If You Can’t See The One You Love, See The One You Can – Part 2

As more frequent visitors of the blog know, I generally dig tribute bands and wrote a feature about some of them about a year ago. While then I did not plan a part 2, the reality is I’ve seen many more tribute acts than I could ever feature in one post. So, who knows, this may turn into a series of occasional posts with additional parts in the future. For now, I’d like to focus on part 2. Since I couldn’t figure out in which order to lists the acts, I decided to do so alphabetically.

Almost Queen

As their name suggests, this band is a tribute to Queen. While I could not find public information on the backgrounds of the musicians, these guys from New York surely impressed me when I saw them last September at The Stone Pony in Asbury Park, N.J. Almost Queen are Joseph Russo as Freddie MercurySteve Leonard as Brian MayRandy Gregg as John Deacon and John Cappadona as Roger Taylor. Their delivery of four-part harmonies and Queen’s music, combined with their looks, make for a fun live experience. More information on the band and their impressive touring schedule that extends beyond the tri-state area of New York, New Jersey and Connecticut, can be found on their website and Facebook page. Here’s a sample: We Will Rock You and We Are The Champions.

Beginnings

This tribute to Chicago is one of the most compelling tribute bands I’ve seen, and without meaning to brag, I’ve seen many! Another group from New York, Beginnings is a national act, performing over 100 shows each year – great news for Chicago fans. Founded in the fall of 2002, the band consists of Mason Swearingen (bass, vocals), Johnny Roggio (guitar, vocals), Dan Hendrix (trombone, percussion, vocals), Adam Seely (saxophone, percussion), Doug Woolverton (trumpet, percussion), Scott Chasolen (keyboards, vocals) and Chris Milillo (drums, vocals). Beginnings’ impressive member credits include recording and performing with artists like Peter Frampton, Don Henley, Aretha Franklin, The Temptations and Blood Sweat & Tears, and awards like the Billboard Songwriter’s Award and ASCAP Songwriter’s Award – frankly, way too many credits I can list here! Check out their website and Facebook page for more information. Here’s a great rendition of Just You ‘N’ Me I saw during a recent summer concert. BTW, the band mostly focuses on Chicago’s early and in my opinion best work.

Brit Floyd

This amazing tribute to Pink Floyd is the brainchild of musical director Damian Darlington, who also provides vocals and plays guitar and lap steel. Prior to forming the band in Liverpool, England in 2011, he had played for 17 years with long-running Aussie tribute The Australian Pink Floyd Show. The other members of Brit Floyd include Rob Stringer (keyboards, vocals), Ian Cattell (bass, vocals Chapman Stick, trumpet), Edo Scordo (guitar, vocals), Arran Ahmum (drums), Thomas Ashbrook (keyboards, vocals), as well as backing vocalists Ola BienkowskaAngela CervantesRoberta FreemanEmily Jollands and Jacquie Williams – quite a mighty line-up! For more on this band, read my previous post from March of this year when I saw them in Bethlehem, Pa., and visit their website and Facebook page. Here’s Brit Floyd with Pink Floyd classic Comfortably Numb.

Decade

I have mentioned Decade on previous occasions, but as a huge Neil Young fan, I simply couldn’t resist to include this fantastic tribute from New Jersey in this post. The band revolves around singer-songwriter and Neil Young tribute artist John Hathaway. A life-long fan of Young, Hathaway has faithfully studied this artist in and out, and it shows. While he typically focuses on capturing the music, he can also act like Young, which I have witnessed myself. To bring the Canadian artist’s music to life in its full mighty, Hathaway is usually backed by a varying line-up of other long-time musicians. This clip of Old Man was captured during a gig earlier this year at Tim McLoone’s Super Club in Asbury Park. The backing musicians that night included Gordon Bunker Strout (guitar, backing vocals), Pam McCoy (backing vocals), John Dickson (bass), Bob Giunco (drums), Thomas Stevenson (banjo),  Dave O’Brien (pedal steel guitar), Jeff Levine (keyboards) and James Doyle (guitar, banjo). More information about Decade and John Hathaway is available on Facebook here and here.

