On This Day in Rock & Roll History: March 15

Time for another installment in my long-running, somewhat geeky music history feature. I still get a kick out of researching what happened on a certain date throughout the decades in rock & roll, even though it’s such an arbitrary concept. Admittedly, I’m using the term rock & roll loosely here. It pretty much includes all music genres I dig – hey, it’s my blog, so I get to make the rules. Without further ado, let’s get to March 15!

1967: The Beatles began work on Within You Without You, a song by George Harrison. According to The Beatles Bible, Harrison had written the tune at the London home of longtime Beatles friend Klaus Voormann who first had met the band in Hamburg and had shared a flat with Harrison and Ringo Starr in the British capital in early ’60s. Several musicians from the collective Asian Music Circle played traditional Indian instruments during the recording session. They were joined by Harrison and The Beatles’ then-personal assistant Neil Aspinall on tamburas. “The tabla had never been recorded the way we did it,” commented sound engineer Geoff Emerick. “Everyone was amazed when they first heard a tabla recorded that closely, with the texture and the lovely low resonances.” Within You Without You was included on Sgt. Pepper’s Lonely Hearts Club Band instead of Only a Northern Song, another Harrison tune that would later appear on Yellow Submarine.

1969: Cream hit the top spot on the UK Albums Chart with their fourth and final studio album appropriately titled Goodbye. It would stay in that position for two weeks. Here’s one of the record’s tracks, Politician, which also is one of my favorite Cream tunes. Co-written by Jack Bruce and Pete Brown, Politician was one of three live tracks on the record that were captured on October 19, 1968, at The Forum in Los Angeles during the band’s farewell tour. By the time Goodbye came out in February 1969, Cream had already disbanded.

1975: Black Water, a classic by The Doobie Brothers, climbed to the top of the Billboard Hot 100, the first of only two no. 1 hits the band had in the U.S. The second one was What a Fool Believes in 1979. Penned by Patrick Simmons who also sang lead, Black Water first appeared on the Doobies’ fourth studio album What Were Once Vices Are Now Habits released in February 1974. Interestingly, the initial single release of Black Water was as the b-side to the record’s lead single Another Park, Another Sunday. While it’s not a bad song, you still have to wonder about that decision, which seems to suggest that between the band and the record company, they hadn’t quite noticed what a gem Black Water was.

1986: The Bangles reached no. 2 on the UK Singles Chart with Manic Monday, scoring their first hit, which also peaked at no. 2 in the U.S., Australia, Germany and Ireland, and placed in the top 5 in Austria, Norway, New Zealand and Switzerland. Written by Prince under the pseudonym Christopher, the tune was included on the American pop-rock band’s sophomore album Different Light, which had appeared in January of the same year. I generally find listening to The Bangles fairly enjoyable. In particular, I like their harmony singing, plus they have some pretty catchy songs. Just please spare me with Eternal Flame, which at the time was hopelessly burned by overexposure on the radio back in Germany and I suspect in many other countries. BTW, The Bangles are still around in almost their original lineup. Following the band’s breakup in 1989, they reunited in 1998.

1999: Curtis MayfieldDel ShannonDusty SpringfieldPaul McCartneyThe Staple SingersBilly Joel, and Bruce Springsteen were inducted into the Rock and Roll Hall of Fame by Sean Combs, Art Alexakis, Elton John, Neil Young, Lauryn Hill, Ray Charles and Bono, respectively –  sounds fucking unreal to me! Springsteen reunited with the E Street Band to perform at the ceremony. Here are Bruce and the boys with Wilson Pickett, performing a scorching version of In The Midnight Hour, a Stax classic Pickett had co-written with Steve Cropper in 1965. Watching Pickett say he wants to kick Bruce in the ass but will keep it light since he’s The Boss and Bruce responding ‘Let’s give it a shot’ is priceless –  damn, this wants me to go and listen to some kickass live music, so badly – fuck you, COVID-19!

