The Sunday Six

Celebrating music with six random songs at a time

Hope everybody is enjoying their weekend. It’s another Sunday, which means it’s time again for what has become my favorite recurring feature of the blog. The Sunday Six is where I feel I can stretch out, featuring all types of music from different decades. This new installment illustrates my point. It includes genres like instrumental pop, jazz pop, roots rock, country rock and blues rock, and touches on the ’60s, ’70s, ’80s, ’90s and 2010s. Are you ready to embark on a little music journey?

Santana/Europa (Earth’s Cry Heaven’s Smile)

Let’s get in the mood with a beautiful instrumental by Carlos Santana. He may not be the most sophisticated guitarist from a strictly technical standpoint, but his tone is just unbelievable. I know of no other guitarist who sounds like Santana, and that’s what ultimately matters, not whether you’re a fretboard acrobat. While I generally most love his classic period that spans his first three albums, the tune I picked for this post, Europa (Earth’s Cry Heaven’s Smile), is from Moonflower released in October 1977. The double album features both studio and live tracks. She’s Not There, a nice cover of a song originally recorded by The Zombies in the mid-’60s, became a top 30 hit single for Santana. Europa, co-written by Carlos Santana and Tom Coster, first appeared on the March 1976 studio record Amigos. I’m more familiar with Moonflower, so I’m going with the live version here. Listen to this majestic guitar sound – so good!

Gino Vannelli/Brother to Brother

I don’t recall seeing any posts by my fellow bloggers about Gino Vannelli. While the Canadian singer-songwriter has been around as a recording artist since 1973, I suspect he may not necessarily be a household name. That being said, I assume most folks have heard some of his hits, such as the ballads I Just Wanna Stop (1978) and Living Inside Myself (1981), as well as the pop rock tunes Black Cars (1984) and Wild Horses (1987). Vannelli remains active to this day and has released 17 studio records, three live albums and one greatest hits compilation, according to Wikipedia. Brother to Brother is the amazing title track of his sixth studio album that came out in September 1978. While I Just Wanna Stop became the big hit off that album, the jazz-oriented Brother to Brother is far better. Written by Vannelli, the tune reaches the sophistication of Steely Dan’s Aja album, in my humble opinion. If you haven’t listened to this track before and like the Dan, check it out. You might be surprised!

Bonnie Raitt/Love Letter

Those who are familiar with my music taste may wonder what took me so long to feature Bonnie Raitt, one of favorite artists, in The Sunday Six. I don’t really have a good answer other than ‘better late than never!’ My long-time music buddy from Germany introduced me to Raitt in the late ’80s. I guess it must have been her 10th studio album Nick of Time, which to me remains a true gem to this day. While Raitt mostly relies on other songwriters, I love her renditions and her cool slide guitar playing. She also strikes me as no B.S., which is certainly not a very common quality in the oftentimes ego-driven music business. Nick of Time is perhaps best known for the single Thing Called Love, though according to Wikipedia, its chart success was moderate. The John Hiatt tune reached no. 86 on the UK Singles Chart and missed the mainstream chart in the U.S. altogether – though it did climb to no. 11 on Billboard’s Mainstream Rock chart. My pick from the album is Love Letter, written by another Bonnie, American singer-songwriter Bonnie Hayes. I simply love everything about this tune – the groove, the singing and Raitt’s sweet slide guitar sound.

John Mellencamp/Under the Boardwalk

John Mellencamp is another artist I’ve listened to for many years. If I recall it correctly, it was his eighth studio album Scarecrow released in August 1985 with tunes like Small Town and R.O.C.K. in the U.S.A. that started my long and ongoing journey exploring the music by the heartland and roots rocker from Seymour, Ind. Sure, I could have selected a track from that album. Or from the excellent successor The Lonesome Jubilee from August 1987, which remains among my all-time favorite Mellencamp records. Instead, I decided to highlight an album that isn’t as well known but still great, in my view: Rough Harvest. Released in August 1999 (that month appears to be a favorite for his records!), the album features a collection of alternate, roots-oriented versions of Mellencamp originals and covers. Under the Boardwalk, of course, falls into the latter category. The first version of the song I ever heard was the great rendition by The Rolling Stones. Co-written by Kenny Young and Arthur Resnick, it was first recorded by The Drifters in 1964 and became a no. 4 U.S. hit for the American doo-wop, R&B and soul vocal group. I think Mellencamp’s rootsy version takes the tune to a new level – just love it!

