Second Tom Petty Posthumous Album Out

Career-spanning compilation features hits and two previously unreleased recordings

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The title pretty much says it all. The Best Of Everything is a compilation of Tom Petty’s amazing music from his 40 years as a recording artist, largely focusing on his better known songs. Released yesterday, it’s billed as his first career-spanning collection of hits. Unlike last September’s An American Treasure, the 38 tracks for the most part were taken from past albums. There are two exceptions: For Real, a previously unreleased tune, and an alternate version of the title track that restores a lost second verse.

While to a longtime Tom Petty fan like myself it’s not exactly news what an outstanding songwriter he was, it’s still impressive when you see the track listing. Free Fallin’, Mary Jane’s Last DanceSaving Grace, Breakdown, Refugee, American GirlThe Last DJRunnin’ Down A Dream and Even The Losers, to name some of the gems, surely make for a beautiful collection. While I would say American Treasure is more for die-hard Tom Petty fans, The Best Of Everything is a terrific compilation for folks who know just a few songs and would like to further explore his music beyond the fantastic first Greatest Hits mid-career collection from November 1993.

Tom Petty_The Best Of Everything Collage
Released via Geffen Records/UMe, The Best Of Everything is available as a 2-CD or 4-LP set

To make it truly career-spanning, it would have been nice to include a couple of tunes from The Traveling Wilburys. Sure, it’s fair to note the supergroup wasn’t Petty’s band. The Wilburys were primarily initiated by George Harrison and Jeff Lynne, and their songs were credited to all members. Unlike Mudcrutch and Petty’s solo albums, Mike Campbell and Benmont Tench, who helped put together The Best Of Everything and last year’s compilation, had no involvement with the Wilburys. There may also have been legal reasons for keeping the supergroup’s material out. Still, adding two tunes featuring Charlie T. Wilbur Junior on lead vocals would have been cool, in my humble opinion!

Let’s get to some music. I deliberately skip the big hits. The track order seems to be a bit random. Perhaps part of the idea here was to spread the bigger hits throughout to keep the more casual Tom Petty fans engaged. The number of YouTube clips from The Best Of Everything is still limited, so I’m borrowing clips from the original albums, as needed. The first tune I’d like to call out is Dreamville from The Last DJ, the 11th studio album by Tom Petty and the Heartbreakers, released in October 2002. I’m glad they included this beautiful ballad, which definitely is not among Petty’s big hits.

I Should Have Known It is a nice rocker with a great guitar riff – my kind of song! Perhaps not surprisingly Campbell was a co-writer for this guitar player type of tune, which appeared on the band’s 12th studio record Mojo from June 2010. “I was glad that was on there, because I’m really proud of that track and that performance,” Campbell noted during an interview with Variety, conducted together with Tench and Petty’s eldest daughter Adria Petty, who was also involved in assembling the collection. “It showed a band in their later development still doing quality music.” Listen for yourself!

Next up: The alternate version of The Best Of Everything, another great tune! Originally, Tom Petty and the Heartbreakers recorded it for their sixth studio album Southern Accents, which came out in March 1985. Even though I own that record on CD, frankly, I had forgotten about the song.

Scare Easy is a track from the first Mudcrutch album simply titled Mudcrutch, which appeared in April 2008. Initially formed in Gainesville, Fla. in 1970, Mudcrutch was the predecessor to The Heartbreakers. After recording some demos and releasing one single that failed to chart, Mudcrutch broke up in 1975. It’s kind of remarkable they lasted for more than four years. Then, in August 2007, Petty reunited the band. In addition to Campbell (guitar, mandolin) and Tench (keyboards), the lineup featured the other two original members Randall Marsh (drums) and Tom Leadon (guitar), with Petty on bass and lead vocals.

The last tune I’d like to call out is For Real. This previously unreleased song also wasn’t available on any bootlegs, so until it came out as a single a few weeks ago, it’s something even fans hadn’t heard before. According to Rolling Stone, the track was recorded in August 2000 and is “a declaration of purpose” by Petty. “That song to me sounds like Tom reporting from his heart — reporting from the front,” Tench told Variety during the above interview. “It may sound like it’s meant to be a summing up of a career or something, but it’s not, really, because it’s almost 20 years old. We weren’t quite as long-in-tooth and gray then.” I think Tench is right, though it’s the perfect tune to close out the collection.

