Will Stairway To Heaven finally be toppled from the no. 1 spot it has held for 17 straight years on Q104.3’s Top 1,043 Classic Rock Songs Of All Time?
When hearing Thanksgiving, it’s safe to assume most folks think of family, friends, turkey and other feasts. To many it also involves travel to spend time together with their loved ones. While there’s nothing wrong with all of that, to me the upcoming holiday first and foremost means it’s time again for classic rock radio station Q104.3’s annual tradition to play the Top 1,043 Classic Rock Songs Of All Time, as voted by listeners. I suppose the fact that I care of much about this rock & roll marathon indicates I can be quite nerdy. But when it comes to music, that’s just fine with me!
Playing 1,043 rock songs means many hours of great rock music. And, yes, each is fully played, even Pink Floyd’s epic 23-minute Echoes! In order to accommodate all that music, Q104.3 needs to start the countdown the day before Thanksgiving at 1:00 pm ET and go all the way to Sunday evening – a fantastic listening experience for any rock fan! It’s also a nice break from the 50 or so songs they tend to play all the time – just like most other radio stations do!
One of the things I find remarkable about the list, which is compiled for the 18th time this year and presented in a countdown from no. 1,043 to no. 1, is that for the past 17 years, Stairway to Heaven has consistently captured the no. 1 spot. While I dig Led Zeppelin and, if given only one choice, may even select the tune myself as the greatest rock song ever, the reality is there are so many other outstanding classic rock tunes. As such, I feel it’s time to shake up the list! While I doubt there will be many changes in the top 10, following are my selections I submitted earlier this morning.
1. Sunshine Of Your Love – Cream (78)
2. Purple Haze – Jimi Hendrix Experience (80)
3. Layla – Derek & The Dominoes (4)
4. Tush – ZZ Top (865)
5. Stairway To Heaven – Led Zeppelin (1)
6. While My Guitar Gently Weeps – The Beatles (29)
7. Refugee – Tom Petty and the Heartbreakers (110)
8. Dead Flowers – The Rolling Stones (547)
9. Soulshine – The Allman Brothers Band (-)
10. Echoes – Pink Floyd (311)
The numbers in parentheses indicate the ranks of the songs in last year’s countdown. One, Soulshine by The Allman Brothers Band, didn’t make the cut – I told ya, I’m a music nerd! In case you’d like to join the fun, you can enter your submissions here. Happy voting and happy listening!
The rock singer-songwriter has been a staple of the German music scene for more than three decades
I said it before and I say it again: Germany has more music artists to offer than the handful who have become popular internationally. While I’m not sure anybody cares, I can be stubborn to make my point, so I’m featuring another terrific singer-songwriter you probably haven’t heard of unless you grew up in Germany: Wolf Maahn. He burst on the music scene there in the mid ’80s with a great rock tune that could have been written by Bruce Springsteen. Similar to BAP, the rock band I explored two weeks ago here, most of Maahn’s sizable catalog is in German. And just like in their case, I’ve no doubt language is a significant factor explaining Maahn’s limited visibility beyond Germany’s borders.
Wolf Maahn was born in Berlin on March 25, 1955. He grew up in Munich, where he saw The Beatles as an 11-year-old in 1966. Perhaps not surprisingly, that concert left a lasting impression. “The Beatles were simply untouchable to me,” he told a German newspaper during an interview in 2001. In 1975, Maahn co-founded Food Band in Cologne, together with his brother Hans Maahn and other musicians. They released their studio debut Foodband in England in 1979. A version of that album for the German market, ingeniously titled Last Year’s Album, appeared the following year. Just like its predecessor, it featured all English music. Food Band released on more album in 1981, Rhythm ‘N’ Juice, another clever title, before they disbanded.
Following the dissolution of Food Band, Maahn launched his solo career. Former band mate, song co-writer and guitarist Axel Heilhecker joined Maahn’s backing band Deserteure (deserters). In September 1982, Wolf Maahn und die Deserteure released their studio debut Deserteure. The sophomore Bisse Und Küsse (bites And kisses) appeared the following year. The band’s national breakthrough Irgendwo In Deutschland (somewhere in Germany) was released in 1984. In 1985, Wolf Maahn und die Deserteure became the first German act to perform at Rockpalast Nacht, which was broadcast live in 17 European countries. I previously wrote about the famous music festival here, which between 1977 and 1986 drew artists like Rory Gallagher, ZZ Top, The Police and The Who. BTW, BAP performed there as well.
