Best of What’s New

A selection of newly released music that caught my attention

After the unprecedented events we witnessed in this country earlier this week, it feels somewhat surreal to blog about something completely unrelated. At the same time, the fact new music keeps coming out is reassuring to me. In fact, music has always had a degree of healing power during challenging times and provided a welcome distraction. While ignoring reality can be dangerous, I believe occasionally escaping from it is a good thing to clear your mind and gather strength.

I’m very excited about this week’s Best of What’s New installment, which features indie and country singer-songwriters, a young incredibly talented vintage soul vocalist who knocked my socks off and…well, you’ll need to continue reading to find out yourself. All of this great music was just released yesterday (January 8).

Denison Witmer/River of Music

Dension Witmer is a singer-songwriter from Lancaster, Pa. According to his artist profile on Apple Music, Tagged by many music journalists as one of the most likely songwriters to fill the void left by Elliott Smith in the acoustic indie singer/songwriter movement, [he] catalogs the experiences of young adulthood in almost painfully honest detail. With a soft and sensitive voice that perfectly matches his laid-back 1970s California pop production and subtly expressive guitar work, he has gone from writing in his journal to becoming an intimate of like-minded artists like Damien Jurado and Pedro the Lion over the span of a few albums. Growing up in Lancaster, PA, Witmer picked up the guitar at the age of 16 and was soon showing enough promise to draw the interest of the Innocence Mission’s Don Peris. As Peris became Witmer’s musical mentor, he would oversee and play guitar and keyboard on his apprentice’s first recordings, 2000’s River Bends EP and the much-heralded Safe Away. Here’s the great River of Music, a track from Witmer’s new EP American Foursquare (Simplified). It surely feels good listening to his soothing voice and beautiful guitar-playing. And the lyrics about the power of music perfectly illustrate what I wrote in the intro of this post.

Morgan Wallen/Livin’ the Dream

Country music singer-songwriter Morgan Wallen, who hails from the tiny Tennessee town of Sneedville (about 250 miles east of Nashville), first gained some prominence as a contestant on season 6 of The Voice in 2014. While Wallen didn’t make it to the final, his stint eventually led to a deal with Panacea Records and his debut EP Stand Alone from August 2015. Wallen switched to Big Loud Records thereafter and released his first full-length studio album If I Know Me in April 2018. Livin’ the Dream is a track from his sophomore release Dangerous: The Double Album. This double album features a hefty 30 tunes, many prominent country songwriters and a guest appearance by Chris Stapleton. Livin’ the Dream, a tale about life as a “rock star,” was co-written by Wallen, Ben Burgess, Jacob Durrett and Michael Wilson Hardy, aka Hardy.

Barry Gibb/To Love Somebody

Yep, that’s Barry Gibb, formerly of the Bee Gees. I recently covered them in a four-part series here (part 1), here (part 2), here (part 3) and here (part 4). All I’d like to say in this post is if you think the Bee Gees were just a disco band, I’d encourage to take a closer look at their music or read my series. Was it necessary for Gibb, the group’s only surviving member, to come out with Greenfields: The Gibb Brothers’ Songbook, Vol 1., an album of newly recorded versions of mostly famous Bee Gees songs? Probably not – on the other hand, why not! The Bee Gees’ catalog is full with well crafted songs. Co-written by Barry Gibb and Robin Gibb, To Love Somebody is among my favorite early Bee Gees tunes. It initially appeared on Bee Gees’ 1st, the group’s first internationally released full-length studio album that was released in July 1967 in the UK and appeared the following month in the U.S. The newly recorded version features Jay Buchanan, lead vocalist of American rock band Rival Sons. The album also includes many other guests, mostly from country music, a favorite genre of Barry’s, such as Little Big Town, Dolly Parton and Sheryl Crow. Be cynical about it, if you like. I dig and stand behind these songs and the Bee Gees!

Aaron Frazer/ If I Got It (Your Love Brought It)

According to his website, Aaron Frazer is a Brooklyn-based, Baltimore-raised songwriter [who] first came into the international spotlight as multi-instrumentalist and co-lead singer for Durand Jones & The Indications. He penned some of the group’s most notable tracks, including ‘Morning In America,’ and sang lead on ‘Is It Any Wonder?’ – the latter an instant sweet soul classic anchored by Aaron’s falsetto, which caught the ear of producer and Black Keys guitarist Dan Auerbach…Soft-spoken with the look of a slightly disaffected 1950s matinee idol, Aaron Frazer possesses a unique voice that’s both contemporary and timeless. His higher register conveys a wide emotional palate and a progressive worldview in the tradition of musical masterminds like Curtis Mayfield. While Aaron’s stirring falsetto and thoughtful songwriting have made him established in the world of revival soul music, he refuses to be pigeonholed. That falsetto is in beautiful action on If I Got It (Your Love Brought It), a tune from Aaron’s debut album Introducing…, which was produced by Auerbach. The song was co-written by Frazer, Auerbach and David Ferguson. So good! check it out!