“When I went back through all this stuff… I don’t want to get heavy with it, but it’s very emotional, in being nostalgic, because we were never nostalgic when we were working,” Campbell told Variety. “We never looked back. We just always were looking forward. But Ben and I were forced to look back as we went through this stuff, and we both had an epiphany about how we have a legacy that has integrity. We were sad, but also very proud of what we’ve done.” Who can blame them.

Added Adria Petty: “I feel like Ben and Mike haven’t had a second to process this, what the next chapter can be, and I think for us, it’s kind of the same. Ben had a baby for the first time six or seven weeks after my dad died, and he’s been deeply in love and entrenched in that. It’s a really horrible thing to have to process both things at the same time, so he probably finally has a little space to just focus on that. Mike’s going to be on the road with Fleetwood Mac through April. He had his first grandchild right after Dad died. There’s a third generation of Heartbreaker kids coming in that are all amazing.”

Benmont Tench & Mike Campbell
Benmont Tench (l) and Mike Campbell, August 2018

So after two major compilations, what else might be in store or in the vault I should perhaps better ask. “There a bunch of really great stuff,” Tench told Billboard. He noted early Mudcrutch recordings, demos from The Last DJ and music from the period of Hypnotic Eye, the final studio album by Tom Petty and the Heartbreakers from July 2014.

Campbell would like to explore a live album from the band’s shows at the Fillmore from 1997 to 1999, he explained to Rolling Stone. “For me, that was almost the pinnacle of the band just being totally spontaneous night to night to night. We might throw in a Grateful Dead song that we just learned that afternoon. We recorded every show and we had guest artists from Bo Diddley to Roger McGuinn to John Lee Hooker. And I know, in my memory of those 20 nights, there’s an amazing album in there.” That surely sounds like a great idea to me!

However, both Tench and Campbell want to be mindful about further releases to make sure the quality is right and Petty would have wanted to release the material. Adria Petty agrees. “I don’t want to inundate the fans with “Hey, here’s another record!”,” she told Variety. That’s a good thing!

Sources: Wikipedia, Tom Petty official website, Variety, Rolling Stone, Billboard, YouTube

Tumultuous Path Of A Journeyman And Survivor

For more than 50 years, Eric Burdon has been one of rock’s most distinctive vocalists

Oftentimes, I feel the best blog ideas are inspired by a previous post. In this case, it was my writing about great covers performed by Tom Petty and the Heartbreakers, which included I’m Crying by The Animals. The tune reminded me of Eric Burdon and a voice I’ve always felt was made for singing the blues. Just like many other blues artists or more generally those who started out during the ’60s and ’70s, Burdon has experienced it all, from the highest high to the deepest low and everything else in-between. Unlike many fellow artists, he’s still there, which I think makes him one of the ultimate survivors.

Eric Victor Burdon was born on May 11, 1941 in the northeastern English industrial town of Newcastle upon Tyne. His upbringing in a lower class working family was rough. Burdon started smoking at the age of 10 and skipping school with friends to drink beer. He described his early school years as a Dickens novel-like “dark nightmare,” which included bullying, sexual molestation and sadistic teachers hitting kids with a leather strap. While his father Matt Burdon struggled as an electric repairman, this allowed the family to have a TV by the time Eric was 10. Yet again the TV sparking it all!

Seeing Louis Armstrong on the tube triggered Burdon’s initial interest in music, first in the trombone, then in singing. The next decisive stage in his life was secondary school and a teacher named Bertie Brown who helped him get into the local art college. There he met John Steele, the original drummer of The Animals. They ended up playing in a band called The Pagan Jazzmen. By early 1959, keyboardist Alan Price had joined. After a few iterations and name changes, the band evolved into The Animals in 1962.

The Animals
The Animals (from left): John Steele, Eric Burdon, Hilton Valentine, Alan Price and Chas Chandler

The initial lineup featured Burdon (lead vocals), Steele (drums), Price (keyboards), Hilton Valentine (guitar) and Chas Chandler (bass), who later became the manager of Jimi Hendrix. Between September and December 1963, The Animals developed a following in Newcastle by playing local clubs there. During that period, Burdon met some of his blues heroes, including John Lee Hooker and Sonny Boy WilliamsonThe Animals also backed Williamson during a local gig.

In December 1963, The Animals recorded their first single Baby Let Me Take You Home. It climbed to a respectable no. 22 on the UK singles chart. But it was the second single, The House Of The Rising Sun from June 1964, which brought the big breakthrough, topping the charts in the UK, U.S., Canada and Sweden. It also started the beginning of the band’s demise when the arrangement of the traditional was only credited to Price who collected all the songwriting royalties.

