Musings of the Past

Three Chords, Straight Beats And Catchy Hooks

Recently, I came across a post from September 2018 about British boogie rockers Status Quo and felt it deserved to be republished. So here we are and here we are and here we go, all board and we’re hittin’ the road, here we go, with a Spotify playlist added at the end.

Three Chords, Straight Beats And Catchy Hooks

Status Quo have stayed true to their trademark boogie rock for more than 45 years

The other day, I spotted a live album from Status Quo called Down Down & Dirty At Wacken, (a place in northern Germany of an annual open air heavy metal festival), which was released only a couple of weeks ago. While starting to listen, I was reminded what a fun live band they are and how they’ve pretty much stuck with the same formula since 1970 when they changed from psychedelic to boogie rock. This brilliant insight inspired the idea of a post and playlist!

The origins of Status Quo date back to 1962 when high school mates Frances Rossi (guitar), Alan Lancaster (bass), Jess Jaworski (keyboards) and Alan Key (drums) formed a band called The Scorpions in London (not related to and predating the German hard rock band Scorpions by three years). In 1965, Rossi met guitarist Rick Parfitt. They became friends and later that year started what would become a longtime collaboration until Parfitt’s untimely death in December 2016 at the age of 68. The following summer, the band, which had changed their name to The Spectres, got their first record deal, with Piccadilly Records, and released various commercially unsuccessful singles.

By 1967, the band had embraced psychedelic music, became Traffic, then Traffic Jam to avoid confusion with Steve Winwood’s Traffic, and eventually Status Quo in August that year. Parfitt had joined them as rhythm guitarist the previous month. January 1968 saw the release of Status Quo’s first hit single Pictures Of Matchstick Men. This was followed by their debut studio album Picturesque Matchstickable Messages From Status Quo in September – gee, what a memorable title!

Status Quo circa 1977 (from left): John Coghlan (drums), Rick Parfitt (rhythm guitar, vocals), Alan Lancaster (bass, vocals), and Francis Rossi (lead guitar, vocals)

After the release and commercial failure of Status Quo’s second album Spare Parts in September 1969, the band decided to change their musical style to straight boogie-oriented rock – a decision that is safe to assume they didn’t regret! Piledriver, their fifth studio record from December 1972, finally brought the breakthrough, peaking at no. 5 in the U.K. charts. Since then, Status Quo have released 27 additional studio albums. Their impressive catalog also includes 10 live records and nine compilations.

Given the band’s faithful adherence to the three-chord boogie rock formula, their music starts sounding repetitive after a little while. But so do Chuck Berry and The Beach Boys’ surf rock, to name two artists who spontaneously came to mind! Besides, if it’s fun, who cares! Okay, enough of the blah-blah-blah and time for some of that repetitive music!

While the band’s psychedelic phase was comparatively short, it’s still part of their long history, so I’d be amiss not to acknowledge it. My favorite tune I know from that phase is the above-mentioned Pictures Of Matchstick Men, which was written by Rossi. It climbed to no. 7 on the U.K. Singles Chart and reached the top 10 in many other European countries. In the U.S., it peaked at no. 12 on the Billboard Hot 100, the only Status Quo song that got noticed in America. In addition to its release as a single, it was also included on the band’s debut album.

Next Up: Paper Plane from the Piledriver album. The song was co-written by Rossi and Bob Young. Since 1969, Young had contributed to writing Status Quo’s music and was often called their unofficial fifth member. He frequently joined the band during live performances in the ’70s and also occasionally thereafter.

Another co-write by Rossi and Young is Caroline, which became a no. 5 hit in the U.K. in August 1973, Status Quo’s highest charting single at the time. The tune was also included on the band’s sixth studio album Hello!, which appeared in September that year.

In November 1974, Status Quo scored their first of two no. 1 singles in the U.K. with Down Down. Yet another Rossi/Young co-write, the song also appeared on the band’s eighth studio record On The Level from February 1975.

Perhaps my favorite Status Quo tune is Rockin’ All Over The World. As a boogie rock fan, how can you not love that tune, which was written and first recorded by the great John Fogerty in 1975! Status Quo released their cover as a single in September 1977. It also became the title track of their tenth studio album that came out in November of the same year. Since this tune is made for live performances, I chose the following clip captured during a 1990 concert in Knebworth, England.

Whatever You Want is another Status Quo classic. It was co-written by Parfitt and keyboarder Andy Bown, who has performed on all of the band’s albums since Rockin’ All Over The World and became a full member in 1982. One of the things I’ve always liked about this tune is the cool-sounding guitar intro.

