Clips & Pix: Paul McCartney & Bruce Springsteen/I Saw Her Standing Here

This great clip was captured Friday night at Madison Square Garden in New York, where Bruce Springsteen and Steven Van Zandt joined Paul McCartney on stage during the encore of McCartney’s sold out show there. These guys had so much fun that they literally did the song twice – priceless!

It doesn’t even matter that McCartney’s voice sounds a bit strained. According to setlist.fm, the back-to-back performances of I Saw Her Standing There were tracks 36 and 37, so it must have been well over two and a half hours into the show. Plus, the song that immediately preceded this was Helter Skelter. To me it is just amazing how strongly Sir Paul is still going at age 75. I saw it myself last July and posted about it here. This clip with The Boss makes me want to see him again – and while we’re at it, Springsteen as well!

Penned by McCartney and John Lennon, I Saw Her Standing There was the opener to Please Please Me, the studio debut by The Beatles, which appeared in March 1963. The tune was also released separately in the U.S. as the B-side to I Want To Hold Your Hand, the Fab Four’s first U.S. single that came out in December that year.

Sources: Wikipedia, Billboard, Setlist.fm, YouTube

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What I’ve Been Listening To: The Art of McCartney

Tribute album illustrates McCartney’s incredible song catalog and admiration from artists like Billy Joel, Bob Dylan, Brian Wilson and Smokey Robinson

This is another album I somehow missed when it was released in November 2014, even though it features music from Paul McCartney, one of my all-time favorite artists. Ironically, I came across this cover compilation earlier today when I looked for Bob Dylan in Apple Music and saw his single of Things We Said Today. In my humble opinion, Dylan’s voice has changed quite a bit and not for the better, and his version of the 1964 Beatles tunes from the A Hard Day’s Night album sounds pretty awful. But there are many other covers on this record I like.

The 34-track set opens with Maybe I’m Amazed, performed by Billy Joel, who I think together with Elton John is the greatest contemporary pop rock pianist. McCartney first released the tune on his 1970 solo debut McCartney and dedicated it to Linda McCartney, his first wife and I believe the great love of his life.

Heart did a nice version of Band On the Run, one of my favorite McCartney songs. Ann Wilson’s vocals are great fit, and Nancy Wilson, one of most underrated guitarists, does a terrific job. Band On the Run is the title song of the 1973 studio album McCartney recorded with Wings.  It was also released as a single in 1974, hitting no. 1 in the U.S. and no. 3 in the U.K.

Let me preface this next tune by admitting that I’ve never gotten much into the music of Kiss. But I have to say their version of Venus/Rock Show is pretty cool. The medley first appeared on Venus And Mars, the fourth studio album by Wings from May 1975.

Another great cover is Let Me Roll It performed by Paul Rodgers, one of the greatest voices in rock. Rodgers stays pretty close to the original, which was also first included on the Band On the Run album.

Who better to sing Helter Skelter than Roger Daltrey? Holy shit, I just love the man! The furious rocker initially appeared on The Beatles’ White Album from 1968.

Chrissie Hynde, another artist I admire, recorded Let It Be, doing a great job with this timeless, beautiful ballad. The track, of course, is the title song of The Beatles’ final studio album released in 1970.

When Motown legend the great Smokey Robinson covers your music, it probably doesn’t get much better and speaks for itself. It doesn’t even matter that the tune Robinson chose, So Bad, perhaps is not among the best songs McCartney has written – when Smokey sings, magic happens. So Bad first appeared on McCartney’s fourth studio album Pipes of Peace, released in October 1983.

The last track I’d like to highlight is Eleanor Rigby performed by Alice Cooper. Yep, you read that correctly – Mr. Shock Rock singing the tune from Revolver, The Beatles seventh studio album that appeared in 1966. And he did a nice job with it!

According to a Rolling Stone story, the initial idea for The Art of McCartney came from producer Ralph Sall. At the time, Sall, who has also produced for other artists like The Ramones, Cheap Trick and Aerosmith, was working with McCartney on polishing up A Love For You for the soundtrack of In-Laws, an American sitcom that aired from September 2002 until January 2003. A Love For You originally appeared on Ram, McCartney’s second post-Beatles album from May 1971.