The band’s first studio album The Animals appeared in the U.S. in September 1964. Their British debut record followed two months later. As was quite common at the time, the track listing between the two versions differed. Altogether, the original incarnation of The Animals released five U.S. and three U.K. studio albums. Here’s the above mentioned I’m Crying, which was included on the second U.S. record The Animals On Tour, a peculiar title for a studio album. Co-written by Burden and Price, it’s one of only a few original tracks by the band that was mostly known for fiery renditions of blues and R&B staples by the likes of John Lee Hooker, Jimmy Reed and Ray Charles.

In May 1966, The Animals released Don’t Bring Me Down. Co-written by songwriter duo Gerry Goffin and Carole King, the tune became Burdon’s favorite single, he told Louder/The Blues during a long interview in April 2013. The song also became the opening track to the band’s fourth U.S. album Animalization released in July 1966. The great tune is characterized by a distinct Hammond B3 sound played by Dave Rowberry, who had replaced Alan Price  following his departure in late 1965, and Hilton Valentine’s fuzz guitar.  Burdon recalled the song’s recording in a hotel in the Bahamas. “There was an old record player in the room where we were recording and it had this strange, thin electrostatic speaker. Dave Rowberry connected it to his Hammond B3 and that’s where the sound comes from on that track.”

By September 1966, The Animals had dissipated and Burdon started work on his first solo album Eric Is Here, which wouldn’t appear until the following year. Meanwhile, in December 1966, he formed Eric Burdon & The Animals. In addition to him, the band included Barry Jenkins, who had replaced John Steel on drums during the first incarnation of The Animals, John Weider (guitar, violin, bass), Vic Briggs (guitar, piano) and Danny McCulloch (bass). The band subsequently relocated from the U.K. to San Francisco. By that time, Burdon had become a heavy user of LSD.

In October 1967, Eric Burdon & The Animals released their debut. Appropriately titled Winds Of Change, it featured mostly original tracks and psychedelic-oriented rock, a major departure from the past. But, as Louder/The Blues noted, except for San Franciscan Nights, “the British public were reluctant to accept Eric’s transformation from hard-drinking Geordie bluesman to LSD-endorsing, peace and love hippy.” Three more albums followed before this second incarnation of The Animals dissolved in late 1968. Here’s Monterey, the opener to their second record The Twain Shall Meet from May 1968. Reflecting the band’s drug-infused experiences at the Monterey Pop Festival, where they also had performed, the tune is credited to all five members.

Disillusioned with the music business, Burdon went to LA to try acting. But after one year, he returned to music, fronting a Californian funk rock band that would be called War. Together they recorded two original albums in 1970. Here’s Spill The Wine from the first, Eric Burden Declares “War”, which appeared in April 1970. Credited to the members of War, the tune became the band’s first hit, peaking at no. 3 on the Billboard Hot 100. It also marked Burdon’s last major chart success.

Burdon’s relationship with War abruptly unraveled after the band had decided to record their next album without him. It was around the same time his friend Jimi Hendrix passed away. Burden was devastated. “That became the end of the parade because it affected us so much,” he stated during the above Louder/The Blues interview. “It was tough for me. It was tough for everybody.” Unfortunately, one of Burdon’s answers was drugs and more drugs.

During the ’70s and ’80s, Burdon had numerous drug excesses. In 1983, this lead to an arrest in Germany where he had lived since 1977. Subsequently, he returned to the U.S. Yet despite all the upheaval, Burdon still managed to continue recording albums and touring. In 1971, he teamed up with American jump blues artist Jimmy Witherspoon for a record titled Guilty! Here’s Home Dream, a great slow blues tune written by Burdon.

In August 1977, the first incarnation of The Animals released the first of two reunion albums, Before We Were So Rudely Interrupted, billed as The Original Animals. Despite positive reviews, the record only reached no. 70 on the Billboard 200. Lack of promotion, no supporting tour and most importantly appearing at a time when punk and disco ruled were all factors. Here’s the great opener Brother Bill (The Last Clean Shirt), a tune co-written by Jerry Leiber, Mike Stoller and Clyde Otis.

Next up: Going Back To Memphis, a song co-written by Burdon and Steve Grant. It appeared on Burdon’s 1988 album I Used To Be An Animal. Released in the wake of his autobiography I Used To Be An Animal, But I’m Alright Now,  it was Burdon’s first new album in almost four years.