Sources: Wikipedia; Apple Music; Aaron Frazer website; YouTube

What I’ve Been Listening to: Michael Jaskewicz/Crooked Tree

Crooked Tree is the debut solo album by Michael Jaskewicz, a singer-songwriter from New Jersey. I met him sometime in 2019 while he was performing at a bar with Cosmic Jerry Band (now called Cosmic), which then mainly was a tribute to the Grateful Dead that has since evolved into focusing on original music. In fact, they just came out with their own debut album Bloom on December 27. I finally got to listen to Crooked Tree and really dig the warm, bare bones acoustic sound.

As Jaskewicz notes in a blog post on his website, in addition to Jerry Garcia and the Dead, his influences include Warren Haynes, Bob Dylan, The Allman Brothers Band, Pink Floyd, Jimi Hendrix, Jimmy Page and Trey Anastasio. In an interview with Music Life Now, he also noted Joni Mitchell and James Taylor, among others. Listening to the album before I had seen that interview Taylor came to my mind as well, as did Yusuf/Cat Stevens and Marc Cohn, who is best known for his 1991 signature tune Walking in Memphis. Jaskewicz’s voice occasionally reminds me a bit of Cohn.

Under normal circumstances, Crooked Tree could have appeared last April. But as Jaskewicz pointed out in the above blog post, COVID-19 and his struggle with depression and anxiety delayed things. “I spent a lot of time wrestling with the demons in my head trying to figure out why it seemed every imaginable roadblock to my success in music was being placed before me,” he explains. “Getting ready to step out into the world with songs, only to have the world hold a giant red stop sign in front of my face was pretty much a surefire way to send my mind straight into the darkness. And boy did it ever.”

Time for some music. Here’s the opener and title song, which was inspired by Jaskewicz’s infatuation with oddly shaped trees, as well as the terminal cancer of a close friend. “As I thought of his pain and suffering aligned with the intense light of a human being he was, he became the Crooked Tree in my mind and the words started flowing, ” he told Music Life Now. “I wanted to paint a picture of how beautiful he was, how life had taken its toll on him, and how in reality we are all Crooked Trees. Our flaws make us beautiful. We should not bear shame for the mental and physical scars we have from enduring life.”

In What Is a Life Jaskewiciz muses about the factors that oftentimes limit life. In a separate blog post on his website, he explained, “The absurdity of the verses in What Is A Life are an homage to imagination. Wishes on a feather, bury the clouds and sow seeds of whim, windows of time on a golden swing…. All just random musings of the mind eventually pushed into some corner of your mind to die. Without opening your imagination, you never can truly see the beauty of things, you can’t paint the canvas of your life.”

War That Can’t be Won is a dark, powerful tune. Here’s an excerpt from the lyrics: …Future’s falling from a poison sky/Future’s calling with a look in her eyes/Blood is flowing over government gold/Seeds of vengeance will grow no more…

I’d like to call out one more track: Falling in Your Eyes, the album’s beautiful closer.

“I am so proud to have released Crooked Tree,” Jaskewicz stated. “In a past life I would have been so content with just that, but the truth is I’m already working on the follow up and my goal is to have it completed by the end of the year.”Jaskewicz appears to be on a roll. At the time of his aforementioned statement, he already had 46 completed songs. On November 30, he released a new single titled Stars In Our Eyes.

I think Jaskewicz is off to a great start and I look forward to his sophomore album.

Sources: Michael Jaskewicz website; Music Life Now; YouTube

On This Day in Rock & Roll History: December 29

Before we can finally kiss this dismal year goodbye, I wanted to squeeze in another installment of my recurring rock/pop music history feature. Without further ado, here are some of the events that happened in the music world on December 29.

1965: American rock band The Sir Douglas Quintet were busted for marijuana possession in Corpus Christi, Texas. They got probation when they appeared in court with short hair, wearing suits. “I’m glad you cut your hair,” the judge told them. “I saw your pictures in the paper when you were arrested and I don’t go for that stuff.” The episode came in the wake of the band’s best-known song She’s About a Mover, written by their founder Doug Sahm.

