The Sunday Six

Celebrating music with six random tracks at a time

Good morning/good afternoon/good evening, wherever you are when reading this. It’s Sunday morning in my neck of the woods in lovely central New Jersey where you can always run into a confused deer or encounter a suicidal squirrel that jumps right before your moving vehicle. Why the hell am I saying this? Coz I just felt like it, plus how many times can you introduce a recurring feature that’s now in its 65th week?

Jean-Michel Jarre/Last Rendez Vous

Today, our music journey shall start in space with Jean-Michel Jarre, one of the pioneers of electronic, ambient and new-age music. The French composer who has been active since 1969 broke through with his third studio album Oxygène from December 1976. That record catapulted Jarre to the top of the French charts and the top 10 in various other European countries, including the UK (no. 2), Sweden (no. 3), The Netherlands (no. 4), Germany (no. 8), Norway (no. 9) and Austria (no. 10). Evidently, Europeans loved it, which in no small part was driven by the track Oxygène (Part IV) that subsequently became a single mirroring the album’s chart performance in Europe. Success was more moderate in the U.S. where the album peaked at no. 78 on the Billboard Hot 100 and Australia (no. 29) – still remarkable, given the genre! Last Rendez Vous is the closing track of Jarre’s eighth studio album Rendez-Vous, released in April 1986 – not quite as spacy as Oxygène but still very relaxing. That beautiful saxophone part was played by Pierre Gossez.

Drive-By Truckers/Gravity’s Gone

For the next tune, let’s travel to 2006 and pick up the speed with some great Southern rock by Drive-By Truckers. The group was formed in Athens, Ga. in 1996 by Patterson Hood (guitar, vocals, mandolin) and his longtime friend and musical partner Mike Cooley (guitar, vocals, banjo, harmonica). Both remain in the band’s current line-up, which also includes Jay Gonzalez (keyboards, guitar, accordion, saw, backing vocals), Matt Patton (bass, backing and lead vocals) and Brad “EZB” Morgan (drums). Drive-By Truckers helped launch the career of Jason Isbell who joined them at age 21 in 2001 and remained a member until April 2007. He recorded three albums with them, including A Blessing and a Curse, the group’s sixth record from April 2006. Here’s Gravity’s Gone, a great tune with a Stonesy vibe, written by Cooley. Since then, Drive-By Truckers have released seven additional studio albums, the most recent of which is The New OK from October 2020.

Todd Rundgren/I Saw the Light

When that song was served up to me by my streaming music provider the other day, I immediately decided to earmark it for a Sunday Six. The seductive power pop tune by Todd Rundgren reminds me of George Harrison. In fact, when I heard that slide guitar, I was near-100% sure this has to be Harrison. But, nope, the versatile Rundgren played all instruments and provided all vocals on this tune, which is the opener of his third album Something/Anything?. Released as a double-LP in February 1972, Something/Anything? became Rundgren’s commercial breakthrough as a solo artist. Peaking at no. 29 and no. 34 in the U.S. and Canada, respectively, Something/Anything? remains his most successful album to date. As of February 1975, it was certified gold by RIAA, based on 500,000 units sold. I Saw the Light also appeared separately as a single, reaching no. 16 on the U.S. Billboard Hot 100 and no. 15 in Canada. Elsewhere, it climbed to no. 21 in Australia and no. 36 in the UK. The album also featured Rundgren’s biggest hit single Hello It’s Me.

Leonard Cohen/Suzanne

Leonard Cohen/Suzanne

Time to play some ’60s. And, nope, for a change, it’s not a rocker. I can’t quite recall when I heard Suzanne by Leonard Cohen for the first time – must have been in the ’70s. What I do still remember is this song drew me in immediately. Frankly, I’m not even sure I already understood a word of English at the time. But Cohen’s vocals, the beautiful melody and the sparse instrumentation did the trick. Penned by the Canadian poet, novelist and singer-songwriter, Suzanne was the opener of Cohen’s debut album Songs of Leonard Cohen, which appeared in December 1967. It would be the first of fifteen studio albums he recorded over a close to 50-year-recording career. Cohen passed away from leukemia in Los Angeles in November 2016 at the age of 82 years. Suzanne sounds just as powerful today as it did back then.

