Bringing The Great Gig In The Sky To Earth And Back To The Dark Side Of The Moon

Mighty echoes of Pink Floyd blow roof off Asbury Park’s Stone Pony

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My Pink Floyd journey started in circa 1976 when I first listened to Wish You Were Here, yet another gem in my older sister’s vinyl record collection at the time. Whether she did so consciously or not, once again I realize I owe her a debt of gratitude for introducing me to various great artists I continue to dig to this day, more than 40 years later.

When it comes to Pink Floyd, I suppose the closest original live experience you can get these days is Roger Waters whose Us + Them tour is set to hit South America and Mexico in October. We may also be able to look forward to more gigs from David Gilmour but the outlook is still unclear. When discussing his Live At Pompeii album in September 2017, he said he’d be very uncomfortable to do another tour without new material, adding he has several new songs close to completion.

I don’t know about you, but I can’t just hop on a plane to catch Waters in South America; and frankly even if I could, I’m not even sure I would want to. The prospect of being able to see Gilmour look uncertain at this time. So what’s a Floyd fan like me to do? Enter  Echoes, “The American Pink Floyd.” It’s obvious this tribute band from Delaware doesn’t aim to look like Roger Waters, David Gilmour, Richard Wright and Nick Mason but instead is all about capturing the great music. And that they do incredibly well!

Echoes 3

I saw Echoes first a year ago at Rock The Farm, where they closed out the great annual tribute band spectacle in Seaside Heights, N.J., with an amazing performance under the stars. When I learned a few weeks ago they would come to Asbury Park, N.J. to play The Stone Pony, I didn’t think twice whether or not I should get a ticket. The show happened last night, and it truly was experiencing the great gig in the sky coming down to earth and back to the dark side of the moon. But, to also creatively borrow from Aerosmith and Joe Perry and Steven Tyler, why don’t I let some of the music do the talking?

Here is the opener of the first set, Sheep. Written by Waters, the tune appeared on Floyd’s tenth studio album Animals, released in January 1977.

In 1975, Pink Floyd recorded the above mentioned Wish You Here, their ninth studio album. Initially, this was my favorite Floyd record. Here is Echoes’ rendition of Have A Cigar, Waters’ cynical take on the recording industry. And, yes, the band was just fantastic, and that’s really what think, even though they didn’t have Pink. Clever, huh?

Another track I’d like to highlight from the first set is Hey You. Gilmour and Waters co-wrote the tune for The Wall, Floyd’s 11th studio album from November 1979 – by the way, the only album I bought on vinyl at the time it came out. This was during my high school rebel days when the message Hey teacher, leave them kids alone resonated, at least when it came to some of my teachers who shall remain unnamed!

Next up is the closer of the first set and undoubtedly the highlight of the show: Time and The Great Gig In The Sky. Both gems are included on Floyd’s studio release that preceded Wish You Were Here: The Dark Side Of The Moon, from March 1973. Time was co-written by all four members of Pink Floyd, while The Great Gig In The Sky was credited to Wright and the amazing vocalist Clare Torry. If you don’t want to watch the entire clip, at least do yourself a favor and check out Echoes’ (backing) vocalist Michelle Sumler Hover, who is just absolutely killing it on Gig.

Set 2 brought more amazing music and in addition to the above albums also included material from Meddle, Floyd’s sixth studio album released in October 1971. But first here’s the epic Money and Us And Them from Dark Side, tunes that were respectively written by Waters and co-written by him and Gilmour. Check out the great work from the band’s sax player Andrew Bedell.

Another track I’d like to highlight from the second set is Run Like Hell, a co-write by Waters and Gilmour from The Wall album.

I guess no Pink Floyd tribute show would be complete without Wish You Were Here. And since Echoes apparently wanted to end their gig with a big bang, they combined it with One Of These Days. The title track of Floyd’s ninth studio album from September 1975 was penned by Waters and Gilmour, while One Of These Days, off the Meddle album, was credited to all band members.

This post wouldn’t be complete without acknowledging Echoes’ impressive musicianship. Echoes feature William (Bill) Swezey (guitar, vocals), John Ratcliffe (vocals, guitar), David Fox (guitar, lap steel), Dan Long (keyboards, sound effects),  Andrew Bedell (saxophone), Chris Miller (bass) and Matt Urban (drums). Penny Carmack, Chris Duncan and the above mentioned Michelle Sumler Hover form Echoes’ amazing backing vocalist section cleverly called “The Crazy Diamond Girls.” Last night, Kim Walton was filling in for Duncan.

After the show, I briefly had a chance to say ‘hello’ to Bill Swezey, who looked like a happy camper. I think he certainly had plenty of good reason after a great gig! He said they want to keep Floyd’s music alive. When I asked him how long they had been doing this, he noted the band has been together since 2015. He also confirmed what was obvious to me that all of the band’s members have been professional musicians for many years.

According to their Facebook page, Echoes are scheduled to play next on October 19th at Ardmore Music Hall in Ardmore, Pa. The band’s website also lists another show for December 22nd at Queen Theater in Wilmington, Del. If you dig Pink Floyd and can get to any of these places, I would highly recommend Echoes.

Sources: Wikipedia, Roger Waters official website, Echoes Facebook page and official website, YouTube

Aw, The ’80s (Part 2: 1985-1989)

A two-part feature looking back at music of the decade

Here is the second and final installment of my feature looking back at music and some related events in the ’80s. This part is focused on the second half of the decade. As noted in part 1, it isn’t meant to be a comprehensive review but instead a selection of things I find noteworthy.

