Fakefest Celebrated Triumphant Return to Atlantic City

Free four-day open air festival featured tributes to nine rock bands

It may be called Fakefest, but there’s very little that’s fake about it. Unless of course you consider tribute bands as fake. Or that nowadays you couldn’t have a music festival that features Tom Petty and Van Halen.

Fakefest is a free tribute band festival conducted annually on the outdoor deck of the Golden Nuggets hotel & casino in Atlantic City, N.J. Just like pretty much any other entertainment event, it was cancelled last year due to know what.

The line-up for the four-day event (July 8-11) featured tributes to Bruce Springsteen, Journey, Van Halen, Chicago, The Police, The Who, Tom Petty, U2 and The Rolling Stones. I was there on Saturday to see Beginnings, New York’s Finest and Who’s Next – tributes to Chicago, The Police and The Who, respectively. Following are some impressions.

Beginnings

According to their website, New York-based Beginnings, which were formed in 2002, perform music of Chicago from across the band’s 50-plus year songbook. At Fakefest, their set focused on Chicago’s late ’60s and ’70s phase, which I welcomed since I’m not particularly fond of their ’80s ballads!

I first saw this nationally touring tribute band in the summer of 2019. A few weeks later, I learned on Facebook that the band’s longtime leader, vocalist and bassist Mason Swearingen had died from a heart attack – on stage at a gig – yikes! After a four-month break, Beginnings resumed shows in December 2019.

The band put on an impressive set. Some of the tunes they played included Saturday in the Park, Beginnings, Does Anybody Really Know What Time It Is, Just You ‘n’ Me, Feelin’ Stronger Every Day and 25 or 6 to 4.

Here’s their rendition of Just You ‘n’ Me. Written by James Pankow, the track appeared on Chicago’s fifth studio album Chicago VI from June 1973. Check it out!

How about another sample? Ask you shall receive: Feelin’ Stronger Every Day. This tune, co-written by Peter Cetera and Pankow, is another track from Chicago VI.

New York’s Finest

Next up were New York’s Finest, a tribute to The Police. They have played together for 10 years and are based in New York as well. According to a short video clip on the band’s Facebook page, their members Mark Rinzel (vocals, bass), Oscar Bautista (guitar) and Alan Camlet (drums) had known each other prior to starting the tribute. One day they were asked whether they would like to perform The Police’s first album for a classic album night show. They agreed, rehearsed and subsequently formed the band.

The set spanned music from all five Police studio albums, including Murder By Numbers, Walking on the Moon, Driven to Tears, Synchronicity II, Roxanne and Can’t Stand Losing You, among others. I thought Rinzel did a great job performing Sting’s vocals. The band also sounded fantastic. It was obvious these guys had played together for a long time.

Here’s set opener Murder By Numbers. Co-written by Andy Summers and Sting, the tune was the B-side of the single Every Breath You Take. It was also a bonus track on the CD and cassette versions of Synchronicity, The Police’s fifth and final studio album released in June 1983.

In my opinion, one of the highlights of the set was a medley of Driven to Tears and Synchronicity II. The former is from Zenyatta Mondatta (October 1980), while the latter appeared on Synchronicity. Both tunes were written by Sting.

Who’s Next

This brings me to the final band of the day: Who’s Next. Named after the 1971 fifth studio album by The Who, their members include Bill Canell as Pete TownshendDoug Zahn as Roger DaltreyMike Conte as John Entwistle  and Rich Savarese as Keith Moon. I had previously seen them at British Invasion festivals at the same venue in June 2017 and June 2018.

Among the songs the band performed were Who Are You, Love Reign O’er Me, Baba O’Riley, You Better You Bet, Won’t Get Fooled Again and Long Live Rock. One difference from the last time I saw Who’s Next was lead vocalist Doug Zahn. Just like his predecessor Dave McDonald, he did a great job capturing Roger Daltrey, both vocally and visually.

Here’s Who Are You, the title track written by Pete Townshend from The Who’s eighth studio album released in August 1978 – the last to feature Keith Moon.

Let’s do one more: the mighty Love Reign O’er Me, another Townshend composition. The track is the closer of Quadrophenia, the sixth studio album by The Who, which came out in October 1973. Zahn did an impressive job with what must be a tough song to sing. Frankly, the clip doesn’t do it full justice, though I think one can still get a good idea.

While as noted above I had been to British Invasion tribute events at the Golden Nugget in Atlantic before, this was my first time at Fakefest. Until a few weeks ago, I had not known about it. Given how much of a ball I had, there’s a good chance I’ll be back.

Sources: Wikipedia; Beginnings website; New York Finest website and Facebook page; Who’s Next Facebook page; YouTube

The Sunday Six

Celebrating music with six random songs at a time

Here we are on another Sunday to explore the diversity of music six tunes at a time. Today marks the official start of summer and, boy, it’s certainly hot in my neck of the woods! But I take sun and heat over a dark and cold winter day any day. Regardless of the weather in your area and how you may feel about it, I hope you find something you enjoy among my picks for this new installment of The Sunday Six.

