The Who Are Coming To Town And The Real Me Is In

North American Moving On! Tour to feature band with symphonic orchestras

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When The Who came to the U.S. the previous time in 2017, I was really tempted to see them again. After all, they remain my favorite ’60s British Invasion band next to The Beatles and The Rolling Stones. I didn’t and then sort of regretted it. Should have, could have – well, not this time, especially given this could well be The Who’s last big tour. Plus, three make a charm!

On Monday, Roger Daltrey and his longtime partner in crime Pete Townshend announced Moving On!, a 29-date North American tour, and a new studio album to be released “later this year” – their first of original material in 13 years. Is it going to be called Moving On!? At this time, one can only speculate, since the announcement didn’t say anything else.

thewho_moving on!

Perhaps Daltrey and Townshend are taking a page from the playbook of Paul McCartney. Last year, Sir Paul showed the music world how to create anticipation ahead of the release of his most recent studio album Egypt Station. From posting visual clues on his Instagram to telling Jimmy Fallon about a concert in New York at an undisclosed location to coincide with the release, saying it would be big and cheerfully reminding the audience of the album’s title, Macca masterfully executed a few tricks to create buzz.

You could argue there’s something odd about a man, who by the time the tour kicks off will be 75 years old, to sing I hope I die before I get old. Whether My Generation will be included in the setlist remains to be seen. And 75 today isn’t what the age used to be when Daltrey shouted out the verse for the first time in 1965. More importantly, age first and foremost is how you feel inside, not some number – that’s what I keep telling myself as well! 🙂

roger daltrey & pete townshend

Daltrey seems to be pretty aware of his current life stage. Telling Rolling Stone recently this may be his last tour, he added, “I have to be realistic that this is the age I am and voices start to go after a while. I don’t want to be not as good as I was two years ago.” In other words, he knows when the time comes to stop. Until then, fans should continue to enjoy who I believe is one of the best rock vocalists.

One aspect of Moving On!, which escaped my attention until after I had purchased my ticket yesterday, is the symphonic format – a setup I feel can easily become overwhelming. Here’s Daltrey’s take he shared with the Los Angeles Times: “One mistake rock bands make is when they just have orchestras playing “pads,” as I call them, music that could be played on a synthesizer…Another mistake people make is taking the rock out. When Pete did “Quadrophenia” with an orchestra but without the rock band, well, taking the rock out of “Quadrophenia” was, to me, an anathema. It didn’t make sense. But you put the two together, it becomes huge. I was really bowled over by it. It’s triumphant.”

the who with touring band
Roger Daltey (far left) and Pete Townshend (far right) with their touring band (from left) in 2017: Jon Button (bass) and Loren Gold (keyboards). Not pictured: Simon Townshend (guitar, backing vocals) and Zak Starkey (drums)

Daltrey and Townshend also addressed the tour’s symphonic format in their above announcement. “Be aware Who fans! Just because it’s The Who with an orchestra, in no way will it compromise the way Pete and I deliver our music,” said Daltrey. “This will be full throttle Who with horns and bells on.” Added Townshend, “Roger christened this tour Moving On! I love it. It is what both of us want to do. Move on, with new music, classic Who music, all performed in new and exciting ways. Taking risks, nothing to lose.” Let’s see how they put it all in action. I’m certainly intrigued!

In addition to sharing the stage with orchestras, Daltrey and Townshend will be backed by their familiar touring band: Townshend’s younger brother Simon Townshend (guitar, backing vocals), Loren Gold (keyboards), Jon Button (bass) and Zak Starkey (drums), the oldest son of Sir Richard Starkey, aka Ringo Starr.

The tour’s line-up is listed at the bottom. I’m going to join together with band on May 13 at New York’s Madison Square, where I saw them first, the only time with John Entwistle. I just checked on setlist.fm, and I now think it must have been in October 2000. My previous recollection was it happened as part of the 2002 tour and only a few months prior to Entwistle’s death in Las Vegas in June 2002. To celebrate the upcoming tour and The Ox and Thunderfingers, here’s a clip of one of my all-time favorites: The Real Me from Quadrophenia, The Who’s sixth studio album from October 1976. Entwistle may have been stubborn like an ox, but he was one hell of a bass player!