1966: The Beatles were at EMI Studios at Abbey Road, working on three songs during three sessions: When I’m Sixty-Four, Strawberry Fields Forever and Penny Lane. None of the four mono mixes of When I’m Sixty-Four they made that day was used. The work on Strawberry Fields Forever included a tape copy of a December 22 mono mix, as well as creating the final stereo mix. I’ll skip the details, which laid out in The Beatles Bible. Paul McCartney also recorded the first takes of Penny Lane, working into the early morning hours of the following day. Here’s the magnificent Strawberry Fields Forever.

1967: Dave Mason left Traffic barely three weeks after the English rock band had released their debut album Mr. Fantasy. Only eight months earlier, Mason had been one of Traffic’s co-founders, together with Steve Winwood, Jim Capaldi and Chris Wood. Apparently, Mason didn’t have much interest in collaborating on songs. “We all [Winwood, Jim Capaldi and Chris Wood] tended to write together, but Mason would come in with a complete song that he was going to sing and tell us all what he expected us to play,” Winwood later recalled. “No discussion, like we were his backing group.” Mason would rejoin Traffic in 1968 while they were recording their eponymous sophomore album only to leave again after its release. Here’s House for Everyone, one of three tunes on Mr. Fantasy written by Mason.

1968: Led Zeppelin performed at Civic Auditorium in Portland, Ore. on their first 1968/1969 North American tour, opening for Vanilla Fudge. According to setlist.fm, their set included The Train Kept a-Rollin’, I Can’t Quit You Baby, As Long As I Have You, Dazed and Confused, White Summer/Black Mountain Side and How Many More Times. Here’s a clip of Dazed and Confused from 1968, or as somebody in the comments pointed out 1969. In any case, it’s probably reasonably close to how Zep sounded that night in Portland.

1973: Time in a Bottle, one of my favorite songs by Jim Croce, hit no. 1 in the U.S. on the Billboard Hot 100. Sadly, Croce was no longer around to witness the success. On September 20, 1973, he died at the age of 30 when his chartered plane crashed into a tree during takeoff from Natchitoches Regional Airport in Natchitoches, La. All other five members on board of the plane were also killed: Pilot Robert N. Elliott, Maury Muehleisen, comedian George Stevens, manager and booking agent Kenneth D. Cortese and road manager Dennis Ras. Time in a Bottle became Croce’s second and last no. 1 hit in the U.S. after Bad, Bad Leroy Brown, another great tune he had first released as a single in March of the same year.

Sources: Wikipedia; Songfacts Music History Calendar; The Beatles Bible; Setlist.fm; This Day in Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Another week flew by that was pretty busy, which hardly left any opportunity to focus on music. And even as I’m writing this on a Saturday, I feel pressed for time. While this sucks it’s a minor inconvenience in the grand scheme of things, so I don’t want to wine too much about it.

Perhaps it’s not a coincidence the music in this latest Best of What’s New installment is on the quiet side – no crunchy rockers or the kind of smoking hot blues I dig this week. I still like what I found and hope so will folks who read this. All of these tracks are on releases that appeared yesterday (December 11).

David Nail/Roach Motel

Let’s kick it off with David Nail, a Nashville-based country singer-songwriter who was born and grew up in Kennett, Mo. In 2002, he recorded an eponymous album that generated a charting country single, Memphis, but due to staff changes at his then-label Universal Music Group Nashville, the record never appeared. His first released album became the appropriately titled I’m About to Come Alive in August 2009. After putting out three more solo albums, Nail formed David Nail & The Well Ravens in July 2018, an independent project with longtime colleagues Jason Hall and Andrew Petroff. They independently released the album Only This And Nothing More in September 2018. Roach Motel is from Nail’s new solo EP Bootheel. To me, this tune has a Bruce Springsteen feel, which is what drew me in right away.

Helios/Never Will You Be Without

It’s safe to assume ambient music isn’t everybody’s cup of tea. I like it on occasion, especially when I’m in the mood to relax. Behind Helios is composer and multi-instrumentalist Keith Kenniff, who according to his Apple Music profile is also known for his neo-classical work as Goldmund. His recordings as Helios typically mix moody synthesizer textures and slow, glitchy beats with fragile melodies played on pianos, guitars, and other acoustic instruments. After establishing the Helios sound and gaining a cult following for his early releases, particularly 2006’s Eingya, Kenniff became an in-demand composer for film, television, and advertising. He remained prolific, regularly issuing albums as both Helios and Goldmund, in addition to making shoegaze/indie pop along with his wife, Hollie Kenniff, as Mint Julep…Keith Kenniff was raised in rural Pennsylvania, where he learned to play drums, guitar, and bass. He began playing piano while studying percussion at the Berklee College of Music in Boston, and began recording music as Helios in 2001. Never Will You Be Without is a track from the new album Domicile, Kenniff’s 12th released as Healios.