In 1988 after he had dissolved Deserteure two years earlier, Maahn came out with Third Language, which thus far remains the only English language album of his solo career. He has since released nine additional studio albums, four live records and one compilation. His most recent, the live album Live & Seele (live & soul), appeared in January 2017. Another notable thing about Maahn is his way to play the guitar – left handed with the strings placed in reverse order, i.e., e, b, g, D, A and E. Frankly, being a lefty is hard enough for me to imagine, but having the strings upside down is just impossible – well, evidently not. Time for some music!
I’d like to kick things off with Die Sucht Der Träumer (the addiction of the dreamers). The tune is the opener of Maahn’s second solo album, the above mentioned Bisse Und Küsse from 1983.
Fieber (fever) is from the breakthrough Irgendwo In Deutschland. The album gained further popularity in the wake of Maahn’s performance at Rockpalast and remained in the German LP charts for nine months. Fieber, the tune with the Springsteen vibe I noted in the introduction, became a major hit.
Another great tune is Ich Wart’ Auf Dich (I’m waiting for you). Maahn recorded it for Kleine Helden (little heroes), the follow-on to Irgendwo In Deutschland released in 1986. Here is an extended version, or “maxi” as they called it in Germany at the time.
Next up: The title track of the Third Language album from 1988. It has a similar vibe to Ich Wart’ Auf Dich.
In 1991, Wolf Maahn released his seventh solo album Maahnsinn. The title’s similarity to the German word “Wahnsinn” (madness) is probably not a coincidence. Here’s Wenn Der Regen Kommt (when the rain is coming).
In Deinem Bett (in your bed) is a tune from Soul Maahn, Maahn’s 10th studio release from 1999.
In 2004, Wolf Maahn released his 11th studio album, Zauberstrassen (magic streets). Here is the catchy Schatzjäger (treasure hunter).
Kind Der Sterne (child of the stars) was a single from 2007. The song was also included on Maahn’s double live album Direkt Ins Blut 2 (directly into the bloodstream 2) – (Un)plugged, which appeared the same year.
March 2010 saw Maahn’s 12th studio release Vereinigte Staaten (United States). It was the first full album with all new material since Zauberstrassen. Here is the groovy Kannst Du Sehen (can you see) – love that tune!
The last track I’d like to highlight is from Wolf Maahn’s most recent studio release Sensible Daten (sensitive data), which came out in September 2015: Zoll Achtung! (attention customs!), another groovy tune.
After a 40-year-plus career (including Food Band), Wolf Maahn continues to do what a full bread music artist does: Rock on! His tour calendar for the remainder of the year shows a bunch of upcoming gigs in Germany solo and together with a backing band. In addition to being a music artist, the versatile Maahn has also worked as a producer, film score composer and actor over the years. While at age 63 it’s fair to say he’s a mature rocker, I don’t get the impression Maahn is thinking retirement any time soon. After all, compared to Paul McCartney and Mick Jagger, he’s still a baby!
Yesterday evening, it was finally time for John Fogerty and ZZ Top at PNC Bank Arts Center. I’ve been fortunate to see a number of great shows there over the past few years and have come to like this amphitheater-style venue in Holmdel, NJ. The Allman Brothers Band, Santana and Steve Winwood are a few of the concerts that come to mind. Of course, one of the potential caveats with outdoor venues is the weather, and things started off a bit dicey on that front.
While driving to PNC, I was blasting Creedence Clearwater Revival’sHave You Ever Seen The Rain from my car stereo, literally living the song: seeing the rain, coming down on a sunny day – at times pretty heavily! I arrived right in the middle of an early evening thunderstorm with lots of lightning and thunder, and it wasn’t hard to imagine to see a bad moon rising. But I had waited for Fogerty for some 40 years and was determined not to allow some rain to get into the way. Luckily, the thunderstorm dissipated before the show got underway and I could ride it out in my car in the parking lot.