1985

To me the key music event during this year and perhaps the entire decade was Live Aid. I was watching it on TV from Germany while simultaneously taping it on music cassette from the radio. Organized by Bob Geldorf and Midge Ure as a fundraiser to fight starvation in Ethiopia, Africa, the benefit concert was conducted on July 13 simultaneously in the U.K. at London’s Wembley Stadium and the U.S. at John F. Kennedy Stadium in Philadelphia. Among others, it featured Status Quo, Queen, U2, David Bowie, The Who and Paul McCartney at Wembley, while some of the performers in Philly included Joan Baez, Madonna, Tom Petty, Bob Dylan, Mick Jagger, Tina Turner and, in a less-than-stellar appearance, a reunited Led Zeppelin featuring Phil Collins on drums. The concerts were watched by an estimated global TV audience of 1.9 billion across 150 countries and raised approximately 150 million British pounds.

Live Aid Wembley
The Live Aid concert at London’s Wembley Stadium was attended by 72,000 people

Other events that year included the official launch of VH-1 on cable TV in the U.S. (Jan 1); recording of the charity single for Africa We Are The World (Jan 28), co-written by Michael Jackson and Lionel Ritchie and performed by USA For Africa, who apart from Jackson and Ritchie featured Ray Charles, Billy Joel, Cindy Lauper, Paul Simon, Bruce Springsteen, Stevie Wonder and numerous other top artists; release of Dire Straits’ fifth studio album Brothers In Arms, their best-selling record that among others became known for its exceptional sound quality due to its all-digital recording (May 13); Michael Jackson’s purchase of the publishing rights for most of The Beatles’ catalog for $47 million, out-bidding former artistic collaborator McCartney whose success in music publishing had inspired Jackson to increase his activities in the business (Sep 6); and Roger Waters’ announced intention to leave Pink Floyd, which marked the start of a two-year legal battle over the rights to the band’s name and assets.

The biggest hit singles of 1985 were Shout (Tears For Fears), We Are The World (USA For Africa), Take On Me (a-ha), I Want To Know What Love Is (Foreigner) and Material Girl (Madonna). Following is Money For Nothing, the second single from Dire Straits’ Brothers In Arms album, which they performed at Live Aid. Like on the studio recording, it featured Sting on backing vocals.

1986

On Jan 30, the Rock and Roll Hall of Fame held its first induction ceremony. The first batch of inductees included Chuck Berry, James Brown, Ray Charles, Sam Cooke, Fats Domino, The Everly Brothers, Buddy Holly, Jerry Lee Lewis, Little Richard and Elvis Presley. While over the years since, there has been much debate over who should be in the Rock Hall, the selection process, the award categories, etc., I think there is no doubt that the above artists all well-deserving inductees.

Rock Roll Hall of Fame 1986 Inductees
Rock & Roll Hall of Fame 1986 inductees (left to right): upper row: Chuck Berry, James Brown, Ray Charles, Sam Cooke and Fats Domino; lower row: The Everly Brothers, Buddy Hollie, Jerry Lee Lewis, Little Richard and Elvis Presley

Other events: Bob Geldorf’s knighthood award to recognize his work for Live Aid and other charity concerts for Africa (Jun 10); release of Madonna’s True Blue album, the best-selling record of year (Jun 30); and disbanding of The Clash, Electric Light Orchestra (revived by Jeff Lynne in 2000) and Men At Work.

The top-performing hit singles included Rock Me Amadeus (Falco) – the first German-language song to top the U.S. Billboard Hot 100Papa Don’t Preach (Madonna), The Final Countdown (Europe), Take My Breath Away (Berlin) and West End Girls (Pet Shop Boys). The 1986 tune I’d like to highlight is Sledgehammer by Peter Gabriel, which was first released as a single in April. It also appeared on his fifth studio album So that came out the following month. Here’s the song’s official video, which won multiple accolades in 1987, including a record nine awards at the MTV Music Video Music Awards and “Best British Video” at the Brit Awards. It’s definitely one of the most memorable music videos of the decade.

1987

Some of the events in music during that year included the induction of Aretha Franklin as the first woman into the Rock and Roll Hall of Fame (Jan 3); release of U2’s fifth studio album The Joshua Tree (Mar 9), which topped the charts in 20-plus countries and became one of the world’s most commercially successful records, selling more than 25 million copies; Whitney Houston’s second studio album Whitney, the first record by a female artist to debut at no. 1 on the Billboard 200 (Jun 27); launch of MTV Europe (Aug 1); and release of A Momentary Lapse Of Reason, Pink Floyd’s first studio album after the departure of and legal battle with Roger Waters (Sep 7). Waters finally wrapped up his legal separation from the band later that year.

The highest-charting hit singles were La Bamba (Los Lobos), Never Gonna Give You Up (Rick Astley); I Wanna Dance With Somebody Who Loves Me (Whitney Houston), It’s A Sin (Pet Shop Boys) and Who’s That Girl (Madonna) – I remember each of these songs like it was yesterday! Here’s Where The Streets Have No Name from my favorite U2 album The Joshua Tree. Credited to the band (music) and Bono (lyrics), the tune was released as the album’s third single in August 1987, five months after the record’s appearance.

1988

Some of the music events that year included the induction of The Beach Boys, The Beatles, The Drifters, Bob Dylan and The Supremes into the Rock and Roll Hall of Fame (Jan 20); near-death experience for Alice Cooper on stage after one of the props, the Gallows, malfunctioned – yikes! (Apr 7); sale of legendary soul label Motown Records to MCA and financial firm Boston Ventures for $61 million (Jun 27); John Fogerty’s win of what sounds like a frivolous self-plagiarism lawsuit Fantasy Records had brought against him, claiming his 1985 comeback tune The Old Man Down The Road was too similar to Run Through The Jungle, which he had recorded with Creedence Clearwater Revival in 1970 (Nov 7); and final concert by Roy Orbison in Akron, Ohio (Dec 4) prior to his death from a heart attack only two days thereafter.

Leading hit singles: A Groovy Kind Of Love (Phil Collins), Don’t Worry Be Happy (Bobby McFerrin), Always On My Mind (Pet Shop Boys),  Heaven Is A Place On Earth (Belinda Carlisle) and Take Me To Your Heart (Rick Astley). One 1988 song I like in particular is Under The Milky Way Tonight by Australian outfit The Church. Co-written by Steve Kilbey and Karin Jansson, it became the lead single to their excellent fifth studio album Starfish. Both were released in February that year. Here’s a clip.

