Best of What’s New

Welcome to another Saturday and my latest revue of newly released music. All picks this week are from albums that appeared yesterday (January 27).

White Reaper/Fog Machine

Kicking off this post are American garage rock band White Reaper. According to their profile on Apple Music, they are making retro style bubblegum punk mixed with some arena rock. Formed by childhood friends in Louisville, Kentucky, the group named themselves after a spooky decoration they came across in a Halloween story. They released a critically acclaimed EP in 2014, followed by their 2015 debut album, White Reaper Does It Again. Pitchfork named their sophomore LP, The World’s Best American Band, one of the 20 Best Rock Albums of 2017. White Reaper’s lineup includes Tony Esposito (guitar, vocals), Hunter Thompson (guitar), Ryan Hater (keyboards), Sam Wilkerson (bass) and Nick Wilkerson (drums, percussion). Fog Machine, credited to the entire band, is a tune from their fourth and latest studio album Asking for a Ride. It rocks and is pretty melodic!

H.C. McEntire/Turpentine (feat. Amy Ray)

H.C. McEntire is a singer-songwriter from Durham, N.C. From her AllMusic bio: Blessed with a perfect country voice and the uncompromising determination of a punk rocker, H.C. McEntire (also known as Heather McEntire) is best known as a member of the bands Mount Moriah and Bellafea, as well as for her work as a solo artist. With Mount Moriah, McEntire began exploring the atmospheric side of Southern roots music, and in her solo work, she dug deeper into this territory, mixing the artful side of indie rock with melodies and vocal lines that harken back to traditional country and folk. Her solo debut, 2018’s Lionheart, introduced her new variations on her style, and 2020’s Eno Axis upped the indie rock side of the formula. Now McEntire is out with her third album Every Acre, and I love what I’ve heard thus far. Here’s Turpentine, co-written by McEntire, Luke Norton, Daniel Faust and Casey Toll, the bassist of Mount Moriah, and featuring Amy Ray of contemporary folk duo Indigo Girls – a beautiful tune with a great roots rock sound!

The Arcs/Behind the Eyes

The Arcs are a garage rock band formed in 2015 by singer-songwriter and record producer Dan Auerbach as a side project to The Black Keys, his blues rock band together with drummer Patrick Carney. Apart from Auerbach (lead vocals, guitar), The Arcs currently also include Leon Michels (keyboards, guitar), Nick Movshon (bass) and Homer Steinweiss (drums, percussion). Richard Swift, another member who was featured on the group’s 2015 debut album Yours, Dreamily, passed away in July 2018 at the age of 41 due to complications from hepatitis, as well as liver and kidney distress. This brings me to Behind the Eyes from The Arcs’ sophomore album Electrophonic Chronic, a track credited to all members of the group and Russ Pahl who also provides steel guitar.

Vusi Mahlasela, Norman Zulu & Jive Connection/Prodigal Son

My last pick for this week is South African singer-songwriter Vusi Mahlasela, who according to a bio on his website is simply known as ‘The Voice’ in his home-country, South Africa, celebrated for his distinct, powerful voice and his poetic, optimistic lyrics. His songs of hope connect Apartheid-scarred South Africa with its promise for a better future. Raised in the Mamelodi Township, where he still resides, Vusi became a singer-songwriter and poet-activist at an early age teaching himself how to play guitar and later joining the Congress of South African Writers. After his popular debut on BMG Africa, “When You Come Back,” Vusi was asked to perform at Nelson Mandela’s inauguration in 1994. Vusi has toured globally and shared the stage with Dave Matthews Band, Sting, Paul Simon, Josh Groban, Ray LaMontagne, Natalie Merchant, Taj Mahal, among many others. A news announcement describes his latest release, Face to Face, as a lost recording from the archives in January with a 2002 collaboration between…Vusi…, singer-songwriter Norman Zulu and Swedish jazz/soul collective Jive Connection. Check out the amazing opener Prodigal Son, which drew me in right away!

Here’s a Spotify playlist of the above tunes and some additional tracks from the four featured albums and artists.

Sources: Wikipedia; Apple Music; AllMusic; Vusi Mahlasela website; YouTube; Spotify

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The Sunday Six

I hope everybody is spending a great weekend. Once again, I’d like to welcome you to another Sunday Six. In case you’re here for the first time, in this weekly recurring feature, I stretch out musically speaking, visiting different decades and different genres over the past 70 years, six tunes at a time. All onboard and let’s go!

Clifford Brown & Max Roach Quintet/Joy Spring

Today, our little trip starts in December 1954 with beautiful music by two jazz greats: Trumpeter Clifford Brown and drummer Max Roach. Earlier that same year, Roach had invited Brown to join him in creating a quintet. By the time, they recorded Clifford Brown & Max Roach, which I believe was their band’s first album, the line-up also featured Harold Land (tenor saxophone), Richie Powell (piano) and George Morrow (bass). Unfortunately, the quintet was short-lived due to a tragic car accident that killed Brown in June 1956 at age 25. He was on his way to a gig in Chicago together with Powell whose wife Nancy drove the car. They both lost their lives as well. The quintet’s last official album Clifford Brown and Max Roach at Basin Street, recorded earlier that year, featured then-up-and-coming tenor saxophonist Sonny Rollins. Here’s Joy Spring, a composition by Brown.