ZZ Top started the main part of the evening. There was an opening act I missed due to surprisingly long lines to enter the facility – the first time I ever recall encountering that at PNC. The Texan rockers’ set was identical to the song lineup they played during the tour opener in Atlantic City the night before, mostly drawing from their ’70s albums and 1983’s Eliminator, the band’s most commercially successful release. That was the record that first brought ZZ Top on my radar screen, long before I listened to their first three albums, which I now generally like better than their ’80s recordings.
As usual, I didn’t record any videos with one exception, so I’m relying on YouTube clips from previous live shows. To make it as similar as possible, I tried to find the most recent footage with an acceptable quality. I realize this approach not 100% ideal, but for the most part I believe it captures the overall feel of the show.
Things kicked off with Got Me Under Pressure from Eliminator followed by a nice cover of I Thank You, first recorded by Sam & Dave in 1968 – it’s hardly impossible to ever go wrong with a Stax tune, at least in my book! Next up was Waitin’ For The Bus, one of my favorite ZZ Top tunes. It is the opener of their third studio album Tres Hombres fromJuly 1973. Unlike most other original tunes that are credited to all three members, only guitarist Billy Gibbons and bassist Dusty Hill share credits for this song. ZZ Top combined it with Jesus Left Chicago, another track from the same album. Here’s a nice clip from Bonnaroo 2013 where they did the same.
Another song I’d like to highlight is I’m Bad, I’m Nationwide. It is from Degüello, ZZ Top’s sixth studio release from November 1979. One thing I thought was fun to watch was Gibbons and Hill trading guitar and bass parts toward the end of the song.
Close to the end of the regular set came Sharp Dressed Man. The track, which is also from the Eliminator album, remains a classic to this day despite its noticeable ’80s sound. Surprisingly to me, when it came out in 1983, it only reached no. 56 on the Billboard Hot 100. In the UK, it did better, peaking at no. 8 on the singles chart.
The encore was reserved for two other ZZ Top classics: La Grange from Tres Hombres and Tush, which in my opinion perhaps is the ultimate blues rocker – at least the studio version, on which the band sounds super-tight and just rocks! Tush is the closer of Fandago!, the follow-on album to Tres Hombres, which came out in April 1975.
ZZ Top certainly delivered a solid performance. All three of them are top-notch musicians, who have played together forever. The one thing I thought was missing a bit was joy and spontaneity. At times, the performance felt like a routine, a show they had done a million times – which undoubtedly must be true for most of the songs they played.
After a 15- to 20-minute intermission, John Fogerty and his band got on stage. Not only did they play a fantastic set, though no encore, but in marked contrast to ZZ Top, you could see these guys had fun, especially Fogerty. He was upbeat in his announcements and moved around the stage quite a bit, projecting an almost youthful joy of playing that reminded me a bit of Paul McCartney.
The set featured mostly featured classics from all CCR albums, except the last one, Mardi Gras, and tunes from Fogerty’s excellent 1985 solo record Centerfield. It also included a new tune Fogerty had recorded with Gibbons leading up to the tour, and a few covers. Unlike ZZ Top, Fogerty made a few variations to the set he played during the tour opener in Atlantic City.
The first track I’d like to highlight is Rock And Roll Girls from the Centerfield album that was released in January 1985. I’ve always liked this tune. One of the distinct features last night was a great Clarence Clemons-style solo by young saxophone dynamo Nathan Collins, giving the tune a nice Bruce Springsteen vibe. According to his blog on John Fogerty’s official website, he will be a senior at the University of Southern California in the Popular Music Performance program – way to go! The quality of the following clip isn’t great, but it’s the only recent version I could find that features the sax part.
Who’ll Stop The Rain appeared on Cosmo’s Factory, CCR’s fifth studio album from July 1970. Fogerty introduced it by pointing out he was playing the tune with the same Rickenbacker guitar he had used at Woodstock – a 325 Sunburst from 1969. How cool is that! And, as has been reported by Rolling Stone and other entertainment media, Fogerty actually gave away that guitar in 1972/73 and it was “lost” for some 44 years, until his wife Julie was able to recover it in 2016 after an extensive search and gave it to John as a Christmas present that year – wow!