Cordovas/This Town’s a Drag

If you’ve followed my blog for some time, the name Cordovas may sound familiar; or perhaps you’ve heard otherwise of this Americana and country rock band from East Nashville, Tenn. They first entered my radar screen in the summer of 2018 when I caught them during a free concert in a park not far from my house. The group’s multi-part harmony singing proved to be an immediate attraction. So was their sound that reminds me of bands like Crosby, Stills, Nash & YoungThe BandGrateful DeadEagles and Little Feat. Led by bassist Joe Firstman, Cordovas have been around for more than 10 years. This Town’s a Drag is the opener of That Santa Fe Channel, the band’s third studio album from August 2018, which I previously reviewed here. Check out that beautiful warm sound!

Jimi Hendrix/Voodoo Child (Slight Return)

I guess the time has come again to wrap up another Sunday Six installment. Let’s make it count with a smoking rocker by Jimi Hendrix who I trust needs no introduction. Voodoo Child (Slight Return) is the fiery closer of Electric Ladyland, the third and final album by the Jimi Hendrix Experience, released in October 1968. Like most other tracks on this double album, the tune was written by Hendrix. The clip is taken from Live in Maui, one of the many post-mortem releases from the Hendrix archives. It captures an outdoor performance by the Jimi Hendrix Experience on July 30, 1970 on the Hawaiian island, only six weeks prior to Jimi’s untimely death on September 18 that year. Unlike Electric Ladyland, the band’s line-up during the gig featured Billy Cox on bass instead of Noel Redding. Mitch Mitchell was on drums, just like on the studio album. The 2-CD and 3-LP set came out on November 20, 2020, along with a video documentary titled Music, Money, Madness … Jimi Hendrix in Maui. It has received mixed reviews due to less than ideal recording conditions. I still think it’s cool to actually watch Hendrix in action rather than just listening to his blistering performance.

Sources: Wikipedia; YouTube

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Cordovas Release New Album That Santa Fe Channel

Harmony vocals and warm guitar-driven sound feel like trip back to late ’60s and early ’70s

Until a few weeks ago, I hadn’t heard of Cordovas. Then I saw the Americana rock band from East Nashville, Tenn. in a free summer concert in the park in Woodbridge, N.J. and immediately liked what I heard. Frankly, I’m still a bit in disbelief they played there in the first place but, hey, that’s how they got on my radar screen, so I’m not complaining! Today, they released what I understand is their second studio album, That Santa Fe Channel, and it’s a real beauty.

Listening to Cordovas feels a bit like taking a journey back in time to the late ’60s and early ’70s, a period in music I love. Sometimes, my dear wife tells me I grew up during the wrong decade – she may be right about it!:-) Anyway, Cordovas’ beautiful triple-stacked harmony vocals and guitar-driven sound remind me of bands like Crosby, Stills, Nash & Young, The Band, Grateful Dead, Eagles and Little Feat.

Billboard called Cordovas’ music a blend of Southern and California Americana. Rolling Stone, in a June 2017 feature titled 10 New Country Artists You Need To Know, described their sound as “decidedly American” and “caught halfway between Duane Allman’s Telecaster twang, the Dead’s hazy harmonies and the stoned swoon of California’s folk-rock heyday.”

I could never come up with such clever attributes, which is why I probably wouldn’t get far as a music journalist. But while I may be challenged to find the right buzz words, given my former band days as a bassist (admittedly many moons ago!) and close to four decades of listening experience, I feel confident enough to say that This Santa Fe Channel is great music, since I know it when I hear it! Of course, ultimately, it comes down to individual taste.

Cordovas
Cordovas (left to right): (left to right) Toby Weaver, Graham Spillman, Lucca Soria, Sevans Henderson and Joe Firstman

Led by bassist Joe Firstman, Cordovas have been around for some time. According to Billboard, the first album released under their name appeared in 2011 and essentially was a solo effort by Firstman. Firstman has a long history predating the band, which includes a 2002 solo debut album, War Of Women, and a stint as music director on Last Call with Carson Daly. “For this one [the new album] we had the idea to make it a band and go forward to do it,” he told Billboard. “I saw the weaknesses in that first (solo) process and I recognized that I felt like I was much stronger in the band, with guys that I really trust and are like-minded individuals. I wanted to build something that would last.”

The band’s current line-up, which also includes Toby Weaver (guitar, vocals), Lucca Soria (guitar, vocals), Sevans Henderson (keyboards) and Graham Spillman (drums), has been together for five years. Cordovas are exceptionally tight-knit. Not only are they band mates who tour prolifically, but they also live together in the same compound in East Nashville. “The Cordovas are a 24-hour, 7-days-a-week job,” explains Firstman on the band’s Facebook page. “We’re eating dinner together, hanging out together, and making art. We don’t have rehearsal times, because rehearsal is always. You have to honor the art first, and everything else comes second.” I think it’s fair to say these conditions wouldn’t work for most bands, so kudos to Cordovas for their extraordinary commitment. Time to let some music do the talking, or perhaps I should better say the writing!