Soundgarden/Black Hole Sun

Our next stop is the ’90s. It surprises me time and again how little I seem to know about this decade where alternative rock and grunge were all the rage. Well, I’m happy to report I was aware of Black Hole Sun by Soundgarden. In fact, when that tune came out in May 1994, I was in my second year of grad school in the U.S., and it seemed to be everywhere. Unless you lived under a rock, there really was no way you’d miss it! Black Hole Sun, written by Chris Cornell, became the third single off Soundgarden’s fourth studio album that ironically was titled Superunknown. Topping the charts in the U.S., Canada, Australia and New Zealand, reaching the top 5 in the UK, Sweden and Norway, and making the top 20 in The Netherlands, Germany and Austria, Superunknown not only became the Seattle band’s breakthrough but also their most successful album. Even though Black Hole Sun doesn’t have what you would call a catchy melody in the traditional sense, it still can easily get stuck in your brain!

Goodbye June/Stand and Deliver

And once again it’s time to wrap up another six-track journey. For my last pick, I’d like to jump to the present and Goodbye June, an exciting band that has been around since 2005. I love their embrace of classic rock, so it’s not surprising I’ve featured the band several times since I first came across them in December 2021. Goodbye June are comprised of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. The group was formed in honor of Baker’s brother who died in a car accident in June 2005. In 2009, they relocated to Nashville where they gained a reputation for their fiery live shows. Three years later, the band’s debut album Nor the Wild Music Flow came out. Stand and Deliver is a track from Goodbye June’s fourth and most recent studio release See Where the Night Goes, which appeared on February 18. I can hear some great ’70s style rock in here like AC/DC, Led Zeppelin and Aerosmith – love it!

And, last but not least, here’s a Spotify playlist of today’s songs.

Sources: Wikipedia; YouTube; Spotify

Goodbye June’s New Album Rocks, Classic Style

Goodbye June first entered my radar screen last December when I featured the title track of their then-forthcoming album See Where the Night Goes in a Best of What’s New installment. After listening to Breathe and Attack, which I included in my latest new music revue edition, it was an easy decision to dedicate an entire post to the group’s now-released fourth studio record, which came out on February 18.

See Where the Night Goes is the latest proof that while classic-style rock no longer is mainstream, it isn’t dead as is oftentimes claimed. Goodbye June, formed in Memphis, Tenn. in 2005, are part of what a July 2021 story in Guitar World called the New Wave of Classic Rock. Some of the other groups they noted in this context include Dirty Honey, Greta Van Fleet and Rival Sons. One band the story didn’t mention is Fortune Child, who were only founded in 2021 and may be the most recent in the pack. I featured one of their songs in yesterday’s Sunday Six installment.

Goodbye June are comprised of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. According to their AllMusic bio, they had first started making music together in their local church. The group was formed in honor of Baker’s brother who died in a car accident in June 2005. In 2009, they relocated to Nashville where they gained a reputation for their fiery live shows. Three years later, the band’s debut album Nor the Wild Music Flow came out.

Following extensive regional and some international touring, Goodbye June won first prize in 2014 in the Unsigned Music Competition. The band’s growing visibility led to a deal with Interscope Records. Their sophomore album Magic Valley appeared on that major label in May 2017. Let’s take a look at some music from See Where the Night Goes.

The album kicks off with Step Inside, credited to the three members of the band, as well as producer Paul Moak. The multi-instrumentalist from Nashville also contributed electric guitar, acoustic guitar, Clavinet, Mellotron, bass and percussion. Here’s the official video of the AC/DC-style rocker that pretty much sets the tone of the record.

Since I previously covered the title track and Breathe and Attack, I’m skipping these tunes here and go directly to Take a Ride. Like the opener, it was co-written by the band and Moak and is reminiscent of AC/DC as well. I could also see this tune on a Greta Van Fleet album.

Even high-energy rockers sometimes need to slow down. Here’s the rock ballad What I Need, credited to the band and Scott Stevens, another local Nashville artist. Call me crazy, I’m hearing some Lenny Kravitz here!

Let’s do two more: Here’s Baby, I’m Back, another Milbourn/Qualkenbush/ Baker/Moak co-write.