Apart from showing an upbeat spirit throughout the night, Fogerty also made it very clear he’s a proud dad. In fact, one of the members of his backup band is his son Shane Fogerty, who did a nice job on guitar, frequently trading solos with his father. The gig also featured another son, Tyler Fogerty, who like his brother is a musician playing guitar and singing. In fact, in 2012, the two brothers were among the co-founding members of Hearty Har in Los Angeles, which describe themselves as a psychedelic rock band. Tyler shared vocals on a few covers, one of which was Good Golly, Miss Molly, the rock & roll classic that first was made famous by Little Richard in 1958.
The next song I’d like to highlight is Holy Grail, Fogerty’s new song he had recorded with Gibbons leading up to the tour. It’s got a nice La Grange groove to it. It’s the only tune I recorded myself, since I figured it might be tough to find it on YouTube. Fogerty and Gibbons had only performed it live once before during the tour opener the night before. That song and a cover of the Moon Martin tune Bad Case Of Loving You, which they also played together, was when Gibbons seemed to be most engaged.
Another standout of the show was a string of New Orleans songs, during which the band truly shined. Here’s New Orleans, a great tune co-written by Frank Guida and Joseph Royster for Gary U.S. Bonds, who recorded it in 1960. The following clip nicely captures last night’s groove, though it’s a slightly different band. The guy on the bass who is visibly having a ball is producer Don Was.
I could go on and on, but this post is already getting very long. So the last song I’d like to highlight is one of my all-time favorite CCR tunes, Have You Ever Seen The Rain. They recorded it for their sixth studio album Pendulum released in December 1970. It also appeared separately and became the band’s eighth gold-selling single. In another dad moment, Fogerty dedicated the tune to his 16-year-old daughter Kelsy Cameron Fogerty. Sure, this wasn’t the first time he did that, but it still felt genuine.
This post wouldn’t be complete without acknowledging the other musicians in Fogerty’s band: Kenny Aronoff (drums), Bob Malone (keyboards), James LoMenzo (bass) and Devon Pangle (guitar). In addition to Collins, the horn section includes two other very talented young musicians: Steve Robinson (trombone) and Ethan Chilton (trumpet). Each of them also has a blog on Fogerty’s website. The fact that John Fogerty gives these young musicians this great opportunity for exposure tells me this man not only has soul but also is a true class act.
Sources: Wikipedia; Setlist.fm; Rolling Stone; Hearty Har website; John Fogerty Facebook page and official website; YouTube
“Holy Grail” on Fogerty’s setlist for Blues And Bayous Tour with ZZ Top and to be included on next solo album
Collaborating with ZZ Top’s Billy Gibbons “is like the holy grail,” John Fogerty told Billboard just ahead of the Blues And Bayous summer tour with ZZ Top that kicked of in Atlantic City last night. He also used the occasion to tease a new song appropriately called Holy Grail, which he cut with Gibbons in late February when they got together to announce the tour and recorded a promo for it. It’s got a nice La Grange vibe to it. Here’s a snippet.
Apparently, it was a bit of a challenge to get the rocker into the can in time for the tour, Fogerty noted in the above Billboard interview. “Billy was really busy during this time, and I think I might have grabbed the reins at some point because…I was starting to feel the deadline for the tour coming.” John Fogerty “grabbing the reins” is completely unheard of!
Further commenting on the new tune, Fogerty said, “It just occurred to me that standing on a stage somewhere playing guitar with Billy Gibbons, that’s gonna be the Holy Grail…I wanted to write a song about the Holy Grail, but of course I’m not so specific in the song.” Makes sense. Holy Grail is set for digital release on June 8. Fogerty is also planning to include the tune on his next solo album he hopes to release by the end of the year.
Added Gibbons: “It’s not an overstatement to say that writing a song with John Fogerty is a genuine bonus. It’s fair to say that John and I are both pumped about our collaboration and we think this new one called ‘Holy Grail’ holds true with some great storytelling and some solid guitarist movin’ the number right along. It begs a shout of, ‘Turn it up!'” Yep, it surely does!