Taylor Swift/champagne problems

Taylor Swift needs no further introduction. While I’ve always respected Swift for being an artist who writes her own songs and also is a musician and liked some of her early tunes, I haven’t closely followed her. In part that’s because some of her more recent releases I’ve heard sound too much like contemporary mainstream. Regardless how you feel about her, there’s no question Swift who only turns 31 tomorrow is a very talented and accomplished artist. I mean, who am I to judge her in the first place? Plus, champagne problems, a tune from Swift’s new album evermore, sounds very different from the aforementioned mainstream pop. Apple Music characterizes it as “cozy home-studio vibes for more bare soles arrangements and bare-soul lyrics, casually intimate and narratively rich.” Wow, that’s many words I couldn’t have come up with myself, which is why I also could never make it as a music critic! However you want to describe it, I just like champagne problems, which was co-written by Swift and William Bowery, and that’s good enough for me to feature the tune here. Admittedly, it does make me curious to take a closer look at the rest of the album.

Randall King/Around Forever

Randall King is a country singer-songwriter from Lubbock, Texas, and an artist I probably would have ignored as recently as 5-10 years ago when I pretty much didn’t listen to country music. Well, I guess things have changed since then. Blame it in part on John Mellencamp, an artist I’ve loved for many years, and his transition from straight heartland rock to roots/Americana/country-oriented music. Another factor is the evolution of the country genre itself where you have massive crossover action. According to his Apple Music artist profile, King has an ear for steel guitar and the genre’s classic Americana roots. Inspired by country legend George Strait, King released his debut EP, Another Bullet, in 2016. He collaborated with Americana group Flatland Cavalry in 2016, singing a duet with frontman Cleto Cordero on the honky-tonk rocker “Hard Livin’ Illene.”His first album, 2018’s self-produced Randall King, was a major breakthrough, debuting in the Top 10 on iTunes’ Top Country Albums chart. Around Forever, written by King together with singer-songwriters Josh Miller and Will Bundy, is a tune from King’s new EP Leanna.

Sources: Wikipedia; Apple Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

It’s hard to believe another week has flown by. I’m happy to present my latest picks of newly released music. This time, the collection features red dirt country (yes, apparently that’s a music genre), a beautiful melodic acoustic tune by a New York rock band, an indie rock artist from New Zealand, a longtime singer-songwriter taking on an iconic Steely Dan tune, as well as an artist who has been associated with various genres like new wave, post-punk, R&B, rap and indie rock – or is it perhaps music folks trying to slap a label on him? Let’s get to it!

Zach Bryan/Quiet, Heavy Dreams

Zach Bryan is a young singer-songwriter hailing from Oklahoma. An artist profile on Apple Music calls him a plaintive, quivering country troubadour indebted to the literary side of Red Dirt Country. According to Wikipedia, red dirt is a music genre named after the color of soil found in Oklahoma, which includes elements of Americana, folk, alt-country and a few other genres. Soon after receiving his first guitar as a 14-year-old, Bryan learned how to play and started writing songs. Later he followed in the footsteps of his family and enlisted in the Navy. But he didn’t give up music, and during a break in Jacksonville, Fla., Bryan and his friends spontaneously decided to record some tunes that would become his 2019 debut album DeAnn. Encouraged by a favorable reception among red dirt fans, he recorded his follow-on Elisabeth that appeared in May this year. Quiet, Heavy Dreams is the title track of Bryan’s new EP released today (November 27). His voice and the bare bones approach drew me in.

Bayside/Light Me Up

Bayside are a rock band named after the neighborhood in Queens, New York, where they were founded in October 2000 by lead vocalist Anthony Raneri and his childhood friend Mike Kozak (drums). Kozak left the following year to form his own group. Bayside released their debut album Sirens and Condolences in January 2004. The eponymous sophomore album from August 2005 was the band’s first to chart in the U.S., peaking at no. 153 on the Billboard 200. They have since released six additional full-length albums. Their catalog also features a live album and 10 EPs. The band’s line-up has changed various times over the years and currently includes Jack O’Shea (lead guitar, backing vocals), Nick Ghanbarian (bass, backing vocals) and Chris Guglielmo (drums, percussion), along with Raneri, the only remaining original member. Light Me Up is a single credited to all members of the band, released on November 20. It’s from Bayside’s upcoming 11th EP Acoustic Volume Three, which is scheduled for December 11. Check out the melodic sound of this tune and the harmony singing – love it!

