If You Can’t See The One You Love, See The One You Can

According to my good music blogger friend Music Enthusiast, who only not writes a great blog but also seems to be a pretty good guitarist, I’m the King of the Tribute Band. As such, I thought I have to live up to the kind title and do a piece on tribute bands.

In 1970, Stephen Stills wrote the lyrics, And if you can’t be with the one you love, love the one you’re with. Since this pretty much captures how I generally feel about tribute bands, I used a variation of Stills’ words as the headline for this post.

I know some folks are only mildly excited about the concept. While I acknowledge it’s hard to find tribute bands that sound exactly like the real artists, as long as they don’t sound terrible, I enjoy seeing them. Since I usually do some research before going to a show, I’ve yet to have a bad experience.

Here’s how I look at it. With today’s oftentimes outrageous ticket prices, I simply can’t afford to see everybody I like; and even if I could, many of my favorite artists or bands are no longer around. Some of the best tribute bands I’ve seen performed at free summer-concert-in-the-park type of events, or music festivals with very reasonable cover charges. So for little or no money I can listen to music I dig – not much of a downside here, in my opinion!

Following are some tribute bands I like and have seen over the past couple of years.

Who’s Next

Their name already pretty much says it all. Who’s Next is a tribute to The Who. Like The Who, I’ve seen them twice and thought they were dynamite. Their members include Bill Canell as Pete TownshendDave McDonald as Roger DaltreyMike Conte as John Entwistle and Rich Savarese as Keith Moon. Apart from nicely capturing the sound and energy of the British rockers, these four guys also look a bit like their heroes. All of this is pretty remarkable, given the band doesn’t appear to perform frequently. For more information, check out their website. Here’s The Real Me and 5:15 I captured earlier this year during a British Invasion festival in Atlantic City.

Britain’s Finest

As a huge fan of The Beatles, of course I need to include a tribute band in this post! There are many tribute acts to the Fab Four, and I must have seen at least half a dozen myself. One of the best if not the best is Britain’s Finest. Similar to Who’s Next, their show is about both recreating the sound and the looks – they even mimic The Beatles’ humor. According to their Facebook page, Britain’s Finest were founded in Los Angeles in September 2011. Their lineup features Ruben Amaya (John Lennon), Benjamin Chadwick (Paul McCartney), Robert F. Bielma (George Harrison) and Luis G. Renteria (Ringo Starr). Here’s a clip of She Loves You.

The Glimmer Twins

Adopting the nickname of the songwriting partnership of Mick Jagger and Keith Richards, the Glimmer Twins hail from Philadelphia. The band is led by Keith Call (vocals, harp) and Bernie Bollendorf (guitars, vocals), who bring to life the sound and looks of Jagger and Richards in the ’70s. While the band’s remaining musicians don’t resemble the other members of The Rolling Stones, they sound pretty awesome:  Michael Rubino (guitars), Bobby Corea (drums), Rob Ekstedt (Bass), Rocco Notte (keyboards), Valorie Steel (vocals), Bobby Michaels (saxophone, flute, organ) and Carl Crabtree (saxophone, organ, acoustic guitar). For more information, check out their website. Here’s their rendition of Jumpin’ Jack Flash.

STARMAN: The Bowie Tribute

Formed in 2014, STARMAN is a tribute band to David Bowie. While Bowie obviously was a very well-known artist, I was still intrigued when I learned about these guys recently. Unlike The Beatles, I don’t think there are many Bowie tributes out there, which was in part why I decided to catch one of their recent gigs. In addition to Bowie’s songs, this Jersey band captures the looks and stage shows during different times of his career. STARMAN are Johwie Bowie (lead vocals), David Citron (keyboards, vocals), Tom Coughlin (saxophone, guitar, vocals), Jody Lynn Lisa (vocals, percussion), Mark Christopher (lead guitar), Dan D’Elia (drums) and Phil Liebergall (bass, vocals). Additional information can be found on their website. Here’s a clip of Ziggy Stardust and Suffragette City from the above mentioned show I attended.

TUSK

TUSK, another band from New Jersey, is an excellent tribute to Fleetwood Mac I’ve seen a couple of times. While their website and Facebook page don’t mention when they were founded, it’s clear their members are longtime artists. The band, which captures Fleetwood Mac during their most commercially successful phase, features Kathy Phillips (vocals) as Stevie NicksKim Williams (keyboards, vocals) as Christine McVieScott McDonald (guitars, vocals) as Lindsey BuckinghamRandy Atiglere (bass) as John McVie, and Tom Nelson (drums) as Mick Fleetwood. According to their website, TUSK has a packed schedule and tours nationally. What struck me the most about them was how well they capture Mac’s harmony vocals. Check out this clip of The Chain.