1989

I can’t believe I made it to the last year of the decade! Some of the events I’d like to highlight are criticism of Madonna by religious groups worldwide over alleged blasphemous use of Christian imagery in her music video for Like A Prayer (Feb 23), which had premiered on MTV the day before; release of Bonnie Raitt’s 10th studio album Nick Of Time, one of my favorite records from her (Mar 21); release of Tom Petty’s excellent debut solo album Full Moon Fever (Apr 24); Ringo Starr’s formation of his All-Starr Band (Jul 23); opening of The Rolling Stones’ North American tour in Philadelphia to support their comeback album Steel Wheels (Aug 31), two days after the album had dropped; and release of Neil Young’s 17th studio album Freedom (Oct 2), best known for the epic Rockin’ In The Free World.

Key hit singles were Like A Prayer (Madonna), Eternal Flame (The Bangles), Another Day In Paradise (Phil Collins), The Look (Roxette) and Love Shack (The B-52s). The final ’80s tune I’d like to call out via clip is Down To London by Joe Jackson, an artist I’ve listened to for many years. He recorded the song for his 10th studio release Blaze Of Glory, which appeared in April 1989.

Sources: Wikipedia, YouTube

Aw, The ’80s (Part 1: 1980-1984)

A two-part feature looking back at music of the decade

I’ve mentioned my weak spot for ’80s music on a few previous occasions. My taste has since evolved, and I now find myself wondering more often than not how I could have liked certain songs as much as I did back then. Well, obviously, I was a lot younger (though of course, I’m still young at heart!), and that music was all around me. It also triggers memories of school, parties, the first vacations with friends (and without my parents or any adults for that matter), the first hangover…in other words, it really was the soundtrack of growing up – okay, call me a sentimental fool!

This morning, I rode the car with my wife and put on Duran Duran’s Rio album – she loves ’80s, so it was all her fault! 🙂 Anyway, listening to this 1982 record gave me the idea to reflect on music and some related events from that decade. Since it’s a big topic, I figured it would be best to divide my thoughts in two parts. Obviously, it’s still not possible to make this all-inclusive, so I’m going to be arbitrary and selective, focusing on things that are meaningful to me. Here’s part I spanning 1980 to 1984.

Prince_Purple Rain

Some of the first things that come to my mind when thinking about the ’80s are Madonna, Michael Jackson, Prince, the death of disco, new wave, the advent of the CD, hair metal bands and Live Aid. Of course, I could add many other buzz words, e.g., music videos. At the time, we didn’t have cable or satellite television at my house back in Germany, so I missed out on MTV and VH1. In fact, believe or not, it wasn’t until 1993 when I first came to the U.S. that I watched VH1 and kind of got hooked, especially on their Behind The Music documentaries. For some reason, I never warmed to MTV.

1980

Some of the events I’d like to call out are Paul McCartney’s arrest in Tokyo for marijuana possession, which resulted in the cancellation of the remaining Wings tour that year (Jan 16); launch of Pink Floyd’s The Wall tour in Los Angeles (Feb 7); release of Back In Black, AC/DC’s first album with Brian Johnson who had replaced original lead vocalist Bon Scott (Jul 25); death of Led Zeppelin drummer John Bonham (Sep 25); and murder of John Lennon who was shot by deranged Mark David Chapman in front of his Manhattan residence after returning from the recording studio with Yoko Ono (Dec 8).

The biggest hit singles of the year were Another Brick In The Wall (Part 2) (Pink Floyd), Woman In Love (Barbara Streisand), (Just Like) Starting Over (John Lennon), Funkytown (Lipps) and Upside Down (Diana Ross). I dug all of these songs at the time. While from today’s perspective my favorite is the Lennon tune, the track I’d like to highlight in a clip is Call Me by Blondie. Co-written by Debbie Harry and producer Giorgio Moroder (remember that guy?), the song was released as a single in February that year and was also included on the soundtrack for the 1980 picture American Gigolo. It became the band’s biggest hit, topping the Billboard Hot 100, as well as the charts in the U.K. and Canada, and scoring in the top 20 in many other countries.

1981

Notable events include the release of Face Value, the first solo album by Phil Collins – like it or not, the Genesis drummer was just everywhere in the ’80s – with Genesis and solo! (Feb 9); first break-up of Yes (Apr 18) only to reunite less than two years later and release their biggest-selling album 90125; U2’s television debut in the U.S. on the NBC late night program The Tomorrow Show (Jun 4); official launch of MTV in New York (Aug 1); Simon & Garfunkel’s free reunion concert in the Big Apple’s Central Park, drawing more than 500,000 visitors – no disputes over crowd attendance here! (Sep 9 ); and Rod Stewart show at Los Angeles Forum, broadcast live via satellite and watched by an estimated 35 million people worldwide – the first such broadcast since Elvis Presley’s 1973 Aloha From Hawaii special.

The top 5 hit singles of the year were Bette Davis Eyes (Kim Carnes), Tainted Love (Soft Cell), In The Air Tonight (Phil Collins), Woman (John Lennon) and Stars On 45 Medley (Stars On 45). Again, to me the Lennon tune holds up the best, though I also still like Bette Davis Eyes and have to admit In The Air Tonight is kind of cool. Even though I feel I’ve been over-exposed to Collins, I admit he’s done some good songs. Here’s a clip of Down Under by Men At Work. Co-written by Colin Hay and Ron Strykert, and released in October, the song was the second single from the band’s debut album Business As Usual that appeared the following month. It was cool then, and I still dig this tune.

