Taking An Imaginary Journey Back to My Original Home

A collage of music and places from Germany

The idea for this post came to me over the weekend when I found myself listening to my long-time favorite German rock band Niedeckens BAP, previously simply known as BAP. Suddenly, I longed to be back in Germany, the country where I was born and lived for the first 27 years of my life. Not for good, but just for a visit, which feels long overdue!

Images of key places started popping up before my eyes: My town of birth Heidelberg (image below), the small village in the countryside close to Bonn where I grew up, the cities of Bonn (second image from right in the lower row of the collage on top of the post) and Cologne (left image in collage), as well as the town of Tübingen (right image in lower row of collage) where I did my graduate studies, to name a few.

Heidelberg

I’ve now lived permanently in the U.S. for close to 25 years, almost as long as I lived in Germany – hard to believe! There’s no question the States have become my home. While over the more recent past I’ve witnessed things I never thought could happen in this country, I’m firmly rooted here.

I never really felt homesick since I left Germany in 1993. After all, I’ve been back many times, once every other year on average, to visit my parents and other family. I also still have friends there from high school and university. Returning to Germany has always been important. But my last visit dates back to the fall of 2019, and it’s currently unclear whether I’ll be able to go back this year. This sucks!

Former house of my parents (left) close to the city of Bonn in the village of Buschhoven (right) where I grew up

So, yes, I miss visiting good ole Germany. My family and friends. The above mentioned places. The food. And, I know it sounds like a cliché, the beer – it’s the best I’ve ever tasted. Note I’m not saying it’s the best in the world, though it probably is – sorry, Budweiser or Miller! 🙂

This brings me to German rock and pop music performed in the German language. The above mentioned BAP, a band from Cologne, were the first Deutsch Rock I started to explore more deeply in the early ’80s. I turned to many other German acts thereafter. Fortunately, I still got access to plenty of their music, which is very reassuring! Here’s is a small selection.

Wolf Maahn/Kannst Du Sehen

Let’s kick things off with Kannst Du Sehen (can you see), a groovy tune by Wolf Maahn from his 2010 studio album Vereinigte Staaten (United States). Maahn, who was born in Berlin in 1955 and grew up in Munich, has been a professional music artist since the late ’70s. After recording two English language albums with Food Band, he launched his solo career in 1982, mostly singing in German ever since. Two years later, his great breakthrough album Irgendwo in Deutschland (somewhere in Germany) appeared. Maahn remains active to this day and has released 15 studio albums, as well as various live records and compilations. If you’d like to know more about him, you can check out this previous post.

Spider Murphy Gang/Schickeria

Spider Murphy Gang, formed in Munich in 1977, became known for mostly ’50s rock & roll and other retro style songs performed in Bavarian dialect. I think there’s just something about dialects. They can add a certain charm to a song. Country rocker Schickeria (in crowd) is the opener of Spider Murphy Gang’s third studio album Dolce Vita from 1981, which greatly expanded their popularity in Germany beyond Bavaria. BTW, the band’s name comes from Spider Murphy, the guy playing the tenor saxophone in the Leiber-Stoller classic Jailhouse Rock that first became a hit for Elvis Presley in 1957. After nearly 45 years, Spider Murphy Gang rock on with lead vocalist and bassist Günther Sigl and guitarist Barny Murphy remaining as original members in the current eight-piece line-up. I’ve never been to one of their shows, though I’d love to see them some day. Their music is quite fun!

Marius Müller-Westernhagen/Schweigen Ist Feige

If you count his start as a 14-year-old actor in 1962 before turning to music in the second half of the ’60s, Marius Müller-Westernhagen, or just Westernhagen, has been active for nearly 60 years. After meager beginnings his music career took off in 1978 with his fourth studio album Mit Pfefferminz Bin Ich Dein Prinz (with peppermint I’m your prince). Westernhagen whose catalog includes 19 studio albums, four live records and various compilations is one of Germany’s most successful music artists. Here’s Schweigen Ist Feige (remaining silent is cowardice), a Stonesey rocker from Affentheater (monkey business), Westernhagen’s 14th studio release that appeared in 1994.

