Keb’ Mo’s Latest Feel-Good Album Comes At the Right Time

On January 21, Keb’ Mo’ released his latest studio album Good to Be…, and I finally got to spend some time with it. I’ve been enjoying the Nashville-based guitarist and singer-songwriter whose real name is Kevin Roosevelt Moore since May 2017 and the release of TajMo, his fantastic collaboration album with Taj Mahal. Good to Be… is a warm-sounding feel-good album that in my view couldn’t have come out at a better time. I love it!

In case you’re planning to listen to Good to Be…, you should realize this isn’t a blues album, even though it’s categorized that way. Based on what I’ve heard to date, Keb’ Mo’ has never been a “hardcore” blues artist. While some of his music undoubtedly has blues elements, it also includes soul, folk, roots, Americana and country.

Good to Be… comes less than two years after Oklahoma, a roots-oriented album from June 2019 I reviewed here at the time. In October 2019, Mo’ also released Moonlight, Mistletoe & You, a collection of Christmas tunes I haven’t heard.

A review in Glide Magazine notes Good to Be… has various producers. In addition to Mo’, they include Vince Gill, Tom Hambridge and Keith Secor, who each also play on certain tracks. Among other guests are Darius Rucker (of Hootie & the Blowfish), Americana string group Old Crow Medicine Show and blues guitarist Christone “Kingfish” Ingram. I’d say it’s time for some music!

Let’s kick it off with the opener Good to Be (Home Again), one of the tunes co-produced by Vince Gill. Evidently, it’s a song about Mo’s return to Compton, the Southern California city where he was born in October 1951. The tune’s positive vibe sets the tone for most of the album. Here’s the official video.

Sunny And Warm is one of my early favorites. I dig the warm and laid back sound of this tune. “Basically, ‘Sunny and Warm’ is my older self talking to my younger self, looking back at those summer days of beaches and dreams of finding love,” Mo’ said about the tune. “I would never want to be a teenager again, and I won’t, because there’s no going back.”

On The Medicine Man, which features Old Crow Medicine Show, things do get more serious and the lyrics are darker with obvious references to the pandemic. “I was taking some time out at our house in California with my family,” Mo’ recalled. “We were locked in and staying away from people. Doing Zoom writing appointments, watching Dr Fauci on TV doing interviews, and it sparked some ideas. This was one of those songs that just came to me, and quickly. I woke up early one morning and wrote the whole thing in about 15 minutes.”

Did we need another rendition of Lean On Me? Under normal circumstances, I would have said ‘no.’ But with a pandemic that only in the U.S. has killed about one million people and now war raging in Europe, these aren’t normal times. Granted when Mo’ decided to record this beautiful Bill Withers song, one of the tracks co-produced by Tom Hambridge, the Russian 21st-century czar wannabe had not unleashed his reckless assault on the Ukrainian people. Even without the war, Lean On Me was the right song at the right time. “What makes this version special to me is the contribution from my lifelong friend, the Freedom Rider, Ernest “Rip” Patton, who passed on this year,” Mo’ said. “This was the last time I got to record his booming bass voice. I’m gonna miss calling on my brothers.”

Let’s finish with a nice car song: ’62 Chevy, another tune co-produced by Mo’ and Gill…I got my hands on the wheel, Y’all/Rolling steady/Rubber on the road, in my ’62 Chevy/ My ’62 Chevy gonna take you to town/ I got the dog in the back baby/ Top down (Whoa, Yeah)

Here’s a link to the entire album in Spotify.

The final word shall belong to Keb’ Mo’. “I may be turning 70,” Mo’ says in his bio posted on his website [actually, he already did, on October 2, 2021 – CMM]. “But I’m still breathing and I’m still hungry. I’m still out there going for it every single day.”

