff, a young singer-songwriter who combines country, pop and R&B. From his website: From the day he was born, and even before, he was on stages, on tour buses, and in writing rooms across America, watching his family sing the music they love as the celebrated Bluegrass band, The Cox Family. Born in Cotton Valley, LA (population 962), Brandon saw first-hand how universal the stories born in small towns are. The son of Suzanne Cox, one third of the family band, Brandon watched as his mother and her siblings won Grammy Awards telling those stories to the world…After deciding to leave Cotton Valley for Nashville, Brandon’s talents quickly attracted the music business machine in town. He was offered a publishing deal at the age of 20 but decided to turn it down to develop his sound...In 2018 Brandon was signed to Monument Records, and in 2019 burst onto the scene with his debut single, “Rules Of Breaking Up,” accumulating more than 50 million streams. This brings me to Tales of Two Towns, the title track of Ratcliff’s ambitious debut double album. He wrote the tune together with Josh Jenkins and Peter Good. I like it!

Allen Epley/Thousand Yard Stare

Allen Epley was born in Louisville, Ky. and grew up in a musical family. After playing in a college band, he co-founded Orchid in 1992, which soon became Shiner, a post-hardcore/alternative rock band. After four studio albums and their split, Epley formed indie rock band The Life and Times in 2002, who remain active to this day. Since 2012, Shiner have played reunion shows and in 2020 released another album. Apart from Epley’s continued engagements with both groups, he frequently collaborates with other bands. And he also managed to record his solo debut album Everything. Let’s check out the great-sounding Thousand Yard Stare.

Anti-Flag/Nvrevr

Anti-Flag are a punk rock band from Pittsburgh, Pa., who have been around since 1988. Their current line-up includes co-founding members Justin Sane (vocals, guitar) and Pat Thetic (drums), along with Chris Head (guitar) and Chris No. 2 (vocals, bass). Anti-Flag who are known for their extensive political activism, released their debut album Die For the Government in August 1996. Since then, 12 additional albums have come out including their latest Lies They Tell Our Children. According to AllMusic, Anti-Flag have gained a “reputation for recapturing the old-school ethics of punk: fast, loud, obnoxious, and anti-everything that ends with an “ism.”” Frankly, “fast” and “loud” don’t sound like particularly attractive musical attributes to me, but when combined with a good melody can still work. Here’s Nvrever featuring Stacey Dee, guitarist and vocalist of pop punk group Bad Cop/Bad Cop. Credited to all members of Anti-Flag, the rocker first appeared as a single last November.

Iggy Pop/Strung Out Johnny

Frankly, Iggy Pop wasn’t exactly on my radar screen, so I was surprised to see a new album by the now 75-year-old “Godfather of Punk.” That said, I know his name much better than his music. Pop, born James Newell Osterberg Jr., started his music career as a drummer in various high school bands in Ann Arbor, Mich. in the mid-’60s. In 1967, he formed the Psychedelic Stooges who became The Stooges the following year. After three albums and a short break-up in between, they split a second time in 1974. Three years later, Pop began a volatile yet ultimately successful solo career, which has yielded 19 studio albums to date. Between 2003 and 2019, Pop played with different versions of The Stooges who released two additional albums during that period. Pop’s new solo album, titled Every Loser, features guest appearances from Duff McKagan (ex Guns N’ Roses bassist), Chad Smith (Red Hot Chili Peppers drummer), Dave Navarro (Jane’s Addiction guitarist) and the late Taylor Hawkins (former Foo Fighters drummer), among others. Here’s Strung Out Johnny, co-written by Andrew Watt, Chad Smith, Pop and Josh Klinghoffer – cool rocker!

The Hold Steady/Sideways Skull

My final pick for this week is Sideways Skull, the great new single by New York indie rock band The Hold Steady. Formed in 2003, their current lineup includes co-founders Craig Finn (lead vocals, guitar), Tad Kubler (lead guitar, backing vocals) and Galen Polivka (bass), along with Steve Selvidge (rhythm guitar, backing vocals), Franz Nicolay (piano, keyboards, accordion, harmonica, backing vocals) and Bobby Drake (drums, percussion). Wikipedia notes the band is known for their “lyrically dense storytelling”, “classic rock influences” and “narrative-based songs [that] frequently address themes, such as drug addiction, religion and redemption, and often feature recurring characters within the city of Minneapolis.” Since their 2004 debut Almost Killed Me, The Hold Steady have released seven additional studio albums. Their new single, co-written by Finn, Nicolay and Kubler, is from their upcoming ninth studio album The Price of Progress, scheduled for March 31.

