The Forgotten Fogerty

Even though he led the band that would become Creedence Clearwater Revival, Tom Fogerty always stood in the shadow of his younger brother

The idea for this post was triggered by a conversation with fellow blogger Badfinger20 about John Fogerty’s solo tune Rock and Roll Girls, which he covered here. When we turned to Creedence Clearwater Revival, he asked me whether I had ever heard John’s brother Tom Fogerty sing, adding they sounded so much alike. Since I actually had not, I started sampling a few songs from Tom’s eponymous debut album. Not only did I notice the vocal similarity but actually liked what I heard. So I continued. While Tom’s vocals and songs may not have been on par with John’s, I find his music pretty enjoyable and definitely feel it is underrecognized.

Before getting to a playlist with some of Tom’s music, providing some background is in order. Tom Fogerty was born on November 9, 1941 in Berkeley, Calif., about three and a half years prior to John. The brothers began playing music in high school, with each heading their own bands. After Tom’s band had broken up, John’s group The Blue Velvets started backing Tom who eventually joined them and became their leader. The Blue Velvets included future Creedence Clearwater Revival members Stu Cook (bass) and Doug Clifford (drums).

The Golliwogs
The Golliwogs (from left): Doug Clifford, Tom Fogerty, John Fogerty and Stu Cook

Between 1961 and 1962, The Blue Velvets recorded three singles with Tom on lead vocals. By the middle of the decade, they had changed their name to The Golliwogs – and John had started sharing lead vocal roles with Tom. In 1968, the group changed their name again, to Creedence Clearwater Revival. By that time, John had evolved to become the band’s sole lead singer and main songwriter. Tom essentially was relegated to playing rhythm guitar and singing backing vocals.

While Tom continued to write songs, only one tune ever made it onto a CCR album: Walk on the Water, which he originally had written for The Golliwogs. It was included on CCR’s eponymous debut from May 1968. Not surprisingly, Tom increasingly resented the lack of opportunity to record his songs and the dominance his younger brother exerted over the band. After CCR had finished the recording sessions for their sixth studio album Pendulum, Tom had enough and left to start a solo career.

Tom & John Fogerty
Tom Fogerty (left) with John Fogerty

In April 1971, he released his debut solo single Goodbye Media Man, which became one of his most successful songs relatively speaking – chart success largely eluded Tom Fogerty. His eponymous debut album came out the following year. During his lifetime, Tom had four additional solo records and, between 1976 and 1984, three albums with rock band Ruby. In 1988, Tom also recorded an album with former Ruby guitarist and keyboarder Randy Oda, Sidekicks, which wasn’t released until 1992 after Tom’s death.

While the Fogerty brothers shared the stage together with Cook and Clifford two more times after CCR had broken up – in October 1980 at the reception for Tom’s marriage to Tricia Clapper and three years later at a school reunion – sadly, they did not reconcile. There was simply too much bad blood between them. In his 2015 autobiography Fortunate Son: My Life, My Music, John claimed he had tried to reconcile with Tom, according to a published excerpt from the book in Rolling Stone. Obviously, Tom can no longer speak for himself, and I don’t want to further get into what seems to have been a very complicated relationship between the two brothers.

Tom Fogerty in the studio
Tom Fogerty in the ’80s

On September 9, 1990, Tom Fogerty passed away at the age of 48 from tuberculosis that had been brought on by AIDS. Apparently, his HIV infection was caused by a transfusion with unscreened blood, which he received when undergoing back surgery during the ’80s – sounds pretty mind-boggling! Time for some music.

Let’s kick it off with the aforementioned Walk on the Water from CCR’s 1968 eponymous debut album. This version of the tune, which initially was titled Walking on the Water when it was first recorded by The Golliwogs, was co-credited to both Fogerty brothers.

Here’s Tom’s debut solo single Goodbye Media Man from April 1971. Technically, it’s part 1. The B-side of the single featured part 2. This easily could have been a CCR tune. The use of the Hammond organ is quite reminiscent of CCR’s Pendulum album. Keyboarder Merl Saunders did a great job – nothing like a roaring B3!

This brings me to Tom’s eponymous debut album and Lady of Fatima. I really dig this tune, especially the bass work by John Kahn who like Merl Saunders frequently worked with Jerry Garcia.