A tune titled Three Chords by a band like Goodbye June sounds promising, and it certainly doesn’t disappoint: Give ’em three chords/And the Holy Ghost/They’ll start a-moving/And shaking on the floor…Come on, boys, take us to rock & roll church!

Yes, Goodbye June aren’t exactly reinventing the classic rock wheel on See Where the Night Goes. And that’s precisely why I love it!

Sources: Wikipedia; Guitar World; AllMusic; Discogs; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Another Saturday is upon us. Today, Best of What’s New is hitting a milestone of sorts with its 100th installment. Since the publication of the weekly feature’s inaugural post on March 21, 2020, I’ve covered more than 400 newly released songs. Discovering tunes I sufficiently like can be a challenge, given I’m primarily into the ’60s and ’70s. But I continue to be encouraged it’s still possible to find decent new music, as long as you are willing to look for it. Let’s get to this week’s picks, which all are on albums that were released yesterday (February 18).

Gregor Barnett/Driving Through the Night

I’d like to kick things off with new music from the debut solo album by Gregor Barnett. He is best known as a co-founder of Philadelphia-based punk band The Menzingers, which has been around since 2006. Here’s an excerpt from Barnett’s bio on the website of his label Epitaph Records: “It was this perfect storm,” says Menzingers guitarist/co-vocalist Gregor Barnett. “The band couldn’t tour, I was going through a really difficult time, and I was stuck at home watching my family struggle with illness and death and hardship. The only thing I could do was write my way through it.”And yet, despite all the turbulence surrounding its creation, there’s something deeply hopeful and reassuring about Don’t Go Throwing Roses In My Grave, Barnett’s debut release under his own name. Written and recorded in the midst of the COVID-19 pandemic, the collection is a sonic departure from Barnett’s more punk-leaning work with The Menzingers, drawing on the gritty, off-kilter Americana of Tom Waits or Warren Zevon as it faces down loss and doubt in search of relief and redemption. Here’s Driving Through the Night, which like all other tracks on the album was penned by Barnett. I like his sound!

The Heavy Hours/Wasting All Our Time

The Heavy Hours are an alternative rock band from Cincinnati, Ohio. Here’s more from their website: On the heels of releasing their acclaimed Wildfire EP (2021) in the midst of a global pandemic, The Heavy Hours now return with Gardens, a full-length album that further exemplifies their distinctive strain of warm-hearted, open-armed alternative rock. The Cincinnati, Ohio-based quartet recorded Gardens several years ago, long before the group had management, an agent or a record label in their corner. With money they had collectively saved up, each of the members took a week off of work and set out to record a pocket full of songs at Montrose Recording located on remote farmland in Richmond, Virginia with producer Adrian Olsen (Nate Smith, Foxygen, Futurebirds). Somehow these early studio recordings found their way into the hands of multi GRAMMY award-winning producer/songwriter and Black Keys frontman Dan Auerbach who immediately took a shine to the band and in turn led to organizing a writing session in Nashville, TN, which crafted tracks released on the Wildfire EP. This brings me to Gardens, which according to this mini-documentary was recorded in 2018. Here’s Wasting All Our Time, credited to all four members of the band: Andrew Yorio, Michael Marcagi, Jonathan Todd Moon and Ian Malott. I’m glad The Heavy Hours were finally able to release this great music.

Sarah Shook & the Disarmers/Been Lovin’ You Too Long

Sarah Shook & the Disarmers are a band around country singer-songwriter Sarah Shook. According to her Apple Music profile, Shook was born in Rochester, New York in 1985. She was raised in a deeply religious household, home schooled, and only allowed to listen to classical or Christian praise music as she grew up. Despite these restrictions, Shook taught herself to play guitar in high school and began writing songs…In 2010, she put together her first band, Sarah Shook & the Devil, who issued an EP in 2013, Seven. By the end of 2013, that band had split, and Shook & the Devil guitarist Eric Peterson started over with the group Sarah Shook & the Dirty Hand, a stopgap project that played live around the Chapel Hill area. Meanwhile, Shook had found a fan in producer and engineer Ian Schreier, who was eager to make a record with her. In 2015, she and Peterson assembled a new band to record with Schreier, which also included Aaron Olivia on bass, Phil Sullivan on pedal steel, and John Howie, Jr. (who is also Shook’s partner) on drums. The new combo, dubbed the Disarmers, cut their debut album live in the studio with Schreier at the controls. Sidelong was self-released in late 2015. Fast-forward about six years and two months to Nightroamer, the third album by Sarah Shook & the Disarmers. All tunes on the record were written by Shook. Here’s Been Lovin’ You Too Long.