2019 North American Tour Dates

 

Summer Dates

May 7   Van Andel Arena, Grand Rapids, MI

May 9   KeyBank Center, Buffalo, NY

May 11   Jiffy Lube Live , Bristow, VA

May 13   Madison Square Garden, New York, NY

May 16   Bridgestone Arena, Nashville, TN

May 18   Ruoff Home Mortage Music Center, Noblesville, IN

May 21   Hollywood Casino Amphitheatre, Chicago, IL

May 23   Hollywood Casino Amphitheatre St. Louis, Maryland Heights, MO

May 25   Citizens Bank Park, Philadelphia, PA

May 28   Little Caesars Arena, Detroit, MI

May 30   PPG Paints Arena, Pittsburgh, PA

June 1   Scotiabank Arena, Toronto, ON

 

Fall Dates

Sept 6   Xcel Energy Center, St. Paul, MN

Sept 8   Alpine Valley Music Theatre, Alpine Valley, WI

Sept 10   Blossom Music Center, Cuyahoga Falls, OH

Sept 13   Fenway Park, Boston, MA

Sept 15   Northwell Health at Jones Beach Theater, Wantagh, NY

Sept 18   State Farm Arena, Atlanta, GA

Sept 20   BB&T Center, Ft. Lauderdale, FL

Sept 22   Amalie Arena, Tampa, FL

Sept 25   Toyota Center, Houston, TX

Sept 27   American Airlines Center, Dallas, TX

Sept 29   Pepsi Center, Denver, CO

Oct 11   Hollywood Bowl, Los Angeles, CA

Oct 13   Hollywood Bowl, Los Angeles, CA

Oct 16   Viejas Arena at Aztec Bowl San Diego State University, San Diego, CA

Oct 19   T-Mobile Park, Home of the Seattle Mariners, Seattle, WA

Oct 21    Pepsi Live at Rogers Arena, Vancouver, BC

Oct 23   Rogers Place, Edmonton, AB

 

Sources: Wikipedia, The Who website, Rolling Stone, Los Angeles Times, setlist.fm, YouTube

Raising Money For Parkinson’s Rocks

Light of Day Winterfest includes benefit concerts in New Jersey, New York and Philadelphia

Listening to my favorite music live is an experience I greatly enjoy. I find it even more powerful when it also involves raising money for an important cause, such as fighting hunger, poverty or disease. Last Sunday, I attended a Light of Day Winterfest 2019 event at The Stone Pony in Asbury Park, N.J. It was part of a series of regional concerts conducted between January 11 and January 21 to raise money for Parkinson’s disease and other related neurodegenerative disorders. My mother-in-law has had Parkinson’s for more than 10 years, which gave the event additional special meaning.

The annual series of concerts is the key fundraising vehicle of the Light of Day Foundation. According to its website, the New Jersey-based nonprofit funds research into possible cures, improved treatments and support for people living with Parkinson’s and related diseases and their caregivers. The foundation was established by music industry veteran and manager Bob Benjamin and some of his friends in 1998, shortly after he had been diagnosed with Parkinson’s. Light of Day is the title of a song written by Benjamin’s friend Bruce Springsteen for a 1987 motion picture with the same name.

The annual concerts have been held since 2000. Over the years, they grew from a one-day event in Asbury Park to a 10-day series of concerts held in different locations. In addition to the Jersey shore town, which remains the main hub, LOD Winterfest 2019 includes shows in Montclair, N.J., New York City, Philadelphia and Rockland County, N.Y. Light of Day concerts have also expanded beyond the U.S. to Canada, Australia and Europe. The most recent overseas shows took place in England, Germany, Switzerland and various other European countries in late November and December 2018.

Apart from Bruce Springsteen, who has appeared at various Light of Day concerts, other performers over the years have included prominent music artists, such as Southside Johnny, Jakob Dylan and Gary US Bonds, as well as numerous lesser known local artists. To date, Light of Day has raised more than $4.5 million for its support to find a cure for Parkinson’s.

Following are some clips I captured from the event, which mostly focused on tributes. I’d like to kick it off with The Bell Bottom Blues, a Jersey band that captures music by Eric Clapton. This includes his solo career and his work in bands like Cream, Blind Faith and Derek And The Dominoes. Here’s one of my favorite Cream tunes, White Room,  from Wheels Of Fire, Cream’s third studio album released in August 1968.

Bob Burger & Friends played a great Tom Petty tribute set. Burger is a singer-songwriter, who according to his website has about 40 published songs to his credit. He has opened for other artists like Meatloaf, Robert Palmer, Hootie And The Blowfish and Southside Johnny And The Asbury Jukes. Among others, Burger was joined by some of his band mates from The Weeklings, a tribute to The Beatles that apart from renditions plays originals inspired by The Fab Four. Here’s Refugee, which Petty recorded with The Heartbreakers for their excellent third studio album Damn The Torpedoes from October 1979.

Next up: CSN Songs, a great tribute to Crosby, Stills, Nash & Young. On their website, the seven-piece band characterizes itself as the only national CSN&Y tribute show of its kind. CSN Songs does a beautiful job at replicating CSN&Y’s four-part harmony vocals. Here’s their rendition of Woodstock, the classic Joni Mitchell tune CSN&Y recorded for their second album Déjà Vu that came out in March 1970.