The Doobie Others

I really dig The Doobie Brothers, so a tribute I came across last month caught my immediate attention. Ingeniously called The Doobie Others, this six-piece band from New York and New Jersey features Pat Montefusco (lead vocals, guitar), Joe Torres (lead vocals, percussion), Eddie Profet Jr. (bass, backing vocals), Allan Korenstein (keyboards, backing vocals), Mike Quadrino (saxophone, keyboards, backing vocals), Ron Lovisa (lead guitar) and Jim Del (lead & backing vocals, drums). While The Doobie Others mostly seem to perform in the New York-New Jersey-Connecticut tri-state area, their current schedule shows they occasionally venture out to other states on the East Coast. For more information, check their website and Facebook page. Here’s the band in action with Jesus Is Just Alright. Captured during a summer concert last month, the footage doesn’t do their high musical caliber full justice, but I feel you still get a good idea.

Free Fallin

This band from Minneapolis is a great tribute to Tom Petty, one of my all-time favorite artists. Founded in September 2007 and named after one of Petty’s songs, Free Fallin  are Tom Brademeyer (as Tom Petty, guitar & lead vocals), Mark Larsen (as Stan Lynch, drums), Russ Lund (as Ron Blair, bass), Karl Swartz (as Mike Campbell, guitar & vocals), Dale Peterson  (as Benmont Tench, keyboards, percussion & vocals) and Craig Volke (as Scott Thurston, guitar, keyboards, harmonica, percussion & vocals). Free Fallin is a full-time tribute band performing throughout the U.S. and even internationally. Check out their website and Facebook page, as well as this cover of Refugee from last year’s Rock The Farm Festival in Seaside Heights, N.J., which I previously covered here.

Good Stuff

Good Stuff is another outstanding tribute act I covered before here, but similar to Decade, I did not want to leave them out – how could I as a huge Steely Dan fan? Formed about a year ago and named after a Donald Fagen tune, Good Stuff features Mike Caputo (lead vocals), Don Regan  (guitar), Axel Belohoubek  (keyboards), Jay Dittamo  (drums), Scott Hogan (bass), Phil Armeno (saxophones, flute) and vocalists  Deanna Carroll and Linda Ferrano. Among them, these professional musicians have very impressive credits, such as tour pre-production for Madonna and David Bowie, and touring musicians for Chuck BerryBo DiddleyThe Duprees , The Les Paul TrioJose Feliciano and  Keith Emerson – yep, that Keith of ELP. Similar to Beginnings, there is too much to list. I should also mention that in addition to Steely Dan, the band performs music by Gino Vannelli, Sting and Stevie Wonder. While this may look somewhat arbitrary, combining music from these four artists works pretty well. The key is selecting songs that have a common denominator, which is a jazz influence. Check out more about this unique tribute act on their website and Facebook page. Oh, and here’s My Old School.

Kiss The Sky

With the 50th anniversary of Woodstock going on, I’d like to close this post with a compelling tribute act to Jimi Hendrix. Again, if you are a frequent reader of the blog, the name Kiss The Sky may sound familiar, since I covered them before here. The band revolves around Jimi Hendrix tribute artist Jimy Bleu, who actually met Hendrix in 1968 as a teenager. The following year, Bleu attended Woodstock and got one of the guitar straps Hendrix used during his performance there. You can read more about his cool background story in the above post. Kiss The Sky covers music from both the Jimi Hendrix Experience and Band of Gypsys. Bleu’s excellent backing musicians for The Experience include bassist A.J. Hager as Noel Redding and drummer Ted Edwards as Mitch Mitchell. The Band of Gypsys tribute features Jay Powerz as Billy Cox (bass) and James Jaxon as Buddy Miles (drums). You can find more information about this tribute act on their Facebook page. I also encourage you to check out this clip of Voodoo Child I took last October. Filming conditions weren’t ideal, but I think the footage still gives a good impression about this outstanding band.

Pictured in the image on top of the post are (clockwise from upper left corner) Almost Queen, Beginnings, Brit Floyd and Jimy Bleu/Kiss The Sky.