Sources: Wikipedia; The Beatles Bible; This Day In Music; This Day In Rock; Songfacts Music History Calendar; YouTube

Clips & Pix: Southern Avenue/No Time To Lose

I’ve written about Southern Avenue before, for example here. Together with Greta Van Fleet, this five-piece funky blues, R&B and soul band from Memphis, Tenn. is one of the very few younger contemporary music acts I’m truly excited about. I had a chance to briefly chat with guitarist Ori Naftaly and lead vocalist Tierinii Jackson at a gig in New York last August, and apart from being talented artists, they are such nice and regular people – not necessarily a given in the music world, especially for a band that appears to be received enthusiastically wherever they perform. These guys are keeping it real!

Co-written by Jackson and Naftaly, No Time To Lose is included on Southern Southern’s eponymous debut album that appeared in February 2017 on Stax Records – yep, that Stax where the likes of Otis Redding, Wilson Pickett and Sam & Dave released their music. That in and of itself is pretty cool in my book. I also think this tune rocks: great guitar riff and superb singing. The sound of the keys played by Jeremy Powell is right up my alley as well. Tierinii’s sister Tikyra Jackson on drums completes the band’s core lineup. Bassist Gage Markey is a touring member.

Speaking of touring, Southern Avenue seems to be on the road most of the time. They’re playing in many parts of the U.S. and occasionally even oversees. You can check out their current schedule on their Facebook page here. They are also scheduled to release their sophomore album later this year.

Sources: Southern Avenue website and Facebook page, YouTube

Clips & Pix: The Commitments/Mustang Sally

Friday night, I watched The Commitments in a charming little theater close to Princeton, N.J.,  where they featured the Irish musical comedy in celebration of St. Patrick’s Day. It must have been the third or fourth time I saw the picture about a lad putting together a soul band of working class youngsters on the northside of Dublin. Apart from being pretty hilarious, the movie features great Stax-like soul music. One of my favorites is Mustang Sally.

While the tune is most closely associated with Wilson Pickett, who released it in 1966 and scored a hit, it was actually first recorded the previous year by Stax fellow artist Bonny “Mack” Rice, who also penned the song. Apart from Mustang Sally, Rice is best known for co-writing Respect Yourself with Luther Ingram. I like both the original and Pickett’s cover of Mustang Sally but have to say the added pep in the version by The Commitments kicks it up a notch for me.

Andrew Strong, who plays the band’s obnoxious lead vocalist Deco Cuffe, just has a fantastic raspy soulful voice. According to Wikipedia, all other band members acting in the movie were actually performing as well and selected because of their musical talents. The only exception was saxophonist Joey ‘The Lips’ Fagan (gotta love that name) played by Johnny Murphy.

At the end of the day, whoever was playing what you hear in the picture or on the soundtrack did a phenomenal job. Apparently, there is a still-active touring version of the band called Stars From The Commitments featuring various members from the movie’s cast.

Sources: Wikipedia, YouTube

Clips & Pix: Booker T. Jones Demonstrates Hammond B3

When one of the coolest Hammond B3 players on the planet demonstrates the legendary organ and chats about how he got into playing this beautiful instrument, you know you’re in for a treat! To me the above NPR footage of Booker T. Jones hands-down is one of the most mesmerizing music clips I’ve ever watched on YouTube. Observing the man explain how you “crawl” on the Hammond and seeing the joy he still gets out of playing the organ is just priceless. His voice isn’t shabby either! If you’re into soulful music craftsmanship and haven’t seen this yet, I would strongly encourage you to invest the 18 minutes it takes to watch this clip in its entirety.

In fact, if you’ve visited the blog in the past, you may have seen a previous feature I did on the Hammond B3 back in June 2017. That piece included the above clip as well, but it was kind of buried all the way at the end. I was reminded of this great footage last night when I talked to a keyboarder of a jam band. I told him Green Onions would be a cool addition to their set list and in this context mentioned Jones’ great demo and that he had to watch it. Did I mention I can have strong opinions about music? In any case, I felt featuring this clip again and this time doing it more prominently was warranted.

Apart from Jones sharing nice anecdotes from the past, including how his piano teacher changed his life, he plays three tunes: Green Onions, Born Under A Bad Sign and Down In MemphisGreen Onions became a signature tune for Booker T. & The M.G.s in 1962 and launched their career as a standalone act. Of course, they were primarily known as the house band of Stax Records where they backed such amazing artists like Wilson Pickett, Otis ReddingCarla Thomas and Albert King on hundreds of recordings.