Jesse Colin Young/Song for Juli

Starting us off this time is a beautiful, largely instrumental track by Jesse Colin Young, co-founder and lead vocalist of The Youngbloods. When I stumbled across Song for Juli the other day, I immediately felt it would make for a nice Sunday Six opener. If you’ve read some of the weekly feature’s previous installments, you may have noticed my preference to start these posts on a softer note. After the dissolution of The Youngbloods in 1972, Jesse Colin Young (born Perry Miller) resumed his solo career he had first started in the early ’60s. That pre-Youngbloods phase had yielded two solo albums: The Soul of a City Boy (April 1964) and Young Blood (March 1965). Song for Juli is the title track of Young’s fourth solo album, a folk rock-oriented record that appeared in October 1973. The tune about his first child Juli was co-written by Young and the child’s mother Suzie Young, Young’s first wife. Young who last November turned 79 remains active and has released 13 additional albums to date. His most recent one is titled Dreamers and came out in February 2019.

The Turtles/Wanderin’ Kind

Every time I hear a song by The Turtles, I’m amazed by their great harmony singing. That being said, their biggest hit Happy Together, which I featured in a previous Sunday Six installment, is the only tune I’ve known by name, though I’ve heard some of their other songs. Well, now I can add Wanderin’ Kind, the opener of The Turtles’ debut album It Ain’t Me Babe from October 1965. The tune is one of the record’s four original tracks that were all written or co-written by the band’s lead vocalist and keyboarder Howard Kaylan. Fun fact from Wikipedia: Since at the time The Turtles recorded their first album their members were still underage, they required written permission from their parents to pursue the project. During their original five-year run from 1965 to 1970, The Turtles released six studio albums. In 1983, Kaylan and Turtles co-founder and guitarist Mark Vollman revived the band and have since toured as The Turtles…Featuring Flo and Eddie. They remain active and are planning to go on the road in the U.S. later this summer as part of the Happy Together Tour 2021.

Toto/Pamela

The other day, fellow blogger Music Enthusiast included Toto in an ’80s post, reminding me of a band I’ve listened to on and off since 1982 when they released their hugely successful fourth studio album Toto IV. Pamela is the opener of The Seventh One, which is, well, Toto’s seventh studio album that came out in March 1988. The tune was co-written by keyboarder David Paich and lead vocalist Joseph Williams. Among the features I’ve always dug about Pamela are Jeff Porcaro’s drumming and the cool breaks. Sadly, it turned out to be Porcaro’s final regular studio album with Toto. He died on August 5, 1992 at the age of 38 from a heart attack caused by coronary artery disease resulting from cocaine use. Following Toto’s second hiatus that started in October 2019 after the end of their last 40 Trips Around The Sun tour, they are back in business as of October 2020. A live album titled With a Little Help From My Friends, which captures a special lockdown performance from November 2020, is set to appear on June 25. Toto have also announced their next tour, The Dogz of Oz World Tour. Currently confirmed dates are for Europe starting in Bonn, Germany in July 2022. Paich and Williams are still part of the band’s current line-up, as is guitarist Steve Lukather, Toto’s only founding member who has continuously played in all of their incarnations.

Lord Huron/Mine Forever

Kudos to fellow blogger Angie from The Diversity of Classic Rock, who recently did a great feature on new music that includes Lord Huron, one of her picks that got my immediate attention. The indie folk rock band was initially founded in Los Angeles in 2010 as a solo project of guitarist and vocalist Ben Schneider. After recording and releasing a few EPs all by himself, Schneider started adding members for support during live shows and Lord Huron’s first full-length album Lonesome Dreams from October 2012. Apart from Schneider, the band’s current line-up features Tom Renaud (guitar), Miguel Briseño (bass, keyboards) and Mark Barry (drums, percussion). Mine Forever, written by Schneider, is a track from their new album Long Lost released on May 21. The tune perfectly illustrates what attracted me to Lord Huron, which is their amazing moody sound of layered voices, jangly guitars and expanded reverb. It has a cinematic feel to it. Check it out!

Bob Marley and the Wailers/Is This Love

The first time I heard of Bob Marley must have been on the radio during my teenage years back in Germany. I assume it was Could You Be Loved, his hit single from 1980, which got lots of play on the airways. What I remember much better is how I further got into his music. It was the excellent live album Babylon by Bus, which my best friend had gotten around the same time. Released in November 1978, the double LP captured performances by Bob Marley and the Wailers, mostly from three concerts in Paris in late June 1978. One of my favorite tracks from that album has always been Is This Love. Written by Marley, the tune first appeared on Kaya, the tenth studio album by Marley and his band, which came out in March 1978. There’s just something infectious about reggae. That groove automatically makes me move. Unfortunately, Bob Marley passed away from cancer on May 11, 1981 at the age of 36.