The last band I’d like to highlight is Best Of The Eagles (BTOE). Previously, I had seen a couple of other Eagles tribute bands. While they were pretty good, BTOE has been the best so far. According to their website, BTOE were founded in 2012 by guitarist/vocalist Joe Vadala and a group of professional New Jersey musicians. In addition to Eagles songs, they also played Don Henley and Joe Walsh solo tunes, including a blistering rendition of Rocky Mountain Way. Here’s their take of Witchy Woman from the Eagles’ eponymous debut album released in June 1972.

During the current concert series the Light of Day Foundation aims to reach the $5.5 million mark in total fundraising. The schedule of remaining LOD Winterfest 2019 events is here.

Sources: Light of Day Foundation website, Wikipedia, The Bell Bottom Blues Facebook page, Bob Burger website, CSN Songs website, Best Of The Eagles website, YouTube

Another Rocking Thanksgiving Weekend With Music By Led Zeppelin

Zep tribute Get The Led Out Rocks Asbury Park’s Historic Paramount Theatre

Sometimes spontaneous decisions are the best and this one certainly qualifies. Almost exactly one year ago, on November 22, 2017, I had seen Get The Led The Out (GTLO) for the first time. You can read about it here. Last night I saw them again, at the historic Paramount Theatre in Asbury Park, N.J. I only had found out about the gig Friday and got a ticket yesterday afternoon. There weren’t many left, and I was fortunate to get a decent seat at a pretty reasonable price. This six-piece Led Zeppelin tribute band and their guest backing vocalist once again put in an incredible performance, so it was definitely worth it!

‘Wait a moment,’ you might say, ‘Led Zeppelin were only four guys, so how come there are six guys and they call themselves a Zep tribute?’ Well, as lead vocalist Paul Sinclair  explained again to the newbies in the audience last night, when the guy singing Robert Plant looks like Howard Stern while one of the guitarists actually resembles Plant, you obviously know that GTLO isn’t trying to impersonate Zep. Instead, they are all about capturing their music – more precisely, the British rockers’ recorded music. And with all the overdubbing and other techniques Zep applied in the studio, you simply cannot replicate that sound live with just four guys.

GTLO Band Members
GTLO (clockwise from upper row left): Paul Sinclair (lead vocals, harmonica), Paul Hammond (electric & acoustic guitars, mandolin), Jim Marchiano (electric & acoustic guitars, vocals), Phil D’Agostino (bass, vocals), Adam Ferraioli (drums, percussion), Eddie Kurek (keyboards, electric & acoustic guitars, vocals, percussion) and Diana DeSantis (guest vocalist on Battle Of Evermore)

I didn’t capture any music last night except for one tune I simply couldn’t resist recording. Instead, I decided to simply enjoy the show and forget about my stupid smartphone. Yet after almost each song, I kind of wished I had recorded it – especially the acoustic-oriented renditions that were just unbelievably good! Well, I didn’t, so to capture the music of last night’s show I had to resort to what I did in the past before starting to record my own concert footage: Rely on YouTube videos taken by others.

I’d like to kick things off with one of my favorite Led Zeppelin tunes: All My Love. Credited to John Paul Jones and Robert Plant, it was included on Zep’s eighth studio album In Through The Out Door from August 1979, the final record prior to John Bonham’s untimely death in September 1980 in the age of 32. I just totally dig the keyboard part on this track.

I already mentioned the acoustic songs, which to me were the standouts. Here’s Going To California. Co-written by Jimmy Page and Robert Plant, this gem appeared on Led Zeppelin IV from December 1971.

Here’s another acoustic Zep diamond, from Houses Of The Holy, the band’s fifth studio album released in March 1973: The Rain Song, which was also co-written by Plant and Page.

The last song I’d like to call out was the first encore and the only tune I recorded myself: Stairway To Heaven. I just couldn’t resist! Yet another Page-Plant co-write, the track also appeared on Led Zeppelin IV.

GTLO, which are from Philly and were founded in 2003, currently includes the following members: Paul Sinclair (lead vocals, harmonica), Paul Hammond (electric & acoustic guitars, mandolin), Jim Marchiano (electric & acoustic guitars, vocals), Phil D’Agostino (bass, vocals), Adam Ferraioli (drums, percussion) and Eddie Kurek (keyboards, electric & acoustic guitars, vocals, percussion). In addition, Diana DeSantis performs as a guest vocalist on The Battle Of Evermore.

The band has a pretty packed schedule that currently has dates until late April 2019. Upcoming shows include Harrisburg, Pa. (Nov 29 & 30 and Dec 1), Philadelphia (Dec 7) and Jim Thorpe, Pa. (Dec 28 & 29).

