Yearend Musings Part 1

A look back on new songs released in 2022

Happy Saturday and I hope everybody has been enjoying the holiday season. As 2022 is beginning to wind down, it’s time to revisit new music released this year. I decided to do this in two parts. Part 1, which draws on my weekly Best of What’s New feature, looks back at some of the new songs I like. Part 2 focuses on new albums that speak to me. To avoid overlap between the two parts, I won’t feature any tunes in part 1 that are on albums highlighted in part 2.

Following are 12 tunes released this year, one from each month. I’m doing this in chronological order. There’s also a Spotify playlist at the end, which includes all highlighted and some additional 2022 tunes.

John Mayall/Can’t Take No More (feat. Marcus King)

I’d like to kick off this post with the amazing John Mayall, who on November 29 turned 89. On January 28, the Godfather of the British Blues released The Sun is Shining Down, a true late-stage career gem I reviewed here. The soulful blues rocker Can’t Take No More, penned by Mayall, features Marcus King on guitar.

Gregor Barnett/Driving Through the Night

On February 19, Gregor Barnett released his debut solo album Don’t Throw Roses in My Grave during COVID downtime for The Menzingers, the Philadelphia-based punk band he co-founded in 2006. Driving Through the Night was written by Barnett like all other tracks on the Americana rock-focused album, a departure from his more punk-leaning music with The Menzingers.

Young Guv/Couldn’t Leave U If I Tried

Young Guv is a solo project of Toronto-based guitarist and vocalist Ben Cook. After playing in two Canadian hardcore punk bands, Cook launched a solo career in 2015 and has since released five power pop-oriented albums under the Young Guv moniker. I immediately loved the beautiful Byrdsy-sounding Couldn’t Leave U If I Tried, included on Guv III, his fourth album that came out on March 11.

The Linda Lindas/Talking to Myself

When I first came across The Linda Lindas in early March, I was struck by the energy of this Los Angeles-based all-female punk pop and garage band. The four-piece was founded in 2018 when their members were still young teenagers. Talking to Myself is a tune from the group’s first full-length album Growing Up, which appeared on April 8.

49 Winchester/All I Need

Va.-based 49 Winchester describe their music as “tear-in-your-beer alt-country, sticky barroom floor rock-n-roll, and high-octane Appalachian folk.” Formed in the mid-2010’s, the group has put out four albums to date. Lynyrd Skynyrd-flavored country rocker All I Need appears on their most recent Fortune Favors the Bold, released on May 13.

Lettuce/RV Dance

American jazz and funk band Lettuce were formed in Boston in the summer of 1992 when all of their founding members attended Berklee College of Music as teenagers. Initially a short-lived venture for just one summer, the group reunited in 1994 and released their debut in 2002. RV Dance is a groovy track from their latest album Unify, which came out on June 3. As I said at the time, you could picture James Brown singing to this great tune!

Dawes/Ghost in the Machine

Los Angeles-based folk rock band Dawes emerged from Simon Dawes in 2009 after that rock group’s co-songwriter Blake Mills had left. His departure did not only result in a new name but also in a change of music style from post-punk to folk rock. Here’s Ghost in the Machine, a cool tune from the group’s eighth and most recent studio album Misadventure of Doomscroller, out since July 22.

Marcus King/Blood On the Tracks

Guitarist and songwriter Marcus King is one of the most exciting young contemporary artists in my book. The 26-year-old has been on stage since he was 8 when he started performing alongside his family. Here’s the soulful rocker Blood On the Tracks from King’s second solo album Young Blood released on August 26.

Ringo Starr/Free Your Soul (feat. Dave Koz and José Antonio Rodriguez)

“Every band deserves a Ringo.” Unfortunately, I can’t remember where I read that great quote, which perfectly describes Ringo Starr. The ex-Beatles drummer always has been all about the music, never about himself. A perfect illustration is the All-Starr Band, his touring rock supergroup Ringo formed in 1989. Now 82 years young, he’s still rocking – and recording! Free Your Soul is the smooth closer of Starr’s most recent release, an EP titled EP 3 that appeared on September 16.

The Star Crumbles/Desperately Wanting

The Star Crumbles is a cool music project by fellow blogger Marc Schuster from Abnominations and his friend Brian Lambert. After meeting on Twitter and working together on one of Lambert’s songs earlier this year, they hit it off and decided to form The Star Crumbles. Both are into ’80s music and bands like The CureEcho & the Bunnymen, New Order and Ultravox, which is noticeable on their first album The Ghost of Dancing Slow released on October 7. Here’s one of my favorites, Desperately Wanting.