Well, I got a ticket to see these guys this evening at PNC Bank Arts Center in Holmdel, NJ – needless to add I’m pumped as well! Their setlists from last night are already available on Setlist.fmhere and here and look awesome. The only wrinkle is the weather forecast that currently predicts a 50% chance of thunderstorms. Oh well, I guess I might actually end up seeing the rain coming down on a sunny day and a bad moon rising – but hey, that’s rock & roll!
Sources: Billboard, Ultimate Classic Rock, Atlantic City Weekly, Setlist.fm, YouTube
This clip is just too much fun to watch and not to post – John Fogerty and ZZ Top’s Billy Gibbons rocking out to Sharp Dressed Man! Apparently, this was captured during a gig Fogerty played last year in Tulsa, Okla. as part of his 2016 tour. Gibbons was a guest. Seeing the mutual respect these guys have for each other and the fun playing together, I suppose it’s not a big surprise they’re teaming up for a John Fogerty/ZZ Top double headliner this year, the Blues and Bayous Tour. That’s one I don’t wanna miss, so I already got a ticket!
Credited to Gibbons and his longtime band mates Dusty Hill and Frank Beard, Sharp Dressed Man, of course, is one of ZZ Top’s best known tunes. It became the third single from their eighth studio album Eliminator that was released in March 1983. Fueled by that tune, as well as Gimme All Your Lovin, Got Me Under Pressure and Legs, the album became ZZ Top’s most successful commercial release, selling more than 10 million copies in the U.S. alone.
Personally, I prefer the band’s edgier 70s albums, but even during their most commercial phase, the three Texans were just cool dudes! Plus, they always seemed to have a good sense of humor. Who can forget these hilarious videos they made during the 80s – rotating guitars anybody? Priceless!
The first Creedence Clearwater Revival song I heard was Have You Ever Seen The Rain. This must have been in Germany around 1974. My six-year older sister, who at the time was in her early teens, had the single. The B-side was Hey Tonight. I liked these two tunes from the very beginning. I also recall listening to Proud Mary and Bad Moon Rising on the radio. I dig this band to this day, and they’ve been on my mind for the past few weeks, since I learned about the Blues & Bayous TourZZ Top and John Fogerty will do together later this year.
The story of Creedence Clearwater Revival or CCR started about 10 years before they would become one America’s most successful rock bands. Their first incarnation was a trio called The Blue Velvets, formed in 1958 by Fogerty (guitar), Doug Clifford (drums) and Stu Cook (piano), who all were students at Portola Junior High School in the San Francisco suburb of El Cerrito. In the beginning, they mostly played instrumental music. Their first studio recording experience occurred in 1959, when they backed up African American singer James Powell on a single. Later that year, John’s older brother Tom Fogerty, who himself had been an aspiring music artist, joined the band as their lead vocalist, and they became Tommy Fogerty and The Blue Velvets. At the time, John was not singing yet.
The band started to record some demos written by the two Fogerty brothers. A small Bay Area record company, Orchestra, decided to release a few of their songs, but they didn’t fare well. In 1964, the band signed with Fantasy Records, an independent San Francisco jazz label. Prompted by the record company, they changed their name to The Golliwogs. Fantasy released a few of their songs, but except for Brown Eyed Girl (unrelated to the Van Morrison tune), the music didn’t make any commercial impact. Eventually, most of the band’s members took on new roles: John became the lead vocalist, his brother changed to rhythm guitar, and Cook switched from piano to the bass.
In 1966, Fogerty and Clifford were drafted into the military and joined the Army Reserve and Coast Guard Reserve, respectively. During their six months of active duty, the band was put on the back burner. In 1967, the financially struggling Fantasy was purchased by Saul Zaentz, a salesman for the company, who had organized a group of other investors. Zaentz liked The Golliwogs but told them they needed to change their name. And so they did, to Creedence Clearwater Revival.
The band name had three different origins. Creedence was derived from Credence Newball, a friend of Tom’s. Clearwater was inspired by a beer TV commercial that used the words “clear water.” And Revival reflected the four members’ renewed commitment to the band. They didn’t waste any time to act on it and went to the studio to record their eponymous debut album. Even before it appeared at the end of May 1968, CCR’s cover of the Dale Hawkins tune Susie Q, which they had cut a few months earlier, already received radio play and a good deal of attention. It appeared separately as a single and became their first hit, peaking at no. 11 on the U.S. Billboard Hot 100 – the only CCR top 40 track not written by John Fogerty.