In April 2004, My Secret Life appeared, Burdon’s first new solo record in almost 16 years. Here’s the opener Once Upon A Time, a nice soulful tune co-written by Burdon and Robert Bradley.

‘Til Your River Runs Dry is Burdon’s most recent studio release, which came out in January 2013. His website calls it his “most personal album to date.” Here’s Old Habits Die Hard, co-written by Burdon and Tom Hambridge. “This song is dedicated to the people in Egypt and Libya trying to throw off the shackles of all those centuries of brutality,” Burdon told Rolling Stone a few days prior to the record’s release. “It reminds me of Paris in 1968 when I saw the kids going up against the brutal police force or the L.A. uprising. I went through these experiences and they’re still with me today. The struggle carries on. I wrote this song so I won’t forget and to say, even though I’m older now, I am still out there with you.”

Burdon’s most recent recording is a nice cover of For What It’s Worth, written by Stephen Stills and originally released by Buffalo Springfield in December 1966. He commented on his website: The whole idea of recording this song came as a result of a conversation I had with a young fan backstage, when she asked me, “Where are the protest songs today?” Right then and there, I wanted to write something about the brutality that’s going on in the world today but I couldn’t find any better way to say it than Buffalo Springfield did in “For What It’s Worth.

In 1994, Eric Burdon was inducted into the Rock & Roll Hall Of Fame as part of The Animals, along with the other original members of the band. He did not attend the induction ceremony. Burdon remains active to this day and uses the name The Animals for his backing band, which includes Evan Mackey (trombone), Davey Allen (piano), Dustin Koester (drums), Johnzo West (guitar), Justin Andres (bass) and Ruben Salinas (saxophone).

While Burdon’s website currently does not list any upcoming gigs for this year, according to Consequence of SoundEric Burdon & The Animals are part of the lineup for the KAABOO Festival in Arlington, Texas, May 10-12. The band is also scheduled to perform on May 26 at Avila Beach Blues Festival in California.

Asked by Louder/The Blues during the above interview how he would sum up the past 50 years, Burdon said, “I’d been screwed by [War], I’d been screwed by The Animals. All use Burdon because he’s a great front guy and then come payday where’s the money? A lot of people had a great ride off me being on stage and I didn’t get much of it.” With a little chuckle he added, “I’m not bitter. I’m bittersweet.”

Sources: Wikipedia, Louder/The Blues, Deutsche Welle, Eric Burdon website, Rolling Stone, Consequence of Sound, Eventbrite, YouTube

Great Covers Tom Petty Style

American Girl, Refugee, You Got Lucky, Runnin’ Down A Dream, BreakdownFree Fallin’, Southern AccentsMary Jane’s Last Dance, The Last DJ – there are countless great songs written by Tom Petty. In addition to that, Petty has also performed many fantastic covers, especially during his concerts. With The Heartbreakers, he had one hell of a backing band. I was reminded of that earlier today, when I came across and listened to an EP titled Bad Girl Boogie, which apparently was exclusively released on Amazon.com in June 2010 as a bonus CD to the DVD Live At The Olympic: The Last DJ. This triggered the idea of putting together a post focused on covers played by Tom Petty and the Heartbreakers.

I’d like to start things off with what I believe was the first cover I ever heard from Tom Petty: Needles And Pins, a song I’ve always dug. It was included on Pack Up The Plantation: Live!, the first official live album by Tom Petty and the Heartbreakers,  which appeared in November 1985. Written by Jack Nitzsche and Sonny Bono, the tune was first released by Jackie DeShannon in April 1963. In January 1964, The Searchers turned it into a no. 1 hit single in the U.K. In the U.S., it performed strongly as well, peaking at no. 13 on the Billboard Hot 100. Petty’s great rendition features Stevie Nicks on backing vocals.

Next up: Green Onions, simply one of the coolest instrumentals I know. It appears on The Live Anothology, a live box set and true treasure trove released in November 2009. The tune was initially written by Booker T. Jones and recorded by Booker T. & The M.G.’s in 1962 in a largely improvised fashion while waiting to back another artist in the studio. It became the title track of the Stax house band’s debut album from October 1962 and their signature tune. According to the liner notes, the Heartbreakers’ killer take was recorded during a February 6, 1997 gig at The Fillmore in San Francisco.