Sources: GTLO website and Facebook page, Wikipedia, YouTube

Toto Delivers Top-Notch Musicianship at State Theatre New Jersey

40th anniversary tour gig features career-spanning set, including big hits, deeper cuts and covers

While I have listened to Toto for more than 30 years, I wouldn’t call myself a huge fan. But my wife really likes them, so when I mentioned to her a couple of months ago they would play in our neck of the woods as part of their 40th anniversary tour, she suggested that we see them. I’m glad we did Wednesday night at State Theatre New Jersey in New Brunswick, since the show was fun and definitely exceeded my expectations.

When I checked setlist.fm for the most recent gigs of the 40 Trips Around The Sun tour, initially, I was a bit disappointed that I didn’t see any songs from Toto’s second studio album Hydra, especially 99. I also found it interesting that they chose to include three somewhat random-looking covers in their set, though it turned out these selections weren’t coincidental. 

Toto
Core members of Toto (from left): Joseph Williams, David Paich, Steve Porcaro and Steve Lukather

I’ve always appreciated Toto for their outstanding musicianship, which was on full display Wednesday night and a key reason why I enjoyed the show. Not only did they sound fantastic, but some of the music they played had pretty impressive complexity that nicely illustrated the band’s top-notch craftsmanship. Shockingly, to me the highlight in this context was Jake To The Bone, an instrumental from 1993. I say “shockingly” since I generally really like vocals and I’m less into instrumentals. With that, let’s get to some music.

The first time I heard about Toto must have been in the late ’70s when a friend gave me a rock compilation as a present, which included Hold The Line. I liked this tune right away and still do to this day, especially the keyboard and guitar parts. Written by keyboardist David Paich, the song first appeared on the band’s eponymous studio album from October 1978.

Next up is the above mentioned Jake To The Bone from the band’s eighth studio record Kingdom Of Desire, released in Europe in September 1992 and in the U.S. in May 1993. It was credited to all core members of the band at the time: Steve Lukather (guitar, lead and backing vocals), David Paich (piano, organ, synthesizer, backing vocals), Mike Porcaro (bass) and Jeff Porcaro (drums, percussion).  Unfortunately, I missed videotaping this great instrumental, so I’m relying on another clip I found on YouTube. Apparently, it was captured during the opening show of the tour’s European leg in Helsinki, Finland back in February.

Toto’s fourth studio album from April 1982, ingeniously called Toto IV, became their most successful record. Apart from top 10 chart placements in various countries, including Australia (no. 1), Canada (no. 1), U.S. (no. 4) and U.K. (no. 4), Toto IV also won a Grammy for Album Of The Year and five additional Grammy Awards in 1983. Here is the record’s lead single Rosanna, another Paich composition.

During the second half of the set, there was a sitdown section featuring shortened versions of various songs, including Holyanna, No Love, Stop Loving You and a cover of Human Nature, one of the tracks from Michael Jackson’s Thriller album. Originally, that tune was written by keyboardist Steve Porcaro. The tune I’d like to feature from this section is Stop Loving You. Toto first recorded it for The Seventh One, their seventh studio album from March 1988. Co-written by Paich and Lukather, the tune also became one of the record’s six singles.

Of course, no Toto gig would be complete without Africa, another track from Toto IV. Co-written by Paich and Jeff Porcaro, the song became Toto’s most successful single. It hit no. 1 in the U.S. on the Billboard Hot 100, climbed to no. 3 in the U.K., and scored top 20 positions in various other countries. Africa was the last song of the regular set, and the band stretched it into a close to 13-minute jam version that featured a cool percussion and drums solo.

There was only one encore: A cover of Hash Pipe, a 2001 song by American rock band Weezer. Toto decided to record and release the tune in August 2018, after Weezer had come out with cover versions of Africa and Rosanna. While it’s nice the bands recognize each other’s music with these covers, I still found it a bit of an odd choice for the encore, especially given that was the only additional song Toto performed. To me it would have made more sense to throw in an original tune like the above mentioned 99. That being said, the entire show lasted two hours, which I felt was pretty solid.

This post wouldn’t be complete without acknowledging the band that performed on Wednesday night. Steve Lukather, Steve Pocaro and David Paich are still part of the core line-up. The fourth core member is Joseph Williams (lead vocals). Paich is sitting out the U.S. leg of the tour. According a previous announcement, the European gigs earlier this year took a toll on his health, but Lukather assured the audience his recovery is going well. Sitting in for Paich is Dominique “Xavier” Talpin, an excellent keyboardist who among others had played with Prince. The other touring members include Lenny Castro (percussion, congas), multi-instrumentalist Warren Ham (saxophone, harmonica, flute, backing vocals), Shannon Forrest (drums) and Shem von Schroeck (bass, backing vocals).