U2/Vertigo

The time has come again to wrap up another Sunday Six. As has kind of become tradition, I’d like to do so with a rocker: Vertigo by U2. I first got into the Irish rock band in the mid-’80s with their fourth studio album The Unforgettable Fire. From there, if I recall it correctly, I went to the live album Under a Bloody Red Sky, which in turn led me to U2’s earlier records. My favorite The Joshua Tree from March 1987 was still nearly three years away. After the follow-on Rattle and Hum, released in October 1988, I became more of a casual U2 listener. I think they have had decent songs throughout their career. Vertigo, the lead single from the band’s 11th studio album How to Dismantle an Atomic Bomb from November 2004, was an acquired taste. The Edge’s more straight hard rock playing was quite a departure from what I consider his signature sound on The Unforgettable Fire and The Joshua Tree album. At the same time, I respect that U2 don’t want to do the same music over and over again. While Vertigo hasn’t become my favorite U2 tune, I’ve come around and think it’s a pretty good song.

Sources: Wikipedia; The Turtles website; YouTube

Best of What’s New

A selection of newly released music that caught my attention

It’s that time of the week again to take another look at newly released music. This latest Best of What’s New installment turned out to be pretty rock-oriented. All songs are on albums that came out yesterday (April 16).

Greta Van Fleet/Built By Nations

Kicking things off is some great blistering rock by Greta Van Fleet, a rock band from Frankenmuth, Mich. They were formed in 2012 by twin brothers Josh Kiszka (vocals) and Jake Kiszka (guitar) and their younger brother Sam Kiszka (bass), along with Kyle Hauck (drums). Hauck left in 2013 and was replaced by Danny Wagner who remains the band’s drummer to this day. Greta Van Fleet have attracted plenty of attention for embracing ’70s classic rock and some criticism from certain music reviewers who accused them of ripping off early Led Zeppelin. While there’s no denying some of the Michigan rockers’ early tunes have a Led Zeppelin I vibe, I always found the criticism overblown. Plus, I dig Zep, so selfishly I didn’t mind in the first place. Greta Van Fleet have since evolved their sound, as illustrated by their latest album The Battle at Garden’s Gate. Some tracks had been released as singles ahead of what is the band’s second full-length studio album, including My Way, Soon and Age of Machine. I previously featured them here and here. Following is Built By Nations. Like all other tracks on the album, it is credited to the entire band.

Eric Church/Heart on Fire

Eric Church is a country singer-songwriter from Nashville, Tenn. According to his artist profile on Apple Music, Church is a gifted storyteller, delivering relatable, regular-guy sing-alongs with a warm, reedy drawl. The North Carolina native started early—he was writing songs at 13 and taught himself to play guitar soon after, eventually getting a taste of touring with his college band, Mountain Boys. But his sharp lyrical observations and sly humor helped him find footing in Nashville’s songwriter circuit and land a solo record deal. His debut album Sinners Like Me appeared in July 2006. The third album Chief from July 2011 brought the big breakthrough, topping both the Billboard Top Country Albums and the Billboard 200 mainstream charts. Heart on Fire, written by Church, is the opener of Heart, the first part of an ambitious triple album titled Heart & Soul that features 25 tracks. Parts 2 and 3, & and Soul, are slated to be released on April 20 and April 23, respectively.

The Offspring/Let the Bad Times Roll

The Offspring were formed in 1984 as Manic Subsidal in Garden Grove, Calif. The band, which changed their name to The Offspring in 1986, has been credited for reviving mainstream interest in punk rock, together with fellow Californian outfits Green Day and Rancid. The current line-up includes founding member Bryan “Dexter” Holland (lead vocals, guitar), along with Kevin “Noodles” Wasserman (guitar), Todd Morse (bass) and Pete Parada (drums). The band released their eponymous debut album in June 1989. Their international breakthrough, appropriately titled Smash, appeared in April 1994. Fueled by hit singles Come Out and Play, Self Esteem and Gotta Get Away, the album surged to no. 4 in the U.S. on the Billboard 200, peaked at no. 3 in Canada, topped the charts in Australia, and reached the top 5 in various European countries. Altogether, The Offspring have released 10 studio albums, 4 EPs, two compilations and multiple singles over their now 37-year career. Let the Bad Times Roll, written by Holland, is the catchy title track of their new album.

Paul McCartney & Joshua Homme/Lavatory Lil

Wrapping up this Best of What’s New installment is Paul McCartney who has been on a remarkable roll. Following the release of his 18th solo album McCartney III last December, which I reviewed here, he is back with an encore titled McCartney III Imagined. According to an announcement on his website, the album features an A-List assortment of friends, fans and brand new  acquaintances, each covering and/or reimagining their favorite  McCartney III  moments in their own signature stylesMcCartney III Imagined continues the tradition of the biggest and most diverse names in music covering Paul’s songs — an ever-expanding  lineup that ranges from more recent versions by Billie Eilish, Harry Styles, Dave  Grohl, Coldplay and The Cure, to interpretations over the years from the likes of U2, Guns N’ Roses, Earth Wind & Fire, Siouxsie and the Banshees, Marvin Gaye, Bill Withers, Joe Cocker, Stevie Wonder, Frank Sinatra, Elvis Presley, Ray Charles and so many more.  McCartney III Imagined is a testament of Paul’s enduring and unmatched influence, a legacy that stretches from “Yesterday” being the most covered song in contemporary musical history to the inspiration his current work continues to hold for generations of artists and fans. What I find remarkable is the apparent open-mindedness of McCartney who is turning 79 in June to work with a broad group of contemporary artists, such as Dominic Fike, Khruangbin, Blood Orange, St. Vincent, Phoebe Bridgers and Beck. Frankly, except for the last two, these are all new names to me! Here’s Lavatory Lil, imagined together with Joshua Homme who is best known as the main songwriter, lead vocalist and guitarist of American rock band Queens of the Stone Age.