Following their breakthrough, CCR started touring heavily and shortly thereafter began working on their sophomore album Bayou Country, which was released in early January 1969. The band continued an intense touring schedule, which notably included the Atlanta Pop Festival (July 1969) and Woodstock (August 1969). Even though CCR was a headliner at Woodstock, none of their songs were included in the documentary and the accompanying soundtrack. John felt their performance had not been up to standard. They had ended up playing at 3:00 am in the morning after the Grateful Dead, when only few people had been awake. It would take until 1994 when four of the tunes from that night were included in a commemorative box set titled Woodstock: Three Days of Peace and Music.
Ten days prior to Woodstock, CCR’s third studio record Green River was released. Four more albums followed: Willy And The Poor Boys (November 1969), Cosmo’s Factory (July 1970), Pendulum (November 1970) and Mardi Gras (April 1972). By the time this last record appeared, serious tensions over CCR’s artistic and business direction had emerged between John Fogerty and Cook and Clifford. In late 1970, Tom Fogerty already had left the band, which since had been a trio. In mid-October 1972, CCR broke up officially. Time to get to some music!
Susie Q, CCR’s breakthrough song from their first studio album, was recorded in January 1968 and appeared in June that year. Originally, the tune was released by Dale Hawkins in May 1957. It was co-written by him and Robert Chaisson, a member of his band. Due to CCR’s extended version, the single was split in parts one and two, which appeared on the A and B-sides, respectively.
Proud Mary from Bayou Country was the first of five no. 2 hits CCR scored on the Billboard Hot 100. Apparently, the band holds the record for achieving the most no. 2 singles without ever getting a no. 1 on that chart. Like pretty much all songs on the first four albums, the tune was written by John Fogerty. Various other artists have covered Proud Mary, most notably Ike & Tina Turner.
Green River is the title track of CCR’s third studio album from August 1969. The Fogerty tune is one of the no. 2 songs.
Down On The Corner is the opener of Willy And The Poor Boys, CCR’s fourth studio record and the third album the band released in 1969. The tune was also released as a single and became another hit for the band, climbing to no. 3. on the Billboard Hot 100.
Fortunate Son, another track from Willy And The Poor Boys, was the B-side of the Down On The Corner single.
Cosmo’s Factory, CCR’s fifth studio record from July 1970, became the band’s most successful album, topping the Billboard 200 and the LP charts in the UK, Canada and Australia, among others. Here’s a clip of Up Around The Bend.
Another tune from Cosmo’s Factory I like in particular is Who’ll Stop The Rain.
The aforementioned Have You Ever Seen The Rain is from the band’s sixth studio album Pendulum, the final record with Tom Fogerty. If I could only choose one CCR song, it would probably be this one. I totally dig the Hammond in that tune!
Here is Hey Tonight, another outstanding song.
I’d like to conclude this playlist with Someday Never Comes from CCR’s final album Mardi Gras. Unlike the band’s previous records, songwriting and production were shared among Fogerty and Cook and Clifford, something Fogerty had fiercely opposed in the past. While Fogerty’s previous leadership may have been dictatorial, the record’s mixed to poor reviews indicate that a democratic approach wasn’t working well for CCR. Perhaps tellingly, Someday Never Comes and the other Fogerty tracks on the album are the best.
Despite CCR’s relatively short four-year career, they sold 30 million albums and singles in the U.S. alone. The band is ranked at no. 82 on Rolling Stone’s list of the 100 Greatest Artists from December 2010. In 1993, CCR were inducted into the Rock & Roll Hall of Fame. Sadly, Fogerty refused to perform with Cook and Clifford during the induction ceremony. His brother Tom had passed away in 1990.
Sources: Wikipedia, Creedence Online, Rolling Stone YouTube
The idea to put together this playlist came to me yesterday, after I had spotted this clip on Facebook. It shows John Fogerty and Billy Gibbons rocking out together to some Creedence Clearwater Revival and ZZ Top tunes to promote their upcoming Blues & Bayous Tour. While nothing is spontaneous here as it seems they want folks to believe, and I just wish they would have played more of each song than just the opening bars, hey, it’s still fun to watch these guys. And the thought of them doing a double-headliner that also will be right in my backyard sure as heck is very tempting!
