This great clip of Carole King performing It’s Too Late is from Live At Montreux 1973, a new released film documenting her concert at the Montreux Pavillon. According to King’s website, this appearance during the 1973 Montreux Jazz Festival was her first landmark show outside the United States. Watching this clip just gives me goosebumps.
As previously noted, my older sister introduced me to Carole King as an eight-year-old or so with the Tapestry album, one of the first vinyl records I ever heard. I loved King from the very beginning, even though I couldn’t understand a word she was singing. It didn’t matter. Her powerful voice and beautiful music were more than enough, though of course only add to the timeless classic. I still believe Carole King is one of the best American singer-songwriters I know.
Like most songs from Tapestry, the music for It’s Too Late was written by King. The words are by lyricist Toni Stern, who also wrote or co-wrote the lyrics for several other Carole King songs in the late ’60s and early ’70s.
Live At Montreux 1973 is available on DVD, CD and LP.
Sources: Wikipedia, Carole King website, Toni Stern website, YouTube
A long overdue tribute to one of my longtime favorite bands
Pink Floyd is one of my earliest music experiences dating back to the mid ’70s when I was nine or 10 years old and still living in Germany. It all started with Wish You Here, another record my sister had on vinyl – and yet another example where she introduced me, probably largely unconsciously, to music I still dig to this day. I’ve said it before and like to say it again: Thanks, sis, love you!
While I’ve mentioned Pink Floyd numerous times since I’ve started this blog more than two years ago, and I’ve written about Govt’ Mule’s great Dark Side of the Muleshow and a fantastic Floyd tribute band called Echoes, I haven’t dedicated a post to the actual band – well, I suppose better late than never! Before getting to the music, I’d be amiss not to provide some background on the British rock band. Obviously, Pink Floyd’s history has been told many times, so if you know it already, just skip it and go right to the clips, and maybe grab some headphones – there’s plenty of great music here!
Pink Floyd emerged from a band called The Tea Set in London in 1965. After noticing there was another music outfit with the same name, guitarist and lead vocalist Syd Barrett came up with the idea to combine the first names of two blues musicians who were part of his record collection: Pink Anderson and Floyd Council. Sounds pretty arbitrary to me, but the result sure as keck was a cool-sounding band name! Initially, they performed as The Pink Floyd Sound and also included Richard (Rick) Wright (keyboards), Roger Waters (bass, vocals) and Nick Mason (drums).
By 1966, the band was starting to get paid gigs, mainly playing R&B standards. They dropped “Sound” from their name at the recommendation of Peter Jenner who together with his friend Andrew King had taken over the band’s management earlier that year. Gradually, The Pink Floyd’s set featured more original compositions by Syd Barrett, the band’s first artistic leader. In early 1967, The Pink Floyd signed with EMI and recorded their debut single Arnold Layne.
By the time Floyd released their first studio album The Piper At The Gates Of Dawn in August 1967, they had dropped “The” from their name to become Pink Floyd. Barrett had developed a serious LSD habit and, according to Mason, “became completely distanced from everything going on.” Barrett’s behavior on stage became increasingly erratic, forcing a premature end of Pink Floyd’s U.S. tour in November 1967. The following month, guitarist David Gilmour became the band’s fifth member. Essentially, the idea was that he would play the guitar parts of Barrett who would continue to write music for the band.
Unfortunately, things didn’t work out and Barrett left in March 1968. The line-up that eventually would transform Pink Floyd to international super-stardom was in place! Waters effectively took over the band’s artistic direction for the next 15-plus years. During that period, they recorded ten additional albums, including two of the best-selling records of all time: The Dark Side Of The Moon (1973) and The Wall (1979). By the time of the latter, Pink Floyd essentially had become a Roger Waters project. This created tension among the members and led to departures.
The first to leave was Rick Wright in the wake of the 1980-1981 tour that supported The Wall. Eventually, Waters called it quits himself in 1985 and declared Pink Floyd was “a spent force creatively.” He then engaged in a legal battle with Gilmour and Mason over the next few years, trying to prevent them from continuing to use the Pink Floyd name. While things were settled long before then, it took Waters until 2013 to publicly admit he had been wrong about the lawsuit and to regret his ill-guided actions.
Wright returned as a session musician for A Momentary Lapse Of Reason (1987), Pink Floyd’s first album in the post-Waters era. The band continued to tour and recorded one additional album during Wright’s lifetime, The Division Bell (1994). On July 2, 2005, Gilmour, Mason and Wright reunited one last time with Waters and performed as Pink Floyd at the Live 8 benefit concert in London.