Status Quo’s biggest hit in the ’80s was their cover of Bolland & Bolland’s In The Army Now from September 1986, which topped the charts in various European countries, including Austria, Germany, Ireland and Switzerland. In the U.K., the tune peaked at no. 2. Since I’m not particularly fond of it, I’m highlighting another cover instead: The Wanderer from October 1984. Written by Ernie Maresca, the tune was first recorded and released by Dion in November 1961. While I prefer the original, Quo’s cover isn’t bad either.

To make this playlist career-spanning, I also like to touch on Status Quo’s music beyond the ’80s. Since I’m basically not familiar with it, it’s a bit of a challenge. As such, the remaining selections for this playlist are somewhat arbitrary. Here’s Can’t Give You More from the band’s 20th studio album Rock ‘Til You Drop, which appeared in September 1991. Written by Bown, the tune is another typical Status Quo boogie rocker – if you like Quo’s ’70s music, you can’t go wrong with this one.

Jumping to the current century, in September 2002, Status Quo released Heavy Traffic, their 25th studio record, which peaked at no. 15 on the charts in the U.K. and earned them silver status there. Here’s Creepin’ Up On You, which was co-written by Parfitt and then-Quo bassist John ‘Rhino’ Edwards. It’s shuffling along nicely!

The final studio release I’d like to touch on is called Acoustic (Stripped Bare) from October 2014. It’s a compilation of stripped-down versions of previously recorded Status Quo songs. While there’s no new material here, I’m kind of intrigued by this album and will probably further explore it. The record became another success for Quo in the U.K., climbing to no. 5 on the charts and earning Gold certification there – not too shabby for a band that by then had been around for 52 years, if you include their 1962 origins; if you start counting from when they became Status Quo, it still adds up to a mighty 47 years! Here’s Again And Again, a tune credited to Parfitt, Bown and Jackie Lynton, and first recorded for the band’s 11th studio album If You Can’t Stand The Heat from October 1978. It’s got a nice Cajun feel to it!

So what’s going on with Status Quo these days? Well, it’s more three chords, straight beats and catchy boogie rock – in other words the status quo – that was clever, huh? Rossi remains the only founding member. Bown (keyboards) and Edwards (bass) are still around as well. The current lineup, pictured on top of the post, is rounded out by Leon Cave (drums) and Richie Malone (rhythm guitar), who replaced Parfitt in July 2016, after he had suffered a stroke and could no longer perform.

I already mentioned the new live album. In addition, a look on setlist.fm revealed the band has been pretty busy touring Europe since May. The current tour schedule on their website shows upcoming gigs in Lisbon, Portugal (Sep 29); Innsbruck, Austria (Oct 4); Kempten, Germany (Oct 5); and Zurich, Switzerland (Oct 6).

– END-

The original post, which was published on September 7, 2018, ended here. In September 2919, Status Quo released their 33rd studio album Backbone. Remarkably, it debuted at no. 6 on the UK albums chart. Not only was it their highest-charting album of original material since 1+9+8+2 (1982), but it also marked their 25th album in the UK that charted in the top 10. Between February and December 2022, Quo toured Europe. According to Wikipedia, over some 48 years of touring activity, they have played at least 3,700 documented gigs. Including undocumented gigs, the band estimates the real total is over 6,000 shows. Any of the two figures is pretty impressive!

Last but not least, here’s the previously mentioned Spotify list featuring the above and some additional tunes.

Sources: Wikipedia; YouTube; Spotify

The Wanderer Stays On Blues Path

Dion continues to have fun on new blues collaboration album Stomping Ground

The first time I heard of Dion DiMucci dates back at least 40 years when listening to The Wanderer on a Sunday evening oldies show that aired on my favorite FM radio station back in Germany. While I immediately loved that tune then and every time I heard it thereafter, I pretty much had forgotten about Dion – until last year’s Blues With Friends, a great album of collaborations with prominent other artists. Now he’s back with an encore, and though I’m not as surprised as I wrote in June 2020, Stomping Ground still is a fun album most blues fans will likely enjoy.

As reported by Rock & Blues Muse, Stomping Ground appeared on November 19 and was produced by Wayne Wood and Dion, and recorded during the pandemic. Wood had also worked with Dion on Blues With Friends. And just like on that album, Dion wrote or co-wrote most of the songs on Stomping Ground with Mike Aquilina. Blues With Friends ended up topping Billboard’s Top Blues Albums chart. And guess who the current no. 1 is, so who can blame Dion for sticking with the formula – what a remarkable late-stage career triumph!