Hotel California

To recreate the music of the Eagles, especially the harmony vocals, is a formidable task. While I’ve seen a few Eagles tribute bands, Hotel California from Toronto, Canada has been the most compelling thus far. Undoubtedly, at least in part this must be the result of their longtime experience – the band was founded in 1986. The current lineup includes  Andy Lapointe  (bass, vocals), Mike Dimoulas (electric guitar, acoustic guitar, keyboards, double-neck guitar, Talk Box, vocals), Rick Spyder (electric guitar, vocals) and Kevin O’Donnell (drums, vocals). The band’s website reveals that they tour heavily throughout Canada and the U.S. Here’s a nice highlights reel. While it’s a few years old, this is how I recall they sounded when I saw them last September.

Get The Led Out

Get The Led Out, another band from Philadelphia, are an amazing Led Zeppelin tribute that got together in 2003. Rather than aiming to look like Robert Plant, Jimmy Page, John Paul Jones and John Bonham or sound like they did in concert, these guys are all about bringing Zeppelin’s studio sound live to the stage. And that takes more than four musicians – six to be precise: Paul Sinclair (lead vocals, harmonica), Paul Hammond  (electric and acoustic guitars, mandolin), Jimmy Marchiano (electric and acoustic guitars), Phil D’Agostino (bass, vocals), Andrew Lipke (keyboards, electric and acoustic guitars, vocals, percussion) and Adam Ferraiolo (drums, percussion). In addition, Diana DeSantis serves as guest vocalist for The Battle Of Evermore. I saw GTLO last November, and boy did they kick ass! The band’s current national tour schedule is on their website. Here’s a clip of Whole Lotta Love.

Echoes

This Pink Floyd tribute band from Delaware was founded in 1991. I’ve had the fortune to experience the real Pink Floyd (minus Roger Waters) twice and was really impressed how well Echoes recreated their complex music when I saw them last September. The band includes John Cassidy (drums, vocals), Kyle Frederick (bass), Dan Long  (keyboards, sound effects, vocals), John Ratcliffe (vocals, guitar), William (Bill) Swezey  (guitar, vocals), David Fox (guitar, lap steel), Andrew Bedell (saxophone), Michelle Sumler Hover (backing vocals), Chris Tuminello Duncan (backing vocals, keyboards) and Kat Pigliacampi (backing vocals). Here’s a highlights reel from their website.

Yes, I’ve seen many tribute bands, and the king is ready to see more! One event I particularly look forward to in this context is Rock The Farm in Seaside Heights, N.J. at the end of September. This annual one-day music festival features an impressive amount of tribute bands. In addition to Decade and TUSK, the 2018 lineup includes tributes to AC/DC, Tom Petty & The Heartbreakers, Aerosmith and Guns ‘N Roses, among others. Best of all, the CFC Loud N Clear Foundation, which puts on Rock The Farm, leverages the event to raise money for addiction recovery programs and other related services. For more information, visit https://rockthefarmnj.com/

Sources: Who’s Next website, Britain’s Finest Facebook page; The Glimmer Twins website; STARMAN website; TUSK website; Hotel California website; Get The Led Out website; Echoes website; YouTube

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Clips & Pix: David Bowie & The Spiders From Mars/Ziggy Stardust

When it comes to David Bowie, I’ve always preferred his early albums: Pretty much everything from Space Oddity (1969) to Diamond Dogs (1974). The audio in the above clip is from Live Santa Monica ’72, a very cool record that appeared in June 2008. Per Wikipedia, it’s the official release of the bootleg Santa Monica ’72. In a couple of places, the video appears to be slightly out of sync with the audio, so I’m not 100% sure it is the footage from the actual show, though it was certainly captured during Bowie’s early ’70s glam rock period with his backing band The Spiders From Mars.

Written by Bowie, Ziggy Stardust was his alter ego at the time. He said the tune is “about the ultimate rock superstar destroyed by the fanaticism he creates,” according to Songfacts. Eventually, Bowie became so intertwined with his alter ego that he almost lost his mind and decided to stop performing as Ziggy Stardust in early July 1973 – undoubtedly a good decision!

Ziggy Stardust is the title track of Bowie’s 1972 concept album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars. If I could only choose one record from Bowie, it probably would be this one.

Sources: Wikipedia, Songfacts, YouTube

On This Day In Rock & Roll History: January 27

I know there is a certain degree of arbitrariness to look at happenings throughout rock music history on a specific date. But even as I’m putting together this 28th installment of the recurrent feature, I’m still intrigued with it. I guess in theory this leaves me with 337 remaining dates to explore – but one step, or perhaps I should say date, at a time!