Upcoming tour dates include Brookville, N.Y. tonight and the closer of the American leg in Lynn, Mass. tomorrow night. The band resumes the tour at the end of December with a series of dates in Australia and New Zealand, before going to Japan in February. Then they take a break and return to Europe in June and July. The last currently posted date is Salem, Germany (Jul 18). The full schedule is here. This may not be the end of the tour. The dates in Australia and Japan were announced fairly recently, and I could see additional announcements, such as a second U.S. leg. 

Sources: Wikipedia, Toto website, YouTube

Music of Cream Shines at New Jersey’s Count Basie Theatre

Relatives of original members pay tribute to legendary power rock trio

While I’ve seen many tribute bands over the past couple of years, Tuesday night was a first: a tribute act whose members were relatives of the original band’s musicians. Meet Music of Cream: Malcolm Bruce (bass) and Kofi Baker (drums), sons of Jack Bruce and Ginger Baker; and Will Johns (guitar), nephew of Eric Clapton.

The closest case I can think of is Jason Bonham, son of the late Led Zeppelin drummer John Bonham, who pays tribute to the English rockers with Jason Bonham’s Led Zeppelin Experience. But I’ve never seen a tribute act where the entire lineup is blood-related to the members of the original band.

Apart from being true masters of their craft, Malcolm Bruce, Kofi Baker and Will Johns also have impressive other accomplishments, as their bios on the Music of Cream website show. Malcolm is a composer, songwriter, multi-instrumentalist and engineer. In addition to having recorded and performed with his father, he can be heard on recordings of other artists like Little Richard, Eric Clapton or Elton John. Last year, Malcolm also released his debut solo album Salvation.

Kofi first performed live with his father on the BBC TV show The Old Grey Whistle Test when he was just six years old. In addition to Jack Bruce, he has also played and toured with other rock musicians, such as Uli Jon Roth (former lead guitarist of Scorpions), UFO guitarist Vinnie Moore and Rick Derringer. He also released a solo record, Lost City, and recorded an album with Jonas Hellborg and Shawn Lane called Abstract Logic.

Kofi, Malcolm and Will
Music of Cream (from left): Kofi Baker, Malcolm Bruce and Will Johns

In addition to Jack Bruce, Will has performed with Ronnie Wood, Mick Taylor and Bill Wyman. Will’s strong connection to members of The Rolling Stones is likely due to his father Andy Johns, recording engineer and producer, who apart from the Stones has worked with Led Zeppelin and Jimi Hendrix. Will is also the nephew of Glyn Johns who has produced for The Who, Eric Clapton and Eagles. To date, he has released three solo albums: Count On Me, Hooks & Lines and Something Old, Something New.

Yes, it’s safe to assume that all their connections haven’t hurt Malcolm, Kofi and Will, but this doesn’t take away from the fact that they are highly talented musicians and accomplished artists. Music of Cream’s shows are billed as a 50th anniversary tour, which was launched in Australia and New Zealand last year. Cream’s debut album Fresh Cream appeared in December 1966.

Tuesday night’s show was divided in two sets separated by a 20-minute intermission. Based on what I’ve seen on Setlist.fm, this appears to be the typical format. In addition to great music, I also thought the projection of psychedelic color patterns mixed with historical footage of Cream on the stage background was pretty cool. While the band was taking a break, documentary film footage was shown. During both sets, Kofi, Macolm and Will also shared anecdotes about Ginger, Jack and Eric.

Time for some clips! Here are two from the first set. Politician appeared on Wheels Of Fire, Cream’s third album released in August 1968. It was written by Jack Bruce and lyricist and singer Pete Brown who frequently collaborated with Bruce.

Next up: Strange Brew, the opener of Cream’s sophomore album Disraeli Gears from November 1967. The tune is credited to Eric Clapton, the record’s producer Felix Pappalardi and his wife Gail Collins.

Some of the other tunes from the first set included N.S.U., Badge and Sleepy Time Time.

The second set kicked off with I’m So Glad, followed by Crossroads. Following is a clip of the latter, a Robert Johnson tune arranged by Eric Clapton.

White Room was another tune Music of Cream performed during the second half of show. Co-written by Bruce and Brown, the song was the opener of the Wheels Of Fire album.

Some other tunes from the second sets included Born Under A Bad Sign, Sitting On Top Of The World, Toad and Sunshine Of Your Love. Here’s a clip of the latter, another track from Disraeli Gears, co-written by Bruce, Clapton and Brown. The band stretched it into an 11-minute-plus jam.

Music of Cream also threw in Spoonful as an encore. Including the intermission, the show lasted a solid three hours. Not only did Malcolm Bruce, Kofi Baker and Will Johns do a great job to capture the music of Cream, but they were also clearly enjoying themselves.