Sources: Wikipedia; Apple Music; Paul McCartney website; YouTube

On This Day in Rock & Roll History: March 9

This is the 60th installment of my music history feature, which explores select happenings on a specific date over time, mostly focusing on the ’60s and ’70s. While not surprisingly by now I have a well-defined system in place how I go about gathering facts for these posts, I still enjoy writing them. So let’s embark on another time travel journey and take a look back at some of the events on March 9 throughout rock and pop music history. As always, the selections reflect my music taste and, as such, are not meant to be a complete list.

1967: The Beatles began work on Getting Better in Studio 2 of Abbey Road’s EMI Studies as part of the recording sessions for their next studio album Sgt. Pepper’s Lonely Hearts Club Band. The song was mainly written by Paul McCartney with some lyrical input from John Lennon. During the late evening session, the tune’s rhythm track was recorded: McCartney’s rhythm guitar and Ringo Starr’s drums on track one; McCartney’s guide vocals on track two; a pianette (type of electric keyboard) played by George Martin on track three; and some additional drums on track four. Subsequently, a so-called reduction mix was created to free up additional tracks on the tape (eight-track recording would only start to become available in 1968). The Beatles and the studio crew called it a night, or I guess I should rather say an early morning, at 3:30 am (March 10). They devoted three additional sessions to the tune, evidently figuring it was getting better all the time. How do I know all of that? I don’t! Wait, what?! Well, there’s The Beatles Bible that captures all these details for the music geeks among us. 🙂

1973: American blues and boogie rockers Canned Heat released their ninth studio album The New Age. It was the first to feature guitarist James Shane and keyboarder Ed Beyer. At that time, Canned Heat had already lost key co-founder Alan “Blind Owl” Wilson who had died from a drug overdose in September 1970. Wilson had written and co-written the band’s biggest U.S. hit singles Going Up the Country and On the Road Again, respectively, and sung lead vocals on both. Here’s the opener Keep Clean written by Bob Hite, the band’s other key co-founder who since passed away as well in April 1981, also due to drugs. Unfortunately, Canned Heat has been hit hard with drug-related deaths. Fun fact: According to Wikipedia, renowned rock critic Lester Bangs was fired by Rolling Stone for writing a “disrespectful” review of the album at the time it came out.

1987: Irish rock band U2 released their fifth studio album The Joshua Tree. Fueled by hit singles With or Without You, I Still Haven’t Found What I’m Looking For and Where the Streets Have No Name, it topped the charts in more than 20 countries and became U2’s all-time top-seller. With over 25 million copies sold, it’s also one of the world’s best-selling albums. Produced by Brian Eno and Daniel Lanois, The Joshua Tree yielded two 1988 Grammy awards for Album of the Year and Best Rock Performance by a Duo or Group with Vocal. While it undoubtedly created over-exposure for U2, I feel The Joshua Tree is holding up pretty well to this day. Here’s one of the tunes that wasn’t released as a single, which I’ve come to dig over the years as one of my favorites: Red Hill Mining Town. Like all other tracks on the album, Bono provided the lyrics, while the music was credited to the entire band.

1993: Sting put out his fourth solo album Ten Summoner’s Tales, which remains my all-time favorite by the ex-Police front man. If I see this correctly, it became Sting’s best-selling album. It also received six 1994 Grammy nominations and won three: Best Engineered Album, Non-Classical, Best Music Video, Long-Form, and Best Vocal Performance, Male (for If I Ever Lose My Faith in You). Here’s the beautiful Shape of My Heart, co-written by Sting and his longtime sideman, guitarist Dominic Miller.

Sources: Wikipedia; Songfacts Music History Calendar; The Beatles Bible; YouTube

The Sunday Six

Celebrating music with six random songs at a time

This is the fourth installment in a row of my recently introduced feature that highlights six random songs I like. I’m becoming cautiously optimistic I can keep up the pace and make this a weekly recurring series.

Clannad/Caisleán Õir

Irish folk group Clannad was formed in 1970 in the parish of Gweedore located on the Atlantic coast in northwest Ireland by siblings Ciarán Brennan, Pól Brennan and Moya Brennan, together with their twin uncles Pádraig Duggan and Noel Duggan. Initially known as Clann as Dobhar and since 1973 as Clannad, according to Wikipedia, the group has adopted various musical styles over the decades. This includes folk, folk rock, as well as traditional Irish, Celtic and new-age music, often incorporating elements of smooth jazz and Gregorian chant. Clannad’s eponymous debut album came out in 1973. They have since released 15 additional studio albums, the most recent of which, Nádúr, appeared in September 2013. The group remains active to this day, with Ciarán, Moya, Pól and Noel still being part of the line-up. Pádraig passed away in August 2016. Caisleán Õir is the breathtaking opener of Macalla, their eighth studio album from 1985. It became one of their most successful records, partially because of a collaboration between U2’s Bono and Clannad vocalist Moya Brennan on the tune In a Lifetime. Macalla brought Clannad on my radar screen in the mid-’80s. The vocals on Caisleán Õir, co-written by Ciarán Brennan and Máire Brennan, still make my neck hair stick up. I recommend using headphones for that tune!