There are many other remarkable artists on this tribute record, such as Steve Miller, Brian Wilson and B.B. King, who I didn’t include in the above selection, in part because other than snippets, I couldn’t find clips on YouTube. I’d like to finish this post with a trailer about the making of the album.

Sources: Wikipedia, Rolling Stone, YouTube

 

 

Ringo Rocks With A Little Help From His Friends

Paul McCartney, Steve Lukather, Joe Walsh and Edgar Winter join Starr on second single from upcoming studio album

Last Friday, the second single from Ringo Starr’s forthcoming 19th solo album Give More Love appeared. Co-written by him and Toto guitarist Steve Lukather, We’re On the Road Again is quite a vigorous rocker. The tune also features Paul McCartney on bass and backing vocals, as well as the Eagles’ Joe Walsh (backing vocals) and blues rocker Edgar Winter (backing vocals).

On July 7, his 77th birthday, Starr announced the new album and released the title track as its first single. The record, which includes ten original songs and four bonus tracks of re-recordings of previous Starr tunes, also features many other top-notch guests, such as Peter Frampton, Dave Stewart (formerly of the Eurythmics), ELO’s Jeff Lynnethe Eagles’ Timothy B. Schmit and Nathan East.

Ringo-Starr-All-Starr-Band-March-2017-768x385

Starr will also go on a fall tour with his All-Starr Band. The line-up includes Todd Rundgren (guitar), Gregg Rolie (keyboards), Lukather (guitar), Richard Page (bass), Warren Ham (saxophone) and Gregg Bissonette (drums). The tour starts on October 13th with an eight-show residence at Planet Hollywood Resort & Casino in Las Vegas and concludes on November 16 at New Jersey Performing Arts Center in Newark, N.J.

At 77 years, Starr seems to be an excellent shape and doesn’t show any signs of slowing down. The members of The All-Starr Band and the guests on the new album aren’t exactly teenagers either. We’re On the Road Again sounds like an ideal set opener. Here’s a clip of the tune. Rock on Ringo!

Sources: Wikipedia, Rolling Stone, Ringo Starr website, YouTube

 

On This Day In Rock & Roll History: July 22

1967: The Pink Floyd, as they called themselves then, played The Beach Ballroom in Aberdeen, Scotland. At the time, the band was still led by Syd Barrett (lead guitar, vocals). The other members included Roger Waters (bass, vocals), Richard Wright (keyboards) and Nick Mason (drums). Famous for its dance floors, The Beach Ballroom also attracted other famous acts, such as The Beatles, Cream and The Who. While I was able to confirm the date of the performance, I could not find the set list. But given the concert happened only a few months after the band had recorded their studio debut The Piper At the Gates of the Dawn, it’s safe to assume tunes like Astronomy Domine, Interstellar Overdrive, Bike and Arnold Lane were part of the set. Here is a clip of Astronomy Domine, apparently captured in May 1967 on the BBC’s broadcast Look of the Week – the closest I could find.

1969: During a studio session for The Beatles’ Abbey Road, John Lennon recorded his lead vocals for Come Together. Paul McCartney did an overdub of the electric piano. Electric guitar and maracas were also overdubbed. In addition, McCartney made his next to last attempt to record the lead vocals for Oh! Darling. The final take was captured during the next day’s session, the culmination of a week-long effort. McCartney wanted his voice to sound as if he had performed the song on stage all week.

1973: David Bowie released Life On Mars as a single, backed by The Man Who Sold the World. Both tunes were written by Bowie. Life On Mars initially appeared on his fourth studio album Honky Dory, which was released in Dec 1971. The Man Who Sold the World was the title song of Bowie’s third studio release in November 1970. Life On Mars became one of his biggest hits, climbing to no. 3 on the U.K. Singles Chart and charting for 13 weeks. It was one of many songs that reflected Bowie’s fascination with space. Examples of other space tunes he wrote include Space Oddity, Moonage Daydream, Starman, Hallo Spaceboy and Dancing Out In Space.