On July 6, 2007, Syd Barrett died at the age of 60 after he had largely lived in seclusion for more than 35 years. Rick Wright passed away from cancer on September 15, 2008. He was 65 years old. In 2012, Gilmour and Mason decided to create one final Pink Floyd album, based on music that had been recorded with Wright during studio sessions for The Division Bell. Called The Endless River, the mostly instrumental record was released in November 2014. Now let’s get to some music!
I’d like to kick things off with the above mentioned Arnold Layne, one of my favorite early songs The Pink Floyd released as their debut single in March 1967. Like pretty much all of the band’s original music during the Syd Barrett phase, the tune was written by the guitarist and lead vocalist.
Bike from The Piper At The Gates Of Dawn, released in August 1967, is another Barrett composition. It’s both a bit weird and catchy at the same time. Two of the cool features I like are the sound collage toward the end, which resembles the turning gears of a bike, as well as the duck or geese-like sounding screams thereafter. According to Wikipedia, they were created with a tape loop of the band members laughing, played backwards and at double speed. Obviously, The Beatles weren’t the only band that effectively had started leveraging studio technology to their advantage during the second half of the ’60s.
In June 1968, Pink Floyd released their sophomore album A Saucerful Of Secrets. The early recording sessions still included Syd Barrett whose behavior and ability to perform had increasingly become less predictable. One of the tracks, for which he provided slide and acoustics guitars and background vocals is Remember A Day, a great composition by Rick Wright who also sang lead vocals, a rarity.
Next up is what over the years has become my favorite Pink Floyd track: The mighty Echoes from the band’s sixth studio album Meddle that appeared in October 1971. Credited to all four members of the band and clocking in at more than 23 minutes, the epic tune comprises the entire second side of the vinyl LP. I realize only a hard core fan may listen to the entire clip, but that’s fine with me. I simply couldn’t leave out this one!
In March 1973, Pink Floyd released The Dark Side Of The Moon. With estimated worldwide sales of more than 45 million units, Floyd’s eighth studio album became their most commercially successful record. Here is The Great Gig In The Sky featuring the amazing vocals of Clare Torry, who is co-credited for the tune together with Rick Wright. This track still gives me goosebumps every time I listen to it. BTW, as I wrote this, it happened to be on the radio as part of Q104.3’s countdown of the 1,043 Greatest Rock Songs Of All Time. While one can argue endlessly why certain songs make the list and their ranking positions, it’s a fun listening experience. I’ve written about the radio station’s annual tradition for the Thanksgiving holiday before, most recently here. BTW, The Great Gig In The Sky came in at no. 829 – way, way, way too low!😀
Have A Cigar was Roger Waters’ biting critique of hypocrisy and greed in the music industry. It appeared on Pink Floyd’s ninth studio album, the above mentioned Wish You Were Here from September 1975. Here’s an excerpt from the lyrics: I’ve always had a deep respect and I mean that most sincere/The band is just fantastic, that is really what I think/Oh, by the way, which one’s Pink? The lead vocals were provided by English folk rock singer Roy Harper, making it the only Floyd tune besides The Great Gig In The Sky that wasn’t sung by one of their members.
In January 1977, Pink Floyd’s tenth studio album Animals appeared. Loosely based on George Orwell’sAnimal Farm, the concept album criticizes the social and political conditions in the U.K. at the time – two years before the leader of the Conservative Party Margaret Thatcher would become Prime Minister and a favorite target of Roger Waters. Here’s one of my favorite tracks from that album, Sheep, which like most tunes was solely written by Waters.
Perhaps the Pink Floyd song with the most epic guitar solo is Comfortably Numb, which was co-written by David Gilmour and Roger Waters. It appeared on the band’s 11th studio album The Wall, which came out in November 1979.
In September 1987, Pink Floyd released A Momentary Lapse Of Reason, their first record of the post-Waters area. Initially, David Gilmour set out to make it his third solo album, but things changed along the way. The record featured Nick Mason and Rick Wright, who was among the many guest musicians. Wright would later return to the band as a full member. Here’s the album’s closer Sorrow, which was written by Gilmour.
The last song I’d like to highlight is called High Hopes from Pink Floyd’s 14th studio album The Division Bell. Released in March 1994, it was the band’s final record issued during the lifetime of Rick Wright. He had an active role in writing much of the music with David Gilmour, while Gilmor’s fiancée and novellist Polly Samson co-wrote many of the lyrics. High Hopes was credited to Gilmour and Samson.