Upcoming tour dates include Baltimore, Md. (Oct 25), Greensburg, Pa. (Oct 26), Bristol, Tenn. (Oct 28) and Richmond, Va. (Oct 30). The full schedule is available here.

Sources: Wikipedia, Music of Cream website, Setlist.fm, 

 

The Crimson Tide Sways The Beacon During Night Of The Expanding Man

Steely Dan shine with special performance of Aja album and other gems

Usually, I don’t see the same music act twice in just three months, even if I dig them. There are so many other artists on my list, plus ticket prices nowadays would simply make this unaffordable. But while I was still raving about a Steely Dan show I caught in July (see review here) I learned about their October residency at The Beacon Theatre in New York City. And when I noticed it would include a special performance of my all-time favorite Steely Dan album Aja, I immedeidately knew I wouldn’t want to miss it – especially after the summer gig had convinced me that Donald Fagen is still on top of his game contrary to some less than flattering reviews I had read. Finally, Thursday night, it was time for the expanding man, and what a night it was!

To start with, I had never been to The Beacon Theatre, even though I’m a longtime music fan and would have had plenty of opportunity for the past 20 years or so – I can’t quite explain why! When I mentioned it to my friendly seat neighbors and huge Steely Dan fans – a dad and his son who had come all the way from England to see this show and another special performance tonight of Donald Fagen’s first solo album The Nighfly, the dad jokingly said, ‘you must have been very busy.’

Beacon Theatre Interior

He certainly had a point. After all, this beautiful historic venue (pictured above) on Manhattan’s Upper East Side has featured many top-notch acts over the decades, perhaps most notably The Allman Brothers Band. For about two decades, the southern blues rockers had a residency there each spring. I actually recall that in ca. 1998, a former colleague and Brothers fan told he was going to see them there.

This brings me to another dark issue of my music past – gee, this starts feeling a bit like I’m writing a confession! At the time my former colleague told me about the above Brothers show, Ramblin’ Man was pretty much all I knew about the band. It really wasn’t until three years ago or so that I explored The Allman Brothers Band I greater depth and quickly became a fan – luckily in time to at least see them once in an unforgettable performance, though not at the Beacon but at PNC Bank Arts Center in Central New Jersey. Well, to both I say better late than never, plus you can’t change the past! On the show.

An excellent jazz trio featuring organ (Hammond), guitar and drums opened the night. Unfortunately, I didn’t catch their name. While I don’t mind listening to jazz, I wouldn’t call myself a fan. So how come I like Steely Dan you might ask? Well, because jazz is just one aspect of their music, albeit an important one, especially on Aja. Perhaps more importantly, music taste isn’t always rational. Regardless how I usually feel about jazz, these three guys really grabbed me. I guess Donald Fagen, who is known for being a perfectionist, likely wouldn’t approve of some amateurs to open his show, and amatuers these guys were definitely not! And that I can easily get mesmerized by the mighty sound of a Hammond also didn’t hurt. When that organ player held the keys in the vibrato setting and the air in the place started to pulsate, I just got goosebumps – I could have listened to him all night!

Steely Dan_Aja

Finally, the time has come to get to Steely Dan. The first half of their set was reserved for the Aja album, which the band performed in its entirety, following the order of the tracks on the studio recording. The remainder of the show featured select gems from other Dan records, one track from The Nightfly, as well as a couple of covers. The full set list is here. The song collection was really a treat for Steely Dan fans!

Released in September 1977 as their sixth studio album, Aja remains the crown jewel in Dan’s catalog, in my opinion. Like for most of their records, all tracks were written by Donald Fagen and Walter Becker. Fagen and his top-notch band did an outstanding job capturing Aja’s rich sound in all of its glory. Following are a few clips. Light conditions proved to be challenging, and some of the footage is out of focus, but I’d be amiss not to include some of it – sue me if I write too long!

First up: My all-time favorite Steely Dan tune, which they didn’t play back in July.

…Learn to work the saxophone/I play just what I feel/Drink Scotch whiskey all night long/And die behind the wheel/They got a name for the winners in the world/ I want a name when I lose/They call Alabama the Crimson Tide/Call me Deacon Blues…

Next is Home At Last. Love the groove of that song. Check out the mighty four-piece horn section and the beautful backing vocals by The Danettes – it’s just perfect!

And here is the album’s closer Josie. As a former bass player, I’ve always loved the cool bassline on that tune. You may need more than my crappy labtop speakers to fully hear it!

Following are a few clips from the concert’s second half. First up: The epic Hey Nineteen from Gaucho, Dan’s seventh studio album released in November 1980. It was their last effort before they disbanded in June 1981 and went on a 20-year recording hiatus. One of the highlights in the clip is the extended trombone solo by Jim Pugh that starts at about 4:08 minutes.