Here’s the album’s opener This Town’s A Drag. This tune nicely sets the tone for the record: Great harmony singing and a warm sound blending electric and pedal steel guitar.

Selfish Loner is the longest track on the album, clocking in at just over four and a half minutes. Most tunes are only around three minutes or less. In fact, the nine songs on the album only total about 29 minutes altogether.

Here’s Frozen Rose, one of two tunes Cordovas had released as a single ahead of the album.

The last tune I’d like to highlight is Standin’ On The Porch, which in addition to country rock throws in some blues. I also dig the tune’s groove.

That Santa Fe Channel was produced by Kenneth Pattengale, a singer and guitarist in American indie folk duo The Milk Carton Kids. The album appears on ATO Records, an independent New York-based label founded in 2000 by Dave Matthews and manager Coran Capshaw. Among others, their roster includes Alabama Shakes.

Cordovas are currently where they appear to be most of the time – on the road. Their present U.S. schedule posted on their website goes until early October. Upcoming gigs include Chicago (Aug 16), Washington, D.C. (Aug 23), Fort Worth (Aug 30) and Cleveland (Sep 5). Earlier this year, the band toured in Europe.

Sources: Billboard, Rolling Stone, Cordovas Facebook page and website, ATO Records website, YouTube

Cordovas, Seductive Americana Rock From Nashville

Last year, Rolling Stone included them as one of “10 new country artists you need to know.” Now, Cordovas are about to release their studio debut on ATO Records

It’s simply amazing what kind of bands you sometimes encounter when going to free summer-concert-in-the-park events, at least in my neck of the woods. Until yesterday, I had never heard of Americana/country rock band Cordovas. Since it was a beautiful summer evening and – big shocker – I enjoy seeing live music, I decided to go to Parker Press Park in Woodbridge, N.J. I’m glad I did!

While this central Jersey town may not exactly be a metropolis, they surely have an impressive summer concert series. Between late June and mid-September, there are frequent concerts each day of the week except for Saturdays. Most days even have a dedicated theme: Mondays are oldies, on Tuesdays they have tribute bands, and on Fridays it’s jazz. As the “king of tribute bands,” my eyes lightened up when I saw their Tuesday theme, so chances are I’ll be back! Anyway, Wednesdays appear to be reserved for artists playing original music. And last night, it was Cordovas.

So who the hell are Cordovas? A five-piece band hailing from Nashville, Tenn. While it’s not entirely clear to me when they were founded, these guys definitely are no beginners, and this isn’t their first trip to the rodeo! Pictured above, the band’s members include (left to right) Toby Weaver (guitar, vocals), Graham Spillman (drums), Lucca Soria (guitar, vocals), Sevans Henderson (keyboards) and Joe Firstman (bass, vocals).

Cordovas’ music features impressive triple harmony vocals and nice double-lead guitar lines. When Rolling Stone described them in the above story, they dropped names like Grateful Dead, Little Feat and The Allman Brothers Band. I could definitely hear some influences from all of these mighty bands last night. Some others that come to mind are CSNY, The Band and early-phase Eagles.

The band’s set included a mix of covers and original tunes. Following is a clip I recorded – frankly, not sure whether that’s one of their own compositions or a cover. In any case, it gives you a nice flavor of the band’s style.

Here’s a second clip featuring the two guitarists performing a nice version of Robert Johnson’s Sweet Home Chicago, while the rest of the band took a short break. Blues just never gets boring!

According to a May 6 announcement, Cordovas are set for their debut album on ATO Records for August 10. Based on the band’s website, this record doesn’t appear to be their first. The merchandise section lists their eponymous album on vinyl, adding it is out of stock. One can still get it on Amazon. Apparently, it’s from 2017 and weirdly listed as an import.

Anyway, speaking of the new album, two tunes already are out. Here’s a clip of opener This Town’s A Drag – more great harmony singing and a great Telecaster twang!

And here’s the second track: Frozen Rose. Does this sound great or what?!

I’ll be surely to keep Cordovas on my radar screen. BTW, the band has a busy performance schedule. They just returned to the U.S. from a European tour that had started in early June. Between now and the end of September, they have some 20 domestic dates lined up at what appear to be smaller venues. Some of their upcoming gigs are in Boston (Jul 20), New York (Jul 30), Chicago (Aug 16), Washington (Aug 23) and Cleveland (Sep 5). Frankly, while I never mind a free show, I’d pay money to see these guys!

Sources: Cordovas Facebook page and official website, Rolling Stone, YouTube