1977: My Aim Is True, the debut album from English singer-songwriter Elvis Costello, was released in the U.K. According to the liner notes, “My Aim Is True was recorded at Pathway Studios, Islington in a total of Twenty four hours studio time and at a cost of 2000 pounds. As I still had my “day-job” these sessions had to take place on “sick days” and holidays during late 1976 and early 1977. The musicians were members of the Marin county band Clover, who could not be credited at the time due to contractual reasons.” My Aim Is True was the first of five Costello albums in a row that were produced by Nick Lowe. The record received many accolades. In 1997, Rolling Stone named it as one of the best albums of the year and in 2004 also ranked it at no. 168 in its 500 Greatest Albums Of All Time list. Pitchfork ranked Costello’s debut at no. 37 of the Top 100 Albums of the 1970s. In 2007, the album was also inducted into the Grammy Hall of Fame. Here’s a clip of the record’s fourth single Watching the Detectives.

Sources: This Day in Music.com; Setlist.fm; Wikipedia; Billboard; http://www.elviscostello.info: My Aim Is True (1993) Liner Notes; Rolling Stone; Pitchfork; YouTube

 

In Appreciation of the Bass Player

While not always being fully appreciated, the bass player is an essential member of any rock band

Oftentimes, when people think about rock bands, the bass player is not the member that comes to mind first. Especially, for guitar-oriented rock, it’s usually the singer and especially the lead guitarist who get most if not all of the attention – after all, the lead guitarist is the guy who gets to play the cool solos. But while typically being less in the limelight, the bass player actually is an essential part of any rock band!

As a former hobby bass player, I’m of course completely unbiased here. But let’s face it, what would music be without a great groove? And that’s exactly where the bass player comes in, together with the drummer. These two guys form the core rhythm section of any rock band, and they better are on the same page!

Okay, so after having reiterated the importance of the bass player, now on to the fun part: yet another list, specifically of great bass players. There are actually many who come to mind. Undoubtedly, I don’t know all of them – not even close! But with a little help from Bass Player Magazine, the task becomes less daunting. So let’s get to it, in no particular order:

Paul McCartney

Of course, I have to start with somebody who is associated with The Beatles – I just can’t help it! McCartney is not a technical virtuoso, which I recall he has admitted himself in interviews. The thing that’s great about McCartney is not technique, but his beautiful melodic style. As The Beatles became more sophisticated in using recording technology in the studio, McCartney oftentimes recorded the bass part as one of the last tracks of the song. That way, he could hear the other instrumental parts and truly add to the music with a nice bass melody. While Rubber Soul only represents The Beatles’ early transition to more advanced studio work, McCartney’s bass part on Drive My Car is among my favorites.

John Entwistle

In some regards, John Entwistle to me falls on the other end of the spectrum when compared to McCartney. While according to Bass Player Magazine’s list of The 100 Greatest Bass Players of All TimeEntwistle did not consider himself to be a “proper” bass player, his virtuosity was off the charts – and he played all his crazy parts in such a cool and relaxed manner! I was fortunate enough to witness this myself during a great show of The Who at New York’s Madison Square Garden in 2000, less than two years prior to Entwistle’s untimely death at age 57 in a Las Vegas hotel room. Perhaps, the ultimate Entwistle part is his epic solo in My Generation.

Roger Glover

Together with drummer Ian Paice, Roger Glover forms the kick-ass rhythm section of Deep Purple. My favorite Glover part is the terrific bass solo in Pictures of Home, one of the great tunes on Machine Head; if I would have to choose one 70s hard rock album, I think it would be this record. Undoubtedly, there were other important bands, such as Led Zeppelin and Black Sabbath, but to me it’s still Deep Purple. I’m actually going to see them for the first time ever at the end of August. Three of the legendary Mark IV members, Paice, Glover and singer Ian Gillan, are still part of the mix! Glover’s solo, BTW, starts at 3:40 minutes.

Graham Maby

Graham Maby is best known for his association with Joe Jackson with whom he has worked since Jackson’s 1979 studio debut Look Sharp! One of my favorite Maby moments is his bass part on Geraldine and John, from I’m the Man, Jackson’s best album in my opinion. It’s another great example of melodic bass playing, though Maby also plays hard-pumping, punk rock-oriented bass parts on that album.