1982

Perhaps most notably, the year saw the debut of Madonna with Everybody (Oct 2), the lead single from her first eponymous 1983 studio record, as well as the release of Michael Jackson’s Thriller album (Nov 30), which remains the world’s best-selling record to date. Some of the other events include the death of comedian and Blues Brothers vocalist John Belushi (March 5); premiere of Pink Floyd – The Wall, a film adaptation of the band’s 1979 album with the same title, at the Cannes Film Festival in France; and start of CD mass production by Dutch technology company and disc co-inventor Philips in Langenhagen near Hanover, Germany (Aug 17).

Eye Of The Tiger (Survivor), Down Under (Men At Work), I Love Rock ‘N’ Roll (Joan Jett & The Blackhearts), Come On Eileen (Dexys Midnight Runners) and Ebony And Ivory (Paul McCartney & Michael Jackson) were the biggest hit singles that year. Below is a clip of Come On Eileen, which appeared as a single in June. Co-written by Kevin Rowland, Jim Paterson and Billy Adams, the song was also included on the band’s second studio album Too-Rye-Ay, released the following month. I always found it cool how the catchy tune blended elements of Celtic folk with pop music.

1983

On March 2, CDs started to go on sale in the U.S., following their initial release in Japan the previous October. Some of the year’s other events in music include the debut of Let’s Spend The Night Together in New York, a film documenting the 1981 North American tour of The Rolling Stones (Feb 11); release of U2’s third studio album War, which debuts at no. 1 in the U.K. and features their first international hit single New Year’s Day (Feb 28); release of David Bowie’s commercially most successful studio album Let’s Dance (Apr 14); unveiling of Kiss’s faces without their make-up for the first time on MTV (Sep 18) – yes, I do seem to recall that seeing their actual faces was a pretty big deal at the time!; and Quiet Riot’s Metal Health, the first heavy metal album to top the Billboard 200 (Nov 26).

The biggest hit singles of the year: Karma Chameleon (Culture Club); Billie Jean (Michael Jackson); Flashdance…What A Feeling (Irene Cara); Let’s Dance (David Bowie) and Every Breath You Take (The Police). Did I have all these songs? You betcha – in fact, I still do, mostly somewhere on music cassettes! Here’s Billie Jean, written by the King of Pop himself, and released as the second single from the Thriller album in January 1983.

1984

Some of the happenings in the music world that year: Announcement from BBC Radio 1 DJ Mike Read of this refusal to play Relax by Frankie Goes To Hollywood due to its suggestive lyrics (Jan 11), a ban that was put in place by the entire BBC around the same time – in a clear illustration that something forbidden oftentimes tends to make it more attractive, only 10 days later, the tune stood a no. 1 on the Official Singles Chart in the UK; death of one of the greatest soul artists, Marvin Gaye, who following an argument was killed by his own father with a gun he had given to him as a Christmas present the previous year (Apr 1); release of Prince’s sixth studio album Purple Rain (Jun 25), the soundtrack to the 1984 film of the same name – one of his most successful records and the third-best-selling soundtrack album of all time, exceeding more than 25 million copies sold worldwide; and the first annual MTV Music Awards held in New York, where Madonna raised some eyebrows with a racy performance of Like A Virgin (Sep 14) – Madonna being controversial?

The biggest hit singles of 1984 were Careless Whisper (George Michael), I Just Called To Say I Love You (Stevie Wonder), Wake Me Up Before You Go-Go (Wham!), Girls Just Want To Have Fun (Cyndi Lauper) and Relax (Frankie Goes To Hollywood). Since I was a good boy and never listened to Relax and Like A Virgin, here’s a clip of Borderline, a song from Madonna’s debut record. On a more serious note, the tune that was written by producer Reggie Lucas still is one of my favorite Madonna songs. It became the album’s fifth and last single released in February 1984, peaking at no. 2 in the U.K. and reaching no. 10 in the U.S., less successful than the scandalous Like A Virgin!

Stay tuned for part 2, which will cover the period from 1985 to 1989.

Sources: Wikipedia, YouTube

If You Can’t See The One You Love, See The One You Can

According to my good music blogger friend Music Enthusiast, who only not writes a great blog but also seems to be a pretty good guitarist, I’m the King of the Tribute Band. As such, I thought I have to live up to the kind title and do a piece on tribute bands.

In 1970, Stephen Stills wrote the lyrics, And if you can’t be with the one you love, love the one you’re with. Since this pretty much captures how I generally feel about tribute bands, I used a variation of Stills’ words as the headline for this post.

I know some folks are only mildly excited about the concept. While I acknowledge it’s hard to find tribute bands that sound exactly like the real artists, as long as they don’t sound terrible, I enjoy seeing them. Since I usually do some research before going to a show, I’ve yet to have a bad experience.

Here’s how I look at it. With today’s oftentimes outrageous ticket prices, I simply can’t afford to see everybody I like; and even if I could, many of my favorite artists or bands are no longer around. Some of the best tribute bands I’ve seen performed at free summer-concert-in-the-park type of events, or music festivals with very reasonable cover charges. So for little or no money I can listen to music I dig – not much of a downside here, in my opinion!

Following are some tribute bands I like and have seen over the past couple of years.

Who’s Next

Their name already pretty much says it all. Who’s Next is a tribute to The Who. Like The Who, I’ve seen them twice and thought they were dynamite. Their members include Bill Canell as Pete TownshendDave McDonald as Roger DaltreyMike Conte as John Entwistle and Rich Savarese as Keith Moon. Apart from nicely capturing the sound and energy of the British rockers, these four guys also look a bit like their heroes. All of this is pretty remarkable, given the band doesn’t appear to perform frequently. For more information, check out their website. Here’s The Real Me and 5:15 I captured earlier this year during a British Invasion festival in Atlantic City.