Sources: Wikipedia; Glide Magazine; Keb’ Mo’ website; Discogs; YouTube; Spotify

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New Eagles 2018 Concert Film to Debut on ESPN This Sunday

I just saw and wanted to share this story reported by Ultimate Classic Rock. This Sunday, July 5, a concert film by the Eagles, Live From The Forum MMXVIII, will debut on ESPN at 8:00 pm EDT. The film captures highlights from three gigs the Eagles played in September 2018 at The Forum in Los Angeles during their North American tour that year. The concert, which will also appear on vinyl, CD, Blue-ray and DVD on October 16, marks the band’s first release following the untimely death of Glenn Frey in January 2016 at the age of 67.

I was fortunate enough to see the Eagles with Frey in 2015 in Atlantic City during their History of the Eagles Tour, less than six months before he passed away. After a hiatus due to Frey’s death, the Eagles resumed playing shows in 2017, with Glenn’s son Deacon Frey and Vince Gill taking over Glenn’s parts. The following year, the band returned to full-fledged touring. While their shows got rave reviews, ticket prices were completely over the top, so I haven’t seen them again since the above great Atlantic City show – not that that concert was exactly cheap, but at least I felt I could still half way afford it! Now, no way, but I take a free broadcast!

According to this ESPN press release, LIVE FROM THE FORUM MMXVIII, a Scheme Engine production directed by Nick Wickham, was filmed on 14 4K cameras. It will be available on October 16, through Rhino in a variety of audio and video formats, including Blu-ray, CD, Vinyl, and Streaming. A super deluxe edition will also be available. The set captures definitive live performances of the band’s most iconic hits, (“Hotel California,” “Take It Easy,” “Life In The Fast Lane,” “Desperado”), and beloved album tracks, (“Ol’ 55, “Those Shoes”), along with some of the individual members’ biggest solo smashes, (Henley’s “Boys Of Summer,” Walsh’s “Rocky Mountain Way,” and Gill’s “Don’t Let Our Love Start Slippin’ Away”).

The Eagles’ lineup (including touring musicians) during their 2018 tour featured Don Henley (lead and backing vocals, drums, percussion, rhythm guitar), Joe Walsh (lead and rhythm guitars, keyboards, backing and lead vocals), Timothy B. Schmit (bass, backing and lead vocals, harmonica), Deacon Frey (rhythm and lead guitar, lead and backing vocals, Vince Gill (lead and rhythm guitar, backing and lead vocals), John Corey (piano, backing vocals, percussion, additional guitars), Scott F. Crago (drums, percussion), Will Hollis (keyboards, synthesizers, backing vocals), Steuart Smith (guitars, mandolin, backing vocals) and Michael Thompson (piano, keyboards, backing vocals).

Here’s the great looking track list, as reported by Ultimate Classic Rock:

‘Eagles Live From the Forum MMXVIII’ Track Listing
1. “Seven Bridges Road”
2. Joe Walsh: “How ya doin?”
3. “Take It Easy”
4. “One of These Nights”
5. Don Henley: “Good evening, ladies and gentlemen”
6. “Take It to the Limit”
7. “Tequila Sunrise”
8. “In the City”
9. Timothy B. Schmit: “Hey, everybody, that’s Joe Walsh”
10. “I Can’t Tell You Why”
11. “New Kid in Town”
12. Don Henley: “Just want to thank all of you…”
13. “How Long”
14. Deacon Frey: “Hello, everybody…”
15. “Peaceful Easy Feeling”
16. “Ol’ 55”
17. “Lyin’ Eyes”
18. “Love Will Keep Us Alive”
19. Vince Gill: “How about a nice hand for California, man…”
20. “Don’t Let Our Love Start Slippin’ Away”
21. “Those Shoes”
22. “Already Gone”
23. “Walk Away”
24. Joe Walsh: “Is everybody OK?”
25. “Life’s Been Good”
26. “The Boys of Summer”
27. “Heartache Tonight”
28. “Funk #49”
29. “Life in the Fast Lane”
30. “Hotel California”
31. “Rocky Mountain Way”
32. “Desperado”
33. “The Long Run”

Sources: Wikipedia; Ultimate Classic Rock; ESPN press release

The Eagles Rise Again At Classic West

Band delivers powerful tribute to Glenn Frey

Following Glenn Frey’s untimely death in January 2016 at the age of 67, the future of The Eagles looked uncertain. After all, Frey led the Southern California band together with Don Henley and co-wrote most of their songs with him. So it was a fair question to ask whether anyone could step into his shoes. Last night, fans got some answers during The Eagles’ first regular live concert after Frey’s death, conducted at Dodger Stadium in Los Angeles at part of 2music festival.