Sources: Almost Queen website and Facebook page; Beginnings website and Facebook page; Brit Floyd website and Facebook page; Decade and John Hathaway Facebook pages; The Doobie Others website and Facebook page; Free Fallin website and Facebook page; Good Stuff website and Facebook page; Kiss The Sky Facebook page; YouTube

 

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‘Let’s Spend The Night Together’ Remains Compelling Rolling Stones Proposition

‘Greatest rock & roll band in the world’ delivers powerful performance at New Jersey’s MetLife Stadium

Whether you agree or not with the label “greatest rock & roll band in the world” (I dig the Stones big time but still would choose The Beatles, if could only select one band), I believe it is safe to say The Rolling Stones are a unique phenomenon. For now more than 55 years, they have brought energetic blues-oriented rock to audiences around the world. And they did so again last night at MetLife Stadium in East Rutherford, N.J., during the first of two dates at that venue, as part of the previously postponed North American leg of their No Filter Tour.

At age 76, Mick Jagger remains one of the most compelling front men in rock. His voice still is in fairly decent shape. What’s even more remarkable is that he doesn’t appear to have lost any of his swagger. He is still a born show guy. He also continues to have the energy of a young man, allowing him to, well, move like Jagger. And let’s not forgot his heart valve replacement surgery only happened a few months ago. Frankly, all of this is friggin’ unreal to me. I will say that age hasn’t been as kind to other core members of the band, but together they still sounded great.

The Rolling Stones Live
The Rolling Stones (from left): Ronnie Wood, Mick Jagger, Charlie Watts and Keith Richards

I agree with everything Music Enthusiast recently noted during his review of the Stones’ gig at Gillette Stadium in Foxborough, Mass. These shows ain’t cheap, but when a band puts on that kind of performance, spending big bucks is worth it, especially if you dig their music. And like Music Enthusiast, I was also surprised how fresh and dynamic Miss You sounded, certainly not my favorite Stones tune, and what a killer performance they put on for Midnight Rambler.  Last but not least, I also love Brown Sugar, actually more so than Midnight Rambler, and Jagger and co delivered on this one as well. Hell, even the overplayed second and last encore (I Can’t Get No) Satisfaction sounded cool.

Since most if not all more frequent visitors of my blog also follow Music Enthusiast, I’m going to deliberately highlight other tunes. Let’s kick it off with the opener last night: Street Fighting Man. As usually credited to Mick Jagger and Keith Richards, the tune was first released as a U.S. single in August 1968. It was also included on the Beggars Banquet album from that same year.

Next up: Tumbling Dice from Exile On Main Street, a favorite among Stones fans. Even many critics who initially were lukewarm about it changed their opinions later and concluded it’s one of the band’s best records – I guess being a critic and saying something clever is hard, and I’m definitely happy I’m not one of ’em! Co-written by Jagger and Richards, Tumbling Dice also appeared as the album’s lead single in April 1972, one month ahead of the record’s release.

Are you ready for something acoustic? Well, ready or not, here’s the second and last tune the Stones performed on the so-called B-stage. And even though as a country-oriented song it’s less typical for the band, Dead Flowers off Sticky Fingers from April 1971 is one of my favorite tracks from what has become my favorite Stones record. Again, it’s a Jagger/Richards co-write. Take me down little Susie!

The last tune I’d like to highlight is one of my other favorites from the Stones: Jumpin’ Jack Flash. Recorded during the Beggars Banquet sessions, the track was released as a single in May 1968. While officially it is only credited to Jagger and Richards, according to Wikipedia, then-bassist Bill Wyman in his autobiography Stone Alone wrote that he came up with the tune’s signature guitar riff on a piano but wasn’t acknowledged by the Glimmer Twins – that doesn’t sound nice!

Here’s the setlist from last night.