Born Under A Bad Sign was co-written by Jones and Stax longtime recording artist William Bell for Albert King, who recorded it in 1967. The tune became the title track of King’s second studio album that appeared in August of the same year. Jones closes out his presentation with Down In Memphis, a new song at the time this footage was recorded. The track was included on Jones’ ninth studio album The Road From Memphis released in May 2011. I don’t recall having ever listened to that record, so I should go and check it out!

Sources: Wikipedia, YouTube

Soul Men Comin’ To You With Good Lovin’

Sam & Dave were Stax top act along with Otis Redding

With the country teetering from one crisis to the other, the news isn’t great these days, but not all is bleak. When I spotted this recent story from the Memphis Commercial Appeal, it put a smile on my face. Sam & Dave will receive a Lifetime Achievement Award at the 61st Annual Grammy Awards in Los Angeles on February 10, 2019. While I don’t ever need a reason to cover great music, this well-deserved honor provides a great angle to celebrate “The Dynamic Duo” that became Stax Records’ top performers in the ’60s, together with Otis Redding.

Sam Moore, born on October 12, 1935 in Miami, and Dave Prater, born on May 9, 1937 in Sycamore, Ga., met at the King of Hearts Club in Miami in 1961 while working on the gospel music circuit. At the time, they had already individually established themselves in the gospel groups The Melionaires and the Sensational Hummingbirds, respectively. They decided to team up but success didn’t come right away.

Sam & Dave In Concert
Sam Moore & Dave Prater

Shortly after meeting at the above Miami club, Moore and Prater got a contract with Roulette Records. They released a series of six singles that went unnoticed. In late 1964, Billboard journalist turned record company partner Jerry Wexler signed them to Atlantic Records. Moore and Prater were excited about the prospect to record at the label’s headquarters in New York or perhaps at FAME Studios in Muscle Shoals, Ala. But, as the above Commercial Appeal story notes, “instead they were given two bus tickets to Memphis, home of Stax Records.”

To further quote from the article, “When Moore and Prater got off the bus, they were shocked at what they found: an integrated collection of musicians working out of a funky old studio on the city’s south side.” And I might add all of that during a time and in a place where racial segregation was still very much a reality despite the enactment of the Civil Rights Act on June 2, 1964.

Sam & Dave at Stax
Sam & Dave at Stax Records ca. 1970 (from left): Sam Moore, Isaac Hayes, Andrew Love, Wayne Jackson, Dave Prater, Jim Stewart and Steve Cropper

Initially, Sam & Dave worked with Stax producer and engineer Jim Stewart and songwriter Steve Cropper, guitarist of Stax dynamite house band Booker T. & The M.G.s. Then they moved to Isaac Hayes and David Porter, who at the time were still relative newcomers to writing and producing music. Sam & Dave’s first two singles didn’t make the charts. But success came with the third release You Don’t Know Like I Know, a no. 7 on the R&B chart.

In April 1966, Sam & Dave released their debut album Hold On, I’m Comin’. And comin’ they did. Both the record and the title track became hugely successful. Over the next three years, Sam & Dave scored eight additional consecutive top 20 R&B chart hits. Then their luck ran out. After a series of unsuccessful singles in 1969 and early 1970, they broke up in June that year.

Sam & Dave_Back at 'Cha

Each went on to record some solo singles that didn’t make an impact, and in August 1971, Sam & Dave decided to reunite, just before their contract with Atlantic expired. While they didn’t have a label, they continued to be a sought after live act. In 1975, they released a new studio album, Back At ‘Cha via United Artists. Produced by Steve Cropper and featuring the M.G.s and The Memphis Horns, the record yielded a top 100 single appropriately titled A Little Bit Of Good (Cures A Whole Lot Of Bad).

The emergence of The Blues Brothers in the late ’70s and their cover of Soul Man brought Sam & Dave back into the limelight. A series of concert appearances and two compilation albums (Soul Study Vol. 1 and Soul Study Vol. 2) followed, before The Dynamic Duo gave their last concert as a pair on new year’s eve in 1981.

Sam Moore at the White House
Sam Moore performing at The White House in July 2013

Following the second and final break-up, Prater hired singer Sam Daniels to perform the Sam part and started touring under the “Sam & Dave” name or as “The New Sam & Dave Revue.” This didn’t go over well with Moore, who tried to block Prater from using the name. On April 9, 1988, Prater was killed in a car accident in Sycamore, Ga.