KennyHoopla/Estella (feat. Travis Barker)

KennyHoopla is a 23-year-old Milwaukee-based singer-songwriter who was born as Kenneth La’ron in Cleveland. According to his Apple Music artist profile, he emerged out of the midwestern underground in the latter years of the 2010s with a series of buzz-worthy singles that merged aspects of new wave, post-punk, and R&B...Hoopla began making music at a young age, influenced by acts like Funeral Suits, Passion Pit, and the Drums…His early tracks were loosely labeled rap, though his dark-toned, guitar-based songs and aching contemplative vocals had more in common with indie rock and alt-R&B. He gained traction both regionally and online with 2017’s “Waves//” single and its 2018 follow-up, “Sickness.” Admittedly, I had never of heard of these tunes or KennyHoopla before. With so many genres flying around in the above profile, it also appears to be tricky to characterize his music. I’ve said it before and say it again: It all comes down to whether music speaks to you, not the genre. And there’s something about Hoopla’s new single Estella, which came out on November 20, featuring Travis Barker, drummer of American pop rock band Blink-182. At just under two minutes, it could almost be a contemporary version of a Ramones tune.

Emily Edrosa/Drinking During the Day

Emily Edrosa is a singer-songwriter and multi-instrumentalist from Auckland, New Zealand. According to a bio on the website of her record label Park The Van, Edrosa had fronted New Zealand indie rock band Street Chant for 10 years before she decided to relocate to Los Angeles in 2016 and start over. While living there, she continued to work on songs that ended up on her new solo record Another Wave Is Coming released November 20. Edrosa wrote the parts for all instruments. Except for the drums, which were provided by Bosh Rothman (U.S.) and New Zealand peers Alex Freer and Liz Stokes, she also played all instruments by herself. A review of the album in No Depression notes Edrosa recently returned to New Zealand. Here’s Drinking During the Day. Check out the neat transition from mid tempo to a slower pace starting at around 2:24 minutes with a somewhat Beatle-esque guitar part – pretty cool!

Bill Callahan/Deacon Blues (feat. Bill Mackay)

Let me preface this last clip by saying that Steely Dan are one of my all-time favorite bands and their album Aja from September 1977 is music perfection to my ears. As such, I think covering Deacon Blues, one of the album’s tracks that also happens to be my favorite Dan tune, does take a good deal of self-confidence. American singer-songwriter and guitarist Bill Callahan, who has been around for three decades, not only decided to take on the challenge but turn the jazz pop-oriented original co-written by Donald Fagen and Walter Becker into a stripped back acoustic version. In addition to Callahan, this cover only features composer and guitarist Bill MacKay and Bonnie “Prince” Billy, the adopted artist name of American singer-songwriter Joseph Will Oldham. With no horns and most other instruments that are on Steely Dan’s original and Callahan’s voice sounding much closer to Yusuf/Cat Stevens than Donald Fagen, this is quite different. I imagine not all Dan fans may be with me here, but I think Callahan did an amazing job, making an iconic tune truly his own.

Sources: Wikipedia; Apple Music; Park The Van website; No Depression; YouTube

Clips & Pix: Arlo Guthrie/Alice’s Restaurant Massacree

I can’t believe it’s taken me more than four years to dedicate a post to one of the most hilarious songs I can think of: Alice’s Restaurant Massacree, better known as Alice’s Restaurant, by folk singer-songwriter Arlo Guthrie. And what better time to do so than on the eve of Thanksgiving.

Alice’s Restaurant, the title track of Guthrie’s debut album from October 1967, is a largely spoken satirical protest song against the Vietnam War draft. It’s based on a true though exaggerated story that started on Thanksgiving 1965 when Guthrie and his friend Ray Brock were arrested by the local police of Stockbridge, Mass. for illegally dumping trash. Guthrie’s resulting criminal record from the incident later contributed to his rejection by the draft board.

At 18 minutes and 34 seconds, Alice’s Restaurant can easily compete with some Pink Floyd tunes, except it’s much more upbeat. Because of its length, the track is rarely heard on the radio, except on Thanksgiving when many stations play it in its entirety. This includes Q104.3, the New York classic rock station I mentioned in a recent previous post, which trigged this piece.

Perhaps not surprisingly given Guthrie’s cinematic story-telling, Alice’s Restaurant also inspired a 1969 comedy film with the same name, starring Guthrie as himself. It was directed by Arthur Penn who among others is known as director of the 1967 classic biographical crime picture Bonnie and Clyde.

Commenting on what became his signature tune, Guthrie said, “I never expected it to be so popular,” as quoted by Songfacts. “An 18-minute song doesn’t get airplay. You can’t expect that. So the fact that it became a hit was absurd on the face of it. It wasn’t part of the calculation.” Well, whether intentional or not, I’m sure it helped Guthrie pay some bills.