I don’t want to pretend I’m a ZZ Top expert, but I have a good deal of their songs in my iTunes library – certainly more than enough material to inform this playlist. I think the first time these Texan rockers entered my radar screen was in 1983, when seemingly out of nowhere they were all the rage on the radio with songs like Gimme All You Lovin, Sharp Dressed Man and Legs. At the time, my parents didn’t have cable, which wasn’t as popular in Germany as in the U.S., so it wasn’t until much later that I also got to watch some of ZZ Top’s hilarious music videos, such as the rotating guitars in Legs!
ZZ Top was formed 1969 in Houston, TX, when Gibbons (guitar), Lanier Greig (organ) and Dan Mitchell (drums) got together. That formation recorded the single Salt Lick but record companies weren’t receptive, and it didn’t go anywhere. Greig and Mitchell left shortly thereafter. In late 1969, bassist, keyboardist and co-vocalist Dusty Hill joined, replacing then-bassist Billy Ethridge. Hill subsequently introduced Gibbons to drummer Frank Beard with whom he had played in various other bands in the past. The classic line-up was in place and still is to this day, more than 45 years later – frankly, I don’t know of any other band that hasn’t changed its line-up over such a long time!
Due to continued lack of interest from U.S. record companies, ZZ Top finally signed a contract with UK label London Records and released their debut album. Cleverly called ZZ Top’s First Album, the record appeared in January 1971. While it established the band’s blend of Blues, Boogie, Hard Rock and Southern Rock, it didn’t get much attention. The sophomore Rio Grande Mud from April 1972 entered the U.S. Billboard 200, peaking at no. 104 in June 1972, while the single Francine climbed to a respectable no. 69 on the Billboard Hot 100.
ZZ Top’s commercial breakthrough came with the follow-up album Tres Hombres from July 1973. While the reception from music critics was lukewarm at the time, the album climbed all the way to no. 8 on the Billboard 200. The single La Grange, which has since become a classic, peaked at no. 41 on the Billboard Hot 100 in June 1974. The band’s fourth album Fandango! from April 1975 brought another successful single, Tush, which peaked at no. 20 on the Billboard Hot 100 and became ZZ Top’s highest charting single in the 70s.
The band has since released 11 additional studio records, four live albums and various compilations. Eliminator from March 1983, which includes the above mentioned tunes Gimme All You Lovin, Sharp Dressed Man and Legs, became ZZ Top’s best-selling album, thanks to a more commercial sound the band had adopted in the early ’80s. Their 15th and most recent studio release La Futura appeared in September 2012. I haven’t seen any reports about a new album. La Futura was the first new record in nine years, so if that’s any guide, fans may need to have patience for a few more years. Time for some music!
Let’s start off the playlist with ZZ Top’s debut single Salt Lick, a nice blues rocker written by Gibbons, an early showcase of his outstanding guitar skills. I also like Greig’s organ work.
Brown Sugar, another tune by Gibbons to whom most of the band’s early songs are credited, appears on ZZ Top’s First Album. I like how the song begins slowly with just Gibbon’s vocals and his guitar, before it launches into a groovy blues rocker.
Tres Hombres may be best known for La Grange, but the tune I’d like to highlight from that album is the fantastic opener Waitin’ For The Bus, which is credited to Gibbons and Hill. I just totally dig the guitar riff and groove on that track, and also like the blues harp solo.
If I had just one ZZ Top tune to select, it would be Tush from the Fandango! album. To me it’s perhaps the ultimate guitar blues rocker. I love the riff and how tight the band is playing – there’s not one second being wasted here! Starting with this record, the band’s songs typically are credited to all three members.
In November 1976, ZZ Top released their fifth studio album Tejas. It includes this nice Stonesy tune called It’s Only Love.
Next up: Tube Snake Boogie from El Loco, ZZ Top’s seventh studio album from July 1981. It’s the first record on which the band started experimenting with a more commercial sound, introducing synthesizers on some of the tracks.