Since 1981, Moore has continued to tour with other famous soul artists, such as Wilson Pickett, Booker T. & The M.G.s and Carla Thomas. He has also done some recording, for example, You Must Not Be Drinkin’ Enough, together with Don Henley for his 1984 album Building The Perfect Beast. In 1986, he also re-recorded Soul Man with Lou Reed for a motion picture with the same name. In October, Moore turned 83 and still appears to be active. Let’s get to some music!

What better tune to start off this playlist than with Hold On, I’m Comin’, the title track of Sam & Dave’s debut studio album released in April 1966. The song was co-written by Isaac Hayes and David Porter. Initially, I was going to include a clip of the studio recording. Then I came again across this killer live footage. Damn’, if this doesn’t make you get up and dance or at least groove along by snipping your fingers, you’ve probably had too much eggnog or too many Christmas cookies!

In addition to Hayes and Porter, other Stax musicians were involved in writing music for Sam & Dave. One such example is If You Got The Loving, another tune from the debut album, for which Steve Cropper received a co-writing credit, along with Hayes and Porter.

Here’s Soul Man from Sam & Dave’s third studio album Soul Men, which appeared in October 1967. Another Hayes-Porter composition, Soul Man became a no. 1 single on what was then the Billboard Hot Rhythm & Blues Singles chart, nowadays known as the Hot R&B/Hip-Hop Songs. It also peaked at no. 2 on the Billboard Hot 100. Like for many other Stax recordings at the time, the label’s killer house band Booker T. & The M.G.s  provided the instrumentation. It’s acknowledged in the second chorus with the line, I‘m a soul man, play it Steve, a reference to guitarist Steve Cropper.

Next up: Broke Down Piece Of Man, another great tune from the Soul Men album. This song was written by Cropper and Joe Shamwell, a frequent co-writer of Stax music.

In 1968, Sam & Dave released I Thank You, their fourth and final studio album prior their first official breakup. Here’s the title track

I Thank You was the title track from Sam & Dave’s fourth studio album from 1968, the final record prior to their first official breakup. Another great Hayes-Porter co-write, the tune became Sam & Dave’s last top 10 single.

Here’s another hot tune from the record: Wrap It Up, yet another co-write by Hayes and Porter. If the song sounds familiar, yet you haven’t heard this version, you may know it from The Fabulous Thunderbirds, who included a great cover on their January 1986 studio album Tuff Enuff.

I’d like to close this post with two tunes from Sam & Dave’s final studio album released in May 1974. First is the above mentioned A Little Bit Of Good (Cures A Whole Lot Of Bad). The song was co-written by Gary Dalton and Kent Dubarri, who also performed as Dalton & Dubarri and released four records in the ’70s.

Last but not least, here’s Shoo Rah, Shoo Rah, a nice cover of a tune written by Allen Toussaint and first recorded by American soul and R&B singer Betty Wright.

In addition to the upcoming Grammy Lifetime Achievement Award, Sam & Dave have received various other accolades. In 1992, they were induced into the Rock and Roll Hall of Fame. According to Wikipedia, they are also members of the Grammy Hall of Fame, Vocal Group Hall of Fame and the Memphis Music Hall of Fame – gee, frankly, I didn’t know there were so many different halls of fame. Apart from Soul Man, their songs have been covered by many other top music artists, such as Aretha Franklin, The Temptations, Bonnie Raitt and Eric Clapton & B.B. King.

Sources: Wikipedia, Memphis Commercial Appeal, YouTube

On This Day In Rock & Roll History: October 21

After more than two months, I thought this would be a good time for another installment of the recurring music history feature. These posts are driven by happenings that sufficiently intrigue me, which limits their number, plus I’ve already covered numerous dates. But it seems to me there is still plenty left to explore.

As on previous occasions, this post is an arbitrary selection of events, not an attempt to capture everything that happened on that date. For example, while as a parent I find child birth a beautiful thing, I don’t include birthdays of music artists’ children. However, birthdays of the artists qualify. But if you die to know, Jade Jagger, daughter of Mick Jagger and Bianca Jagger, one of eight children Mick has with five women, was born on October 21, 1971 in Paris, France. With that important factoid out of the way, let’s get to some other events that happened on October 21 throughout rock & roll history.

