Best of What’s New

A selection of newly released music that caught my attention

Another Saturday is upon us, and this means it’s time to take a fresh look at newly released music. All featured tracks in this post appear on releases that came out yesterday (September 24). Without further ado, let’s get to it!

Third Eye Blind/Goodbye to the Day of Ladies and Gentlemen

Third Eye Blind are an alternative rock band founded in San Francisco in 1993. In the early 1990s, singer-songwriter and guitarist Stephan Jenkins set out to start the group. He worked on early material with bassist Jason Slater that resulted in the band’s first demo. In their early years, Third Eye Blind experienced frequent line-up changes. After Slater’s departure, guitarist Kevin Cadogan joined with whom Jenkins developed a songwriting partnership. In June 1996, the group signed with Elektra Records. Despite significant challenges, Third Eye Blind’s eponymous debut album finally appeared in April 1997. It reached no. 25 in the U.S. on the Billboard 200, also charted in Canada, Australia and New Zealand, and has sold more than six million copies, becoming the band’s best-selling album to date. Third Blind Eye have since since released six additional records including their latest, Our Bande Apart. Here’s the nice opener Goodbye to the Day of Ladies and Gentlemen penned by Jenkins who also wrote or co-wrote all of the album’s remaining tracks.

Jesse Malin/Greener Pastures

Singer-songwriter and guitarist Jesse Malin started his career in 1980 when he was only 12 years old as frontman of New York hardcore group Heart Attack. In 1991, he co-founded D Generation, a glam punk band, in which he continues to perform as lead vocalist to this day. After the group’s break-up in 1999 (they reunited in 2011), Malin launched a solo career. Influenced by Neil Young, Steve Earle and Tom Waits, he changed his sound. His solo debut The Fine Art of Self-Destruction first came out in the UK in October 2002 before it appeared in the U.S. in January 2003. Eight additional solo albums by Malin have since been released. Here’s Greener Pastures, a beautiful tune from Malin’s new Americana-oriented album Sad and Beautiful World.

Mac McCaughan/The Sound of Yourself

According to his profile on Apple Music, Mac McCaughan wears multiple hats. He is a co-founder of the seminal indie band Superchunk, founder and leader of Portastatic, a former member of Seam and Go Back Snowball, and co-owner of Merge Records, one of America’s most successful and influential independent labels. Despite his success, McCaughan has strayed little from his punk rock principles in terms of both music and business, and after more than 25 years of making records, he opted to launch a belated solo career in 2015 with the release of the synthy Non-Believers...While Superchunk continued releasing albums of the high-energy fuzz pop they were known for, McCaughan furthered his deepening fascination with synth sounds, collaborating with ambient harpist Mary Lattimore on a series of improvisations that was released in 2019 as the New Rain Duets album by the Three Lobed label. This brings me to his latest solo release, The Sound of Yourself. Here’s the title track. I like it!

Ringo Starr/Let’s Change the World

Only six months after Zoom In, Ringo Starr is out with another EP, Change the World. Of course, I couldn’t ignore it! Just like the previous EP, the four tracks were recorded at Starr’s Roccabella West studio, according to a recent announcement on his website. “I’ve been saying I only want to release EPs at this point and this is the next one,” he commented. “What a blessing it’s been during this year to have a studio here at home and be able to collaborate with so many great musicians, some I’ve worked with before and some new friends.” Guest artists include Joseph Williams and Steve Lukather, both from Toto, as well as Joe Walsh and Nathan East, among others. Here’s the title track co-written by Williams and Lukather. Backing vocals were provided by Amy Keys, Zelma Davis, Billy Valentine and Darryl Phinnessee. Let’s Change the World perfectly fits the hope and optimism Ringo Starr continues to radiate at age 81 – I just love the man!

Sources: Wikipedia; Apple Music; Ringo Starr website; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Another Sunday morning means it’s time for another selection of six tunes that don’t reflect any overarching theme. Pretty much anything is fair game as long as I like it. In general, I also aim to make these posts a bit eclectic. This installment includes beautiful new age style harp music (a first!), soulful blues, country rock, pop, pop rock and edgy garage rock.

Andreas Vollenweider/Behind the Gardens, Behind the Wall, Under the Tree…

Andreas Vollenweider is a harpist from Zurich, Switzerland. His instrument is no ordinary harp but an electro-acoustic harp he created. A New York Times article from October 1984 characterized his music as “swirling atmospheric”, evoking “nature, magic and fairy tales.” This story appeared ahead of Vollenweider’s U.S. tour debut at the Beacon Theatre in New York City in October of the same year. According to Wikipedia, he was introduced by Carly Simon who had come across his music the previous year. Vollenweider ended up collaborating with Simon 10 years later on his first album to include vocals. He also has worked with Luciano Pavarotti, Bryan Adams and Bobby McFerrin, among others. Behind the Gardens, Behind the Wall, Under the Tree… is the title track of Vollenweider’s second studio album from 1981. To date, he has released 13 additional albums. Until the other day when I randomly remembered his name, I had completely forgotten about Vollenweider and his beautiful and relaxing music. It’s perfect to kick off a Sunday morning.

Chicken Shack/I’d Rather Go Blind

My dear longtime friend and music connoisseur from Germany pointed me to this beautiful song recently. Coincidentally, around the same time, Music Enthusiast mentioned the band Chicken Shack in an installment of his previous four-part series about Fleetwood Mac’s middle period. So what’s the connection between Chicken Shack and the Mac you might ask? Christine Perfect (later Christine McVie) who sang lead and played keyboards in Chicken Shack before recording her eponymous solo album Christine Perfect and joining Fleetwood Mac in late 1970. Chicken Shack released I’d Rather Go Blind as a single in 1969, scoring a no. 14 on the British charts. Written by Ellington Jordan, the tune was first recorded by Etta James in 1967 and appeared on her seventh studio album Tell Mama from February 1968. Perfect’s vocals on Chicken Shack’s cover are – well – just perfect! BTW, Chicken Shack are still around, with the current lineup including founding member Stan Webb (guitar, vocals).