Last but not least, here’s a Spotify list of the above and a few additional tunes by the featured artists.

Sources: Wikipedia; Brandon Ratcliff website; Allen Epley website; AllMusic; YouTube; Spotify

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The Sunday Six

Celebrating music with six random tracks at a time

Is it really Sunday again? What happened to the bloody week? Okay, let’s try this again: Happy Sunday and I hope everybody had a great week and is enjoying an even better weekend! Nearly anything you can do gets better with great music, so I invite you to join me on another time travel trip. As usual, I’m taking you to six different stops. Are you in? Let’s go!

Duke Ellington & John Coltrane/In a Sentimental Mood

What do you get when combining jazz piano great Duke Ellington and saxophone dynamo John Coltrane? Well, Duke Ellington & John Coltrane, a collaboration album released in January 1963, and the first stop on our journey today. Jazz artists love to team up, and this record is one of many collaborative efforts Sir Duke undertook in the early 1960s, which also included artists, such as Count Basie, Louis Armstrong, Coleman Hawkins, Max Roach and Charles Mingus. Rather than a big band setting, it placed Ellington in a quartet, which in addition to Coltrane featured Jimmy Garrison or Aaron Bell (bass) and Elvin Jones or Sam Woodyard (drums). My specific pick is In a Sentimental Mood, which Ellington had composed more than 25 years earlier in 1935, with lyrics written by Manny Kurtz. I guess Ellington’s manager Irving Mills was in the mood for a percentage of the publishing and gave himself a writing credit!

The Jayhawks/Martin’s Song

Our next stop takes us to September 1992 and Hollywood Town Hall, the third studio album by The Jayhawks. Since “discovering” them in August 2020, I’ve come to dig this American alt. country and country rock band. Initially formed in Minneapolis in 1985, The Jayhawks originally featured Mark Olson (acoustic guitar, vocals), Gary Louris (electric guitar, vocals), Marc Perlman (bass) and Norm Rogers (drums). By the time Hollywood Town Hall was released, Rogers had been replaced by Ken Callahan. After four additional albums and more line-up changes, the group went on hiatus in 2004. They reemerged with a new formation in 2019, which still includes Louris and Pearlman. Going back to Hollywood Town Hall, here’s the album’s great closer Martin’s Song, penned by Olson and Louris.

Stephen Stills/Right Now

How ’bout some ’70s? Ask and you shall receive! My pick is Stephen Stills – yep the guy who co-founded Canadian-American rock band Buffalo Springfield with that Canadian fellow Neil Young in 1966, and two years later got together with David Crosby and Graham Nash to form Crosby, Stills & Nash. In 1969, they added Young, became Crosby, Stills, Nash & Young, played Woodstock and released the classic Déjà Vu in March 1970. Following CSNY’s success, Stills launched a solo career, just like the other three members of the group. In late 1971, he teamed up with Chris Hillman (formerly of The Byrds) to form the band Manassas. The group also included Al Perkins (steel guitar, guitar), Paul Harris (keyboards), Calvin “Fuzzy” Samuels (bass, backing vocals), Joe Lala (percussion, backing vocals) and Dallas Taylor (drums). Their eponymous debut from April 1972 was the first of two studio albums the group released, as Stephen Stills/Manassas – I assume for name recognition reasons. Plus, Stills wrote or co-wrote all except one of the tunes. Right Now is among the songs solely penned by him – love that tune!

Paul Simon/You Can Call Me Al

In August 1986, Paul Simon released what remains my favorite among his solo albums: Graceland. Evidently, many other folks liked it as well, making it Simon’s best-performing album, both in terms of chart success and sales. It also won Grammy Awards for Album of the Year (1987) and Record of the Year (1988) – confusing titles! While the first honors an album in its entirety, the second recognizes a specific track. Graceland features an eclectic mixture of musical styles, including pop, a cappella, zydeco, isicathamiya, rock and mbaqanga. The album involved recording sessions in Johannesburg, South Africa, featuring local musicians. Therefore, it was criticized by some for breaking the cultural boycott of South Africa because of its policy of apartheid. One can only imagine what kind of firestorm a comparable activity would likely unleash nowadays with so much polarization boosted by social media! If I would have to pick one track from the album, I’d go with You Can Call Me Al, an infectious tune that among others features a crazy bass run by South African bassist Bakithi Kumalo.