The Asylum Choir/Tryin’ to Stay ‘Live

The next stop on today’s journey is November 1971. That’s when the second and final album by Leon Russell’s (keyboards) and Marc Benno’s (guitar) studio project The Asylum Choir came out. Initially formed in 1967, they put out their debut Look Inside the Asylum Choir the following year. While The Asylum Choir II had been recorded in 1969, its release was delayed due to contract disputes. In fact, by the time the record finally appeared, they had already dissolved the project. Russell and Benno were backed by prominent session musicians, including Jesse Ed Davis (guitar), Carl Radle (bass), Donald “Duck” Dunn (of Booker T. & the M.G.’s) and Chuck Blackwell (drums). Here’s the great honky tonk rocker Tryin’ to Stay ‘Live, which was co-written by Russell and Benno.

R.E.M./Losing My Religion

Let’s continue our excursion with a stopover in the ’90s. Losing My Religion was the first R.E.M. tune that really got the alternative rock band from Athens, Ga. on my radar screen. While I remember the song was on the radio back in Germany all the time, I still dig it to this day. Credited to all members of R.E.M. – Bill Berry (drums, percussion), Peter Buck (guitar, mandolin), Mike Mills (bass, backing vocals) and Michael Stipe (lead vocals) – Losing My Religion is from the group’s seventh studio album Out of Time, which appeared in March 1991. According to Songfacts, R.E.M. were surprised about their record label’s decision to make the tune the album’s lead single. After all, it didn’t have a chorus and featured a mandolin as a lead instrument, not exactly your typical ingredients for a hit. Not only did it become the album’s best-performing single but the band’s most successful overall!

Taj Mahal & Keb’ Mo’/Don’t Leave Me Here

Four tracks into this Sunday Six it’s time to jump to the current century with some sizzling blues by Taj Mahal and Keb’ Mo’, who in May 2017 came out with a great collaboration album, TajMo. Together with Buddy Guy’s 2016 studio album Born to Play Guitar, it reignited my love for the blues, a genre I had first explored in my late teens after I had picked up the bass and joined a blues band – the start of my intense but short-lived band career! 🙂 I also caught Taj Mahal and Keb’ Mo’ in August 2017 during their tour that supported the album and have seen Guy three times since Born to Play Guitar. Here’s TajMo’s great opener Don’t Leave Me Here, which was co-written by the two artists and Gary Nicholson. I should add that while the tune has a traditional blues vibe, overall, TajMo, which includes elements of soul and world music, is an uplifting album. “Some people think that the blues is about being down all the time, but that’s not what it is,” Mahal said at the time. “It’s therapeutic, so you can get up off that down.” He added, “We wanted to do a real good record together, but we didn’t want to do the record that everyone expected us to do.”

Echo & The Bunnymen/Lips Like Sugar

Our next stop takes us back to the ’80s. In July 1987, Echo & The Bunnymen released their eponymous fifth studio album. While The English post-punk band had been around since 1978, if I recall correctly, it wasn’t until Lips Like Sugar that I heard of them for the first time. The catchy tune was co-written by band members Will Sergeant (guitar), Ian McCulloch (lead vocals, guitar, piano) and Les Pattinson (bass). Pete de Freitas (drums) completed their line-up at the time. Interestingly, it only reached no. 36 on the UK Official Singles Chart, lower than most of their earlier singles. After the band’s breakup in 1993, Sergeant and McCulloch reunited the following year. When Pattinson rejoined them in 1997, they decided to revive Echo & The Bunnymen. Ever since Pattinson exited again in 1999, Sergeant and McCulloch have continued to tour and record under that name.

Jerry Lee Lewis/Whole Lotta Shakin’ Goin’ On

Once again we’ve reached our final destination. The last tune is in memory of Jerry Lee Lewis, who passed away on Friday at the age of 87. Lewis was the last man standing of a generation of pioneering classic rock & roll artists who also included the likes of Elvis Presley, Carl Perkins, Chuck Berry and Little Richard. “The Killer” was known for his high-energy performances. After his popularity had taken off in 1957, his career was nearly derailed when it became known he was married to his 13-year-old cousin once removed while still being married to his previous wife. Lewis was blacklisted from the radio and his earnings were nearly wiped out overnight. Eventually, he managed to reinvent himself as a country artist. But scandal continued to follow him for much of his life. Here’s Lewis’ remake of Whole Lotta Shakin’ Goin’ On and his biggest hit, which was released as a single in April 1957. The tune was written by Dave “Curlee” Williams and first recorded by Big Maybelle in 1955.

Last but not least, here’s a Spotify playlist of the above tunes. Hope there’s something you dig.

Source: Wikipedia; YouTube; Spotify

Clips & Pix: Sihasin/We the People

Sihasin is an indigenous music project of Clayson Benally (bass) and Jeneda Benally (drums). According to their website, the siblings are from the Diné (Navajo) Nation in Northern Arizona. Sihasin, which means hope in the Diné language, combine punk rock, folk, world music and pop with Navajo rhythm in their music and songs that aim to empower and inspire others to bring change and social justice.

The above clip captures their most recent single We the People, which premiered digitally on July 4, 2021 in each American embassy. Previously, Sihasin had been selected by American Music Abroad, a cultural diplomacy program that shares American music internationally and that is sponsored by the U.S. State Department.

Clayson and Jeneda got their start in music as teenagers in 1989 when they formed punk rock group Blackfire, together with their brother Klee Benally (guitar, vocals). Sihasin was founded in 2012 after Blackfire stopped being active. The band remains on hiatus.

Happy Indigenous Peoples’ Day!

Sources: Wikipedia; Sihasin website; YouTube