Christian’s Fourth of July Rock Playlist

While I never need a reason to listen to great music, I certainly don’t mind the idea to combine it with a special occasion. Today happens to be the Fourth of July, which undoubtedly means many folks will be hanging out with family and friends, eat burgers and other barbecued foods, and watch some fireworks. Perhaps with the exception of the latter, all of these activities are much more fun with music, in my humble and completely unbiased opinion.

Before we get to the enclosed playlist, I wanted to express my hope that all people celebrating Independence Day remember this country was built by immigrants, based on the principles of life, liberty and the pursuit of happiness, not hate, division and walls. And that’s all I have to say about that, to borrow a line from one of my all-time favorite motion pictures. Time to get to some music!

How to organize a playlist of random rock tunes I found in my music library? Well, how about alphabetically and kicking if off with some Abba? Just kidding! Here’s AC/DC with It’s A Long Way To The Top (If You Wanna Rock ‘n’ Roll. Co-written by Angus Young, Malcolm Young and Bon Scott, the track first appeared as a single in December 1975 and also became the opener to High Voltage, the Aussie rockers’ first internationally released album in April 1976. I suppose many people never looked at bagpipes the same way again. While the visual is a bit blurred, I just couldn’t resist to post the video version of the tune. Fasten your seat belts and let’s go!

What comes after “a”? Well, d’uh, “b”! Though don’t worry, I won’t go through the entire alphabet. But I didn’t want to skip Blue Öyster CultCities On Flame With Rock With Rock And Roll is from their eponymous debut album released in January 1972. I’ve always dug that song, which is credited to Albert Bouchard, Donald “Buck Dharma” Roeser and Sandy Pearlman. It also became the band’s first single.

I’m skipping “c” and jump ahead to “d”. It didn’t take long to figure which band to feature: Deep Purple.  I just love these guys and still believe they’re the ultimate hard rock band. And while Highway Star or Smoke On The Water may have been more obvious choices, I felt like going with Speed King, the opener to their fourth studio album Deep Purple In Rock from June 1970. Like all tracks on the record, the tune was credited to all members of the band at the time: Ritchie BlackmoreIan GillanRoger GloverJon Lord and Ian Paice – their best line-up, in my opinion.

Before Gary Moore started to focus on the blues, the Northern Irish guitarist was more of a straight rocker and in this case a hard rocker. Victims Of The Future is the title track of his fourth studio album that came out in December 1983. It was co-written by Moore, Neil Carter, Ian Paice and Neil Murray – and, yep, that’s Deep Purple drummer Ian Paice, which I didn’t know either until I read up on the tune. Once it kicks into high gear at around the one-minute mark, the track literally feels like fireworks going off!

Okay, I thought a rock playlist has to have some Jimi Hendrix. Given the occasion, Star Spangled Banner it is. And since this year marks the 50th anniversary of Woodstock, here’s Jimi’s legendary rendition from the festival.

Next up is a choice you may find a bit surprising: Carry On Wayward Son by Kansas. In my book, this tune off their fourth studio album Leftoverture from October 1976 features one of the coolest rock guitar riffs I know. Written by Kerry Livgren, the track also became the record’s lead single in November that year.

We’re up to “l” and that means Led Zeppelin. With so many great tunes from this band, the choice was tough. Whole Lotta Love is one hell of a song that includes one of the best Jimmy Page riffs, in my opinion. In addition to all members of the band, the opener to Led Zeppelin II is co-credited to Willie Dixon, since Zep “adapted” parts of Dixon’s 1962 tune You Need Love. Unfortunately, they didn’t give any love to Dixon when the album came out in October 1969. It took a lawsuit and settlement in 1985 to make this happen – not the only example where Zep obviously stole material from other artists. Maybe I’m a bit naive here, but I never got why they engaged in this kind of BS! Proper attribution wouldn’t have diminished them as one of rock’s greatest bands.

Rainbow, the band founded by Ritchie Blackmore in 1975, may not match Deep Purple, but they released some great music, especially during the initial phase with powerhouse lead vocalist Ronnie James Dio. Following is their best known tune, Long Live Rock ‘n’ Roll, the title track to the band’s third studio album from April 1978. Dio wrote all lyrics on the record, his last with Rainbow. Most of the music including for this song was penned by him and Blackmore.

As somebody who grew up in Germany, I felt I had to acknowledge what’s probably the most successful German rock band internationally: Scorpions. While I acknowledge their music has varied quite a bit over the decades, these guys have released some kickass rock. Here’s Loving You Sunday Morning, the opener to Lovedrive. According to Wikipedia, the band’s sixth studio album from January 1979 “cemented the “Scorpions formula” of hard rock songs combined with melodic ballads.” Lead vocalist Klaus Meine and drummer Herman Rarebell co-wrote the tune’s lyrics, while guitarist Rudolf Schenker came up with the music. Scorpions continue to rock to this day, more than 40 years on, with Meine and Schenker still being part of their line-up – amazing!