Last but not least, to all folks who celebrate it, Happy Thanksgiving and be safe!

Sources: Wikipedia; Songfacts; YouTube

Best of What’s New

A selection of newly released music that caught my attention

Another end of the week calls for another Best of What’s New. This latest installment is probably my most eclectic and diverse set to date, featuring a “Norwegian country sensation,” an indigenous Canadian folk and country singer-songwriter, electronic music by a U.S. multi-instrumentalist, and a German singer-songwriter blending soul, R&B and African folk music. Let’s get to it!

Malin Pettersen/Weightless

According to her website, Norwegian country artist Malin Pettersen released her first solo album [in 2018], which won her a Spellemannpris (Norwegian Grammy), placed her on the bill of some of Norway’s largest festivals and brought her to Nashville for more recording. She’s been coined «Norwegian Country sensation» by Paste Magazine and her music has been featured in Rolling Stone and Billboard. Her new Nashville recorded album “Wildhorse” is released October 16th on Die With Your Boots On Records and has already gotten fantastic reviews! Malin Pettersen is definitely one to watch – and most of all – one to hear! I agree! Written by Pettersen, Weightless is a tune from Wildhorse released October 16. It was mostly her voice that drew me in, which reminds me a bit of Stevie Nicks at times. I also dig the atmosphere of the music. Check it out!

William Prince/The One I Know

When I spotted this tune, the artist’s name William Prince sounded familiar. And no wonder, searching my own blog revealed I had seen him live in July 2018 in Boston as opening act for Neil Young and written about the show here. As I said at the time, Prince’s solo performance with just an acoustic guitar was captivating. The Canadian folk and country singer-songwriter, who is a member of Pegius First Nation from Manitoba, released his award-winning debut album Earthly Days in December 2015. The One I Know is a track from Prince’s new album Gospel First Nation, a collection of gospel tunes, which appeared on October 23. As noted on his website, Prince learned and sang these songs with his father in a chapel named for his great grandfathers, who were were all preachers. While I generally like gospel, it’s not the type of music I typically listen to. But I have to say I find Prince’s warm voice very comforting, and it’s just a pretty tune!

Daniel Tashian/Channels

According to his artist profile on Apple Music, Daniel Tashian, the son of Barry Tashian, leader of the legendary New England garage rockers Barry & the Remains, [is a] multi-instrumentalist singer/songwriter [and] a decidedly different type of musician than his cult hero father. His folk-rock-based music recalls that of Michael Penn, Lisa Germano, and Sam Phillips, whose husband T-Bone Burnett produced Tashian’s debut album, 1996’s Sweetie. Along with his solo career, Nashville resident Tashian produces and plays with various other artists, most notably alt country singer/songwriter Julian Dawson, and hosts a weekly songwriter’s night at the famed Nashville music club 12th and Porter. Based on this profile, the above electronic instrumental tune Channels seems to be an outlier. It’s a track from his new all-instrumental EP Landscapes, Vol. 3 that appeared on October 23 – yet another unusual choice for me. But again, I just find this track appealing.

Joy Denalane/Be Here in the Morning (feat. C.S. Armstrong)

Joy Denalane is a German singer-songwriter blending soul, R&B and African folk music with lyrics in English and German. She was born in July 1973 to a black father from South Africa and a German mother and grew up in Berlin. Denalane left home at the age of 16 and started to focus on music, joining the reggae and soul bands Culture Roots and Family Affair, respectively. Her breakthrough came in 1999 when she hooked up with electronica and hip hop producers DJ Thomilla and Tiefschwarz for what became an international club hit, Music. Her debut solo album Mamani came out in June 2002. Denalane has since released four additional albums, including her most recent one Let Yourself Be Loved on September 4. Be Here in the Morning is from that album and features Los Angeles-based R&D artist Chauncy S. Armstrong who also co-wrote the tune with Denalane, along with Chris Soper, Jesse Singer, Nick Banns and Sway Clarke. Love that beautiful retro soul sound and what a great voice!

Sources: Wikipedia; Malin Pettersen website; William Prince website; Apple Music; YouTube

Best of What’s New

A selection of newly released music that caught my attention

I can’t believe it’s October. What happened to summer? Perhaps on the upside, if time continues to race at its current pace, it also means this year will be over soon and we’re into 2021, which will hopefully bring better times. While it remains uncertain when live concerts can safely resume and some artists have delayed releasing new material, it’s great to see decent new music continues to come out.