Here’s I’m Crying from the above mentioned bonus CD to the Live At The Olympic DVD. The concert was recorded on October 16, 2002 at the Grand Olympic Auditorium in Los Angeles. Written by Eric Burden and Alan Price, this great tune by The Animals first appeared as the B-side to the Australian version of their 1964 single Boom Boom, a cover of the John Lee Hooker tune. I’m Crying was also included on their second U.S. studio album The Animals On Tour.

Another intriguing cover appearing on The Live Anthology is Goldfinger – yep, that would be the title track of the classic 1964 James Bond motion picture! Composed by John Barry, with lyrics co-written by Leslie Bricusse and Anthony Newley, it’s one of the greatest movie songs I know. Presumably because it would have been hard to capture the amazing vocal by Shirley Bassey, Tom Petty and the Heartbreakers played the track as a cool Shadows-style instrumental. Mike Campbell is doing an outstanding job that I assume made Hank Marvin proud, if he heard it. Like Green Onions, Goldfinger was captured at The Fillmore in San Francisco, except it was a different date: January 31, 1997.

The last cover I’d like to highlight in this post also appears on the above Bad Girl Boogie EP/bonus CD: The Chuck Berry classic Carol, first released as a single in August 1958. It also appeared on Berry’s first compilation album Chuck Berry Is On Top from July 1959. This take features more awesome guitar work by Campbell and some kickass honky piano by Benmont Tench – great gosh a’ mighty, to borrow from another talented gentleman and piano player called Richard Wayne Penniman, better known as Little Richard.

Sources: Wikipedia, YouTube

Thanksgiving Is Coming Up…And An Annual Rock & Roll Marathon

Will Stairway To Heaven finally be toppled from the no. 1 spot it has held for 17 straight years on Q104.3’s Top 1,043 Classic Rock Songs Of All Time?

When hearing Thanksgiving, it’s safe to assume most folks think of family, friends, turkey and other feasts. To many it also involves travel to spend time together with their loved ones. While there’s nothing wrong with all of that, to me the upcoming holiday first and foremost means it’s time again for classic rock radio station Q104.3’s annual tradition to play the Top 1,043 Classic Rock Songs Of All Time, as voted by listeners. I suppose the fact that I care of much about this rock & roll marathon indicates I can be quite nerdy. But when it comes to music, that’s just fine with me!

Playing 1,043 rock songs means many hours of great rock music. And, yes, each is fully played, even Pink Floyd’s epic 23-minute Echoes! In order to accommodate all that music, Q104.3 needs to start the countdown the day before Thanksgiving at 1:00 pm ET and go all the way to Sunday evening – a fantastic listening experience for any rock fan! It’s also a nice break from the 50 or so songs they tend to play all the time – just like most other radio stations do!

Collage

One of the things I find remarkable about the list, which is compiled for the 18th time this year and presented in a countdown from no. 1,043 to no. 1,  is that for the past 17 years, Stairway to Heaven has consistently captured the no. 1 spot. While I dig Led Zeppelin and, if given only one choice, may even select the tune myself as the greatest rock song ever, the reality is there are so many other outstanding classic rock tunes. As such, I feel it’s time to shake up the list! While I doubt there will be many changes in the top 10, following are my selections I submitted earlier this morning.

1. Sunshine Of Your LoveCream (78)

2. Purple HazeJimi Hendrix Experience (80)

3. LaylaDerek & The Dominoes (4)

4. TushZZ Top (865)

5. Stairway To HeavenLed Zeppelin (1)

6. While My Guitar Gently WeepsThe Beatles (29)

7. RefugeeTom Petty and the Heartbreakers (110)

8. Dead FlowersThe Rolling Stones (547)

9. SoulshineThe Allman Brothers Band (-)

10. EchoesPink Floyd (311)

The numbers in parentheses indicate the ranks of the songs in last year’s countdown. One, Soulshine by The Allman Brothers Band, didn’t make the cut – I told ya, I’m a music nerd! In case you’d like to join the fun, you can enter your submissions here. Happy voting and happy listening!

Sources: Q104.3 website

New Tom Petty Box Set Works Because It’s Not A Greatest Hits Or Typical Anthology Compilation

An American Treasure focuses on previously unreleased material, including alternate takes, deep cuts and live versions

When you see a box set being issued one year after the death of a widely beloved music artist like Tom Petty, you can’t entirely escape the cynical notion that somebody is trying to make a quick buck here. And while I’m sure Reprise Records wouldn’t mind, should An American Treasure turn out to be a hot seller, this box set is neither a greatest hits compilation nor a typical anthology, and that’s a good thing! Instead, the career-spanning collection focuses on previously unreleased alternate song versions, live performances and deep cuts. Is it going to gain Tom Petty additional listeners post mortem? Probably not. Are longtime fans going to like it? I certainly do and think others will as well.