1956: Heartbreak Hotel, one of the coolest tunes by Elvis Presley, was released as the first single on his new record label RCA Victor. Credited to him, Mae Boren Axton and Tommy Durden, the track climbed to no. 1 on Billboard’s Top 100, Cashbox Top Singles Chart and the Country and Western Chart. It became Presley’s first million-seller and one of the most commercially successful singles of the year. I always loved the double bass and the guitar solo in that tune. Here is a nice clip.

1964: The Beatles, or “Les Beatles” as they were called in France, played their 11th date at the Olympia Theatre in Paris as part of a residency in the French capital at the time. According to The Beatles Bible, the set list included eight tunes: From Me To You, Roll Over Beethoven, She Loves You, This Boy, Boys, I Want To Hold Your Hand, Twist And Shoot and Long Tall Sally. Unless the video below is mislabeled, I Saw Her Standing There was part of the set as well. This would make sense, since the song was one of The Fab Four’s concert staples.

1971: David Bowie visited the U.S. for the first time. While he wasn’t allowed to perform due to work permit restrictions, his record label had urged him to go there on a publicity tour to support his latest album The Man Who Sold The World, which had come out in November 1970. But not all of America was ready for the androgynous image Bowie was cultivating at the time and the dress he was wearing. A post on Live For Live Music quotes him as recalling, “In Texas, one guy pulled a gun and called me a fag. But I thought the dress looked beautiful.” Sadly, one could picture the same scene these days.

David Bowie In Dress

1973: Superstition, one of the defining songs by Stevie Wonder, hit no. 1 on the Billboard Hot 100. Written by him, it was the lead single from Talking Book, his 15th studio album released in October 1972. It also topped the soul singles chart and became his first no. 1 single since Signed, Sealed, Delivered I’m Yours in August 1970. The tune’s signature funky riff was played by Wonder on a Hohner Clavinet C. Jeff Beck, a great admirer of Wonder, came up with the cool opening drum beat. Here’s a nice clip from a live performance on the German TV show Beat-Club. While I love the horns on the studio recording, I think the backing vocalists do a great job singing the part!

Sources: This Day In Music.com, This Day In Rock, Songfacts Music History Calendar, The Beatles Bible, Live For Live Music, Wikipedia, YouTube

On This Day In Rock & Roll History: July 22

1967: The Pink Floyd, as they called themselves then, played The Beach Ballroom in Aberdeen, Scotland. At the time, the band was still led by Syd Barrett (lead guitar, vocals). The other members included Roger Waters (bass, vocals), Richard Wright (keyboards) and Nick Mason (drums). Famous for its dance floors, The Beach Ballroom also attracted other famous acts, such as The Beatles, Cream and The Who. While I was able to confirm the date of the performance, I could not find the set list. But given the concert happened only a few months after the band had recorded their studio debut The Piper At the Gates of the Dawn, it’s safe to assume tunes like Astronomy Domine, Interstellar Overdrive, Bike and Arnold Lane were part of the set. Here is a clip of Astronomy Domine, apparently captured in May 1967 on the BBC’s broadcast Look of the Week – the closest I could find.

1969: During a studio session for The Beatles’ Abbey Road, John Lennon recorded his lead vocals for Come Together. Paul McCartney did an overdub of the electric piano. Electric guitar and maracas were also overdubbed. In addition, McCartney made his next to last attempt to record the lead vocals for Oh! Darling. The final take was captured during the next day’s session, the culmination of a week-long effort. McCartney wanted his voice to sound as if he had performed the song on stage all week.

The Beatles_Abbey Road

1973: David Bowie released Life On Mars as a single, backed by The Man Who Sold the World. Both tunes were written by Bowie. Life On Mars initially appeared on his fourth studio album Honky Dory, which was released in Dec 1971. The Man Who Sold the World was the title song of Bowie’s third studio release in November 1970. Life On Mars became one of his biggest hits, climbing to no. 3 on the U.K. Singles Chart and charting for 13 weeks. It was one of many songs that reflected Bowie’s fascination with space. Examples of other space tunes he wrote include Space Oddity, Moonage Daydream, Starman, Hallo Spaceboy and Dancing Out In Space.