Main Stage:

Street Fighting Man

Let’s Spend the Night Together

Tumbling Dice

She’s a Rainbow (audience request)

You Can’t Always Get What You Want

B-Stage / Acoustic:

Sweet Virginia

Dead Flowers

Main Stage:

Sympathy for the Devil

Honky Tonk Women

Slipping Away (Keith Richards on lead vocals)

Before They Make Me Run (Keith Richards on lead vocals)

Miss You

Paint It Black

Midnight Rambler

Start Me Up

Jumpin’ Jack Flash

Brown Sugar

Encore:

Gimme Shelter

Play Video

(I Can’t Get No) Satisfaction

Core members Mick Jagger (lead vocals, harmonica, guitar, percussion), Keith Richards (guitars, vocals), Ronnie Wood (guitars, backing vocals) and Charlie Watts (drums, percussion) were backed by Darryl Jones (bass), Chuck Leavell (keyboards, backing vocals), Matt Clifford (keyboards, percussion, French horn), Karl Denson (saxophone), Tim Ries (saxophone, keyboards), Sasha Allen (backing vocals) and Bernard Fowler (backing vocals, percussion). In addition to Jagger, Wood stood out to me with excellent guitar work among the Stones’ core members. And while all supporting musicians were top-notch, I’d like to call out Jones for his killer bass solo in Miss You and Denson for his strong sax work, which was on display during Miss You and other tunes.

Three fun facts I learned: Jagger said last night was the first time for The Rolling Stones to play at MetLife Stadium. During band introductions, he called Charlie Watts Frank Sinatra’s favorite drummer – an allusion to Watts’ age who turned 78 in June? No idea, but I found it funny. Watts didn’t look bothered by it. Opening act The Wombats, an indie rock and power pop band from Liverpool, England, during their set mentioned that it was one of their songs, Techno Fan, to which Jagger danced during his post-heart surgery practice video that went viral on the internet. It sounded like that song choice led to outreach to the Stones and to The Wombats opening up for them last night – cool story.

The Stones are playing MetLife Stadium again on Monday, August 5. Then it’s on to Denver (Aug 10) and Seattle (Aug 14). The last North American date and I assume the end of the tour is in Miami on August 31. The No Filter Tour kicked off on September 9, 2017 in Hamburg, Germany. There were a few bigger breaks throughout the two-year span. The schedule for the remaining shows is here.

Sources: Wikipedia, Rolling Stones website, YouTube

Kenny Wayne Shepherd Returns With Great New Album

Kenny Wayne Shepherd first entered my radar screen about two years ago with the release of his eighth studio album Lay It On Down, which I covered here at the time. Now, the Louisiana guitarist is back with The Traveler. While Shepherd’s music remains anchored in blues rock, his latest release also offers flavors of country, Southern and straight rock. No matter how you characterize it, this record simply presents fun music by a great guitarist who also proves he’s a pretty talented songwriter.

For quick background on Shepherd, I’m quoting from his website: “In a 20-year recording career that began when he was just 16, Shepherd has established himself as an immensely popular recording artist, a consistently in-demand live act and an influential force in a worldwide resurgence of interest in the blues…At 16 years old, he signed his first record deal and burst onto the national scene with the release of his 1995 debut album Ledbetter Heights…In 2013, Shepherd further expanded his musical horizons by teaming with veteran rockers Stephen Stills and Barry Goldberg to form THE RIDES, whose first album Can’t Get Enough helped to expand Shepherd’s audience as well as his musical resume.”

Released last Friday, May 31, The Traveler is the Shepherd’s ninth studio album. Eight of the ten tracks are originals written by Shepherd. In addition to playing guitar, he shares lead vocals with Noah Hunt, who has been part of the Kenny Wayne Shepherd Band since 1997. The other members include drummer Chris “Whipper” Layton, a co-founding member of Stevie Ray Vaughan’s backing band Double Trouble; Joe Krown  and Jimmy McGorman (both keyboards) and Scott Nelson (bass). The Traveler appears on Concord Records and was co-produced by Shepherd and Marshall Altman with whom Shepherd also worked on his previous two albums. Let’s get to some music.

Here’s the opener Woman Like You, a catchy blues rocker with some nice horn accents, featuring Hunt on lead vocals.

Long Time Running is another great rock tune with horns and Hunt singing lead.

I Want You combines a classic blues riff, great horn fills and a more contemporary drum sound. Here, Shepherd is also handling lead vocals. It is one of the few tunes where he is playing a more extended guitar solo, something that is largely absent on the other tracks.