An American Treasure, which dropped on September 28, is the first release following Tom Petty’s untimely death on October 2, 2017 at age 66 – just one week after the triumphant conclusion of his 40th anniversary tour with the Heartbreakers. I hate to sound like a broken record, but it still hurts and like so many other longtime fans, gosh, I miss him!

Tom Petty_Am American Treasure Formats

According to the official press release that announced the box set in July, Adria Petty and Dana Petty – Tom’s daughter and wife, respectively – were the key drivers behind this new collection. They teamed up with former Heartbreakers guitarist and keyboarder Mike Campbell and Benmont Tench, as well as Ryan Ulyate, one of Petty’s studio collaborators. Campbell, Tench and Ulyate co-produced the box set, while Adria and Dana Petty served as executive producers.

“Everyone involved in this project chose each track with tremendous care and deep respect for the body of work Tom Petty created over the course of 40 years,” Adria and Dana Patty stated.  “He also accumulated a wealth of unreleased music in his vaults, and we have collectively uncovered one gem after another that will keep us all listening and discovering new facets of Tom’s talent for many years to come. We can’t wait to share with Tom’s fans this musical portrait of an artist who deeply affected our culture and indelibly touched the lives of fans the world over.”

Time for some music. Lost In Your Eyes is a previously unreleased single recorded during sessions in 1974 with Mudcrutch, Tom Petty’s band that preceded the Heartbreakers and included future members Mike Campbell (guitar) and Benmont Tench  (keyboards). Tom Leadon (guitar and vocals), the brother of former Eagles lead guitarist Bernie LeadonJim Lenehan (vocals); and Randall Marsh (drums) rounded out the lineup. Petty was on bass and vocals.

Keep A Little Soul is a previously unreleased tune from the 1982 sessions for Long After Dark, the fifth studio album Tom Petty and the Heartbreakers released in November that year. It also appeared as the collection’s first single back in July when the box set was initially announced. Here’s a video featuring rare never-before-seen footage of the band.

In 1984, Tom Petty and the Heartbreakers recorded a demo with Stevie Nicks called The Apartment Song. Perhaps it was motivated by the Petty/Campbell co-write Stop Draggin’ My Heart Around, which had appeared in July 1981 on Nicks’ studio debut Bella Donna, generating a U.S. hit that peaked at no. 3 on the Billboard Hot 100. The tune, which must have been recorded around the same time the band was working on their sixth studio release Southern Accents, did not make that album or any other records, as far as I know.

Another collaboration on the box set is King Of The Hill, a song Roger McGuinn co-wrote with Petty. It became the lead single to McGuinn’s sixth studio album Back From Rio released in January 1991. The version on the box set is an early take from November 1987 – great tune!

In April 1999, Tom Petty and the Heartbreakers came out with their 10th studio album Echo. One track that was recorded during the sessions for the record but not included on the album or released separately is Gainesville, an autobiographic song about Petty’s home town: Home-grown, in the headphone/Sandy loadin’ up the van/Singin’ through the speakers/You’re alright anywhere you land/Gainesville was a big town/Gainesville was a big town…

The last track I’d like to highlight is another song related to Petty’s home state of Florida: Bus To Tampa Bay, yet another previously unreleased tune. It was recorded during the sessions for Hypnotic Eye, the final studio album Tom Petty and the Heartbreakers released in July 2014.

An American Treasure is available in various formats: A Super Deluxe Limited Edition 4-CD set, a 6-LP Vinyl Edition and a 2-CD Standard Edition. All of the recordings have been mixed by Ryan Ulyate from transfers of the original studio multitrack masters. They have been re-mastered by Chris Bellman, a sound engineer at Bernie Grundman Mastering, who has worked with artists like Diana Ross, Neil Young, Carole King, Duran Duran and Van Halen, among others.

Sources: Wikipedia, Tom Petty website, YouTube

Rock The Farm Returns To Jersey Shore

Eleven-hour marathon for a cause features tributes from AC/DC to Zeppelin

While there were no barns and cows, Rock the Farm 2018 didn’t need them. The fifth annual music tribute for a great cause that took place yesterday in Seaside Heights, N.J. rocked anyway and felt even better than last year when I attended the 11-hour marathon for the first time and wrote about it here.