1977: My Aim Is True, the debut album from English singer-songwriter Elvis Costello, was released in the U.K. According to the liner notes, “My Aim Is True was recorded at Pathway Studios, Islington in a total of Twenty four hours studio time and at a cost of 2000 pounds. As I still had my “day-job” these sessions had to take place on “sick days” and holidays during late 1976 and early 1977. The musicians were members of the Marin county band Clover, who could not be credited at the time due to contractual reasons.” My Aim Is True was the first of five Costello albums in a row that were produced by Nick Lowe. The record received many accolades. In 1997, Rolling Stone named it as one of the best albums of the year and in 2004 also ranked it at no. 168 in its 500 Greatest Albums Of All Time list. Pitchfork ranked Costello’s debut at no. 37 of the Top 100 Albums of the 1970s. In 2007, the album was also inducted into the Grammy Hall of Fame. Here’s a clip of the record’s fourth single Watching the Detectives.

Sources: This Day in Music.com; Setlist.fm; Wikipedia; Billboard; http://www.elviscostello.info: My Aim Is True (1993) Liner Notes; Rolling Stone; Pitchfork; YouTube

On This Day in Rock & Roll History: July 6

1957: John Lennon and Paul McCartney met for the first time. Lennon’s skiffle band The Quarrymen performed at a garden party at St. Peter’s Church in Woolton, Liverpool. While the band was setting up for their gig, Ivan Vaughan, who occasionally played with them on tea-chest bass, introduced his school classmate 15-year-old McCartney to Lennon (16 years). They hit it off right away. McCartney showed Lennon how to tune a guitar and sang a few songs, including Eddie Cochran’s Twenty Flight Rock, Gene Vincent’s Be-Bop-A-Lula and a medley of Little Richard songs. A few weeks later McCartney joined The Quarrymen and the rest is history.

The Quarrymen

1963: Live at the Apollo by James Brown and The Flames peaked at no. 2 on the Billboard Albums chart. Altogether, the amazing live album remained in the chart for 66 weeks. After the record company’s had refused to fund the recording, Brown paid for it himself. In 2012, the record was ranked no. 25 in Rolling Stone’s 500 Greatest Albums of All Time. The accompanying write-up called it “Perhaps the greatest live album ever recorded.”

1967: Pink Floyd appeared for the first time on the BBC music show Top of the Pops. They performed See Emily Play, their second single. Written by Syd Barrett, the song was also included in the band’s U.S. edition of their debut album The Piper at the Gates of Dawn. See Emily Play climbed to no. 6 in the U.K. Singles Chart. The tune is also included in the Rock & Roll Hall of Fame’s 500 Songs that Shaped Rock. It’s one of three Pink Floyd songs in the list, which includes artists alphabetically and does not rank songs. The other two are Another Brick in the Wall, Part 2 and Money.

1972: In another appearance on Top of the Pops, David Bowie presented his new single Starman. Written by Bowie, the song reached no. 10 on the U.K. Singles Chart. It was also included on his fifth studio album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars.

Sources: The Beatles Bible; This Day in Music.com; Rock & Roll Hall of Fame: 500 Songs that Shaped Rock; Wikipedia; YouTube

The Venues: The Old Grey Whistle Test

The British television music show featured an impressive array of artists

This post and the related new category I’m introducing to the blog was inspired by a dear friend from Germany, who earlier today suggested searching YouTube for “Old Grey Whistle Test,” just for fun! Since he shares my passion for music and always gives me great tips, I checked it out right away and instantly liked the clips that came up. This triggered the idea to start writing about places where rock & roll has been performed throughout the decades.

At this time, I envisage The Venues to include famous concert halls and TV shows. Many come to mind: The Fillmore, The Beacon Theater, The Apollo, The Hollywood Bowl, Candlestick Park, Winterland BallroomThe Ed Sullivan Sow, Rockpalast – the list goes on and on! Given it was my dear friend who inspired me, it feels right to start with The Old Grey Whistle Test.

The Old Whiste Test Logo

I admit that until earlier today, I had never heard about The Old Grey Whistle Test. According to Wikipedia, the British television show aired on the BBC between September 1971 and January 1988. The late night rock show was commissioned by British veteran broadcaster Sir David Attenborough and conceived by BBC TV producer Rowan Ayers.

The show aimed to emphasize “serious” rock music, less whether it was chart-topping or not – a deliberate contrast to Top of the Pops, another BBC show that was chart-driven, as the name suggests. Based on the YouTube clips I’ve seen, apparently, this was more the case in the show’s early days than in the 80s when the music seems to have become more commercial. Unlike other TV music shows, the sets on The Old Grey Whistle lacked showbiz glitter – again, probably more true for the 70s than the 80s period.

During the show’s early years, performing bands oftentimes recorded the instrumental tracks the day before the show aired. The vocals were performed live most of the time. After 1973, the show changed to an all-live format. In 1983, the title was abridged to Whistle Test. The last episode was a live 1987/88 New Year’s Eve special, including a 1977 live performance of Hotel California by The Eagles and Meat Loaf’s Bat Out of Hell.