Britain’s Finest

As a huge fan of The Beatles, of course I need to include a tribute band in this post! There are many tribute acts to the Fab Four, and I must have seen at least half a dozen myself. One of the best if not the best is Britain’s Finest. Similar to Who’s Next, their show is about both recreating the sound and the looks – they even mimic The Beatles’ humor. According to their Facebook page, Britain’s Finest were founded in Los Angeles in September 2011. Their lineup features Ruben Amaya (John Lennon), Benjamin Chadwick (Paul McCartney), Robert F. Bielma (George Harrison) and Luis G. Renteria (Ringo Starr). Here’s a clip of She Loves You.

The Glimmer Twins

Adopting the nickname of the songwriting partnership of Mick Jagger and Keith Richards, the Glimmer Twins hail from Philadelphia. The band is led by Keith Call (vocals, harp) and Bernie Bollendorf (guitars, vocals), who bring to life the sound and looks of Jagger and Richards in the ’70s. While the band’s remaining musicians don’t resemble the other members of The Rolling Stones, they sound pretty awesome:  Michael Rubino (guitars), Bobby Corea (drums), Rob Ekstedt (Bass), Rocco Notte (keyboards), Valorie Steel (vocals), Bobby Michaels (saxophone, flute, organ) and Carl Crabtree (saxophone, organ, acoustic guitar). For more information, check out their website. Here’s their rendition of Jumpin’ Jack Flash.

STARMAN: The Bowie Tribute

Formed in 2014, STARMAN is a tribute band to David Bowie. While Bowie obviously was a very well-known artist, I was still intrigued when I learned about these guys recently. Unlike The Beatles, I don’t think there are many Bowie tributes out there, which was in part why I decided to catch one of their recent gigs. In addition to Bowie’s songs, this Jersey band captures the looks and stage shows during different times of his career. STARMAN are Johwie Bowie (lead vocals), David Citron (keyboards, vocals), Tom Coughlin (saxophone, guitar, vocals), Jody Lynn Lisa (vocals, percussion), Mark Christopher (lead guitar), Dan D’Elia (drums) and Phil Liebergall (bass, vocals). Additional information can be found on their website. Here’s a clip of Ziggy Stardust and Suffragette City from the above mentioned show I attended.

TUSK

TUSK, another band from New Jersey, is an excellent tribute to Fleetwood Mac I’ve seen a couple of times. While their website and Facebook page don’t mention when they were founded, it’s clear their members are longtime artists. The band, which captures Fleetwood Mac during their most commercially successful phase, features Kathy Phillips (vocals) as Stevie NicksKim Williams (keyboards, vocals) as Christine McVieScott McDonald (guitars, vocals) as Lindsey BuckinghamRandy Atiglere (bass) as John McVie, and Tom Nelson (drums) as Mick Fleetwood. According to their website, TUSK has a packed schedule and tours nationally. What struck me the most about them was how well they capture Mac’s harmony vocals. Check out this clip of The Chain.

Hotel California

To recreate the music of the Eagles, especially the harmony vocals, is a formidable task. While I’ve seen a few Eagles tribute bands, Hotel California from Toronto, Canada has been the most compelling thus far. Undoubtedly, at least in part this must be the result of their longtime experience – the band was founded in 1986. The current lineup includes  Andy Lapointe  (bass, vocals), Mike Dimoulas (electric guitar, acoustic guitar, keyboards, double-neck guitar, Talk Box, vocals), Rick Spyder (electric guitar, vocals) and Kevin O’Donnell (drums, vocals). The band’s website reveals that they tour heavily throughout Canada and the U.S. Here’s a nice highlights reel. While it’s a few years old, this is how I recall they sounded when I saw them last September.

Get The Led Out

Get The Led Out, another band from Philadelphia, are an amazing Led Zeppelin tribute that got together in 2003. Rather than aiming to look like Robert Plant, Jimmy Page, John Paul Jones and John Bonham or sound like they did in concert, these guys are all about bringing Zeppelin’s studio sound live to the stage. And that takes more than four musicians – six to be precise: Paul Sinclair (lead vocals, harmonica), Paul Hammond  (electric and acoustic guitars, mandolin), Jimmy Marchiano (electric and acoustic guitars), Phil D’Agostino (bass, vocals), Andrew Lipke (keyboards, electric and acoustic guitars, vocals, percussion) and Adam Ferraiolo (drums, percussion). In addition, Diana DeSantis serves as guest vocalist for The Battle Of Evermore. I saw GTLO last November, and boy did they kick ass! The band’s current national tour schedule is on their website. Here’s a clip of Whole Lotta Love.

Echoes

This Pink Floyd tribute band from Delaware was founded in 1991. I’ve had the fortune to experience the real Pink Floyd (minus Roger Waters) twice and was really impressed how well Echoes recreated their complex music when I saw them last September. The band includes John Cassidy (drums, vocals), Kyle Frederick (bass), Dan Long  (keyboards, sound effects, vocals), John Ratcliffe (vocals, guitar), William (Bill) Swezey  (guitar, vocals), David Fox (guitar, lap steel), Andrew Bedell (saxophone), Michelle Sumler Hover (backing vocals), Chris Tuminello Duncan (backing vocals, keyboards) and Kat Pigliacampi (backing vocals). Here’s a highlights reel from their website.

Yes, I’ve seen many tribute bands, and the king is ready to see more! One event I particularly look forward to in this context is Rock The Farm in Seaside Heights, N.J. at the end of September. This annual one-day music festival features an impressive amount of tribute bands. In addition to Decade and TUSK, the 2018 lineup includes tributes to AC/DC, Tom Petty & The Heartbreakers, Aerosmith and Guns ‘N Roses, among others. Best of all, the CFC Loud N Clear Foundation, which puts on Rock The Farm, leverages the event to raise money for addiction recovery programs and other related services. For more information, visit https://rockthefarmnj.com/

Sources: Who’s Next website, Britain’s Finest Facebook page; The Glimmer Twins website; STARMAN website; TUSK website; Hotel California website; Get The Led Out website; Echoes website; YouTube

Gov’t Mule Rule With Powerful Pink Floyd Set

Southern jam rockers and Avett Brothers bring their summer tour to central NJ

When I told a good friend from Germany the other day that I was going to see Gov’t Mule for a Dark Side Of The Mule show, he had the same initial reaction I had a few weeks ago: What’s a southern rock band got to with Pink Floyd? And why would such distinguished musicians with plenty of own material devote an entire gig to the British psychedelic rockers? Well, because not only does Mule dig great music, but they also like to celebrate it during their own shows. In fact, they always have done so since they were founded in late 1994, though thus far, Pink Floyd is the only band to whom they dedicated an entire show.