Fretland/Could Have Loved You

Fretland are an Americana band from Snohomish, Wa., which I featured last May in a Best of What’s New installment. Unfortunately, it appears the situation hasn’t changed, and publicly available information on this band continues to be very limited. Fretland were founded by singer-songwriter Hillary Grace Fretland  (vocals, guitar). The line-up also includes Luke Francis (guitar), Jake Haber (bass) and Kenny Bates (drums). Could Have Loved You is the opener and title track of the band’s upcoming sophomore album scheduled for March 26. Here’s the official video of the pretty tune, which was written by Hillary Grace Fretland. Her voice reminds me a bit of Sarah McLachlan.

 John Mellencamp & Carlene Carter/Indigo Sunset

Heartland rock and Americana singer-songwriter John Mellencamp, one of my long-time favorite artists, needs no introduction. To country music fans, the same is probably true for Carlene Carter, the daughter of June Carter Cash and her first husband Carl Smith, who just like June was a country singer. June’s third husband, of course, was the man in black, Johnny Cash. With so much country in the gene pool, it’s perhaps not surprising Carlene became a country artist as well – and a pretty talented one I should add! During Mellencamp’s 2015–2016 Plain Spoken Tour, where Carter opened each show for him, the two artists started writing songs together. Eventually, this resulted in Sad Clowns & Hillbillies, Mellencamp’s 23rd and most recent studio album of original material, which was released in April 2017. Here’s one of the tunes Mellencamp and Carter wrote and performed together, the beautiful Indigo Sunset. I absolutely love this song. Check out the incredibly warm sound. I also think Mellencamp’s and Carter’s voices go perfectly with each other, even though they couldn’t be more different.

Simply Red/If You Don’t Know Me By Now

British pop and soul band Simply Red were formed in Manchester in 1985. They came very strongly right out of the gate with their studio debut Picture Book from October 1985. The album, which spawned various popular singles including Money’s Too Tight (to Mention) and Holding Back the Years, brought the group around smooth lead vocalist and singer-songwriter Mick Hucknall on my radar screen. After a four-year break between 2011 and 2015, they remain active to this day and have released 12 albums as of November 2019. Their amazing cover of If You Don’t Know Me By Now was included on their third album A New Flame that appeared in February 1989. It became hugely successful, topping the charts in the UK, Switzerland and New Zealand, and placing within the top ten in various other countries, except the U.S. where it stalled at no. 22. If You Don’t Know Me By Now was co-written by songwriting and production duo Kenny Gamble and Leon Huff, who are credited for developing the so-called Philly sound. The tune was first recorded and released in 1972 by Philly soul group Harold Melvin & the Blue Notes. Man, Hucknall’s got soul – so good!

America/Ventura Highway

Formed in London in 1970, folk and pop rock group America was one of the bands my sister unknowingly introduced me to as a 7 or 8-year-old. She had their first greatest hits compilation History: America’s Greatest Hits, a fantastic introduction to the group. I realize the trio that originally consisted of Dewey Bunnell (vocals, guitar), Dan Peek (vocals, guitar) and Gerry Beckley (vocals, bass) sometimes is dismissed as a copy of Crosby, Stills & Nash. Even if you think that’s true, I’d consider it to be a compliment; because that comparison largely stems from America’s harmony singing. How many bands can you name that sing in as perfect harmony as CSN? Or America, for that matter? Anyway, Ventura Highway, written by Dewey Bunnell, is the opener of America’s sophomore album Homecoming from November 1972. Every time I hear that song, I picture myself driving in some convertible on the California coastal Highway 1, with the free wind blowin’ through my hair. BTW, America exist to this day, with Bunnell and Beckley still being around. Peek, who left the group in 1977 and became a born again Christian, passed away in July 2011 at the age of 60.

Cream/Strange Brew

You didn’t really think I could do a Sunday Six without at least one ’60s tune, did ya? Of course, you didn’t! I trust you’ve heard about British rock trio of ingenious bassist and vocalist Jack Bruce, guitar god Eric Clapton and drummer extraordinaire Ginger Baker. Co-written by Clapton, producer Felix Pappalardi and Gail Collins, Strange Brew is the opener of Cream’s second studio album Disraeli Gears that came out in November 1967. If you had asked me, I would have bet Sunshine of Your Love was the highest-charting song from the album. Not so, at least not in the U.K. – turns out Strange Brew climbed to no. 17 there, while Sunshine of Your Love peaked at no. 25. In the U.S. it was different. Sunshine surged all the way to no. 5 on the Billboard Hot 100, while Brew didn’t chart at all. Funny how these things can go – perhaps it was too strange for American taste!