Let’s get to some music. Unless noted otherwise, all featured tracks were co-written by Dion and Aquilina. Here’s the opener Take It Back featuring blues rock guitarist Joe Bonamassa who also is a co-founder of Keeping the Blues Alive Records (KTBA), the label on which the album appears. At 82 years, Dion sounds and looks great! Bonamassa’s guitar work is pretty neat as well.

If You Wanna Rock ‘n’ Roll, written solely by Dion, features Eric Clapton. Love how that tune shuffles along!

Here’s a nice slower blues, There Was a Time. Dion’s guest artist on that tune is Peter Frampton. Sadly, more recent news on Frampton hasn’t been great. In 2019, he announced a farewell tour and revealed he had been diagnosed with a progressive muscle inflammation and wasting disorder called inclusion body myositis. As such, it’s particularly great to hear the disease evidently hasn’t started to noticeably impact his ability to play guitar.

Here’s the title track, a fun rocker featuring Billy Gibbons. ZZ Top’s long-bearded guitarist sounds in fine shape. Sadly, the Texas blues rock trio lost co-founding member and bassist Dusty Hill in late July. As anticipated, they will continue with Hill’s guitar tech Elwood Francis who filled for Hill after he had been side-lined during ZZ Top’s last tour.

The last track I’d like to call out is Angel in the Alleyways. For this tune, Dion teamed up with Patti Scialfa and her husband Bruce Springsteen, an intriguing pairing. Check out the song’s great sound. I love Scialfa’s harmony singing that at times resembles gospel, and how about Springsteen’s cool harmonica fill-ins? Here’s the official video.

I could not think of a better way to end this post than with Dion’s following comments about Stomping Ground, taken from the album’s notes, courtesy of YouTube: When I was young, I was always striving for accolades and admiration. Those were my goals. But when I reached them, they didn’t satisfy. I discovered joy when I learned to stop caring about all that – when I learned to relax and make music with friends… music that would make more friends for us through its joy. To make music with friends, and to make friends through music: I can’t imagine a better life than this. I am grateful to my friends who made Stomping Ground with me – and my new friends who are listening.

Sources: Wikipedia; Rock & Blues Muse; YouTube

Dion Releases Incredible Blues Album

Blues With Friends features Jeff Beck, Billy Gibbons, John Hammond, Samantha Fish and other impressive guests

Dion DiMucci hasn’t exactly been on my radar screen. While I knew and have always liked his early ’60s hits like Runaround Sue and The Wanderer and was aware that he is revered among many artists, I simply didn’t follow him. I also had no idea that Dion had turned to the blues in more recent years – until Friday when I coincidentally came across his new album Blues With Friends, a true gem I could see win blues awards.

Released on June 5, the record features guests like Jeff Beck, Paul Simon, Bruce Springsteen, Van Morrison, Billy Gibbons, Brian Setzer, Sonny Landreth and Samantha Fish. And the list goes on and on. If you’re cynical, you might say, ‘sure, we’ve seen this before, an aging rocker is getting some help from big name friends.’ But once you start listening to the album, this feels different.

To start with, Dion who is turning 81 years in just a little over a month on July 18, still has a compelling voice. He is not outshined by his formidable guests. It’s also noteworthy this record isn’t a collection of blues covers. These are 14 original songs, of which Dion co-wrote 13 tunes, mostly with Mike Aquilina.

And then there’s this excerpt from the liner notes: Dion knows how to sing, and he knows just the right way to craft these songs, these blues songs. He’s got some friends here to help him out, some true luminaries. But in the end, it’s Dion by himself alone, and that masterful voice of his that will keep you returning to share these Blues songs with him. The author? Bob Dylan. I guess it’s time for some music!

Blues Comin’ On is the excellent opener featuring some sizzling slide guitar action by Joe Bonamassa. All of the tracks I’m highlighting in this post were co-written by Dion and Aquilina. This one has a Gary Moore feel!

Let’s move on to some rockabilly: Uptown Number 7. And who better to have as a guest guitarist on this one than Brian Setzer! “I wanted to write an old-fashioned gospel number in the style of the Golden Gate Quartet,” explains Dion in a press release. “I wanted this one to be about moving forward in the spiritual life… having a goal…facing temptations along the way. So, I put it all on a train, because that’s what New Yorkers do if they want to get anywhere: they take the train.”

One of the sonic highlights on the album, perhaps not surprisingly, is when Jeff Beck does his guitar magic: Can’t Start Over Again. “My earliest influences were country blues, especially Hank Williams,” explains Dion. “Any money I earned I took to the neighborhood record store, where the owner used to razz me about my “hillbilly” tastes. I guess I still have that hillbilly inside. For my last album I wrote a song called ‘I Can’t Go Back to Memphis,’ but I go back there with this number. It’s about love and loss and heartache, the classic themes. I believe it’s a true blues song.”