On Tailwind, a Southern rock style, acoustic-oriented tune, the band is slowing things down. Once again, Hunt is providing lead vocals

The Traveler also includes two covers: Joe Walsh’s Turn To Stone and Buffalo Springfield’s Mr. Soul written by Neil Young. As a big Neil fan, I couldn’t resist the latter. With the dominant horns, it’s a pretty cool version, in my opinion.

“I like albums to have their own identity, and I don’t want to be one of those artists where you know what it’s going to sound like before you even hear it,” Shepherd stated. “I want the new material to be original and give the listener something different. A lot of these songs represent stories I’ve picked up on the road, and the experiences we’ve had along the way.”

“The main thing is to catch the essence of the live shows,” Shepherd further pointed out. “We’re a live band, and when people listen to our records, I want them to hear what we sound like when we play live. As far as my playing goes, I’m still refining my approach, and learning that it’s not about showing off or how flashy you can play. It’s about serving the song and playing what’s right emotionally. I want to move people in the depths of their souls, and to stir my own spirit. The only way I know how to do that is to get everyone recording together in the same room, and everyone’s making eye contact. That’s how spontaneous moments happen.”

Shepherd and his band are busy touring the U.S. and Europe for the remainder of the year. Most of the U.S. dates are with Buddy Guy – damn, this should be an awesome show! Some of the upcoming gigs include Flagstaff, Ariz. (Jun 8); Cincinnati (Jun 16) ; Red Bank, N.J. (Jun 18) – dangerously close to my house – and East Providence, R.I. (Jun 21). Starting toward the end of the month, Shepherd is playing a series of concerts in Europe before returning to the U.S. in late July. The full schedule is here.

Sources: Wikipedia, Kenny Wayne Shepherd website, Kenny Wayne Shepherd Facebook page, Glide Magazine, YouTube

Walter Trout At Iridium: Blistering Blues Rock And Tales Of Survival

“Personally, I’m happy to be anywhere,” stated Walter Trout, as he was introducing the second tune of his set on Tuesday night at The Iridium in New York City. The 68-year-old blues veteran wasn’t referring to the storied music club in Manhattan’s Theater District, which has seen such luminaries like Les Paul, Jeff Beck, Buddy Guy, Joe Walsh, Joe Satriani and Mick Taylor. Trout was talking about being on planet earth. It was the first of repeated references to survival he made throughout the show.

Five years ago, Trout found himself near death in a hospital with liver failure. “I was in Canned Heat,” he sarcastically remarked, referring to his four-year stint in the blues rock band from 1981 to 1985, adding he is the only survivor of their lineup at the time. Trout is alive thanks to a liver transplant he received in 1994. When he was released from the hospital, he had to learn again how to talk and how to walk – and, yes, how to play the guitar!

Noting that playing guitar was the only thing he had ever known and that he had been a guitarist since 1969, Trout said he practiced six to seven hours every day. Eventually, his skills came back. Trout’s agonizing recovery took one year. In 2015, he documented his ordeal in what he described as a very dark album: Battle Scars. And in January this year, he released what’s aptly called Survivor Blues, a covers album with tunes Trout feels are forgotten gems. I wrote about this excellent record here. In fact, it was that album that brought Trout on my radar screen, which culminated in Tuesday night’s show. And boy, what a great gig it was to watch!

Walter Trout & Band Collage
Clockwise: Walter Trout, Teddy Zig Zag, Michael Leasure, Johnny Griparic, Paul Schaffer and Anthony Grisham

For the most part, Trout played tunes from Survivor Blues, as well as his two preceding studio albums We’re All In This Together (2017) and the aforementioned Battle Scars. His great backing band included Teddy Zig Zag (keyboards, harmonica, vocals), Michael Leasure (drums) and Johnny Griparic (bass). There were also appearances by two guests: Tour manager Anthony Grisham (guitar) and Paul Schaffer (keyboards).

Let’s get to some music. With a pole right in front of me, taking video was a bit tricky. The first song I’d like to highlight is Me, My Guitar And The Blues from Survivor Blues. The powerful cover of Jimmy Dawkins’ title track from his 1997 solo album was the above mentioned second tune of the set. At about 1:42 minutes into the song, Trout explains the idea behind the covers album.