Rock the Farm, a.k.a. Faux-Chella, is a pretty cool idea: Imagine an iconic music festival that could never happen in reality and bring it to life with compelling tribute acts and raise money for a great cause in the process. It sort of mirrors Live Aid on a mini scale, but instead of focusing on starvation in Africa, the fund-raising supports domestic addiction recovery programs. All of the performing bands donated their time to the cause, playing for free. That’s what I call greatness in America that actually deserves the expression!

Rock the Farm 2018 Line-Up

With the U.S. being in the throes of an opioid crisis that according to a fact sheet from CNN claimed more than 63,600 overdose deaths or an average of 115 people a day in 2016, an event like Rock the Farm couldn’t be more timely. And while no amount of money is too small to help address this astonishing loss of human life in one of the richest countries in the world, a staggering $18 billion is spent in the U.S. each year as a result of the opioid crisis. And that’s just opioids, so it doesn’t include alcohol or other drugs!

Rock the Farm is the main annual fundraiser of the non-profit CFC Loud N Clear Foundation, which was established by the Regan family in 2015, after their son Daniel Regan had come out of a rehab center and with the help of his mother Lynn Regan developed a recovery system for himself. Other people noticed it was working for him and started asking how they did it. That’s when the Regan family realized everyone should have access to an aftercare program, sparking the idea of the CFC Loud N Clear Foundation.

According to their website, to date CFC has assisted more than 7,500 families to help overcome addiction by a loved one. Seeing founder Dan Regan and other CFC folks, and even more so, hearing from some other former addicts who had the courage to step on stage was inspiring to say the least. To me it’s the quintessential story of hope that has made America great and attracted immigrants like myself to its shores. I hope the country will never lose that!

All right, now that the “heavy stuff” is out of the way, it’s time for some great music. Since there was so much of it, I’m only going to highlight some of it.

Decade

Readers of the blog may recall I’ve covered this great Neil Young tribute band from New Jersey before. While they’ve only played together for a few years, all of the band’s members are seasoned musicians, and it shows. Decade are John Hathaway (lead vocals, guitar), Joey Herr (guitar, backing vocals), Lou Perillo (bass, backing vocals), Steve Cunniff (keyboards, backing vocals) and Johnny Burke (drums, percussion). Here’s the opener of their set: A cool rendition of Star Spangled Banner a la Jim Hendrix, and Mr. Soul by Buffalo Springfield, which Neil Young co-founded with Stephen Stills, Richie FurayKen Koblun and Dewey Martin in Los Angeles in 1966.

Walk This Way

This terrific tribute band to Aerosmith came all the way from Dallas to support the cause and they kicked ass. While Walk This Way mostly perform in their home state, the show history on the band’s website indicates they also travel nationally and occasionally even beyond. Walk This Way feature Ian Latimer (as Steven Tyler, lead vocals), David Semans (as Joe Perry, guitar & backing vocals), Chris Bender (as Tom Hamilton, bass), Martin Turney (Joey Kramer, drums), Eamonn Gallagher (as Brad Whitford (guitar) and Chris Loehrlein (as Russ Irvin, keyboards). I wasn’t going feature what perhaps is the expected Aerosmith tune, the epic Dream On, but when these guys combined it with Train Kept A-Rollin’, I just couldn’t resist. It was the perfect finish to their great set.

Guns 4 Roses

Walk This Way wasn’t the only band that came all the way from Dallas. They were joined by Guns N’ Roses tribute Guns 4 Roses. Unfortunately, their website and Facebook page only provides the first names of the members (what’s that all about?), and I still had to conduct a bit of research to figure things out: Laz (as Axl Rose, lead vocals), Eamonn (as Slash, guitar), Chris (as Duff McKagan, bass), David (as Dizzy Reed, keyboards), Martin (as Steven Adler, drums) and Chris (Izzy Stradlin, guitar). Hope I got it right. Here’s Sweet Child O’ Mine, one of my favorite Guns N’ Roses tunes.

TUSK

This outstanding tribute to Fleetwood Mac, which mirrors the Rumours lineup, is another band from New Jersey. Their members include Kathy Phillips (as Stevie Nicks, vocals), Kim Williams (as Christine McVie, keyboards & vocals), Scott McDonald (as Lindsey Buckingham, guitar & vocals), Tom Nelson (as Mick Fleetwood, drums) and Randy Artiglere (as John McVie, bass). Like Walk This Way, TUSK is a national band, as indicated by the tour schedule on their website. Here’s Dreams and Say You Love Me from the Rumours (1977) and Fleetwood Mac (1975) albums, respectively.