Little Steven/Soulfire

Let’s keep the groove going with guitarist, songwriter, actor and (unofficial) music professor, the one and only Steven Van Zandt, aka Little Steven or Miami Steve. Van Zandt gained initial prominence as guitarist in various Bruce Springsteen bands, such as Steel Mill, Bruce Springsteen Band, and, of course, the mighty E Street Band. In 1981, Van Zandt started fronting an on-and-off group known as Little Steven and the Disciples of Soul. The following year, while still being an official member of the E Street Band, he released his debut solo album Men Without Women, credited as Little Steven and the Disciples of Soul. In April 1984, just before the release of the Born in the U.S.A. album, Van Zant officially left and recorded a series of additional solo albums. After a brief stint in 1995, he permanently rejoined Springsteen’s backing band in 1999. He also got into acting, which most notably included his role as mafioso and strip club owner Silvio Dante in the American TV crime drama series The Sopranos. This finally brings us to Soulfire, his sixth solo album from May 2017. The great title track was co-written by Van Zandt and Anders Bruus, the former guitarist of Danish rock band The Breakers. Here’s a cool live version!

The Sonics/Cinderella

And once again, we’re reaching our final destination of yet another Sunday Six excursion. For this one, let’s go back to the ’60s with some raw garage rock by The Sonics – coz why not! Formed in Tacoma, Wa. in 1960, they have often been called “the first punk band” and were a significant influence for American punk groups like The Stooges, MC5 and The Flesh Eaters. Cinderella is a track from the band’s sophomore release Boom, which appeared in February 1996. The tune was written by Gerry Roslie, the group’s keyboarder at the time. The line-up on the album also included founding members Larry Parypa (lead guitar, vocals) and his brother Andy Parypa (bass, vocals), along with Rob Lind (saxophone) and Bob Bennett (drums). Based on Wikipedia, The Sonics still appear to be around, with Roslie, Lind and Larry Parypa among their current members.

Of course, this post wouldn’t be complete without a Spotify playlist of the above tracks. Hope there’s something for you!

Sources: Wikipedia; YouTube; Spotify

My Playlist: Meat Loaf

As widely reported by the media, Meat Loaf passed away last week at the age of 74. Instead of writing another obituary that really wouldn’t add anything to what already has been revealed, I decided to primarily focus this post on music and put together a playlist of his songs I dig. I was actually surprised how many I know. If you feel like reading a traditional obituary, here’s a pretty good one published in The New York Times.

Before we get to music, I’d like to provide a bit of background, so I guess there’s a similarity to an obituary. Meat Loaf was born Michael Lee Aday on September 27, 1947, in Dallas, Texas. He was the only child of Wilma Artie (née Hukel), a school teacher and member of a girls gospel quartet, and Orvis Wesley Aday, a former police officer who went into business selling a homemade cough remedy with his wife and a friend.

Meat Loaf Should Have Had Two Parts in The Rocky Horror Picture Show | Den  of Geek
Meat Loaf as Eddie in The Rocky Horror Picture Show

During his high school years, Aday appeared in various school stage productions. In the late ’60s, he relocated from Dallas to Los Angeles and formed his first band, Meat Loaf Soul, after a nickname his football coach had given him because of his weight. The band subsequently adopted different names and opened up for well-known acts like The Who, The Stooges and Grateful Dead.

Subsequently, Aday joined the L.A. production of the musical Hair. The resulting publicity led to a Motown-produced album that appeared in October 1971, Stoney and Meatloaf, a collaboration with blues and R&B singer Shaun “Stoney” Murphy. In late 1973, Aday was picked for the original L.A. Roxy cast of The Rocky Horror Picture Show. The musical was turned into a motion picture in 1975 and became a cult film.