Here’s The Goodbye Look, the above mentioned track from The Nightfly, which became Donald Fagen’s acclaimed solo debut in October 1982. Like all the other tracks on the record except for one, the tune with a laid back Caribbean groove was written by Fagen.

And, since all things must pass, the last song I’d like to highlight is Reelin’ In The Years. I simply couldn’t skip this classic from Steely Dan’s November 1972 debut Can’t Buy A Thrill, even though I also featured it my previous post about the July gig. I just love the great guitar work by Jon Herrington and the cool drum solo by Keith Carlock. These guys are just top-notch, demonstrating how great music can sound like! I think it’s also nice to see the traditionally reserved Fagen get animated after the end of the drum solo.

After repeatedly raving about the band, I’d like to acknowledge the members. As far as I could tell, the lineup was the same than during the aforementioned summer gig: Apart from Herrington, Carlock, Pugh and obviously Fagen, it included Freddie Washington (bass), Walt Weiskopf (tenor sax), Roger Rosenberg (baritone sax), Michael Leonhart (trumpet) and The Danettes (backing vocals): La Tanya Hall, Catherine Russell & Carolyn Leonhart.

Steely Dan Collage
Current lineup of Steely Dan: Upper row (left to right): Jon Herington (guitar), Freddie Washington (bass), Keith Carlock (drums), Walt Weiskopf (tenor sax) and Roger Rosenberg (baritone sax). Lower row (left to right): Jim Pugh (trombone), Michael Leonhart (trumpet) and The Danettes La Tanya Hall, Catherine Russell & Carolyn Leonhart. Far right: Donald Fagen

In addition to the above noted show tonight, Steely Dan’s residency at The Beacon Theatre has six more dates: Oct 21: By Popular Demand: An Audience Request Night Determined By Fan Voting; Oct 24: Performing Countdown To Ecstasy Plus Select Hits; Oct 26: Performing Gaucho Plus Select Hits; Oct 27: Performing Aja Plus Select Hits (let’s pretend I didn’t see this!); Oct 29: Performing Nightfly And Select Hits; and Oct 30: Performing Greatest Hits. Afterwards, it appears Steely Dan is taking a break before resuming touring in the U.K. and Ireland in February 2019.

If you’re a fan and can make it, I’d say go and see them. And, did I mention it’s a great opportunity to visit one of New York’s iconic performance venues?

Sources: Wikipedia, Setlist.fm, Steely Dan website, YouTube

Guitar Gods Re-Experienced

Jimi Hendrix and Cream tribute bands Kiss The Sky and Heavy Cream recreate iconic rock history

Electric Ladyland and Wheels Of Fire have their 50th anniversaries this year – wow, that’s hard to believe! The two albums were released on October 16 and August 9 in 1968 by The Jimi Hendrix Experience and Cream, respectively. What better way to celebrate the occasion than with an evening of great music capturing the amazing artists behind these iconic rock albums. And that’s exactly what I had a chance to do last night at Monmouth University Center for the Arts’ Pollak Theatre in West Long Branch, N.J. So, did I enjoy myself? You bet!

As some readers of the blog may recall, I posted about Jimi Hendrix tribute band Kiss The Sky and their amazing guitarist Jimi Bleu a month ago after I had seen an ad on Facebook. That’s when I also learned about last night’s gig and immediately decided to get a ticket. But before I get to Kiss The Sky, let’s start with Heavy Cream. And, as you probably guessed, it’s not what you may put on top of certain beverages, though the music they play sure;y as heck sounds sweet to me!

Kiss The Sky and Heavy Cream Poster

Heavy Cream is a tribute to the rock power trio of Jack Bruce, Eric Clapton and Ginger Baker. Cream were often called the world’s first successful “supergroup.” Frankly, I don’t care much about these labels. For me it all comes down to a simple question: Do I like the music? And when it comes to Cream, the answer is a clear hell yes!

While Heavy Cream are on Facebook and ReverbNation, there is relatively limited information on this band hailing from Philly. The lineup playing last night was different from the members listed in their biography on Facebook. Based on announced names I heard and some digging on the Internet, I believe yesterday’s performers included Joe Bithorn as Eric Clapton, Dion Paci as Jack Bruce and John Hummel as Ginger Baker. As a former bassist, I always like to acknowledge the musicians behind the bands I cover, so I’ve reached out to Heavy Cream and will update this post as needed if I hear back.

Let’s get to some music. Due to light conditions and where I was seated, capturing the action on my smartphone was challenging, and at times the video footage is out of focus. But I still prefer using my clips to keep things more authentic. Overall, I think the came out pretty well. Here’s the opener of Heavy Cream’s set: White Room. Composed by Jack Bruce with lyrics by poet Pete Brown, the tune also is the first track on the Wheels Of Fire album. Note I moved to a better recording position for the other clips that follow.