Udo Lindenberg/Ich Zieh’ Meinen Hut

Udo Lindenberg, who is turning 75 years later this month, is another German rock and pop institution. Already as a 15-year-old, he performed in bars in the West German town of Düsseldorf, playing the drums. After relocating to the northern city of Hamburg in the late ’60s and stints with folk rock band City Preachers and jazz rock outfit Free Orbit, which he co-founded, Lindenberg launched his solo career in 1971, focused on writing and singing his own songs in German. He has released more than 30 studio and numerous other albums to date. You can read more about him here. Following is Ich Zieh’ Meinen Hut (I tip my hat), the opener of Stark Wie Zwei (strong like two), a triumphant comeback album for Lindenberg from 2008.

Herbert Grönemeyer/Was Soll Das?

Pop music is Herbert Grönemeyer’s second act. The versatile artist, who was born on April 12, 1956 in Göttingen, first came to prominence as an actor. He gained some international attention after his role in the acclaimed 1981 World War II motion picture Das Boot. His eponymous studio debut Grönemeyer from 1979 went unnoticed. Things changed dramatically in 1984 with his fifth studio release 4630 Bochum (name and then-zip code of a West German city). It became Grönemeyer’s first no. 1 record in Germany, a chart position he incredibly has been able to achieve for each of his 10 albums that have since come out! Here’s Was Soll Das? (what’s that supposed to mean), the first track from Grönemeyer’s seventh studio album Ö that appeared in 1988.

Niedeckens BAP/Mittlerweile Josephine

Of course, this post wouldn’t be complete without Niedeckens BAP. If you’ve followed my blog for some time, the name may sound familiar. The band around singer-songwriter Wolfgang Niedecken, which used to be known as BAP for most of their career, was founded in Cologne in 1976. Not surprisingly, there have been many line-up changes over the decades. For the past six years, the band essentially has been a solo project for Niedecken, the only remaining original member. The other constant is Niedeckens BAP continue to perform their songs in Kölsch, the regional dialect spoken in the area of Cologne. You can read more about the band here. Following is Mittlerweile Josephine (now Josephine) from their most recent studio album Alles Fliesst (everything is groovy) released in September 2020. It was this beautiful ballad Niedecken wrote for his daughter, which triggered this post.

Sources: Wikipedia; YouTube

My Playlist: Wolf Maahn

The rock singer-songwriter has been a staple of the German music scene for more than three decades

I said it before and I say it again: Germany has more music artists to offer than the handful who have become popular internationally. While I’m not sure anybody cares, I can be stubborn to make my point, so I’m featuring another terrific singer-songwriter you probably haven’t heard of unless you grew up in Germany: Wolf Maahn. He burst on the music scene there in the mid ’80s with a great rock tune that could have been written by Bruce Springsteen. Similar to BAP, the rock band I explored two weeks ago here, most of Maahn’s sizable catalog is in German. And just like in their case, I’ve no doubt language is a significant factor explaining Maahn’s limited visibility beyond  Germany’s borders.

Wolf Maahn was born in Berlin on March 25, 1955. He grew up in Munich, where he saw The Beatles as an 11-year-old in 1966. Perhaps not surprisingly, that concert left a lasting impression. “The Beatles were simply untouchable to me,” he told a German newspaper during an interview in 2001. In 1975, Maahn co-founded Food Band in Cologne, together with his brother Hans Maahn and other musicians. They released their studio debut Foodband in England in 1979. A version of that album for the German market, ingeniously titled Last Year’s Album, appeared the following year. Just like its predecessor, it featured all English music. Food Band released on more album in 1981, Rhythm ‘N’ Juice, another clever title, before they disbanded.