Next up: My Baby Loves to Boogie, featuring John Hammond on harmonica. “John Hammond and I go back to the ’60s at the Gaslight coffee house in Greenwich Village,” Dion points out. “I’ve always admired John. He’s a dear friend. I played him this song and he said he heard harp on it. Well, friends, now you could hear exactly what he was talking’ about. It sounds like ‘Boogie Beyond.'”

A particular moving and beautiful tune is Song For Sam Cooke (Here in America). “I wrote this tune back many years ago,” Dion recalls. “At first I just had the melody and the refrain ‘Here in America.’ A friend suggested I use an episode from my memoir about walking southern streets with Sam Cooke in 1962. I finished the song, but it felt too personal, so I put it aside. Then in 2019 I saw the movie Green Book and after that I couldn’t shake the song.” Sadly, the lyrics remain relevant in present-day America. Paul Simon proves to be a great guest to help bring the song to life. Here’s the official video for the tune.

I’d like to close with What If I Told You, a great tune featuring hot guitar work by Samantha Fish. “Same old story: suspicion,” comments Dion. “The challenge is to make it new and fresh and I think I did. If I put out the same amount of energy and emotion that Samantha Fish put into this song, I wouldn’t be able to walk for three weeks. EPIC!!!”

“I wanted an album of songs that were strong and memorable and told stories that were worth telling,” says Dion. “The blues have been at the heart of my music since the early 1960s. ‘The Wanderer’ is a twelve-bar blues and I was covering Willie Dixon and Jimmy Reed in my early years at Columbia – much to the dismay of my corporate masters.”

Blues With Friends was produced by Wayne Hood and appears on Keeping The Blues Alive Records, a new label started by Joe Bonamassa and his manager Roy Weisman. It’s an offshoot of Keeping The Blues Alive Foundation, Bonamassa’s non-profit that aims to conserve the art of music and the rich culture and history of the blues.

Sources: Wikipedia; Dion DiMucci website; YouTube

Three Chords, Straight Beats And Catchy Hooks

Status Quo have stayed true to their trademark boogie rock for more than 45 years

The other day, I spotted a live album from Status Quo called Down Down & Dirty At Wacken, (a place in northern Germany of an annual open air heavy metal festival), which was released only a couple of weeks ago. While starting to listen, I was reminded what a fun live band they are and how they’ve pretty much stuck with the same formula since 1970 when they changed from psychedelic to boogie rock. This brilliant insight inspired the idea of a post and playlist!🤓

The origins of Status Quo date back to 1962 when high school mates Frances Rossi (guitar), Alan Lancaster (bass), Jess Jaworski (keyboards) and Alan Key (drums) formed a band called The Scorpions in London (not related to and predating the German hard rock band Scorpions by three years). In 1965, Rossi met guitarist Rick Parfitt. They became friends and later that year started what would become a longtime collaboration until Parfitt’s untimely death in December 2016 at the age of 68. The following summer, the band, which had changed their name to The Spectres, got their first record deal, with Piccadilly Records, and released various commercially unsuccessful singles.

By 1967, the band had embraced psychedelic music, became Traffic, then Traffic Jam to avoid confusion with Steve Winwood’s Traffic, and eventually Status Quo in August that year. Parfitt had joined them as rhythm guitarist the previous month. January 1968 saw the release of Status Quo’s first hit single Pictures Of Matchstick Men. This was followed by their debut studio album Picturesque Matchstickable Messages From Status Quo in September – gee, what a memorable title!

Status Quo
Status Quo circa 1977 (from left): John Coghlan (drums), Rick Parfitt (rhythm guitar, vocals), Alan Lancaster (bass, vocals), and Francis Rossi (lead guitar, vocals)

After the release and commercial failure of Status Quo’s second album Spare Parts in September 1969, the band decided to change their musical style to straight boogie-oriented rock – a decision that is safe to assume they didn’t regret! Piledriver, their fifth studio record from December 1972, finally brought the breakthrough, peaking at no. 5 in the U.K. charts. Since then, Status Quo have released 27 additional studio albums. Their impressive catalog also includes 10 live records and nine compilations.