As I previously wrote, Mule first introduced the concept in 2008 in Boston when they added a second set to their set of original tunes, which solely consisted of Floyd covers. They repeated it at the Mountain Jam music festival in 2015. And now the band is doing this dedicated show for the third time during a short co-headlining summer tour with The Avett Brothers – something I didn’t want to miss as a huge Pink Floyd fan, especially since one of gigs was happening right in my neck of the woods at PNC Bank Arts Center in Holmdel, N.J. last night. Based on Mule’s corresponding live album, my expectations were high – and boy did they deliver!

The Magpie Salute

But first things first. The evening was opened by American rock band The Magpie Salute, which was formed in October 2016 by guitarist Rich Robinson, a co-founding member of The Black Crowes. He pretty much co-wrote all of their songs with his brother and lead vocalist Chris Robinson. I didn’t know any of the band’s songs but liked what I heard. Their remaining current lineup includes two other former Black Crows members, Marc Ford (lead guitar, vocals) and Sven Pipien (bass, backing vocals), as well as John Hogg (vocals, percussion), Matt Slocum (keyboards) and Joe Magistro (drums). The Magpie Salute currently have one live album out from 2017 and are set to release their studio debut High Water I on August 18, 2018. I’ll definitely keep that on my radar screen.

The Avett Brothers
The Avett Brothers: (from left to right) Bob Crowford, Joe Kwon, Scott Avett and Seth Avett

Next came The Avett Brothers, a band that except for its name I hadn’t known. To get a sense of what to expect, I checked setlist.fm for the first date of the tour. It didn’t help much, since they made many changes to their set last night! The band’s core members include brothers and multi-instrumentalists Seth (vocals, guitar, etc.) and Scott Avett (vocals, banjo, etc.), Bob Crawford (double bass, bass, etc.) and Joe Kwon (backing vocals, cello, piano, etc.). The current touring lineup is complemented by Mike Marsh (drums) and Tania Elizabeth (violin, vocals, kazoo).

The origins of The Avett Brothers date back to the late 1990s when Seth’s high school band Margo combined with Scott’s college rock outfit Nemo. After Nemo had released three albums, Seth and Scott started The Avett Brothers as a side project, playing acoustic music with some friends. Eventually, this resulted in the release of an EP, The Avett Bros., in 2000. Their fist full-fledged studio album Country Was appeared in 2002. To date, the band has released eight additional studio records, three additional EPs and four live albums. I was impressed with the craftsmanship and warmth they used to deliver their music, which blends folk, bluegrass, Americana and indie rock. I didn’t record any video, but here’s a YouTube clip of a tune they did last night: Down With The Shine, from The Carpenter, their seventh studio album released in September 2012.

And then it was time for Mule to rule, and boy they certainly did! While like The Avett Brothers they mixed things up compared to the tour’s opening night, they kept the same format.

Gov't Mule 2018
Gov’t Mule (left to right): Danny Louis (keyboards), Matt Abts (drums), Jorgen Carlsson (bass) and Warren Haynes (guitar)

After kicking off their set with two original songs, it was on to mighty Pink Floyd. Last night, the original tunes included Thorazine Shuffle and Banks Of The Deep End, from the Dose (February 1998) and The Deep End, Vol. 1 (October 2001) studio albums, respectively. Here’s Thorazine Shuffle, a co-write by Mule co-founding members Warren Haynes and Matt Abts.

Following their two original songs, Mule launched into a transitional instrumental that blended into One Of These Days, from Meddle. Floyd’s sixth studio album from October 1971 happens to be one of my favorites. All for a sudden, it felt like the band had kicked up the intensity by a few notches. The song’s bass line came across like a furious jack hammer – since I didn’t anticipate it and didn’t want to start recording after it had started, unfortunately, I missed capturing that one.

After this powerful rendition of the first Pink Floyd tune of the night, Mule kept their foot on the gas. Next came Echoes, another gem from Meddle and perhaps my all-time favorite Floyd track. Again I didn’t record that one, figuring if my arms wouldn’t fall off holding my smartphone, the device would probably run low on battery power, given the length of the tune! Next it was on to a series of songs from Dark Side Of The Moon, my favorite Floyd album released in March 1973. Here’s The Great Gig In The Sky, featuring Mule’s outstanding backing vocalists

In addition to Dark Side Of Moon and Meddle, Mule also heavily drew from Wish You Were Here, another Floyd gem and the follow-on to Dark Side, which came out in September 1975. Here’s Welcome To The Machine.

Before playing some additional tunes from the Dark Side and Wish You Were Here albums, Mule threw in Nile Song from More, Floyd’s first soundtrack and their third studio release from June 1969. Then it was time for the cash register to ring with Money, another track from Dark Side. Again, I thought the band did a great job with the tune, especially the saxophonist who killed it!

The epic Shine On You Crazy Diamond (Parts I-V) rounded out Mule’s regular set. Like on the Dark Side Of The Mule album that I previously reviewed here, this was the track where the band took the most artistic freedom, especially Haynes on lead guitar. And just like on that record, I thought he did a nice job, so the deviations didn’t bother me at all. No Pink Floyd show would be complete without Wish You Were, which the band threw in as the encore.

