On January 21, Keb’ Mo’ released his latest studio album Good to Be…, and I finally got to spend some time with it. I’ve been enjoying the Nashville-based guitarist and singer-songwriter whose real name is Kevin Roosevelt Moore since May 2017 and the release of TajMo, his fantastic collaboration album with Taj Mahal. Good to Be… is a warm-sounding feel-good album that in my view couldn’t have come out at a better time. I love it!
In case you’re planning to listen to Good to Be…, you should realize this isn’t a blues album, even though it’s categorized that way. Based on what I’ve heard to date, Keb’ Mo’ has never been a “hardcore” blues artist. While some of his music undoubtedly has blues elements, it also includes soul, folk, roots, Americana and country.
Good to Be… comes less than two years after Oklahoma, a roots-oriented album from June 2019 I reviewed here at the time. In October 2019, Mo’ also released Moonlight, Mistletoe & You, a collection of Christmas tunes I haven’t heard.
A review in Glide Magazine notes Good to Be… has various producers. In addition to Mo’, they include Vince Gill, Tom Hambridge and Keith Secor, who each also play on certain tracks. Among other guests are Darius Rucker (of Hootie & the Blowfish), Americana string group Old Crow Medicine Show and blues guitarist Christone “Kingfish” Ingram. I’d say it’s time for some music!
Let’s kick it off with the opener Good to Be (Home Again), one of the tunes co-produced by Vince Gill. Evidently, it’s a song about Mo’s return to Compton, the Southern California city where he was born in October 1951. The tune’s positive vibe sets the tone for most of the album. Here’s the official video.
Sunny And Warm is one of my early favorites. I dig the warm and laid back sound of this tune. “Basically, ‘Sunny and Warm’ is my older self talking to my younger self, looking back at those summer days of beaches and dreams of finding love,” Mo’ said about the tune. “I would never want to be a teenager again, and I won’t, because there’s no going back.”
On The Medicine Man, which features Old Crow Medicine Show, things do get more serious and the lyrics are darker with obvious references to the pandemic. “I was taking some time out at our house in California with my family,” Mo’ recalled. “We were locked in and staying away from people. Doing Zoom writing appointments, watching Dr Fauci on TV doing interviews, and it sparked some ideas. This was one of those songs that just came to me, and quickly. I woke up early one morning and wrote the whole thing in about 15 minutes.”
Did we need another rendition of Lean On Me? Under normal circumstances, I would have said ‘no.’ But with a pandemic that only in the U.S. has killed about one million people and now war raging in Europe, these aren’t normal times. Granted when Mo’ decided to record this beautiful Bill Withers song, one of the tracks co-produced by Tom Hambridge, the Russian 21st-century czar wannabe had not unleashed his reckless assault on the Ukrainian people. Even without the war, Lean On Me was the right song at the right time. “What makes this version special to me is the contribution from my lifelong friend, the Freedom Rider, Ernest “Rip” Patton, who passed on this year,” Mo’ said. “This was the last time I got to record his booming bass voice. I’m gonna miss calling on my brothers.”
Let’s finish with a nice car song: ’62 Chevy, another tune co-produced by Mo’ and Gill…I got my hands on the wheel, Y’all/Rolling steady/Rubber on the road, in my ’62 Chevy/ My ’62 Chevy gonna take you to town/ I got the dog in the back baby/ Top down (Whoa, Yeah)…
Here’s a link to the entire album in Spotify.
The final word shall belong to Keb’ Mo’. “I may be turning 70,” Mo’ says in his bio posted on his website [actually, he already did, on October 2, 2021 – CMM]. “But I’m still breathing and I’m still hungry. I’m still out there going for it every single day.”
Sources: Wikipedia; Glide Magazine; Keb’ Mo’ website; Discogs; YouTube; Spotify