Given the band’s faithful adherence to the three-chord boogie rock formula, their music starts sounding repetitive after a little while. But so do Chuck Berry and The Beach Boys’ surf rock, to name two artists who spontaneously came to mind! Besides, if it’s fun, who cares! Okay, enough of the blah-blah-blah and time for some of that repetitive music!😆

While the band’s psychedelic phase was comparatively short, it’s still part of their long history, so I’d be amiss not to acknowledge it. My favorite tune I know from that phase is the above mentioned Pictures Of Matchstick Men, which was written by Rossi. It climbed to no. 7 on the U.K. Singles Chart and reached the top 10 in many other European countries. In the U.S., it peaked at no. 12 on the Billboard Hot 100, the only Status Quo song that got noticed in America. In addition to its release as a single, it was also included on the band’s debut album.

Next Up: Paper Plane from the Piledriver album. The song was co-written by Rossi and Bob Young. Since 1969, Young had contributed to writing Status Quo’s music and was often called their unofficial fifth member. He frequently joined the band during live performances in the ’70s and also occasionally thereafter.

Another co-write by Rossi and Young is Caroline, which became a no. 5 hit in the U.K. in August 1973, Status Quo’s highest charting single at the time. The tune was also included on the band’s sixth studio album Hello!, which appeared in September that year.

In November 1974, Status Quo scored their first of two no. 1 singles in the U.K. with Down Down. Yet another Rossi/Young co-write, the song also appeared on the band’s eighth studio record On The Level from February 1975.

Perhaps my favorite Status Quo tune is Rockin’ All Over The World. As a boogie rock fan, how can you not love that tune, which was written and first recorded by the great John Fogerty in 1975! Status Quo released their cover as a single in September 1977. It also became the title track of their tenth studio album that came out in November the same year. Since this tune is made for live performances, I chose the following clip captured during a 1990 concert in Knebworth, England.

Whatever You Want is another Status Quo classic. It was co-written by Parfitt and keyboarder Andy Bown, who has performed on all of the band’s albums since Rockin’ All Over The World and became a full member in 1982. One of the things I’ve always liked about this tune is the cool-sounding guitar intro.

Status Quo’s biggest hit in the ’80s was their cover of Bolland & Bolland’s In The Army Now from September 1986, which topped the charts in various European countries, including Austria, Germany, Ireland and Switzerland. In the U.K., the tune peaked at no. 2. Since I’m not particularly fond of it, I’m highlighting another cover instead: The Wanderer from October 1984. Written by Ernie Maresca, the tune was first recorded and released by Dion in November 1961. While I prefer the original, Quo’s cover isn’t bad either.

To make this playlist career-spanning, I also like to touch on Status Quo’s music beyond the ’80s. Since I’m basically not familiar with it, it’s a bit of a challenge. As such, the remaining selections for this playlist are somewhat arbitrary. Here’s Can’t Give You More from the band’s 20th studio album Rock ‘Til You Drop, which appeared in September 1991. Written by Bown, the tune is another typical Status Quo boogie rocker – if you like Quo’s ’70s music, you can’t go wrong with this one.

Jumping to the current century, in September 2002, Status Quo released Heavy Traffic, their 25th studio record, which peaked at no. 15 on the charts in the U.K. and earned them silver status there. Here’s Creepin’ Up On You, which was co-written by Parfitt and then-Quo bassist John ‘Rhino’ Edwards. It’s shuffling along nicely!

The final studio release I’d like to touch on is called Acoustic (Stripped Bare) from October 2014. It’s a compilation of stripped down versions of previously recorded Status Quo songs. While there’s no new material here, I’m kind of intrigued by this album and will probably further explore it. The record became another success for Quo in the U.K., climbing to no. 5 on the charts and earning Gold certification there – not to shabby for a band that by then had been around for 52 years, if you include their 1962 origins; if you start counting from when they became Status Quo, it still adds up to a mighty 47 years! Here’s Again And Again, a tune credited to Parfitt, Bown and Jackie Lynton, and first recorded for the band’s 11th studio album If You Can’t Stand The Heat from October 1978. It’s got a nice Cajun feel to it!

So what’s going on with Status Quo these days? Well, it’s more three chords, straight beats and catchy boogie rock – in other words the status quo – that was clever, huh?🤓 Rossi remains the only founding member. Bown (keyboards) and Edwards (bass) are still around as well. The current lineup, pictured on top of the post, is rounded out by Leon Cave (drums) and Richie Malone (rhythm guitar), who replaced Parfitt in July 2016, after he had suffered a stroke and could no longer perform.

I already mentioned the new live album. In addition, a look on setlist.fm revealed the band has been pretty busy touring Europe since May. The current tour schedule on their website shows upcoming gigs in Lisbon, Portugal (Sep 29); Innsbruck, Austria (Oct 4); Kempten, Germany (Oct 5); and Zurich, Switzerland (Oct 6).

Sources: Wikipedia, Status Quo official website, setlist.fm, YouTube