As mentioned at the outset, I thought Mule’s show last night was outstanding. But, as I also noted before, Dark Side Of The Mule is not a note-by-note rendition of Floyd’s music. I imagine not all hard core Floyd fans may like the artistic freedom Mule occasionally takes. As a former hobby musician, I can fully appreciate that artists want to add a little bit of their own flavor when playing covers. If you feel the same and dig Pink Floyd, this show is for you, if you live in the right corners of the country. There are only four remaining dates: Xfinity Center, Mansfield, Mass. (today, Jul 14); Ruoff Home Mortgage Music Center, Noblesville, Ind. (Aug 23); Hollywood Casino Amphitheatre, Tinley Park, IL (Aug 24); and DTE Energy Music Theatre, Clarkston, MI (Aug 25). But there is always hope for additional dates, though Mule’s summer 2018 tour schedule looks dense through the second half of September.

Sources: Wikipedia, setlist.fm, Mule official website, YouTube

What I’ve Been Listening To: Gov’t Mule/Dark Side Of The Mule

What’s a Pink Floyd fan to do these days when they want to experience the band’s amazing music live? With the death of keyboarder Rick Wright in 2008 and their final studio album The Endless River from November 2014, Floyd’s officially gone. Yes, Roger Waters is currently on an extended Us + Them world tour. And, yes, David Gilmour released Live At Pompeii last September, which included Floyd material, and told Ultimate Classic Rock around that time that he’s planning a new album, which probably also means more touring. Still, it’s not the same!

Well, as the “king of the cover band” (Music Enthusiast’s previous kind words, not mine!) – one option I can highly recommend is Floyd tribute band Echoes. I saw these guys last year at the great Rock The Farm annual festival and wrote about it here. A second option I didn’t fully appreciate until recently is Gov’t Mule – yep, the southern rock jam band founded by Allman Brothers’ members Warren Haynes (guitar) and Allen Woody (bass) in 1994 to keep busy while the Brothers were off. Both ended up leaving the band to fully focus on Mule, though Haynes returned in 2000 and stayed with the Brothers until their final show in 2014. Woody passed away in 2000.

Gov't Mule 2018
Gov’t Mule’s current lineup (left to right): Danny Louis (keyboards), Matt Abts (drums), Jorgen Carlsson (bass) and Warren Haynes (guitar)

Haynes and Woody both were fond of 1960s power trios, such as Cream and The Jimi Hendrix Experience. Mule also digs many other artists like Neil Young, Free, Traffic, Little Feat and, well, Pink Floyd. What’s interesting to me is that with so much own material Mule has released over the years, they frequently have covered songs of the aforementioned artists during their sets. To date their homage to Pink Floyd certainly represents the climax in that regard. I know of no other such high caliber musicians who put together an entire set of covers from a band they obviously admire.

Dark Side Of The Mule (love that title!), which was released in December 2014 as a CD and deluxe CD/DVD set, was recorded during a three-hour gig at the Orpheum Theatre in Boston on Halloween 2008. While the standard CD edition only features the Floyd portion of the show, the enhanced deluxe version also includes original material Mule performed that night. Unlike the title suggests, their Pink Floyd set goes far beyond the Dark Side Of The Moon album. Time to get to some music!

The first tune I’d like to highlight is what I would call more of a deep cut: Fearless. Co-written by Gilmour and Waters, it appeared on Pink Floyd’s sixth studio album Meddle, released in October 1971. Haynes does a particularly nice job here, both in terms of his guitar work and the vocals.

Pigs On The Wing, Pt. 2 was written by Waters and included on Animals as the closer of that record from January 1977, Floyd’s 10th studio release. I think Mule’s version of the tune illustrates what’s also true for the entire set – while they stayed pretty close to the original tracks, they didn’t copy them 100%, which I find quite okay. After all, unlike Echoes, Mule is not a Floyd tribute band.

Shine On You Crazy Diamond (Parts I-V) is one of the tunes where Mule takes a bit more artistic freedom, especially Haynes. While I really dig Gilmour’s guitar parts on the original, I have to say I also like what Haynes is playing here. The opener of Wish You Were Here, Floyd’s ninth studio effort from September 1975, was credited to Gilmour, Wright and Waters. It remains one of my all-time favorite Floyd tracks after having listened to the band for some 40 years.

Next up: Time from the epic Dark Side Of The Moon, my favorite Pink Floyd album, which appeared in March 1973. The song was credited to all members of the band, which apart from Gilmour, Waters and Wright also included drummer Nick Mason. BTW, one of the backing vocalists Mule had, Durga McBroom, also consistently served in that capacity during Floyd’s live shows starting from November 1987, as well as on The Division Bell and The Endless River studio records.

Another track I’d like to call out is Comfortably Numb, one of my favorite tunes from 1979’s The Wall album. Co-written by Waters and Gilmour, it’s one of the relatively few songs that are not solely credited to Waters who clearly was the dominant force on the record. Again, Haynes does a great job, both vocally and playing Gilmour’s guitar parts.

The last song I’d like to highlight is the title track from the Wish You Were Here album.  No Pink Floyd set would be complete without the song, which was yet another Waters-Gilmour co-write.

To date, Mule only played one additional Floyd set, which was during the Mountain Jam music festival in June 2015. But a third Dark Side Of The Mule performance is coming up. In March, the band announced that they are joining forces with The Avett Brothers for six co-headlining summer open air gigs. The dates include Jones Beach Theater, Wantagh, N.Y. (Jul 12); PNC Bank Arts Center, Holmdel, N.J. (Jul 13); Xfinity Center, Mansfield, Mass. (Jul 14); Ruoff Home Mortgage Music Center, Noblesville, Ind. (Aug 23); Hollywood Casino Amphitheatre, Tinley Park, IL (Aug 24); and DTE Energy Music Theatre, Clarkston, MI (Aug 25).