In April 1974, Tom’s third album Zephyr National appeared. It actually featured contributions from all former CCR members. They even all played together on one song, aptly titled Joyful Resurrection, though John recorded his part separately from the others. While the tune was among the minor successes for Tom, I’d like to highlight the album’s soulful opener It’s Been a Good Day.

And I Love You is a great rocker from Tom’s fourth solo album Myopia from November 1974. I can hear a clear John Fogerty vibe in that guitar riff. Plus, Cook and Clifford played on the record, so it’s not surprising the tune has a CCR feel to it. Check it out!

Next up is a track from the eponymous debut album by the above mentioned Ruby, released in 1976. Other than the fact that Tom was part of that four-piece rock band, I don’t know anything about the group. The members included Randy Oda (guitar, keyboards, vocals), Anthony Davis (bass, vocals) and Bobby Cochran (drums, vocals). Here’s a nice funky tune called Running Back to Me, co-written by Oda, Fogerty and Cochran – pretty groovy with some great harmony guitar work!

Deal It Out was Tom’s final solo album released during his lifetime. It came out in 1981. Here’s the nice opener Champagne Love, which he co-wrote with Clifford. Whoever was playing slide guitar on that tune did a great job. Frankly, I could see that song on a John Fogerty album!

Let’s do one more, from Sidekicks, the posthumously released album in 1992 Tom had recorded with Randy Oda in 1988. Apparently, the two had developed a close friendship while working together in Ruby. During the recording sessions, Tom developed pneumonia and subsequently was diagnosed with AIDS. He recovered sufficiently to resume work on the album, which also features his son Jeff Fogerty on bass and backing vocals and Randy’s brother Kevin Oda on drums and percussion. It’s probably not a coincidence the sound of the record is more mellow than Tom’s previous work. Here’s We’ve Been Here Before.

As I said at the outset, while Tom Fogerty wasn’t quite as talented as his younger brother, his overall body of work is pretty solid and fun to listen to. I think Tom didn’t get the recognition he deserved during his lifetime, which is unfortunate. His torturous relationship with his younger brother is outright sad. Tom was posthumously inducted into the Rock & Roll Hall of Fame in 1993 as a member of CCR.

Sources: Wikipedia; Rolling Stone; YouTube

My Playlist: Creedence Clearwater Revival

The first Creedence Clearwater Revival song I heard was Have You Ever Seen The Rain. This must have been in Germany around 1974. My six-year older sister, who at the time was in her early teens, had the single. The B-side was Hey Tonight. I liked these two tunes from the very beginning. I also recall listening to Proud Mary and Bad Moon Rising on the radio. I dig this band to this day, and they’ve been on my mind for the past few weeks, since I learned about the Blues & Bayous Tour ZZ Top and John Fogerty will do together later this year.

The story of Creedence Clearwater Revival or CCR started about 10 years before they would become one America’s most successful rock bands. Their first incarnation was a trio called The Blue Velvets, formed in 1958 by Fogerty (guitar), Doug Clifford (drums) and Stu Cook (piano), who all were students at Portola Junior High School in the San Francisco suburb of El Cerrito. In the beginning, they mostly played instrumental music. Their first studio recording experience occurred in 1959, when they backed up African American singer James Powell on a single. Later that year, John’s older brother Tom Fogerty, who himself had been an aspiring music artist, joined the band as their lead vocalist, and they became Tommy Fogerty and The Blue Velvets. At the time, John was not singing yet.

Tommy Fogerty And The Blue Velvets

The band started to record some demos written by the two Fogerty brothers. A small Bay Area record company, Orchestra, decided to release a few of their songs, but they didn’t fare well. In 1964, the band signed with Fantasy Records, an independent San Francisco jazz label. Prompted by the record company, they changed their name to The Golliwogs. Fantasy released a few of their songs, but except for Brown Eyed Girl (unrelated to the Van Morrison tune), the music didn’t make any commercial impact. Eventually, most of the band’s members took on new roles: John became the lead vocalist, his brother changed to rhythm guitar, and Cook switched from piano to the bass.

In 1966, Fogerty and Clifford were drafted into the military and joined the Army Reserve and Coast Guard Reserve, respectively. During their six months of active duty, the band was put on the back burner. In 1967, the financially struggling Fantasy was purchased by Saul Zaentz, a salesman for the company, who had organized a group of other investors. Zaentz liked The Golliwogs but told them they needed to change their name. And so they did, to Creedence Clearwater Revival.