1940: Manfred Mann was born as Michael Lubowitz in Johannesburg, South Africa. In 1961, he moved to the U.K. and began his long music career. He initially became successful with a band named Manfred Mann and a series of hits in the mid to late ‘60s like Do Wah Diddy DiddySha La La and Pretty Flamingo. Immediately after that band’s breakup, Mann formed experimental jazz rock outfit Manfred Mann Chapter Three. They lasted for two years and two albums before Mann found long-lasting success with progressive rockers Manfred Mann’s Earth Band. They had hits throughout the ‘70s and ‘80s, especially with covers of Bruce Springsteen tunes like Spirits In The Night and Blinded By The Light. After a hiatus in the late ‘80s and early ‘90s, the band still appears to be active to this day. Mann has also released various solo albums. Here’s a clip of Do Wah Diddy Diddy, Mann’s first number one single released in July 1964. Written by Jeff Barry and Ellie Greenwich, the song was first recorded in 1963 as Do-Wah-Diddy by American vocal group The Exciters.

1941: Steve Cropper was born as Steven Lee Cropper on a farm near Dora, Missouri. An accomplished guitarist, who is ranked at no. 39 on the Rolling Stone list of the 100 Greatest Guitarists Of All Time, Cropper got his first guitar via mail order as a 14-year-old. At the time, he was already living in Memphis, Tenn. where in 1964 be became A&R man of Stax Records and a founding member of the label’s house band Booker T. & The M.G.’s. Together with the band, be backed soul legends, such as Otis ReddingSam & Dave and Wilson Pickett, and co-wrote some of their songs like (Sittin’ On) The Dock Of The Bay, Soul Man and In The Midnight Hour. Booker T. & The M.G.’s also released their own music. During the second half of the ’70s, Cropper became a member of The Blues Brothers. He has also worked as a producer with many artists. Here’s a great clip of a Sam & Dave performance of Soul Man from 1974 – always loved that tune and Cropper’s guitar work on it!

1957: Steve Lukather was born as Steven Lee Lukather in the San Fernando Valley, Calif. The prolific session guitarist is best known for being a longtime member of Toto, which he co-founded with David Paich (keyboards), Steve Porcaro (keyboards) and Jeff Porcaro (drums) in 1976. Lukather also is a songwriter, arranger and producer. He played guitar and bass on various tracks of Michael Jackson’s Thriller album from 1982. While Beat It was among those songs, he did not play the killer solo on that tune, which was performed by Eddie Van Halen. Lukather has also released seven solo records to date. He is currently on the road with Toto for their 40th anniversary tour. Here’s a clip of I Won’t Hold You Back, a ballad Lukather wrote for Toto IV, the band’s most successful album released in April 1982.

1965: As part of the recording sessions for their sixth studio album Rubber SoulThe Beatles were working at Abbey Road Studios. Following an unsatisfactory attempt to record Norwegian Wood 10 days earlier, they did three additional takes on October 21, of which they ended up selecting the last. Lyrically influenced by Bob Dylan and credited to John Lennon and Paul McCartney, the tune is an early example of a Western pop song featuring Indian instruments. In this case, it was the sitar played by George Harrison, who had been inspired by sitar maestro and his friend Ravi Shankar.

1976: Keith Moon performed his last public show with The Who at Maple Leaf Gardens in Toronto, Canada. It was the final gig of the band’s 1976 tour. Moon’s lifestyle had begun to impact his health and performance several years earlier. In perhaps the most infamous incident, Moon passed out on stage at Cow Palace in Daly City, Calif. during the first U.S. date of The Who’s 1973 Quadrophenia tour. Prompted by Pete Townshend who asked whether anyone in the audience was good at playing the drums, Scot Halpin, a drummer, stepped forward and played the rest of the show. Moon also faced challenges during the ’76 tour. By the end of the U.S. leg in Miami in August, a delirious Moon was treated in a hospital for eight days. When The Who performed a private show at a theater in London in December 1977 for The Kids Are Alright, a visibly overweight Moon had difficulty sustaining a solid performance. Moon passed away in September 1978 at the age of 32 from an overdose of a medication to treat alcohol withdrawal symptoms. Here’s a clip of Moon in action with The Who during a raucous 1967 performance of My Generation. As a guitar lover, I’m glad Townshend no longer smashes his gear these days.