Pink Floyd were inducted into the Rock and Roll Hall of Fame in 1996. They also made the UK Music Hall of Fame in 2005. As of 2013, they had sold more than 250 million records worldwide, not only making them one of the most influential but also one of the most commercially successful bands of all time. While I don’t believe we will see another reincarnation of Pink Floyd, I’ve not doubt I’ll continue to enjoy their music, hopefully for many more years to come.
Here’s a clip from one of my all-time favorite artists, Carole King. Thanks to my older sister, who had the Tapestry album on vinyl, Carole was one of my first “discoveries” when I started listening to music as a 10-year-old or so. At the time, I didn’t speak English, so I couldn’t even understand any of her lyrics, which of course are essential to fully appreciate Tapestry. Even without grasping the lyrics, I was immediately drawn to the powerful and beautiful way Carole performs her songs. As the recently released above clip shows, she still has that magic passion to this day!
One is a tune Carole originally wrote and released in 1977 as part of her 9th solo album Simple Things. Worried about the current situation in the country, she was inspired to rewrite some of the lyrics. ” I kept thinking about the song “One” for which I had written both music and lyrics in 1977,” Carole noted. “It’s a song about wondering what we can do when we see injustice, and it expresses my long held belief that we – all of us humans – are most effective when we come together as “One” and stand up for our values such as dignity, inclusivity, equality of opportunity, and caring for our most vulnerable neighbors.” Eloquently said!
Part of what attracted me to the U.S. when I decided to live in this country more than 20 years ago were the above values. I also liked the idea of the melting pot and that if you were willing to work hard, the sky was the limit and it didn’t matter much where you came from and what accent you spoke. I realize this an idealistic view. I also understand that as a white guy, I easily fit in at least visually speaking. If my skin color were different, my experience may have been different. Unfortunately, racism and prejudice exist in all societies, and New York is hardly representative of America. But even with all these caveats, this country today feels very different than what I encountered 20-plus years ago.
I hope at the end of the day, despite the deep political division, people realize we’re all in this together. Each of us can play a constructive role. It starts with our everyday behavior. Stop aggressive driving. If you see somebody wants to enter a busy street, let them in. Hold the door for other people, even if you are in a rush to get to work in the morning. If you see an elderly person who has trouble moving wanting to cross the street, help them. This isn’t fucking rocket science. We can do this.
Here are the updated lyrics:
Poetic phrases come to mind Whenever I find injustice being done And I wonder, what am I gonna do What am I gonna do
What can one do except be one Talking to two, touching three, growing to four million Each of us is one All of us are one
Open your heart and let the love come shining through And you will do what you need to do To know just where the other you is coming from We are one
It just amazes me that I can be Part of the energy it takes to serve each other And I wonder, what am I gonna do What am I gonna do
What will we do We’re gonna run Reach for the sun Come together as one Show ‘em how it’s done At the end of the day we’ll be able to say Love won.
Earlier today, the sad news broke that Aretha Franklin passed away at age 75 from advanced pancreatic cancer. Not surprisingly, obituary after obituary has been published since. Instead of putting together yet another review of her life, I’m posting the above clip to celebrate Franklin’s music. I think the above footage of (You Make Me Feel Like) A Natural Woman says it all why Franklin rightly was called the Queen of Soul.
Co-written by Carole King and Jerry Goffin with input from producer Jerry Wexler, the beautiful tune was released by Franklin as a single in September 1967. It also was included on her 14th studio album Lady Soul from January 1968. King also recorded her own version of the song for her 1971 landmark record Tapestry.
Since Franklin certainly deserves more than this brief post, I’m planning to do additional writing about her in the coming days.
Ten records I continue to enjoy after more than three decades
Earlier this week, I got nominated on Facebook to name 10 music albums that have made an impact on me and that I continue to enjoy today. The task was to post one album cover daily, and each time when doing so to nominate somebody else to do the same. Usually, I don’t participate in these types of chain activities, so initially, I ignored it. But since it was a close relative, who had nominated me, and music is my passion after all, I decided to go along. The exercise of identifying the 10 records inspired this post.