Sources: Wikipedia; YouTube

Clips & Pix: U2/Pride (In the Name of Love)

One man come in the name of love/One man come and go/One man come here to justify/One man to overthrow…

As the U.S. observes Martin Luther King Day today, it felt right to feature this tune. Pride (In the Name of Love) may have been over-exposed. It’s certainly been criticized for its lyrics, as have U2 for their grandiose concerts. I can also see why Bono’s frequent political activism for hunger, the poor and other causes while becoming a very wealthy man in the course of it all can rub people the wrong way. And yet I’ve always loved this song.

Bono’s singing is simply amazing, while The Edge provides a cool and unique guitar sound that’s truly signature. While the lyrics may not teach a lot about Dr. King, I still believe the words are powerful. And, call me naive, I also believe being a force for good while becoming rich don’t have to be mutually exclusive.

…In the name of love/One more in the name of love/In the name of love/
One more in the name of love…

Pride (In the Name of Love), composed by U2 with lyrics by Bono, is a tribute to Martin Luther King, Jr. The lyrics were inspired by U2’s visit of the Chicago Peace Museum in 1983, which featured an exhibit dedicated to the civil rights leader. Initially, Bono had intended to write a song criticizing then-U.S. President Ronald Reagan for his pride in America’s military might.

…One man caught on a barbed wire fence/One man he resist/One man washed up on an empty beach/One man betrayed with a kiss…

But as Songfacts notes, Bono came to the conclusion lyrics condemning Reagan weren’t working. “I remembered a wise old man who said to me, don’t try and fight darkness with light, just make the light shine brighter,” he told NME. “I was giving Reagan too much importance, then I thought Martin Luther King, there’s a man. We build the positive rather than fighting with the finger.”

…In the name of love/One more in the name of love/In the name of love/One more in the name of love…

The melody and chords to Pride were conceived during a soundcheck in November 1983 prior to a U2 show in Hawaii. It was a gig during the band’s supporting tour for their third studio album War that had been released in February of the same year. Like all U2 soundchecks, it was recorded. U2 continued work on the track after the tour and it was subsequently finished as part of the recording sessions for their next album The Unforgettable Fire.

…Early morning, April four/Shot rings out in the Memphis sky/Free at last, they took your life/They could not take your pride…

Pride erroneously suggests Dr. King was shot in the early morning of April 4, 1968. The murder actually occurred just after 6:00 pm local Memphis time – a surprising mistake for Bono who seems to be well read. He later acknowledged his error and in concerts sometimes sings “early evening, April 4.” Why he simply didn’t make that a permanent adjustment beats me – rhythmically, I don’t see an issue.

…In the name of love/One more in the name of love/In the name of love/One more in the name of love…

Pride was first released in September 1984 as the lead single of The Unforgettable Fire, appearing one month ahead of the album. It was U2’s first major international hit, topping the charts in New Zealand; climbing to no. 2 and no. 3 in Ireland and the UK, respectively; and becoming the band’s first top 40 hit in the U.S.

…In the name of love/One more in the name of love/In the name of love/One more in the name of love.

Despite initially getting mixed reviews from music critics, Pride has since received many accolades. Haven’t we seen this movie many times before? The tune was ranked at no. 388 on Rolling Stone’s list of 500 Greatest Songs of All Time in December 2003. Pride is also included in the Rock and Roll Hall of Fame’s list of 500 Songs that Shaped Rock and Roll.

Sources: Wikipedia; Songfacts; YouTube

Happy New Year!

This is it – well, almost! As the remaining hours of 2020 are ticking away, the time has come for my final post of this year. Since I’ve already expressed my thoughts about this year in comments to posts by fellow bloggers, I’m keeping this short and sweet.

I’d like to wish all readers a happy and healthy new year and hope you come back for more. Also, please keep the comments coming. I always enjoy reading your thoughts, even though we may not agree all the time on the music we post about. Thank goodness! Can you imagine how boring it would be, if everybody always had the same taste? Reading different perspectives is a good thing!

I’d like to leave you with a few new year’s songs. They aren’t all happy, but I feel choices are limited to begin with. Plus, obviously, the following is based on what I could find. I’m sure there are other tunes that would have been worthwhile to include. Plus, I wanted to keep it to a handful only.

Death Cab For Cutie/The New Year

I only know this indie rock band from Bellington, Wa. by name. Credited to all four members of the band at the time, Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Chris Walla (guitar) and Jason McGerr (drums), The New Year is the opener of their fourth studio album Transatlanticism from October 2003.

Eagles/Funky New Year

Co-written by Don Henley and Glen Frey in 1978 but apparently not released at the time, Funky New Year was included in the Eagles’ box set Legacy, which appeared in 2018. Groovy!

Otis Redding & Carla Thomas/New Year’s Resolution

How about throwing in some sweet Stax soul music? My kind of music. Here’s New Year’s Resolution by Otis Redding and Carla Thomas. Co-written by Randle Catron, Willie Dean “Deanie” Parker and Mary Frierson, the tune was included on a studio album titled King & Queen. It appeared in March 1967 and was Redding’s final album prior to his untimely death in an airplane crash on December 10, 1967.

U2/New Year’s Day

Let’s wrap it up with what’s perhaps my favorite tune related to the new year: New Year’s Day by U2. The Irish rock band recorded it for their third studio album War from February 1983. Like all other tracks on the record, it was credited to U2. Here’s the live version from Under a Bloody Red Sky, released in November 1983, which I’ve always preferred over the studio take.