As more frequent visitors of the blog know, my favorite music decades are the ’60s and the ’70s. As such, I’ve generally given up on what’s in the mainstream charts these days. Yet, in March this year, rather than continuing to complain about generic and soulless music populating the charts, I decided to pay more attention to new music that’s not in the charts, even if it’s not by artists I usually listen to, and to start the weekly recurring feature Best of What’s New. While finding new music I dig forces me to do some detective work, it’s been pretty rewarding, so I have every intention to continue this quest.

This brings me to the latest slate of songs. It’s a diverse set, featuring great music by an African American singer-songwriter reminiscent of a ’60s folk protest song, rich soul by a dynamite husband and wife duo, a delicious Louisiana music gumbo by a New Orleans-based singer-songwriter and multi-instrumentalist, and folk rock by a prolific Canadian artist. Like is oftentimes the case in this series, I had not heard of any of these artists before. Let’s get to it!

Tré Burt/Under the Devil’s Knee (featuring Leyla McCalla, Allison Russell and Sunny War)

Tré Burt is a Sacramento-based singer-songwriter. According to his website, Burt was drawn to music from an early age. He was raised with his grandfather’s passion for soul music, like the Temptations, Nina Simone, Otis Redding and Marvin Gaye. A school project on Woody Guthrie opened his eyes to the power of folk songwriting. And he discovered one of his songwriting heroes, Neil Young, through his older brother, Joey. In 2018…[he] self-released his debut album, Caught It From the Rye. The album, which showcases Burt’s literary songwriting and lo-fi, rootsy aesthetic, landed him a handful tour dates and some positive press, but Burt had no idea just how far it would get him: to a spot on the roster at John Prine’s Oh Boy Records. Burt’s first work appearing on Oh Boy is the single Under the Devil’s Knee. Released on September 22, it’s a powerful tune about the senseless deaths of George Floyd, Breonna Taylor and Eric Garner and the Black Lives Matter movement. To me it has a ’60s protest song vibe. It almost feels like looking at a modern day Richie Havens. Check it out!

The War and Treaty/Little Boy Blue

The War and Treaty is a husband and wife duo of Michael Trotter, Jr. and Tanya Blount. Apple Music describes their style as impassioned soul music that draws on traditional folk, country, R&B, and spirituals, often combining them all. Initially known as Trotter & Blount, they released their debut album Love Affair under that name in 2016. This was followed by the EP Down to the River in July 2017, their first music appearing as The War and Treaty. Healing Tide, the first full-fledged studio album under the current moniker, came out in August 2018. The record, which featured a guest appearance of Emmylou Harris, was well received and reached no. 11 on the Billboard Top Heatseekers Albums and no. 26 on the Independent Albums charts. Blount first became prominent in 1993, when she performed a duet with Lauryn Hill in the comedy picture Sister Act 2: Back in the Habit. The following year, she released her solo debut album Natural Thing. Little Boy Blue is a terrific soul song from Hearts Town, the second full-length album by The War and Treaty that appeared on September 25.

Ric Robertson/Louisiana Love Thing

Ric Robertson is a New Orleans-based songwriter and multi-instrumentalist, who according to his website synthesizes the full canon of American music—New Orleans jazz, classic American pop songsmiths, country, modern funk, swampy blues, and R&B to name a few—and births it into something out of this worldRobertson conjures this musical pedigree into a cohesive potion, a finely-tuned sonic concoction with just enough rock n’ roll to kill, just enough blues to keep you alive, and just enough country to make you hold on to love. It’s stirred by Robertson’s distinct voice: sweet, enticing, and contoured with the finely subtle grit of Mississippi River silt and the warmth of vintage vinyl. Robertson’s debut album The Fool, The Friend was released in June 2018. A review in The Big Takeover characterized it as “a fresh and authentic blend of swampy blues, rock and country” and called Robertson “a force to be reckoned with.” While I haven’t listened to that album yet, I agree based on Robertson’s new tune Louisiana Love Thing. It’s from his new EP Strange World that came out on September 25. That’s one delicious gumbo!

Daniel Romano/Joys Too Often Hollow

Wikipedia describes Daniel Romano (born Daniel Travis Romano in 1985) as a Canadian musician, poet and visual artist based out of his hometown of Welland, Ontario. He is primarily known as a solo artist, though he is also a member of [Canadian indie rock band] Attack in Black and has collaborated with [fellow Canadian music artists] Julie Doiron and Frederick Squire. He has also produced and performed with City and Colour, the recording project of Dallas Green [another Canadian music artist]…and is a partner in his own independent record label, You’ve Changed Records. Romano is a prolific artist. His solo debut Workin’ for the Music Man appeared in 2010. He has since released 11 additional solo records, nine collaboration albums and two EPs. An incredible 10 of these releases all appeared this year, including How Ill Thy World Is Ordered, his fourth 2020 album with his backing band Outfit. Here’s Joys Too Often Hollow, a nice folk rocker from that album released on September 18.