In addition to tracks from Wheels Of Fire, Heavy Cream also played a few other songs, such as Badge and the set closer Sunshine Of Your Love. A Jack Bruce and Eric Clapton co-write with lyrics by Pete Brown, Sunshine Of Your Love appeared on Cream’s second studio album Disraeli Gears from November 1967.

After a short intermission, Kiss The Sky hit the stage. According to his online bio, Jimy Bleu met Jimi Hendrix in 1968 as a young teenager at Warner/Reprise Records. He also was a member of the official Hendrix fan club that managed to convince Hendrix to speak at an assembly at Bleu’s high school in New York City. How cool is that? The following year, Bleu attended Woodstock and got one of the guitar straps Hendrix used during his performance there. How mega-cool is that?

Bleu went on to attend Berklee College of Music, as Hendrix had recommended to him, and became a Columbia/Def Jam recording artist and accomplished session musician. He is a recognized Hendrix historian and even produced and starred in his own off-Broadway play on the life of Jimi Hendrix. Watching Bleu last night, it was obvious how closely he has studied Hendrix and that he has paid tribute to his music for more than 45 years. Not only did he perfectly adopt Hendrix’s way to play right-handed guitars turned upside down and restrung for left-hand playing, but also nailed stunts like playing with his teeth, playing guitar behind his back and pointing the instrument at the audience like a gun. Frankly, to me it really felt like the maestro himself had returned!

Jimy Bleu
Jimy Bleu in action

I would also like to acknowledge Bleu’s excellent backing musicians. Just like him they have plenty of experience and it simply shows. Members of The Experience tribute include bassist A.J. Hager as Noel Redding and drummer Ted Edwards as Mitch Mitchell. The Band of Gypsys tribute features Jay Powerz as Billy Cox (bass) and James Jaxon as Buddy Miles (drums).

Kiss The Sky played three sets. Kicking off their show was a recreation of The Jimi Hendrix Experience’s appearance at the Monterey International Pop Festival in June 1967. That legendary performance put them on the map in the U.S., which at the time already had gained popularity in the U.K. In fact, it was Paul McCartney who recommended the band to the organizers of the festival where they were introduced by The Rolling Stones’ co-founding member Brian Jones. Kiss The Sky also paid homage to Band of Gypsys and the Electric Ladyland album with two separate sets.

Here’s Foxey Lady from the Monterey Pop set. The song was written by Hendrix and first appeared on Are You Experienced, the debut album by the Jimi Hendrix Experience from May 1967.

Following are two other tunes from the Monterey Pop set, which was my favorite section of the show last night: Purple Haze and the closer Wild Thing. And while, yes, things got wild, I’m happy to report that no guitars were harmed in the process. As much as I understand showmanship, I always cringe when I see musicians destroy their instruments. Please don’t do that – instead, give your equipment to some kid who wants to learn how to play but can’t afford the gear! Written by Hendrix, Purple Haze was the opener of the U.S. edition of the Are You Experienced album. Wild Thing is a tune written by American songwriter Chip Taylor, which was made popular by English garage rock band The Troggs.

Following the Monterey Pop set, Kiss The Sky played some tunes from Band of Gypsys. Here’s Machine Gun, a Hendrix Vietnam War protest jam from 1970. It appeared on their eponymous live album, their only Band of Gypys record released during Hendrix’s lifetime. It appeared in March 1970, six months prior to his death.

The last song I’d like to highlight is another iconic Hendrix composition, Voodoo Child (Slight Return), the closer of the third set, which featured select tracks from Electric Ladyland.

While when it comes to tribute bands I generally care first and foremost how well they capture the music, I’d be amiss not to acknowledge how impressed I was with the close attention Kiss The Sky and Heavy Cream paid to other aspects, including the Marshall stacks and other equipment they used, as well as the outfits they wore. In addition, Bleu’s visual resemblance to Hendrix is stunning. He looks like he could be his younger brother!

Based on their Facebook pages, Kiss The Sky and Heavy Cream are taking their Guitar Gods 50th Anniversary Tour next to Sellersville, Pa. on December 19, where they will perform at Sellersville Theatre & Washington House Hotel & Restaurant. If you dig Jimi Hendrix and Cream and can get there, I’d highly recommend this show. Prior to this, Hendrix fans can also see Kiss In The Sky at Cafe WHA in New York City on November 26 and THS Shrine in Tulsa, Okla.

Sources: Wikipedia; Heavy Cream Facebook and ReverbNation pages; Kiss The Sky Facebook and website; YouTube