Creedence Clearwater Revival First Album

The band name had three different origins. Creedence was derived from Credence Newball, a friend of Tom’s. Clearwater was inspired by a beer TV commercial that used the words “clear water.” And Revival reflected the four members’ renewed commitment to the band. They didn’t waste any time to act on it and went to the studio to record their eponymous debut album. Even before it appeared at the end of May 1968, CCR’s cover of the Dale Hawkins tune Susie Q, which they had cut a few months earlier, already received radio play and a good deal of attention. It appeared separately as a single and became their first hit, peaking at no. 11 on the U.S. Billboard Hot 100 – the only CCR top 40 track not written by John Fogerty.

Following their breakthrough, CCR started touring heavily and shortly thereafter began working on their sophomore album Bayou Country, which was released in early January 1969. The band continued an intense touring schedule, which notably included the Atlanta Pop Festival (July 1969) and Woodstock (August 1969). Even though CCR was a headliner at Woodstock, none of their songs were included in the documentary and the accompanying soundtrack. John felt their performance had not been up to standard. Apparently, they had ended up playing at 3:00 am in the morning after the Grateful Dead, when only few people had been awake. It would take until 1994 when four of the tunes from that night were included in a commemorative box set titled Woodstock: Three Days of Peace and Music.

Ten days prior to Woodstock, CCR’s third studio record Green River was released. Four more albums followed: Willy And The Poor Boys (November 1969), Cosmo’s Factory (July 1970), Pendulum (November 1970) and Mardi Gras (April 1972). By the time this last record appeared, serious tensions over CCR’s artistic and business direction had emerged between John Fogerty and Cook and Clifford. In late 1970, Tom Fogerty already had left the band, which since had been a trio. In mid-October 1972, CCR broke up officially. Time to get to some music!

Susie Q, CCR’s breakthrough song from their first studio album, was recorded in January 1968 and appeared in June that year. Originally, the tune was released by Dale Hawkins in May 1957. It was co-written by him and Robert Chaisson, a member of his band. Due to CCR’s extended version, the single was split in parts one and two, which appeared on the A and B-sides, respectively.

Proud Mary from Bayou Country was the first of five no. 2 hits CCR scored on the Billboard Hot 100. Apparently, the band holds the record for achieving the most no. 2 singles without ever getting a no. 1 on that chart. Like pretty much all songs on the first four albums, the tune was written by John Fogerty. Various other artists have covered Proud Mary, most notably Ike & Tina Turner.

Green River is the title track of CCR’s third studio album from August 1969. The Fogerty tune is one of the no. 2 songs.

Down On The Corner is the opener of Willy And The Poor Boys, CCR’s fourth studio record and the third album the band released in 1969. The tune was also released as a single and became another hit for the band, climbing to no. 3. on the Billboard Hot 100.

Fortunate Son, another track from Willy And The Poor Boys, was the B-side of the Down On The Corner single.

Cosmo’s Factory, CCR’s fifth studio record from July 1970, became the band’s most successful album, topping the Billboard 200 and the LP charts in the UK, Canada and Australia, among others. Here’s a clip of Up Around The Bend.

Another tune from Cosmo’s Factory I like in particular is Who’ll Stop The Rain.

The aforementioned Have You Ever Seen The Rain? is from the band’s sixth studio album Pendulum, the final record with Tom Fogerty. If I could only choose one CCR song, it would probably be this one. I totally dig the Hammond in that tune!

Here is Hey Tonight, another outstanding song.

I’d like to conclude this playlist with Someday Never Comes from CCR’s final album Mardi Gras. Unlike the band’s previous records, songwriting and production were shared among Fogerty and Cook and Clifford, something Fogerty had fiercely opposed in the past. While Fogerty’s previous leadership may have been dictatorial, the record’s mixed to poor reviews indicate that a democratic approach wasn’t working well for CCR. Perhaps tellingly, Someday Never Comes and the other Fogerty tracks on the album are the best.

Despite CCR’s relatively short four-year career, they sold 30 million albums and singles in the U.S. alone. The band is ranked at no. 82 on Rolling Stone’s list of the 100 Greatest Artists from December 2010. In 1993, CCR were inducted into the Rock & Roll Hall of Fame. Sadly, Fogerty refused to perform with Cook and Clifford during the induction ceremony. His brother Tom had passed away in 1990.

Sources: Wikipedia, Creedence Online, Rolling Stone YouTube