Sources: Wikipedia; Tré Burt website; Apple Music; Ric Robertson website; The Big Takeover; YouTube

Best of What’s New

A selection of newly released music that caught my attention

While sadly my time to blog and read posts by my fellow music bloggers has been very limited over the past couple of weeks, the good news is the music never stops. It’s great to see this includes decent new releases. I’m particularly excited about new music by Bruce Springsteen, one of my all-time favorite artists. This installment of Best of What’s New also features two great blues artists and a soulful roots/Americana singer-songwriter. Let’s get to it.

Bruce Springsteen/Letter to You

Bruce Springsteen announced a new album with the E Street Band on September 10. Letter to You, his 20th album, is slated for October 23. The Boss and his band mates recorded it at his home studio in just five days. The album features nine recently written tracks and three re-recorded but previously unreleased songs from the ’70s. Springsteen’s website characterized Letter to You as a rock album fueled by the band’s heart-stopping, house-rocking signature sound. Apparently, Springsteen is pretty upbeat about it. “I love the emotional nature of Letter To You,” he stated. “And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs… It turned out to be one of the greatest recording experiences I’ve ever had.” Here’s the official video of the title track. Sounds like classic Boss to me and I can’t wait to hear the rest of the album!

Al Basile/Second Wind

When it comes to the blues, you rarely can go wrong, in my completely unbiased opinion. So I was a happy camper when I came across Second Wind by Al Basile – yet another artist I don’t believe I had heard of before, even though he’s been around for close to 50 years! According to his website, Basile began his musical career as a cornet player with Roomful of Blues in 1973, and has worked with the Duke Robillard Band as a songwriter and recording member since 1990, appearing on twelve CDs and a DVD; his songs have been used in films and television and covered by such artists as Ruth Brown and Johnny Rawls, and bands New Jump Blues and the Knickerbocker All Stars. He has fifteen solo blues and roots CDs out under his own name, the majority having reached the top 15 on the Living Blues airplay charts in their year of release. They have all been produced by Robillard and feature his guitar playing and many former Roomful members...He is also a prize-winning poet, with two published books, 2011’s A Lit House and 2017’s Tonesmith. But unlike Brian May, Basile is not an astrophysicist – what an underachiever! Second Wind is a tune from Basile’s new album Last Hand, which appeared on August 21.

Kat Riggins/No Sale

And what’s even better than the blues? Of course, more blues, especially when it’s delivered by a great vocalist and rocks! From the website of Kat Riggins, a blues artist born in the blues capital of the world Miami: Inspired by the variety and abundance of music in her parents’ collection, it makes sense that her own music is peppered with hints of R&B, soul, country, gospel, hip-hop, and rock-n-roll. Make no mistake; however, Kat Riggins is undeniably a BLUES WOMAN! She travels the world with the sole mission of keeping the blues alive and thriving through her Blues Revival Movement. She has been vocally compared to Koko Taylor, Etta James and Tina Turner to name a few. While obviously influenced by those icons, Mrs. Riggins has a voice and delivery all her own. Full of power, rasp and grit she can belt out one of her contemporary blues originals one minute, then deliver a tender, sultry standard the next. Based on Discogs, Riggins released her debut Lilly Rose in 2014. No Sale is a nice blues rocker off her new and fourth album Cry Out that appeared on August 14. It’s got a bit of a ZZ Top vibe. As noted in a review on Rock & Blues Muse, the album was produced by blues veteran and songwriter Mike Zito, co-founder of the record’s label Gulf Coast Records, who also played guitar.

Oliver Wood/Soul of This Town

Soul of This Town is the debut solo single by guitarist Oliver Wood, who since 2004 has been playing together with his brother Chris Wood (upright bass) and Jano Rix (drums) in roots/Americana trio The Wood Brothers. Prior to that, he was part of Tinsley Ellis’ touring lineup and headed his own band King Johnson that released six albums over a 12-year span. Evidently, here’s another artist who has been around for 30-plus years and had escaped my attention until now. With The Wood Brothers, he has released six albums to date. Wood co-wrote Soul of This Town with Phil Cook, a singer-songwriter from Raleigh, N.C. The single was released on August 21. I can also recommend the bluesy B-side The Battle is over (But the War Goes On).

Sources: Wikipedia; Bruce Springsteen website; Al Basile website; Kat Riggins website; Discogs; Rock & Blues Muse; YouTube