Because I found it impossible to limit myself to just 10 albums, I decided to narrow the field to only those records I started listening to as a teenager and in my early 20s. This explains why some of my favorite artists like The Allman Brothers Band, Buddy Guy and even The Rolling Stones are “missing.” It was only later that I started exploring them and many other artists I like today in greater detail. Without further ado, here is the list in no particular order, together with one song from each album.
As frequent readers of the blog know, I’m a huge fan of The Beatles.Sgt. Pepper’s Lonely Hearts Club Band, their 8th studio album from May 1967, is my favorite among their records.
Here’s the great closer A Day In The Life, which except for the middle section was mainly written by John Lennon, though as usually was credited to him and Paul McCartney.
Tapestry by Carole King was one of the earliest albums I listened to when I was 10 years old or so. Back then, I didn’t understand the lyrics but liked the music. Today, I dig the record for both the music and the lyrics. There is a timeless beauty in King’s tunes, and to me Tapestry is perhaps the ultimate singer-songwriter record.
There are so many great songs on this gem from February 1971, so it’s hard to chose one. Here’s Way Over Yonder. King’s soulful singing and the saxophone solo are two of the tune’s features I’ve always liked.
The Eagles’Hotel California is an album I’ve owned on vinyl since I guess the early ’80s. It was released in December 1976 as the band’s fifth studio record.
Here’s a live version of the epic title song, which is included in the album’s 40th anniversary deluxe edition that appeared in November last year. The tune was co-written by Don Felder, Don Henley and Glenn Frey. The distinct extended guitar interplay at the end featured Felder and Joe Walsh. This tune just never gets boring!
It was the Born In The U.S.A. album from June 1984, which put Bruce Springsteen on my radar screen.
Here’s Bobby Jean, one of the album’s few tunes that wasn’t also released separately as a single. On this one, I particularly love the saxophone solo by Clarence Clemons, who was such an ace player.
Deep Purple to this day remains my first choice when it comes to hard rock, and Machine Head from March 1972 is the crown jewel in their catalog. The band’s sixth studio album featured their best line-up that included Ian Gillan (vocals), Ritchie Blackmore (guitar), Jon Lord (keyboards), Roger Glover (bass) and Ian Paice (drums, percussion).
Here’s Pictures Of Home, which like all tracks on the album were credited to all members of the band. In addition to Lord’s great keyboard work, one of the tune’s characteristic features is a cool bass solo by Glover (starting at 3:40 minutes).
My introduction to John Mellencamp was Scaregrow, his eighth studio album from August 1995, but it was the follow-up record The Lonesome Jubilee, released in August 1987, that turned me into a fan.
Here is the great opener Paper In Fire, which also became the album’s lead single. Like all tunes except one, it was written by Mellencamp.
While it was pretty clear to me that a Pink Floyd album needed to be among my longtime top 10 records, the decision which one to pick wasn’t easy. I decided to go with The Dark Side Of The Moon but also could have gone with Wish You Were Here. I started listening to both albums at around the same time during the second half of the ’70s.
I’ve chosen to highlight The Great Gig In The Sky. I’ve always liked the incredible part by vocalist Clare Torry.
I believe the first Steely Dan song I ever heard was Do It Again on the radio. By the time I got to Aja, I already knew the band’s debut record Can’t Buy A Thrill and, because of Rikki Don’t Lose That Number, their third album Pretzel Logic. While I liked both of these records, the Aja album from September 1977 became my favorite, after a good friend had brought it to my attention.
Here is Deacon Blues, which also was released separately as the album’s second single. Like all tunes on the record, it was co-written by Walter Becker and Donald Fagen.
I was hooked to Live Rust the very first time I listened to it. Neil Young’s album from November 1979 pretty much is a live compilation of his greatest ’70s hits.
My, My, Hey, Hey (Out Of The Blue) is among the record’s highlights. The song was co-written by Young and Jeff Blackburn.
Led Zeppelin wasn’t exactly love at first sight. My first exposure was Led Zeppelin IV, the band’s fourth studio album from November 1971. I bought the record because of Stairway To Heaven.
I had listened to Stairway on the radio where they always faded it out before the heavy rock section at the end of the tune. I still remember the shock when I listened to the song in its entirety for the first time. I had just started taking classic guitar lessons and was very much into acoustic guitar. I simply couldn’t understand how Zep could have “ruined” this beautiful song by giving it a heavy metal ending. Well, today it is exactly because of its build why this track has become one of my favorite tunes. But instead of Stairway, I’d like to finish this post with Going To California, a beautiful acoustic ballad co-written by Jimmy Page and Robert Plant.