Larkin Poe/Southern Comfort

Sister act Larkin Poe have been among my favorite contemporary artists since they entered my radar screen a few years ago. Not only are Rebecca Lovell and her slightly older sister Megan Lovell great songwriters, but they are also really talented musicians and sing together in perfect harmony. Southern Comfort is a sizzling southern blues rocker from their sixth full-length album Blood Harmony, which came out on November 11 and which I reviewed here.

Mthunzi Mvubu/Mom vs the Bad Man

The final pick I’d like to highlight is by South African-based saxophonist, flute player and composer Mthunzi Mvubu. Playing professionally since he was 14, Mvubu has traveled globally with jazz luminaries since he was 18. Mom vs the Bad Man is a track from The 1st Gospel, Mvubu’s debut album as a leader, released on December 2.

Last but not least, here’s the above-mentioned Spotify playlist. While finding new music I sufficiently like can be quite time-consuming, I feel it’s been another rewarding year. Hope there’s something here that speaks to you as well!

Sources: Wikipedia; 49 Winchester website; YouTube; Spotify

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Best of What’s New

A selection of newly released music that caught my attention

Another week flew by and I can’t believe we’re in June. Time to take a fresh look at new music releases. All of my picks for this revue are on albums released yesterday (June 3).

The Black Moods/Youth Is Wasted On The Young

Let’s kick it off with rock from Tempe, Ariz. The Black Moods, a trio of Josh Kennedy (vocals, guitar), Jordan Hoffman (bass) and Chico Diaz (drums), have been around since 2012. From their Apple Music profile: Combining a bluesy hard rock approach with a bit of grungy swagger, the Black Moods rose from regional Arizona bar band status to major-label touring act with the release of their sophomore LP, Medicine, in 2016. A classic guitar-bass-drums power trio, the band takes inspiration from a host of hard-hitting bands from Led Zeppelin to Foo Fighters, adding their own distinctive nuances to the rock & roll canon…Nicking their name from an offhand comment made by Ray Manzarek describing one of Jim Morrison’s stormy moods in a Doors documentary, they self-released their eponymous debut in 2012 and began establishing themselves as a road band, touring the country…gigs with acts like Jane’s Addiction, Shinedown, Everclear, and Doors guitarist Robby Krieger helped boost their profile over the next couple of years. This brings me to Into the Night, the fourth and latest studio album by The Black Moods and Youth Is Wast On the Young. Credited to the three members of the band and producer Johnny Karkazis, the album opener is a nice rocker!

Crobot/Better Times

Let’s throw in some more rock with Cobot who hail from Pottsville, Pa., a small city about 50 miles west of Allentown. Formed in mid-2011, the band currently includes co-founders Brandon Yeagley (lead vocals, harmonica) and Chris Bishop (guitar, backing vocals), together with Tim Peugh (bass) and Dan Ryan (drums). AllMusic characterizes their music as “rooted in groove-laden, fuzz-drenched hard rock delivered with greasy swagger and reckless abandon.” The group’s new album, their fourth, is titled Feel This. “This is the record we’ve been wanting to do ever since we started,” Yeagley stated on the band’s website. “We’ve always thought of ourselves as a live act,” he explained, adding they recorded 16 songs live in-studio in just 21 days. How about a sample? Here’s Better Times, co-written by Yeagly, Bishop and Ryan. This is fun when you’re in the mood for kickass rock!

Andrew Bird/Faithless Ghost

Time to take it down a notch. Andrew Bird doesn’t fit well into a specific genre. From his AllMusic bio: A virtuosic violinist, singer, songwriter, composer, actor, and expert whistler, Andrew Bird’s career has undergone a variety of stylistic shifts since his early days playing jazz and swing music. While folk and roots music has always played a part in his music, he’s also conversant in contemporary pop and indie rock, and he’s consistently shown a willingness to experiment, even within his more traditionally oriented projects. Bird has been active since 1992 and has released 16 studio albums to date, which includes his latest, Inside Problems. Here’s Faithless Ghost, which like all except one of the 10 other tracks on the album was penned by Bird. It’s an unusual yet catchy tune. In addition to singing, Bird also plays guitar and violin. I like the latter in particular.

Lettuce/RVA Dance

My last pick for this week is new music by American jazz and funk band Lettuce, who I first featured in a June 2020 Best of What’s New installment. Initially, the group was formed in Boston in the summer of 1992 when all of its founding members attended Berklee College of Music as teenagers. While it was a short-lived venture that lasted just this one summer, the members reunited in 1994 when all of them had become undergraduate students at Berklee. In 2002, their debut album Outta There appeared. And outta there they’ve been, with seven additional albums having since appeared. This includes their latest release Unify. Check out opener RVA Dance. I could picture James Brown singing to this funky groove. But it’s pretty cool as is, sans vocals!

And, yes, before wrapping up, here’s a Spotify playlist featuring the above and a few other tunes.

Sources: Wikipedia; Apple Music; Crobot website; YouTube; Spotify