Even though it sounds more commercial than their ’70s records, no ZZ Top playlist would be complete without music from the Eliminator album. Despite the somewhat monotonous drum beat, which sounds more like a drum machine, Sharp Dressed Man is just a cool song. And the official video is too hilarious to leave out, so here it is!
And ‘coz it’s so much fun watching ZZ Top music videos from that time, here’s Legs. No doubt, the rotating guitars have become an unforgettable part of music video history.
I would also like to acknowledge a couple of the band’s later songs. Here’s Fearless Boogie, a tune from XXX, ZZ Top’s 13th studio album released in September 1999. And just in case, the title is a reference to the band’s then-30th year in business.
I’d like to close out this playlist with Chartreuse. The tune, which sounds a bit like a remake of Tush, is from ZZ Top’s most recent studio record La Futura. It surely proves these guys still know how to rock.
With total domestic record sales of some 25 million copies, ZZ Top are among the top 100 selling artists in the U.S. Internationally, the band has sold more than 50 million albums. In 2004, the Texan rockers were inducted into the Rock & Roll Hall of Fame. Asked during a Rolling Stoneinterview in November 2017 whether he still wants to be in ZZ Top at age 80, Gibbons said, “Well, yeah, I could do it. We are smack dab in the middle of a technological breakthrough that is making life extension quite a bit of the day-to-day norm.”
As for that double-headliner with Fogerty, the Blues & Bayous Tour kicks off in Atlantic City on May 25. Currently, there are 24 additional dates on the schedule, with the final gig being in Welch, Minn. on June 29.
Sources: Wikipedia, U.S. Billboard Charts, Rolling Stone, YouTube
The 6-hour German TV live program featured top music artists between 1977 and 1986
Rockpalast is a live music program broadcast on the German television station Westdeutscher Rundfunk (WDR). It became particularly known for Rockpalast Nacht, a six-hour live late-night show featuring concerts from top international artists.
The inaugural Rockpalast Nacht aired on July 23 and 24, 1977. The line-up included Rory Gallagher, Little Feat and Roger McGuinn’s Thunderbyrd. Fifteen additional shows followed until the 17th and final Rockpalast Nacht on March 15 and 16, 1986. That show featured Big Country, Jackson Browne and the German rock band BAP.
The concert events were conducted at Grugahalle, a well known concert hall in the German town of Essen, and broadcast throughout Europe. The TV show was simulcast on various radio stations, so viewers could mute their TV sets and instead use their home stereos to listen to the sound for better quality.
Rockpalast Nacht mostly featured three or four rock bands. Typically, it mixed relatively unknown artists with top international acts, such as Peter Gabriel, The Police or The Who. The program helped put various music artists on the map in Europe, such as ZZ Top and Bryan Adams. Rockpalast Night gained cult status and is considered a unique program in German and European television history.
Following are clips from throughout the program’s 10-year history.
Roger McGuinn’s Thunderbyrd/Turn! Turn! Turn!, Mr. Tambourine Man & Eight Miles High (1st Rockpalast Nacht, July 23-24, 1977)
Peter Gabriel/Solsbury Hill (3rd Rockpalast Nacht, June 15-16, 1978)
ZZ Top/Dust My Broom (6th Rockpalast Nacht, April 19-20, 1980)
The Police/Message In a Bottle (7th Rockpalast Nacht, October 18-19, 1980)
The Who/Baba O’Riley (8th Rockpalast Nacht, March 28-29, 1981)
The Kinks/Add It Up (10th Rockpalast Nacht, April 3-4, 1982)
Joe Jackson/I’m the Man (12th Rockpalast Nacht, April 16-17, 1983)
Cheap Trick/Surrender (13th Rockpalast Nacht, October 15-16, 1983)
Wolf Maahn & Die Deserteure/Der Clown Hat Den Blues (15th Rockpalast Nacht, March 30-31, 1985)
BAP/Verdamp Lang Her (17th Rockpalast Nacht, March 15-16, 1986)
With the 17th Rockpalast Nacht, the program stopped in 1986. Rockpalast resumed production in 1995 and continues to air to this day, though Rockpalast Nacht remains history.