Almost Gone is the opener to Battle Scars, the first album Trout recorded after his long recovery from his liver disease and transplant. Now I get the feelin’ that somethin’s goin’ wrong/Can’t help believin’ I won’t last too long/Won’t last too long, too long/Hey, I can see the writing on the wall/Hey, I believe I’m about to lose it all/I look around, I look around and everything I see/Reminds me of the way, reminds me of the way I used to be

Another track from Survivor Blues is a song written by Sunnyland Slim called Be Careful How You Vote. The title track to his 1989 studio album couldn’t be more timely, but the true highlight is the music. In addition to Trout’s guitar, the tune features great  Hammond and harmonica work by Paul Schaffer and Teddy Zig Zag, respectively – and all of it over a nice shuffling groove. If you watch one clip only, I’d recommend this one – it’s worth all of its 12 minutes and 14 seconds!

I’d like to conclude with the title track of Trout’s 2017 studio album We’re All In This Together. This tune features a guest appearance by Anthony Grisham who does a nice job on guitar, taking solo turns with Trout.

Toward the end of the show Trout, spoke passionately about organ donation. He noted in the U.S. there are currently 120,000 people waiting for an organ. Each month, time is running out for about 2,000 of them – a true national emergency, as he called it. Trout also reminded the audience that humans have eight vital organs that could potentially save eight lives, pointing to himself as living proof what organ donation can do. Since November 2015, Trout has been a patron of the British Liver Trust. He certainly is a compelling ambassador.

Tuesday’s gig at The Iridium was Trout’s third date during his ongoing U.S. tour. The next upcoming shows include Bay Shore, N.Y. (tonight), Pawtucket, R.I. (Friday) and Plymouth, N.H. (Saturday). Altogether, the U.S. leg includes 17 gigs and concludes on April 27 in Pelham, Tenn. The current schedule also shows dates in Europe in May, June, August and October.

Sources: Wikipedia, Walter Trout website, YouTube

Clips & Pix: Stevie Ray Vaughan/Tin Pan Alley

Stevie Ray Vaughan was one of the greatest blues rock guitarists who ever walked on the surface of the planet. Tin Pan Alley is one of my favorite Vaughan renditions and perhaps the coolest slow blues I know.

The above clip of Vaughan and his backing band Double Trouble was captured during an August 1984 open air festival at Lorelei, a famous steep slate rock in Germany on the bank of the river Rhine. The festival was conducted as part of Rockpalast, a well-known long-running German music TV program and concert series I previously covered here.

According to Wikipedia, Tin Pan Alley was originally credited to Robert Geddins; later credit was given to James Reed. Vaughan recorded the tune for his excellent second studio album Couldn’t Stand The Weather, released in May 1984.

While this live take is busier and more aggressive than the studio version, and I generally think less is more when it comes to the blues, it still gives me goose bumps, and I just find it amazing to watch. It’s also not a coincidence I’m featuring the song.

After more than 25 years since my band days as a bassist, I decided to buy an electric bass guitar and a small amp (both for house use and nothing fancy). My first experience playing with other guys was in a blues band, and Tin Pan Alley was one of the first songs I learned on the bass after I had joined them. I’ve always thought the bass part on this track is really cool. As such, I was happy I still know how to play it, though it’s definitely gonna take time to get comfortable again with the instrument.

Sources: Wikipedia, Rockpalast website, YouTube

What I’ve Been Listening To: Bonnie Raitt/Slipstream

I think Slipstream is one of the gems in Bonnie Raitt’s close to 40-year recording career. I hadn’t heard the album in a while until this morning. Afterwards, I spontaneously decided to cover it.

Raitt is one of my favorite music artists, and I’ve written about her before. If you’re curious about her background, you can read more here. In this post, I’d like to focus on the music from Slipstream, Raitt’s 16th studio album released in April 2012. It came seven years after the predecessor Souls Alike, the last album for her longtime record company Capitol Records. The album is the first issued on her independent label Redwing Records, which she launched in 2011.