How Meat Loaf Met Jim Steinman
Meat Loaf (left) and Jim Steinman

While Aday and his longtime collaborator Jim Steinman had started to work on what became Meat Loaf’s debut solo album Bat Out of Hell in 1972, it took until October 1977 for the record to appear. It was the first in a trilogy of Bat Out of Hell albums, and the first of 12 solo albums Meat Loaf recorded between 1977 and 2016. That shall suffice for the background. Let’s get to some songs. Apart from highlighting various tunes upfront, I’ve put together a Spotify playlist at the end of the post, which includes additional music.

Let’s kick it off with Hot Patootie – Bless My Soul, a great tune from the Rocky Horror Picture Show soundtrack performed by Meat Loaf. Like all other songs from the soundtrack, it was written by  English-New Zealand actor, writer, musician and television presenter Richard O’Brien. Meat Loaf also acted in the film as Eddie, who breaks out of a deep freeze riding a motorcycle, interrupts mad scientist Dr. Frank-N-Furter (Tim Curry), and gets the Transylvanians dancing and singing the tune. Eddie is then killed with a pickaxe by a jealous Dr. Frank after his creation Rocky had started to dance and enjoyed the performance of Eddie and the Transylvanians. You can watch a clip of Eddie’s appearance here. What a classic!

The Bat Out of Hell album, released in October 1977, includes various great songs. Since I only wanted to call out one here, I decided to go with the title track, a close to 10-minute over-the-top rock opera spectacle written by Steinman. Bat Out of Hell has sold over 43 million copies worldwide, making it one of the most successful records of all time.

In September 1981, Meat Loaf released his sophomore studio album Dead Ringer. I’ve always dug Dead Ringer for Love. Aday’s duett with Cher also appeared separately as a single released in the UK in November of the same year, where it reached no. 5 in the charts. Surprisingly, if I see this correctly, the tune did not appear as a single in the U.S. Predictably, Dead Ringer could not match the success of Bat Out of Hell.

Wolf at the Door is a tune from Meat Loaf’s third album Midnight at the Lost and Found. Notably, the record did not include any songs written by Steinman due to a dispute between Aday and his longtime collaborator. As such, it had more of a straight pop rock sound compared to the massive rock opera productions by Steinman. Wolf at the Door was penned by his wife Leslie Aday (born Leslie Edmonds) and bassist Steve Buslowe.

For Bat Out of Hell II: Back into Hell, Meat Loaf’s sixth studio album from September 1993, Steinman was back as producer. Predictably, the record marked a return to the heavy operatic sound of Bat Out of Hell. Here’s the epic Rock and Roll Dreams Come Through, which like all other tracks on the album was written by Steinman. Steinman had first included it on his own 1981 solo album Bad for Good, using uncredited Canadian rock vocalist Rory Dodd. While it’s not a bad version, it sounds somewhat timid compared to Meat Loaf’s melodramatic rendition. The single did pretty well in the charts, reaching no. 13 and no. 11 in the U.S. and UK, respectively, as well as no. 4 and no. 4 in Canada and New Zealand, though its performance paled that of I’d Do Anything for Love (But I Won’t Do That), which topped the charts in all of these countries. Yes, it’s an over-the-top rock & roll dream, but it’s a hell of a catchy tune!

Couldn’t Have Said It Better is the title track of Meat Loaf’s eighth studio album that appeared in September 2003. It was another record without any song written by Jim Steinman. While according to Wikipedia, Meat Loaf said it was his best album since Bat Out of Hell, once again, the record couldn’t match the enormous success of his solo debut – not really much of a shock to me. The record did best in the UK where it peaked at no. 4 and in Germany where it reached no. 8. In the U.S., it got to no. 85 on the Billboard 200.

The final tune I’d like to call out is from Bat Out of Hell III: The Monster Is Loose, the last in the trilogy, and Meat Loaf’s ninth studio album released in October 2006. While it was produced by Desmond Child, making it the only Bat album not produced by Jim Steinman, Steinman wrote half of the songs. This includes the power ballad It’s All Coming Back to Me Now, a duett Meat Loaf performed with Norwegian singer-songwriter Marion Raven. It was Meat Loaf’s last single to enjoy significant chart success, including in Norway where it hit no 1, as well as the UK and Germany, where it reached no. 6 and no. 7, respectively.

Following is a playlist featuring most of the above tracks and some additional tunes. Spotify did not have the Bat Out of Hell III and Couldn’t Have Said It Better albums. Peace on Earth from Meat Loaf’s 10th studio album Hang Cool Teddy Bear was only available as a live version.