Sources: Wikipedia, This Day In Rock, This Day In Music, The Beatles Bible, YouTube

 

1,100 Miles From Memphis, Keeping It Real With Funky Blues And Soul

Southern Avenue shines live in New York City

Southern Avenue has been on my radar screen since I listened to their great eponymous debut album a year ago. When I learned the funky blues and soul band was coming to New York City, I decided right away that I wanted to see them. And so I did, Tuesday night at Joe’s Pub at The Public, a terrific small music venue in the Big Apple’s West Village. The band’s powerful performance made it worth every minute!

Founded in Memphis in 2015, Southern Avenue include Tierini Jackson (lead vocals), her sister Tikyra Jackson (drums, backing vocals), Ori Naftaly (guitar), Jeremy Powell (keyboards) and Gage Markey (bass), who is a touring member. According the band’s website, they are named after a street that runs from East Memphis to “Soulsville,” the original home of the legdendary Stax Records.

Southern Avenue
Southern Avenue (left to right): Tikyra Jackson, Ori Naftaly, Tierini Jackson and Jeremy Powell

Naftaly, a blues guitarist who came to Memphis from Israel in 2013 for a blues competition, decided to stay and tour the U.S. with his own band. Later he met Memphis native Tierini Jackson and immediately was impressed with her powerful voice. Soon thereafter, they started writing music together. Tierini introduced him to her sister, other members joined the band, and they began touring in the U.S. and Europe.

Less than a year after their formation, Southern Avenue got a contract with none other than Stax Records. Sure, that label has seen many changes since the days of Otis Redding, Wilson Pickett, Sam & Dave and its house band Booker T. & The M.G.s. Still, appearing on a label that’s associated with such a glorious history is pretty cool! Southern Avenue’s eponymous debut studio album was released in February 2017. It entered the Billboard Top Blues Albums Chart at no. 6 and topped the iTunes Blues Chart, an impressive and well-deserved showing. Time to get to some music.

Tuesday night’s set predominantly featured tunes from the band’s debut album, along with various covers, such as great takes of Chain Of Fools, first recorded by Aretha Franklin in November 1967, and Come Together by The Beatles, the opener of the Abbey Road album from September 1969. Here’s a clip of Wildflower, an original song from the band’s first record.

I do not know the title of the tune featured in the next clip. I believe it is also an original song. Since it is not included on the band’s debut album, I assume it hasn’t been released yet.

Next up is one of my Southern Avenue favorites, 80 Miles From Memphis. I just love the bluesy groove of that tune! When I told Naftaly during a meet and greet with the band after the show that I had noticed they had slowed it down a bit, he explained that was done deliberately. The speed of the tune varies based on the audience and where it is in the set during the show. If it’s more of a blues crowd or they use it to warm up the audience, the band speeds it up. Last night, it came right before the closer Don’t Give Up, a slower tune.

The last song I’d like to call out is the aforementioned Don’t Give Up, the opener of Southern Avenue’s debut album. It nicely illustrates Tierini’s powerful voice, who is often supported by her sister on harmony vocals. When I asked Tierini where she had learned to sing like this, she mentioned the church and that her parents were musicians. One really wonders what soul would be without gospel music and church choirs!

Commenting on Tueday night’s set overall, Naftaly said they mostly filled it with slower and quieter songs, given the small size of the venue. He added if they would have rocked with full force, they would have blown away the audience – I actually would have been fine with that, though blew me away in a different manner! 🙂 When I told Tierini that unlike what’s mostly in the charts today I love their music, she moderately replied, “We’re trying to keep it real.”

Asked by somebody else when their next album is coming out, Naftaly said it will be released in February, hinting it is ready. In the meantime, Southern Avenue will continue to tour. The schedule on their Facebook page lists gigs until March 1, 2017. Upcoming shows are in Plattsburgh, N.Y. (Aug 30), East Stroudsburg, Pa. (Aug 31) and Effingham, Ill (Sep 1). This is an exciting young band I will continue to follow.

Sources: Wikipedia, Southern Avenue website and Facebook page, YouTube