Free Fallin’

Another band that took a long trip for Rock The Farm was Free Fallin’, a Minneapolis-based tribute to Tom Petty. He is yet another longtime favorite artist of mine, and with their execution of the music and Petty’s distinct vocals, I think Free Fallin’ would have made him proud. The band are Tom Brademeyer (as Tom Petty, guitar & lead vocals), Mark Larsen (as Stan Lynch, drums), Russ Lund (as Ron Blair, bass), Karl Swartz (as Mike Campbell, guitar & vocals), Dale Peterson (as Benmont Tench, keyboards, percussion & vocals) and Craig Volke (as Scott Thurston, guitar, keyboards, harmonica, percussion & vocals). While I think looks are secondary when it comes to tribute acts, it doesn’t hurt when they have visual similarity with the artists they capture. I should add that’s also the case for at least one member of each of the other tribute bands I’ve highlighted in this post. I was tempted to feature Stop Draggin’ My Heart Around, for which Kathy Phillips of TUSK joined Free Fallin’, but I just couldn’t resist highlighting my favorite Petty tune instead: Refugee, from the excellent Damn The Torpedos album (1979). Just like Stop Draggin’ My Heart Around, it was spot on.

Live/Wire

What better way to close out a great all-day festival than with the hard charging rock & roll of AC/DC – and, boy, did Live/Wire kick ass! This band from New York, which has been around since 2000, includes Mike Hughes (as Angus Young, lead guitar), Bill Voccia (as Malcolm Young, rhythm guitar), Chris Antos (as Bon Scott and Brian Johnson, lead vocals), Bill ‘Daytona’ Bowden (as Cliff Williams, bass) and Billy Rauff (as Phil Rudd, drums). While most tribute acts like to call themselves the “ultimate experience” or variations of the claim, I could imagine that Live/Wire are indeed “the ultimate AC/DC experience.” Based on their current 2018 schedule, the band’s touring radius appears to span the eastern half of the U.S. Here’s It’s A Long Way To The Top (If You Wanna Rock ‘N’ Roll). While there were apparent problems with the microphone for the bagpipes, frankly, it didn’t matter much. Instructions for the clip: To be played on a decent sound system at maximum volume!😜

Yes, an 11-hour festival is a marathon, and I can’t deny by back and feet were aching when it was all over, but it was worth each and every moment. So guess what? Come next September, and if I’m still alive, I’ll be back!

Sources: Wikipedia; CNN opioid crisis fast facts (June 2018); CFC Loud N Clear Foundation website; Decade Facebook page;  Walk This Way Facebook page and website; Guns 4 Roses Facebook page and website; TUSK website; Free Fallin’ Facebook page; Live/Wire website; YouTube

Pix & Clips: Fleetwood Mac Debuts New Line-Up On U.S. Daytime TV Talk Show

The above clip of Fleetwood Mac performing The Chain was captured earlier today during their appearance on The Ellen DeGeneres Show, featuring the new line-up for the first time. The band also performed Gypsy, which like The Chain first appeared on their most successful studio album Rumours released in February 1977.

Following Lindsey Buckingham’s exit in April, guitarist Mike Campbell, formerly with Tom Petty and the Heartbreakers, and singer-songwriter Neil Finn, best known for fronting Australia’s Crowded House, were named to replace him.

Undoubtedly, fans will be divided over the new line-up. I think it’s probably wrong in the first place to compare the new members with Buckingham, who is near-impossible to replace, given his distinct vocals and guitar style. My first take is Campbell and Finn are doing a fairly decent job under the circumstances.

Having said this, I saw Fleetwood Mac live in 2013, a few months prior to the announcement of Christine McVie’s return. It was a great show, but I think once was enough for me. There are simply too many other artists I would like to see! Plus, I’m going to a nice music festival at the end of the month, which includes an excellent Fleetwood Mac tribute band called TUSK, so that should take care of any withdrawal symptoms! 🙂

As for Buckingham, the circumstances of his dismissal from the band sounded unfortunate, based on media reports I’ve read. Perhaps he can find some consolation that it took two talented musicians to replace him.

Sources: Wikipedia, Ultimate Classic Rock, YouTube