Goodbye June/Breathe and Attack

My last pick for this week is by Goodbye June, a rock band from Nashville, Tenn., formed in 2005. I first featured them in a Best of What’s New installment in December 2021. The group consists of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. Apple Music describes them as a hard rock band who blend a rootsy sound with big guitars and plenty of strutting style. Their debut album Nor the Wild Music Flow came out in 2012. Breathe and Attack is from their fourth and latest studio album See Where the Night Goes. I said it before, I’ll say it again: This band reminds me of AC/DC. Milbourn has some of that Bon Scott swagger, and their guitar-playing stylistically is pretty similar to the rock & roll band from down under. Check it out!

Before I wrap up, here’s a playlist of the above tunes. As usual, I threw in a few others by the featured bands.

Sources: Wikipedia; Epitaph Records website; The Heavy Hours website; Apple Music; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Perhaps it’s not surprising that checking iTunes yesterday hardly revealed any new music releases dated December 24. Which artist would really want to issue an album or a single that day when many folks are focused on Christmas and are done with gift shopping. Of course, I realize release dates are mostly determined by record labels, though December 24 shouldn’t be in their best interest either. Anyway, I still found some music I like that came out fairly recently and, as such, still qualifies as new, at least in my book. My picks this week all fall within different types of rock. Here we go!

Black Map/Witching Hour

Black Map are a post-hardcore supergroup formed in 2014 in San Francisco after the trio’s respective bands had gone on hiatus. Their members include Dredg guitarist Mark Engles; vocalist and guitarist Ben Flanagan, from The Trophy Fire; and drummer Chris Robyn, formerly with Far (all groups I don’t know). A debut EP, Driver, released in February 2014 was followed by the group’s first full-length album …And We Explode in October that year. Witching Hour is an upfront track from Black Map’s upcoming third full-length studio release Melodoria scheduled for Feb 18, 2022. It appeared on December 17. I can hear a bit of U2 here – check out the neat sound!

Goodbye June/See Where the Night Goes

Nashville, Tenn. group Goodbye June were formed in 2005. Their lineup features Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. Apple Music describes them as a hard rock band who blend a rootsy sound with big guitars and plenty of strutting style. Their debut album Nor the Wild Music Flow came out in 2012. See Where the Night Goes is the title track of the band’s upcoming fourth album set to drop on February 18, 2022. Released on December 14, this tune sounds very classic rock. I find it great to see contemporary bands embrace a genre that has often been called dead. Reminds me a bit of AC/DC!

Austin Meade/Loser Mentality

I hardly could find any public information on Texas rock guitarist and vocalist Austin Meade. Not even his own website includes a bio! According to his Apple Music mini-profile, he cranks out twangy hard-rock albums like 2021’s Black Sheep that boast growling riffs and an outlaw swagger that would make Tyler Childers proud. Wikipedia describes Childers as an American singer-songwriter who blends neotraditional country, bluegrass and folk. I guess this shall suffice. Loser Mentality is Meade’s new single, released on December 9. It was co-written by him and David James Willie. I like it!

Superchunk/Endless Summer

Superchunk are an indie rock band from Chapel Hill, N.C., which were formed in 1989. Their members include Mac McCaughan (vocals, guitar), who I featured in a previous Best of What’s New installment this September; Jim Wilbur (guitar), Laura Ballance (bass) and Jon Wurster (drums). Since the release of their eponymous debut album in September 1990, 10 additional records have come out. Endless Summer is a track from Superchunk’s upcoming 12th studio album, Wild Loneliness, scheduled for February 25, 2022. Credited to the entire group, the melodic rock tune was released on December 7 – nice!

Here’s a playlist that includes the above tunes.

Once again, to those celebrating, Merry Christmas!

Sources: Wikipedia; Apple Music; YouTube