Of course, to close observers it wasn’t much of a surprise. At the end of May, the Los Angeles Times had reported Deacon Frey, Glenn’s 24-year-old son, and country artist Vince Gill, one of Frey’s close friends, would join The Eagles to share responsibilities for replacing Frey.

Deacon Frey

“Bringing Deacon in was my idea,” Henley told the Times. “I think of the guild system, which in both Eastern and Western cultures is a centuries-old tradition of the father passing down the trade to his son, and to me, that makes perfect moral and ethical sense. The primary thing is I think Glenn would be good with it — with both of these guys. I think he’d go, ‘That’s the perfect way to do this.’”

Deacon added he grew up singing his father’s songs. “The first songs I learned on guitar were ‘Take It Easy’ and ‘Peaceful Easy Feeling.’ He was always very supportive and very encouraging of my music and my love for music.”

Vince Gill

During the same interview, a beaming Gill commented, “In my mind, I always thought I’d have made a good Eagle…but in a million years, I never would have seen this coming. It’s pretty surreal. I turned 60 recently, and to get to be a part of this amazing legacy of songs, that’s the greatest part of all this for me.”

While Deacon’s and Gill’s participation in last night’s show had been announced, the appearance of another music artist was a surprise. Bob Seger, a long-time friend of Frey and a collaborator, joined the band to sing Heartache Tonight. The song choice was not a coincidence – Seger had co-written the tune with Henley, Frey and J.D. Souther and provided (non-credited) background vocals on the recording.

Following are a few clips showing Deacon Frey and Vince Gill with the band. The footage is taken from other shows.

Tequila Sunrise featuring Vince Gill

Peaceful Easy Feeling featuring Deacon Frey

Heartache Tonight featuring Bob Seger

And then there is of course the ultimate signature Eagles tune, Hotel California, which was the first encore.

While media coverage of last night’s show has been favorable, I’ve no doubt critical voices will emerge, questioning the motives behind the revival of The Eagles. After all, in the wake of Frey’s death, Henley himself had said during various interviews he thought this was the end of the band. Sure, one could take a cynical view and argue this would also mean the end of lucrative concert tours and merchandise, so it’s ultimately a money grab. I do see it a bit differently.

While I’m not naive and realize financial incentives are likely part of the equation here, especially in today’s music business where records no longer sell the way they used to, I also think it’s important to acknowledge The Eagles did not only consist of Henley and Frey. Let’s not forgot about Joe Walsh and Timothy B. Schmit. If one member of a four-piece band is no longer around, this should not automatically seal the fate of the band.

Just like I thought it was perfectly fine for Pink Floyd to continue after they had parted ways with Roger Waters, I feel it’s okay for The Eagles to go on without Glenn Frey. Sure, he’ll be dearly missed and it’s big shoes to fill, especially for Deacon. But while the 24-year-old essentially still is an unproven music artist, he deserves a lot of credit for what must have been a high-pressure performance last night. Gill is the complete opposite. He’s had a 30-year-plus career with 19 studio albums and multiple Country Music Association and Grammy Awards – more than any other country male artist.

It remains to be seen whether Deacon Fry and Vince Gill will become permanent replacements for Glenn. For now, The Eagles are soaring again, which most fans will appreciate.

Sources: Wikipedia, Los Angeles Times, Rolling Stone, Setlist.fm, YouTube