One of these shows is happening right in my backyard. Based on Ticketmaster, prices look relatively reasonable. Plus, I’ve been to PNC Bank Arts Center many times and like this venue. All of these facts are impossible to ignore, so needless to say that I’m very tempted. Since I’m already seeing Steely Dan & The Doobie Brothers (July 7) and Neil Young solo (July 11), adding Mule would make this a pretty intense back-to-back music experience. But is there such a thing as too much rock & roll, and don’t make three a charm? We’ll see.

Sources: Wikipedia, Roger Waters official website, Ultimate Classic Rock, Echoes official website, Gov’t Mule official website, YouTube

My Longtime Favorite Albums

Ten records I continue to enjoy after more than three decades

Earlier this week, I got nominated on Facebook to name 10 music albums that have made an impact on me and that I continue to enjoy today. The task was to post one album cover daily, and each time when doing so to nominate somebody else to do the same. Usually, I don’t participate in these types of chain activities, so initially, I ignored it. But since it was a close relative, who had nominated me, and music is my passion after all, I decided to go along. The exercise of identifying the 10 records inspired this post.

Because I found it impossible to limit myself to just 10 albums, I decided to narrow the field to only those records I started listening to as a teenager and in my early 20s. This explains why some of my favorite artists like The Allman Brothers Band, Buddy Guy and even The Rolling Stones are “missing.” It was only later that I started exploring them and many other artists I like today in greater detail. Without further ado, here is the list in no particular order, together with one song from each album.

As frequent readers of the blog know, I’m a huge fan of The Beatles. Sgt. Pepper’s Lonely Hearts Club Band, their 8th studio album from May 1967, is my favorite among their records.

The Beatles_Sgt. Pepper

Here’s the great closer A Day In The Life, which except for the middle section was mainly written by John Lennon, though as usually was credited to him and Paul McCartney.

Tapestry by Carole King was one of the earliest albums I listened to when I was 10 years old or so. Back then, I didn’t understand the lyrics but liked the music. Today, I dig the record for both the music and the lyrics. There is a timeless beauty in King’s tunes, and to me Tapestry is perhaps the ultimate singer-songwriter record.

carole-king-tapestry

There are so many great songs on this gem from February 1971, so it’s hard to chose one. Here’s Way Over Yonder. King’s soulful singing and the saxophone solo are two of the tune’s features I’ve always liked.

The Eagles’ Hotel California is an album I’ve owned on vinyl since I guess the early ’80s. It was released in December 1976 as the band’s fifth studio record.

Eagles_Hotel California

Here’s a live version of the epic title song, which is included in the album’s 40th anniversary deluxe edition that appeared in November last year. The tune was co-written by Don Felder, Don Henley and Glenn Frey. The distinct extended guitar interplay at the end featured Felder and Joe Walsh. This tune just never gets boring!

It was the Born In The U.S.A. album from June 1984, which put Bruce Springsteen on my radar screen.

Bruce Springsteen_Born In The USA

Here’s Bobby Jean, one of the album’s few tunes that wasn’t also released separately as a single. On this one, I particularly love the saxophone solo by Clarence Clemons, who was such an ace player.

Deep Purple to this day remains my first choice when it comes to hard rock, and Machine Head from March 1972 is the crown jewel in their catalog. The band’s sixth studio album featured their best line-up that included Ian Gillan (vocals), Ritchie Blackmore (guitar), Jon Lord (keyboards), Roger Glover (bass) and Ian Paice (drums, percussion).

Deep Purple_Machine Head

Here’s Pictures Of Home, which like all tracks on the album were credited to all members of the band. In addition to Lord’s great keyboard work, one of the tune’s characteristic features is a cool bass solo by Glover (starting at 3:40 minutes).

My introduction to John Mellencamp was Scaregrow, his eighth studio album from August 1995, but it was the follow-up record The Lonesome Jubilee, released in August 1987, that turned me into a fan.

John Mellencamp_The Lonesome Jubilee

Here is the great opener Paper In Fire, which also became the album’s lead single. Like all tunes except one, it was written by Mellencamp.

While it was pretty clear to me that a Pink Floyd album needed to be among my longtime top 10 records, the decision which one to pick wasn’t easy. I decided to go with The Dark Side Of The Moon but also could have gone with Wish You Were Here. I started listening to both albums at around the same time during the second half of the ’70s.

Pink Floyd_The Dark Side Of The Moon

I’ve chosen to highlight The Great Gig In The Sky. I’ve always liked the incredible part by vocalist Clare Torry.

I believe the first Steely Dan song I ever heard was Do It Again on the radio. By the time I got to Aja, I already knew the band’s debut record Can’t Buy A Thrill and, because of Rikki Don’t Lose That Number, their third album Pretzel Logic. While I liked both of these records, the Aja album from September 1977 became my favorite, after a good friend had brought it to my attention.

Steely Dan_Aja

Here is Deacon Blues, which also was released separately as the album’s second single. Like all tunes on the record, it was co-written by Walter Becker and Donald Fagen.

I was hooked to Live Rust the very first time I listened to it. Neil Young’s album from November 1979 pretty much is a live compilation of his greatest ’70s hits.

Neil Young_Live Rust

My, My, Hey, Hey (Out Of The Blue) is among the record’s highlights. The song was co-written by Young and Jeff Blackburn.

Led Zeppelin wasn’t exactly love at first sight. My first exposure was Led Zeppelin IV, the band’s fourth studio album from November 1971. I bought the record because of Stairway To Heaven.

Led Zeppelin_Led Zeppelin IV

I had listened to Stairway on the radio where they always faded it out before the heavy rock section at the end of the tune. I still remember the shock when I listened to the song in its entirety for the first time. I had just started taking classic guitar lessons and was very much into acoustic guitar. I simply couldn’t understand how Zep could have “ruined” this beautiful song by giving it a heavy metal ending. Well, today it is exactly because of its build why this track has become one of my favorite tunes. But instead of Stairway, I’d like to finish this post with Going To California, a beautiful acoustic ballad co-written by Jimmy Page and Robert Plant.

Sources: Wikipedia, YouTube