Tal Wilkenfeld

This 30-year-old lady from Australia is a simply amazing overachiever. She has worked with the likes of Jeff Beck, Prince, Chick Corea and Herbie Hancock – oh, and this band called The Allman Brothers. In addition, she’s a singer, songwriter and guitarist who fronts her own band. While in 2008 Wilkenfeld was voted The Year’s Most Exciting New Player in a poll of readers of Bass Player and was also recognized by the publication in 2013 with the Young Gun Award, surprisingly, she’s not on their 100 Greatest Bass Player list – definitely an oversight! Just watch this amazing clip of Wilkenfeld with Beck and you know why. BTW, she was 20 years at the time!

Sting

Apart from being a songwriter and talented acoustic guitarist, Sting is also a great bassist. Bass Player credits him for bringing reggae influences into rock when he was still with The Police, citing tunes like Roxanne and Can’t Stand Losing You. One of my favorite Sting bass parts from his time with The Police is in Spirits In the Material World, from the band’s fourth studio album Ghost in the Machine, released in 1981.

Pino Palladino

To me, this exceptional session bassist will always remain synonymous with the fretless bass. And perhaps no other tune captures this better than Paul Young’s cover of the beautiful Marvin Gaye tune Wherever I Lay My Hat (That’s My Home) – ah, the 80s are coming back to me! For the record, at the time, I owned a fretless in addition to a regular bass, but whatever I tried, I just could never create that distinct fretless sound – not even close!

Jack Bruce

Jack Bruce is considered to be one of the greatest rock bassists. When he passed away in October 2014 at the age of 71, there were countless tributes from fellow music artists. According to Rolling Stone, former Cream band mate Eric Clapton said, “he was a great musician and composer, and a tremendous inspiration to me.” The same story also recalled Pink Floyd’s Roger Waters saying in his 100 Greatest Artists tribute to Cream that Bruce was “probably the most musically gifted bass player who’s ever been.” While Bruce had a serious career prior to and post Cream, he will probably always best be remembered as the singer and bassist of the rock supergroup power trio, who also co-wrote some of their best known songs like I Feel FreeSunshine of Your Love and White Room. Here’s a nice clip of Sunshine of Your Love from Cream’s 2005 reunion show at the Royal Albert Hall in London.

Geddy Lee

Just like Cream, Canadian rock legends Rush are a power trio. And just like Jack Bruce was, Geddy Lee is Rush’s singer and bassist. In addition to a remarkable vocal range, Lee oftentimes uses his bass as a lead instrument. His signature style is characterized by high treble sound and furiously hard playing of the strings. Bass Player also notes his “multi-tasking chops: His ability to trigger samples, play keys, step on bass pedals, and sing vocal parts in odd time signatures while nailing Rush’s complex yet catchy bass lines…” Here’s a nice illustration of Lee’s playing – a live performance of the instrumental Leave That Thing Alone, which first appeared on Rush’s 1993 studio album Counterparts.

Stephen Oliver Jones

Who? Stephen Oliver Jones (Ojay) currently does not play in any famous rock band, but maybe he should. Also known as the Jimi Hendrix of the bass, he used to be a professional musician. Now it appears he’s a street musician and a YouTube sensation. During a 2015 interview with the Draper on Film blog, Jones exlained he is self-taught and used to play in a rap rock band called Dust Junkys from Manchester, England. The following YouTube clip, which has more than 1.6 million views, showcases Jones’ incredible talent. When I first saw it on Facebook, I was blown away. And since this hasn’t changed, it was an easy decision to include Ojay in this list. He is going full-blown Hendrix at 2:48 minutes – unreal!

Sources: Bass Player Magazine: The 100 Greatest Bass Players of All Time (Feb 2017); Wikipedia, Rolling Stone, Draper on Film, YouTube

On This Day in Rock & Roll History: July 6

1957: John Lennon and Paul McCartney met for the first time. Lennon’s skiffle band The Quarrymen performed at a garden party at St. Peter’s Church in Woolton, Liverpool. While the band was setting up for their gig, Ivan Vaughan, who occasionally played with them on tea-chest bass, introduced his school classmate 15-year-old McCartney to Lennon (16 years). They hit it off right away. McCartney showed Lennon how to tune a guitar and sang a few songs, including Eddie Cochran’s Twenty Flight Rock, Gene Vincent’s Be-Bop-A-Lula and a medley of Little Richard songs. A few weeks later McCartney joined The Quarrymen and the rest is history.