Love him for many of his catchy songs, or hate him for his oftentimes theatric over-the-top productions, there can be no doubt Meat Loaf was a pretty unique artist who combined rock music and acting in his shows. And he was remarkably successful, even though health issues had sidelined him during the last five to seven years of his life.

Only his Bat Out of Hell trilogy has sold more than 65 million albums worldwide, mostly stemming from the first record. Combined sales of all of his albums exceed 100 million worldwide. The Bat Out of Hell album remained in the charts for more than nine years. After more than 40 years since its release, it still sells an estimated 200,000 copies annually.

Sources: Wikipedia; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to The Sunday Six! Can you believe the next installment will be the day after Christmas? It’s unreal to me! Though I’m not going to lie – I can’t wait for this dreadful year to be over! Let’s turn to a more cheerful topic and frankly a good distraction: Music! This time, the little journey features jazz fusion, new wave, soul, alternative rock, pop rock and garage rock, touching the ’60s, ’70s, ’80s and ’90s. Let’s go!

Klaus Doldinger/Tatort

German saxophonist Klaus Doldinger, who has been active since 1953, is best known for jazz fusion band Passport, which he formed in 1971 as Klaus Doldinger’s Passport. Prior to starting Passport, he composed one of the best-known musical themes in Germany for what has become the longest-running police drama TV series: Tatort (crime scene), which has been on the air for more than 50 years. I watched it many times while growing up in Germany. One of the things I always liked about the series was the theme music, one of the coolest I know. BTW, Doldinger turned 85 earlier this year and remains active with Passport. That’s truly remarkable! Doldinger also wrote or co-wrote various other TV and film scores, most notably for World War II drama Das Boot (the boat, actually a submarine) from 1981, as well as the 1984 fantasy picture The NeverEnding Story. The original recording of Tatort from 1970 featured drummer Udo Lindenberg, who subsequently launched a solo career and became one of Germany’s most successful artists singing in German.

Tears For Fears/Everybody Wants to Rule the World

Tears For Fears has to be one of the best band names. The new wave and synth-pop group were initially formed in 1981 in Bath, England by Roland Orzabal (guitar, keyboards, vocals) and Curt Smith (bass, keyboards, vocals). They had known each other as teenagers and played together in English new wave and mod revival group Graduate. Ian Stanley (keyboards, backing vocals) and Manny Elias (drums, percussion) completed the original line-up. That formation lasted until 1986 and spanned the group’s first two albums. By 1991, Orzbal was the only remaining member. Relying on collaborators, he kept the name Tears For Fears alive and released two albums. In 2000, he reunited with Smith. Everybody Loves a Happy Ending, the group’s sixth studio album, appeared in 2014. A new album is scheduled for February 2022, the first in nearly 18 years. Everybody Wants to Rule the World, co-written by Orzabal, Stanley and Hughes and released as a single in March 1985, became Tears For Fears’ biggest hit. It was off their sophomore release Songs from the Big Chair, their best-selling album to date. Yes, it sounds very ’80s, but it’s a hell of a catchy tune!

Billy Preston/Will It Go Round in Circles

To folks who have watched the Peter Jackson docu-series The Beatles: Get Back, Billy Preston will be a very familiar name. The then-23-year-old keyboard player was invited by The Beatles to join their recording sessions for Get Back, which eventually became the Let It Be album. Preston’s involvement not only boosted the band’s sound but also their spirit – he may well have saved the project! The entirely self-taught Preston had first met The Beatles in Hamburg in 1962, when he was part of Little Richard’s backing band. At the time, the 16-year-old already had been six years into his performing career, which had started in 1956 to back several gospel singers like Mahalia Jackson. In 1963, Preston released his debut album 16 Yr. Old Soul. Four years later, he joined Ray Charles’ band. After signing with Apple Records, Preston released his fourth studio album That’s the Way God Planned It, which was produced by George Harrison. The title track became a hit in the UK. In the ’70s, Preston remained a sought-after session musician and played on various Rolling Stones albums. He also continued to put out his own solo records. Sadly, Preston passed away in June 2006 at the age of 59. Will It Go Round in Circles, co-written by him and Bruce Fisher, is from his seventh album Music Is My Life that came out in October 1972. The funky soul tune became his first no. 1 as a solo artist in the U.S. on the Billboard Hot 100.