We’re up to the tenth and last tune. Let’s finish it with some early Van Halen, when they were still great: Runnin’ With The Devil, off their eponymous studio debut in February 1978. Like most of the record’s tracks, the song is credited to all members of the band at the time:  Eddie Van HalenAlex Van HalenDavid Lee Roth and Michael Anthony.

And that’s a wrap. Hope everybody who is celebrating it has a great Fourth of July. And please be safe and don’t do anything silly, such as drinking and driving!

Sources: Wikipedia, YouTube

New Tom Petty Box Set Works Because It’s Not A Greatest Hits Or Typical Anthology Compilation

An American Treasure focuses on previously unreleased material, including alternate takes, deep cuts and live versions

When you see a box set being issued one year after the death of a widely beloved music artist like Tom Petty, you can’t entirely escape the cynical notion that somebody is trying to make a quick buck here. And while I’m sure Reprise Records wouldn’t mind, should An American Treasure turn out to be a hot seller, this box set is neither a greatest hits compilation nor a typical anthology, and that’s a good thing! Instead, the career-spanning collection focuses on previously unreleased alternate song versions, live performances and deep cuts. Is it going to gain Tom Petty additional listeners post mortem? Probably not. Are longtime fans going to like it? I certainly do and think others will as well.

An American Treasure, which dropped on September 28, is the first release following Tom Petty’s untimely death on October 2, 2017 at age 66 – just one week after the triumphant conclusion of his 40th anniversary tour with the Heartbreakers. I hate to sound like a broken record, but it still hurts and like so many other longtime fans, gosh, I miss him!

Tom Petty_Am American Treasure Formats

According to the official press release that announced the box set in July, Adria Petty and Dana Petty – Tom’s daughter and wife, respectively – were the key drivers behind this new collection. They teamed up with former Heartbreakers guitarist and keyboarder Mike Campbell and Benmont Tench, as well as Ryan Ulyate, one of Petty’s studio collaborators. Campbell, Tench and Ulyate co-produced the box set, while Adria and Dana Petty served as executive producers.

“Everyone involved in this project chose each track with tremendous care and deep respect for the body of work Tom Petty created over the course of 40 years,” Adria and Dana Patty stated.  “He also accumulated a wealth of unreleased music in his vaults, and we have collectively uncovered one gem after another that will keep us all listening and discovering new facets of Tom’s talent for many years to come. We can’t wait to share with Tom’s fans this musical portrait of an artist who deeply affected our culture and indelibly touched the lives of fans the world over.”

Time for some music. Lost In Your Eyes is a previously unreleased single recorded during sessions in 1974 with Mudcrutch, Tom Petty’s band that preceded the Heartbreakers and included future members Mike Campbell (guitar) and Benmont Tench  (keyboards). Tom Leadon (guitar and vocals), the brother of former Eagles lead guitarist Bernie LeadonJim Lenehan (vocals); and Randall Marsh (drums) rounded out the lineup. Petty was on bass and vocals.

Keep A Little Soul is a previously unreleased tune from the 1982 sessions for Long After Dark, the fifth studio album Tom Petty and the Heartbreakers released in November that year. It also appeared as the collection’s first single back in July when the box set was initially announced. Here’s a video featuring rare never-before-seen footage of the band.

In 1984, Tom Petty and the Heartbreakers recorded a demo with Stevie Nicks called The Apartment Song. Perhaps it was motivated by the Petty/Campbell co-write Stop Draggin’ My Heart Around, which had appeared in July 1981 on Nicks’ studio debut Bella Donna, generating a U.S. hit that peaked at no. 3 on the Billboard Hot 100. The tune, which must have been recorded around the same time the band was working on their sixth studio release Southern Accents, did not make that album or any other records, as far as I know.

Another collaboration on the box set is King Of The Hill, a song Roger McGuinn co-wrote with Petty. It became the lead single to McGuinn’s sixth studio album Back From Rio released in January 1991. The version on the box set is an early take from November 1987 – great tune!

In April 1999, Tom Petty and the Heartbreakers came out with their 10th studio album Echo. One track that was recorded during the sessions for the record but not included on the album or released separately is Gainesville, an autobiographic song about Petty’s home town: Home-grown, in the headphone/Sandy loadin’ up the van/Singin’ through the speakers/You’re alright anywhere you land/Gainesville was a big town/Gainesville was a big town…

The last track I’d like to highlight is another song related to Petty’s home state of Florida: Bus To Tampa Bay, yet another previously unreleased tune. It was recorded during the sessions for Hypnotic Eye, the final studio album Tom Petty and the Heartbreakers released in July 2014.

An American Treasure is available in various formats: A Super Deluxe Limited Edition 4-CD set, a 6-LP Vinyl Edition and a 2-CD Standard Edition. All of the recordings have been mixed by Ryan Ulyate from transfers of the original studio multitrack masters. They have been re-mastered by Chris Bellman, a sound engineer at Bernie Grundman Mastering, who has worked with artists like Diana Ross, Neil Young, Carole King, Duran Duran and Van Halen, among others.

Sources: Wikipedia, Tom Petty website, YouTube