Blue Rodeo/Hasn’t Hit Me Yet

Canadian country rock band Blue Rodeo were founded in 1984 in Toronto. They were formed by high school friends Jim Cuddy (vocals, guitar) and Greg Keelor (vocals, guitar), who had played together in various bands before, and Bob Wiseman (keyboards). Cleave Anderson (drums) and Bazil Donovan (bass) completed the band’s initial lineup. After gaining a local following in Toronto and signing with Canadian independent record label Risque Disque, the group released their debut album Outskirts in March 1987. They have since released 14 additional studio albums, the most recent of which, 1000 Arms, came out in October 2016. Blue Rodeo have enjoyed significant success in Canada. Hasn’t Hit Me Yet was co-written by Keelor and Cuddy who together with Donovan are part of Blue Rodeo’s current lineup. The tune is included on the band’s fifth studio album Five Days in July from October 1993, their best-selling record in Canada to date.

Bruce Hornsby & The Range/The Way It Is

The debut album by American singer-songwriter and pianist Bruce Hornsby with his backing band The Range quickly became one of my favorites when it came out in September 1986. After I hadn’t touched it in many years, I listened to it again about a week ago – turns out I still like it. Hornsby went on to record two additional albums with The Range. His fourth studio album Harbor Lights from April 1993 was the first solely credited to him. Four additional solo albums and four albums with his touring band The Noisemakers have since come out. Hornsby also was a touring member of the Grateful Dead in the early ’90s and has collaborated with numerous other artists. After his first two albums with The Range, Hornsby had dropped off my radar screen. Here’s the title track of his debut. Both the album and the tune enjoyed major international chart success. Not hard to understand way – it’s pretty catchy pop.

Rainbirds/Blueprint

For some reason, the above Chicken Shack tune trigged my memory of German pop rock band Rainbirds. Other than the fact that both tunes feature female vocalists, they really don’t have anything in common – funny how the brain sometimes works! The group around singer-songwriter Katharina Franck, which was formed in Berlin in 1986 and named after a Tom Waits instrumental, enjoyed significant success in Germany with their first two albums. After the band dissolved in 1999 and Franck pursued a solo career, Franck reformed the group in 2013 with a new lineup. Another album appeared the following year. While Rainbirds haven’t released new music since, the group still appears to exist. Blueprint, co-written by Franck (guitar, vocals) and fellow band members Michael Beckmann (bass) and Wolfgang Glum (drums), is from Rainbirds’ eponymous debut album released in January 1987.

The Kinks/All Day and All of the Night

I felt this Sunday Six needed a dose of real rock. The Kinks and All Day and All of the Night looked like a great choice. I love the raw sound, which is very much reminiscent of You Really Got Me, the band’s third single from August 1964 and their first no. 1 in the UK. Written by Ray Davies, All Day and All of the Night came out in October of the same year. It almost matched the success of You Really Got Me, climbing to no. 2 on the British charts. In the U.S., both tunes peaked at no. 7 on the Billboard Hot 100. Oh, get ’em hard!

Sources: Wikipedia; The New York Times; YouTube

What I’ve Been Listening To: The Jersey Angels/Roots

For those who are old enough to remember, first, there were Charlie’s Angels, now there are The Jersey Angels. While Kate Jackson, Farrah Fawcett and Jaclyn Smith became well-known actresses, I don’t believe their talents included singing. And if they did, I doubt it was anywhere as close as the angelic harmony singing of The Jersey Angels, a pop-oriented country duo I saw Friday night when they performed backing vocals for an excellent Neil Young tribute band.

According to their website, The Jersey Angels are Annie and Gianna. Both grew up in the Garden State and are childhood friends. They got together in 2015 and have performed live since November that year. In addition to their impressive vocals, each is also a musician. Annie is playing the violin while Gianna is a guitarist. As a (mostly former) hobby guitarist and bassist, that’s something I like. The ladies also write their own songs. And, as Annie confirmed to me, they’re doing all of this while having “full-time jobs and tons of other obligations.”

annie & gianna
The Jersey Angels (from left): Annie & Gianna

Roots is The Jersey Angels’ debut album, which appeared in March 2018. Frequent visitors of the blog may be surprised that I’m writing about a country duo when my core wheelhouse is ’60s and ’70s classic rock and blues. While that hasn’t changed, my music taste is more eclectic than it may seem. At the end of the day, what I truly care about is whether music speaks to me, not the genre. And these two ladies simply sound great to me! Time for some music.

Let’s kick it off with the opener Hick At Heart.

Next up: The album’s title track.

Appropriately, the record also has a tune called Jersey Girls. And why not? After all, Tom Waits wrote a song about a Jersey Girl in 1980, though his delivery was slightly less angelic. And let’s not forget about another music artist from the Garden State, who did a great cover of that song. His name? Of course, you probably already knew: Bruce Springsteen.

The last tune I’d like to call out is a beautiful picker-upper called Albatross.

Roots is available on Amazon and iTunes. As I was listening to the album, I could picture Cheryl Crow singing some of the songs. And, call me crazy, the combination of acoustic guitar and violin also reminded me a bit of John Mellencamp, though similar to Tom Waits it would be a quite a different vocal sound.

Sources: The Jersey Girls website, YouTube