Happy New Year and be well!

Sources: Google; Wikipedia; YouTube

On This Day in Rock & Roll History: August 8

It’s been more than two months since my last installment of this recurring music history feature. And while I’ve already covered 53 different dates since I started the series in 2016, this didn’t include August 8. As always, the idea here is to highlight select events based on my music preferences, not to provide a full listing.

1964: Bob Dylan released his fourth studio album Another Side of Bob Dylan. Th title was appropriate, since the record marked a departure from the more socially conscious songs on predecessor The Times They Are A-Changin’ that had appeared seven months earlier in January 1964. Some critics were quick to complain Dylan was selling out to fame. But Robert Zimmerman rarely seems to care much what others think about his music. Here’s My Back Pages. The tune has been covered by various other artists, including The Byrds, Ramones and Steve Earle, to name a few.

1969: An ordinary pedestrian crossing in London’s City of Westminster inner borough would never be same after it became part of the iconic cover photo of Abbey Road, the actual final studio album by The Beatles from September 1969, even though it was released prior to their official final record Let It Be. The famous shot was taken by Scottish photographer Iain Macmillan, who was then a freelancer. For any photographers, he used a Hasselblad camera with a 50mm angle lens, aperture f22, at 1/500 seconds, according to The Beatles Bible. Following the shoot, Paul McCartney reviewed the transparencies and chose the fifth one for the album cover. After the band’s breakup, Mcmillan also worked with John Lennon and Yoko Ono for several years. Here’s one of my favorite tunes from that album: George Harrison’s Here Comes The Sun.

1970: The third studio album by Blood, Sweat & Tears, ingeniously titled Blood, Sweat & Tears 3, hit no. 1 on the Billboard 200, following its release in June that year. After the success of their preceding eponymous second album from December 1968, which also topped the U.S. charts, the record had been widely anticipated. Here’s Lucretia Mac Evil, a great tune written by the band’s lead vocalist David Clayton-Thomas. The song, which was also released separately as a single, was one of just a handful of original tracks on the album, which mostly included cover versions of tunes from artists like James Taylor, The Rolling Stones and Traffic – apparently part of the reason why it received lukewarm reviews.

1987: I Still Haven’t Found What I’m Looking For, the second single off U2’s fifth studio album The Joshua Tree, topped the Billboard Hot 100, marking the Irish rock band’s second no. 1 song in the U.S. after the record’s lead single With Or Without You. The Joshua Tree, which also topped the charts in Canada, Australia, New Zealand and various European countries, catapulted U2 to international superstardom. Like all other tracks on album, the lyrics of the tune were written by Bono, while the music was credited to U2. Here’s the official video filmed in Las Vegas in April 1987 after the band’s first show in the city.

Sources: Wikipedia; This Day in Rock; The Beatles Bible; Billboard; YouTube

My Playlist: Emmylou Harris

While I had known her name for decades, it really wasn’t until July 2017 that I started paying closer attention to Emmylou Harris when seeing her in Philadelphia as part of a concert headlined by John Mellencamp. There was something special about this lady with her all-white hair who recently had turned 70. Now 73, Harris has been active for more than 50 years, released dozens of solo and collaborative albums, scored 20 top 10 hits on the Billboard country charts and collected numerous Grammy and other awards. This playlist is an attempt to shine a light on her long and impressive career.

Harris was born on April 2, 1947 in Birmingham, Ala. Her dad, Walter Harris, was a Marine Corps officer, while her mom Eugenia was a wartime military wife. After high school graduation in Woodbridge, Va., Harris went to the School of Music, Theater and Dance at the University of North Carolina at Greensboro on a drama scholarship. It was there where she started to learn songs by Pete Seeger, Bob Dylan and Joan Baez on guitar and develop her musical aspirations. Harris dropped out, moved to New York City during the second half of the ’60s, and started performing on the folk circle in Greenwich Village while waiting tables.

In 1969, Harris married fellow songwriter Tom Slocum who wrote the title track for her debut album Gliding Bird. The folk record also included five songs written by Harris. The label Jubilee Records went under shortly after the release, so all distribution and promotion was ceased. Subsequently, Harris disowned the record. She regards her second release Pieces of the Sky from February 1975 as her official debut.

In 1971, after he had seen her perform, Flying Burrito Brothers co-founder Chris Hillman introduced Harris to his music partner Gram Parsons who became a key figure in her early career. Harris worked with Parsons on his solo debut GP from January 1973 and toured as a member of his band the Fallen Angels. Later that year, she also worked with Parsons on his second and final solo album Grievous Angel, which was released in January 1974, following his death from an accidental overdose of drugs and alcohol in September 1973.

In February 1975, the aforementioned Pieces of the Sky appeared. It’s the album that launched Harris’ career as a country artist and established what she became mainly known, i.e., covering songs written by other artists. The album also coincided with the formation of The Hot Band, Harris’ high-profile backing band until 1991. The initial lineup included James Burton (guitar), Glen Hardin (piano), Hank DeVito (pedal steel guitar), Emory Gordy, Jr. (bass) and John Ware (drums).