The Quarrymen

1963: Live at the Apollo by James Brown and The Flames peaked at no. 2 on the Billboard Albums chart. Altogether, the amazing live album remained in the chart for 66 weeks. After the record company’s had refused to fund the recording, Brown paid for it himself. In 2012, the record was ranked no. 25 in Rolling Stone’s 500 Greatest Albums of All Time. The accompanying write-up called it “Perhaps the greatest live album ever recorded.”

1967: Pink Floyd appeared for the first time on the BBC music show Top of the Pops. They performed See Emily Play, their second single. Written by Syd Barrett, the song was also included in the band’s U.S. edition of their debut album The Piper at the Gates of Dawn. See Emily Play climbed to no. 6 in the U.K. Singles Chart. The tune is also included in the Rock & Roll Hall of Fame’s 500 Songs that Shaped Rock. It’s one of three Pink Floyd songs in the list, which includes artists alphabetically and does not rank songs. The other two are Another Brick in the Wall, Part 2 and Money.

1972: In another appearance on Top of the Pops, David Bowie presented his new single Starman. Written by Bowie, the song reached no. 10 on the U.K. Singles Chart. It was also included on his fifth studio album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars.

Sources: The Beatles Bible; This Day in Music.com; Rock & Roll Hall of Fame: 500 Songs that Shaped Rock; Wikipedia; YouTube

You Say It’s Your Birthday

Sir Paul turned 75 today and he is not slowing down

To those who read this blog or know me otherwise, it shouldn’t come as a big surprise that Paul McCartney is one of my all-time favorite music artists. Today, Sir Paul is celebrating his 75th birthday, and I sure hope he’s gonna have a good time.

James Paul McCartney was born in the middle of World War II on June 18, 1942 at Walton Hospital in Liverpool, England. His mother was Mary Patricia, who was a nurse at that hospital. And, by the way, that’s the mother Mary (not the Virgin Mary), who inspired the lyrics of one of McCartney’s most beautiful ballads:

“When I find myself in times of trouble/Mother Mary comes to me/Speaking words of wisdom, let it be.” 

His father James “Jim” McCartney couldn’t witness his son’s birth, since he was working as a volunteer firefighter during the war. While I know that Penny Lane, one of my other favorite McCartney tunes, reflects childhood memories, I haven’t found any references that suggest the fireman referenced in the song was inspired by Sir Paul’s father.

Fast-forward to July 6, 1957. That was the day McCartney met John Lennon for the first time. It was at a performance of John’s high school band The Quarrymen. The encounter would start a working relationship between the two that would change music history forever.

I could continue to recount McCartney’s history, but it has been told many times and, it’s also safe assume, by people who know much more about it than I do. So instead of an additional attempt to create yet another write-up, I’d like to celebrate Sir Paul’s birthday with a selection of his music over the past 50-plus years. Let me repeat this: 50-plus years – wow!

All My Loving (1963)

Things I Said Today (1964)

Yesterday (1965)

Here, There And Everywhere (1966)

Back in the U.S.S.R. (1968)

Let It Be (1970)

Maybe I’m Amazed (1970)

Band On the Run (1973)

Silly Love Songs (1976)

Take It Away (1982)

My Brave Face (1989)

Hope of Deliverance (1993)

Run Devil Run (1999)

Fine Line (2005)

New (2013)

Birthday (1968)

While like many other Beatles songs Birthday was officially credited to Lennon-McCartney and, according to the Beatles Bible, there are different accounts whether McCartney wrote it or whether it was indeed a co-write with Lennon, it simply feels right to end the post with it.

I also decided to take a clip that was captured during McCartney’s ongoing One on One World Tour. Last July, I was fortunate enough to catch one of the tour’s shows. More on that amazing concert is here. Once again, happy birthday, Sir Paul, and rock on!

Sources: Wikipedia, The Beatles Bible, YouTube