So what kind of music did the show feature? Let’s take a look at some of these YouTube clips.

Neil Young/Heart of Gold (1971)

Steppenwolf/Born to Be Wild (1972)

David Bowie/Oh, You Pretty Things (1972; not broadcast until 1982)

Rory Gallagher/Hands Off (1973)

Joni Mitchell/Big Yellow Taxi (1974)

John Lennon/Slippin’ & Slidin’ (1975)

Bonnie Raitt/Angel From Montgomery (1976)

Emmylou Harris/Ooh Las Vegas (1977)

Tom Petty & The Heartbreakers/American Girl (1978)

Joe Jackson/Sunday Papers (1979)

Ramones/Rock & Roll High School & Rock ‘N Roll Radio (1980)

Los Lobos/Don’t Worry Baby (1984)

Simply Red/Holding Back the Years & I Won’t Feel Bad (1985)

U2/In God’s County (1987)

Sources: Wikipedia, YouTube

Celebrating Music Giants Lost in 2016

Following are my favorite memories of five exceptional music personalities we lost in 2016.

Other than briefly acknowledging some of the big music personalities who passed away in this year, I had not planned to further cover this rather sad subject. Yesterday’s news about the untimely death of George Michael at age 53 made me change my mind. But instead of writing a traditional obituary type of post, I’d like to celebrate each personality’s life by recalling my favorite memories of them.

Glenn Frey

The Eagles are among my all-time favorite 70s rock band. Not only was Glenn Frey one of the founding members, but he also wrote, co-wrote and sang lead on many of their tunes. One such gem is Already Gone, the opener to the Eagles’ 1974 album On the Border. Written by Jack Tempchin and Robb Strandlund, this rocker features Frey on lead vocals and sharing lead guitar responsibilities with Don Felder. I had the great fortune to see the Eagles as part of their History tour in Atlantic City in July 2015, six months prior to Frey’s death. Here is a nice clip of Already Gone, which apparently was captured during an Eagles gig in New Zealand in late 1995. It definitely brings back memories of that unforgettable show in Atlantic City.

Prince

While I immediately liked Purple Rain when I listened to it for the first time, other Prince songs were more of an acquired taste. But one thing that impressed me from the very beginning about Prince is that he was a multi-instrumentalist. In fact, I read he played almost all instruments on his first five studio albums, including an incredible 27 instruments on his debut! Undoubtedly, his signature instrument was the guitar, and nothing illustrates his mastery better than the killer solo he played on While My Guitar Gently Weeps during his 2004 induction into the Rock & Roll Hall of Fame. Here is a clip of this unbelievable performance, together with a pretty cool band that includes Tom Petty, Jeff Lynne, Steve Winwood and Dhani Harrison, among others.

David Bowie

The first David Bowie song I ever heard on the radio was Space Oddity, and it continues to be one of my favorite songs. The tune is the opener of his 1969 album David Bowie, which was his second studio album. I always thought one of the song’s cool features is how Bowie is harmonizing with himself. Another aspect that immediately attracted me is the acoustic guitar part – I guess in part because I was learning to play the guitar myself at the time. Here is a clip of the song’s official video from 1972.

Maurice White

The founder of Earth, Wind & Fire was instrumental for the band’s success, especially between 1970 and his official retirement in 1994 due to Parkinson’s disease. He was the band’s main song writer and producer, and sang co-lead with Philip Bailey. In addition to their amazing voices, the thing I’ve always loved about Earth, Wind & Fire is that their music makes you want to dance. The band has recorded so many great songs, but if I would have to name one in particular, it would be September. Co-written by White, Al McKay and Allee Willis and produced by White, the tune was initially released as a single in Sep 1978. It was also included on the band’s The Best of Earth, Wind & Fire, Vol. 1, which appeared in Nov that year. Here is an audio clip.

George Martin

While he was not a performing artist, what would The Beatles have been without their great producer, Sir George Henry Martin?  There is a reason why he was called the “Fifth Beatle,” including by Paul McCartney. Martin had extensive involvement in all of The Beatles 12 original albums. His musical expertise proved particularly valuable for orchestral arrangements on the band’s later albums. In addition to The Beatles, Martin produced recordings for many other artists, such as America, Jeff Beck, Cheap Trick, Elton John and Little River Band. In my opinion, one of his greatest accomplishments with The Beatles was the stings arrangement for Eleanor Rigby. Here is a clip of this gem from the 1969 album Yellow Submarine.

Sources: Wikipedia, YouTube