To date, Harris has released 21 solo studio albums, three live records and a dozen compilations. Additionally, her impressive catalog includes seven collaboration albums with artists like Dolly Parton, Linda Ronstadt and Rodney Crowell. Harris also has worked as a guest with numerous other artists, including The Band, Glen Campbell, Johnny Cash, Guy Clark, Bob Dylan, Sheryl Crow and Steve Earle, among others. Let’s get to some music!

While perhaps not as representative of Harris as her other records, I’d like to kick off this playlist with a tune from 1969’s Gliding Bird, which was written by her: Black Gypsy.

If I Could Only Win Your Love from her second album Pieces of the Sky became Harris’ first hit single, climbing to no. 4 on the Billboard Hot Country Songs chart in 1975. Co-written by Charlie Louvin and Ira Louvin who formed the country and gospel duo The Louvin Brothers, it also marked the first of only a handful of Harris singles that charted on the Billboard Hot 100, in this case at no. 58. Linda Ronstadt sang backing vocals on the album.

While Emmylou Harris is best known as a country artist, her song choices can be eclectic. Here’s an example from her third studio album Elite Hotel released in December 1975: A beautiful cover of The Beatles tune Here, There and Everywhere. Credited to John Lennon and Paul McCartney, the McCartney ballad originally appeared on the Revolver album from August 1996.

Harris’ next album Luxury Liner from December 1976 included the first cover of Townes Van Zandt’s Pancho and Lefty, which subsequently became the revered singer-songwriter’s best known composition. The tune has also been covered by other artists, most notably Willie Nelson and Merle Haggard, who recorded it as the title track of their collaboration album that came out in January 1983.

Roses in the Snow, Harris’ first ’80s album, appeared in May 1980. Unlike her preceding country and country rock records, this album was more bluegrass-oriented. Here’s a great rendition of the Paul Simon tune The Boxer, featuring beautiful harmony singing by Cheryl White and her sister Sharon White. The Boxer first appeared on Simon & Garfunkel’s final studio album Bridge Over Troubled Water from January 1970.

In February 1985, Harris released The Ballad of Sally Rose, a concept album loosely based on her relationship with Gram Parsons. The record also stood out for another reason. Like her debut 16 years earlier, it illustrates Harris is more than just a cover artist. All songs were co-written by her, mostly together with her then-second husband Paul Kennerley, an English singer-songwriter, musician and record producer, who also produced this record. Here’s White Line, one of the record’s two singles.

Next, I’d like to jump to the ’90s and Wrecking Ball, Harris’ 18th studio album. The record became her first since Pieces of the Sky that did not make the country charts. Perhaps that wasn’t too surprising, given the music moved away from her traditional acoustic to a more edgy and atmospheric sound. Producer Daniel Lanois who produced and co-produced various U2 albums like The Joshua Tree and Achtung Baby undoubtedly had something to do with it. Here’s the title track written by Neil Young who also provided harmony vocals. Young had first recorded the tune for his 1989 studio album Freedom. And, coming back to U2, Larry Mullen, Jr. played drums on most of the album’s songs including this one.

Given the significance of collaboration albums in Harris’ catalog, I’d like to at least acknowledge one: Trio II from February 1999, the second album she did together with Dolly Parton and Linda Ronstadt. All tracks had actually been recorded in 1994, but label disputes and conflicting schedules had prevented the release at the time. While I’ve featured it on the blog before, I just couldn’t resist including the ladies’ angelic rendition of After The Gold Rush, the title track of Neil Young’s third studio album from September 1970. Interestingly, while the remake did not chart when it was released as a single from Trio II, it won the 2000 Grammy for Best Country Collaboration with Vocals. The intensity of this version is just killing me. This is why I dig vocals!

In September 2003, Harris released Stumble into Grace, her second album of the current century. Like some of her previous records, it includes a significant number of her own compositions. She also co-wrote most of the remaining tracks. Here’s the opener Here I Am, one of her tunes.

I’d like to wrap up this playlist with a track from what is Harris’ most recent solo album, Hard Bargain, released in April 2011. Her two latest records are collaborations with Rodney Crowell from February 2013 and March 2015. There’s also the Complete Trio Collection, a compilation of the Trio I and Trio II collaborative albums with Dolly Parton and Linda Ronstadt, which came out in September 2016. Given the enormous role of Gram Parsons, it felt right to highlight opener The Road, a tune Harris penned about her musical mentor – the first to focus on his death since Boulder to Colorado, a song from Pieces of the Sky. It’s also noteworthy that Hard Bargain became Harris’ highest chart entry since the above Roses in the Snow from 1980, peaking at no. 3 on the Billboard Top Country Albums. It also hit no. 18 on the Billboard 200, her highest mainstream chart success since 1977’s Luxury Liner, a remarkable late-stage career success.

Emmylou Harris has sold 75 million records in the U.S. alone. She has won 14 Grammy awards out of 48 for which she had been nominated. She has also won numerous country, bluegrass and Americana awards, and was inducted into the Country Music Hall of Fame in February 2008.

Sources: Wikipedia; YouTube