Wolf Maahn Rockpalast 1985
Wolf Maahn (l) and Axel Heilhecker at Rockpalast Night in Essen, Germany, March 1985

Following the dissolution of Food Band, Maahn launched his solo career. Former band mate, song co-writer and guitarist Axel Heilhecker joined Maahn’s backing band Deserteure (deserters). In September 1982, Wolf Maahn und die Deserteure released their studio debut Deserteure. The sophomore Bisse Und Küsse (bites And kisses) appeared the following year. The band’s national breakthrough Irgendwo In Deutschland (somewhere in Germany) was released in 1984. In 1985, Wolf Maahn und die Deserteure became the first German act to perform at Rockpalast Nacht, which was broadcast live in 17 European countries. I previously wrote about the famous music festival here, which between 1977 and 1986 drew artists like Rory Gallagher, ZZ Top, The Police and The Who. BTW, BAP performed there as well.

In 1988 after he had dissolved Deserteure two years earlier, Maahn came out with Third Language, which thus far remains the only English language album of his solo career. He has since released nine additional studio albums, four live records and one compilation. His most recent, the live album Live & Seele (live & soul), appeared in January 2017. Another notable thing about Maahn is his way to play the guitar – left handed with the strings placed in reverse order, i.e., e, b, g, D, A and E. Frankly, being a lefty is hard enough for me to imagine, but having the strings upside down is just impossible – well, evidently not. Time for some music!

I’d like to kick things off with Die Sucht Der Träumer (the addiction of the dreamers). The tune is the opener of Maahn’s second solo album, the above mentioned Bisse Und  Küsse from 1983.

Fieber (fever) is from the breakthrough Irgendwo In Deutschland. The album gained further popularity in the wake of Maahn’s performance at Rockpalast and remained in the German LP charts for nine months. Fieber, the tune with the Springsteen vibe I noted in the introduction, became a major hit.

Another great tune is Ich Wart’ Auf Dich (I’m waiting for you).  Maahn recorded it for Kleine Helden (little heroes), the follow-on to Irgendwo In Deutschland released in 1986. Here is an extended version, or “maxi” as they called it in Germany at the time.

Next up: The title track of the Third Language album from 1988. It has a similar vibe to Ich Wart’ Auf Dich.

In 1991, Wolf Maahn released his seventh solo album Maahnsinn. The title’s similarity to the German word “Wahnsinn” (madness) is probably not a coincidence. Here’s Wenn Der Regen Kommt (when the rain is coming).

In Deinem Bett (in your bed) is a tune from Soul Maahn, Maahn’s 10th studio release from 1999.

In 2004, Wolf Maahn released his 11th studio album, Zauberstrassen (magic streets). Here is the catchy Schatzjäger (treasure hunter).

Kind Der Sterne (child of the stars) was a single from 2007. The song was also included on Maahn’s double live album Direkt Ins Blut 2 (directly into the bloodstream 2) – (Un)plugged, which appeared the same year.

March 2010 saw Maahn’s 12th studio release Vereinigte Staaten (United States). It was the first full album with all new material since Zauberstrassen. Here is the groovy Kannst Du Sehen (can you see) – love that tune!

The last track I’d like to highlight is from Wolf Maahn’s most recent studio release Sensible Daten (sensitive data), which came out in September 2015: Zoll Achtung! (attention customs!), another groovy tune.

After a 40-year-plus career (including Food Band), Wolf Maahn continues to do what a full bread music artist does: Rock on! His tour calendar for the remainder of the year shows a bunch of upcoming gigs in Germany solo and together with a backing band. In addition to being a music artist, the versatile Maahn has also worked as a producer, film score composer and actor over the years. While at age 63 it’s fair to say he’s a mature rocker, I don’t get the impression Maahn is thinking retirement any time soon. After all, compared to Paul McCartney and Mick Jagger, he’s still a baby!

Sources: Wikipedia, Wolf Maahn website, YouTube