Radiohead/Paranoid Android

Recently, I discussed Radiohead with fellow blogger Music Enthusiast. I still mostly know the English alternative rock band by name, which has been around since 1985. Remarkably, the group’s original line-up still is in place to this day: Thom Yorke (vocals, guitar, piano, keyboards), Jonny Greenwood (guitar, keyboards, ondes Martenot, orchestral arrangements), Ed O’Brien (guitar, effects, backing vocals), Colin Greenwood (bass) and Philip Selway (drums, percussion). Paranoid Android, credited to all members of the group, was the lead single off their third studio album OK Computer from May 1997. Reaching no. 3 in the UK on the Official Singles Chart, the tune became the band’s highest-charting single to date. According to Wikipedia, the song has been compared to The Beatles’ Happiness Is a Warm Gun and Queen’s Bohemian Rhapsody – not sure that’s obvious to me, but it’s definitely a good tune!

Marmalade/Reflections of My Life

Next, let’s turn to one of my favorite songs from 1969: Reflections of My Life by Marmalade. The Scottish pop-rock band originally was formed in 1961 in Glasgow as The Gaylords. In 1966, they changed their name to The Marmalade, later shortened to Marmalade. The band enjoyed their greatest chart success between 1968 and 1972 when 10 of their tunes made the UK’s Official Singles Chart. One of the most successful tunes among them was Reflections of My Life, a no. 3 in the UK, and a no. 10 in the U.S. on the Billboard Hot 100. The song was co-written by lead guitarist Junior Campbell and vocalist Dean Ford, two of the group’s founding members. It appeared on their 1970 studio album Reflections of the Marmalade. A version of Marmalade continues to be active, though none of their members are co-founders. Reflections of My Life relies on a repetitive chord progression, but it’s beautifully done. I just love it!

The Sonics/Psycho

For this last tune let’s accelerate with some great ’60s garage rock: Psycho by The Sonics. The American group was formed in Tacoma, Wa. in 1960. The initial line-up featured Larry Parypa (lead guitar), his brother Jerry Parypa (saxophone), Stuart Turner (guitar) and Mitch Jaber (drums). Larry’s and Jerry’s parents loved music and supported the band. In fact, their mother even filled in occasionally on bass during rehearsals. In 1961, Tony Mabin joined as the band’s permanent bassist. By the time their debut album !!!Here Are The Sonics!!! came out, only the Parypa brothers were left as original members, with Larry having switched to bass. Gerry Roslie (lead vocals, organ, piano), Rob Lind (saxophone, harmonica, vocals) and Bob Bennett (drums) completed the line-up. Lind remains a member of the group’s current touring line-up. Psycho, written by Roslie, is from The Sonics’ first record. It’s a great, hard-charging, raw tune. They have often been called “the first punk band” and were a significant influence for American punk groups like The Stooges, MC5 and The Flesh Eaters. The White Stripes have named The Sonics as one of the bands that influenced them the most, “harder than the Kinks, and punk long before punk.”

Sources: Wikipedia; YouTube

Clips & Pix: Popa Chubby/It’s a Mighty Hard Road

Shout-out to my brother-in-law who brought Popa Chubby to my attention earlier today. Before then, I had never heard of the 60-year-old electric blues-focused guitarist and songwriter from the Bronx, New York, who was born Theodore Joseph “Ted” Horowitz.

Chubby has been playing music for more than 30 years. On his website he describes his style as “the Stooges meets Buddy Guy, Motörhead meets Muddy Waters, and Jimi Hendrix meets Robert Johnson.” These are many names to throw around, but based on YouTube clips I have seen it’s not just empty words.

The above tune is the title track of Chubby’s most recent album that came out in March this year in celebration of his 30th anniversary as a blues artist. It’s one of 13 original tracks on the record that also includes covers of Freddie King’s I’d Rather be Blind and Prince’s Kiss.

I’m pretty sure I’m going to further explore Chubby and write more about him. Until then I’ll leave you with this cool rendition of Jim Hendrix’s Hey Joe captured in 2011 on the German music TV program Rockpalast.

Sources: Wikipedia; Popa Chubby website; YouTube