Slipstream kicks off strongly with the groovy Used To Rule A World. The tune also became one of two tracks that appeared separately as a single. It was written by singer-songwriter and session multi-instrumentalist Randall Bramblett. In addition to Raitt, he has played with the likes of Gregg Allman, Robbie Robertson and Steve Winwood. Apart from Raitt’s funky guitar, I particularly dig the Hammond B3 part performed by Mike Finnegan. He’s another session musician with an impressive resume, including Jimi Hendrix, Joe Cocker, Buddy Guy, Etta James and Crosby, Stills and Nash, to name some.

Right Down The Line, the second single off the album, is a nice cover of a tune by Gerry Rafferty. The Scottish singer-songwriter included it on his sophomore album City To City from January 1978. That record is best known for the mega hit Baker Street, which makes me want to listen to the song and other music from Rafferty. I haven’t done that in a long time either – could become a separate blog topic in the future!

Down To You is another tune for which Bramblett got a credit. The other co-writers are George Marinelli, who also plays guitar, as well as Raitt who wrote the lyrics – her only credit on the album. But if you interpret songs, sing and play slide guitar like Raitt, I think it becomes a minor detail whether or not you actually write the songs. Marinelli, a founding member of Bruce Hornsby and The Range, has been part of Raitt’s band since 1993.

Raitt slows things down on Not Cause I Wanted To, a ballad about the breakup of a relationship. I wonder whether the tune, which was co-written by Al Anderson and Bonnie Bishop, has some autobiographic connection. According to Wikipedia, Raitt’s marriage to actor Michael O’Keefe ended in divorce in late 1999, apparently because their careers caused them to spend much time apart.

The last tune I’d like to call out is Standing In The Doorway, another track on the quieter side. It was written by Bob Dylan, who included it on this 30th studio album Time Out Of Mind from September 1997. Interestingly, Slipstream also features another Dylan cover from the same record, Million Miles. When covering songs, Raitt oftentimes makes them her own, but in this case, she chose to stay closely to the original – in any case, a beautiful take!

Slipstream entered the Billboard 200 at no. 6, making it Raitt’s highest-charting album in the U.S. in 18 years since 1994’s chart-topper Longing In Their Hearts. She also won Best Americana Album for Slipstream at the 2013 Grammy Awards.

Sources: Wikipedia, Bonnie Raitt website, YouTube

Tumultuous Path Of A Journeyman And Survivor

For more than 50 years, Eric Burdon has been one of rock’s most distinctive vocalists

Oftentimes, I feel the best blog ideas are inspired by a previous post. In this case, it was my writing about great covers performed by Tom Petty and the Heartbreakers, which included I’m Crying by The Animals. The tune reminded me of Eric Burdon and a voice I’ve always felt was made for singing the blues. Just like many other blues artists or more generally those who started out during the ’60s and ’70s, Burdon has experienced it all, from the highest high to the deepest low and everything else in-between. Unlike many fellow artists, he’s still there, which I think makes him one of the ultimate survivors.

Eric Victor Burdon was born on May 11, 1941 in the northeastern English industrial town of Newcastle upon Tyne. His upbringing in a lower class working family was rough. Burdon started smoking at the age of 10 and skipping school with friends to drink beer. He described his early school years as a Dickens novel-like “dark nightmare,” which included bullying, sexual molestation and sadistic teachers hitting kids with a leather strap. While his father Matt Burdon struggled as an electric repairman, this allowed the family to have a TV by the time Eric was 10. Yet again the TV sparking it all!

Seeing Louis Armstrong on the tube triggered Burdon’s initial interest in music, first in the trombone, then in singing. The next decisive stage in his life was secondary school and a teacher named Bertie Brown who helped him get into the local art college. There he met John Steele, the original drummer of The Animals. They ended up playing in a band called The Pagan Jazzmen. By early 1959, keyboardist Alan Price had joined. After a few iterations and name changes, the band evolved into The Animals in 1962.

The Animals
The Animals (from left): John Steele, Eric Burdon, Hilton Valentine, Alan Price and Chas Chandler

The initial lineup featured Burdon (lead vocals), Steele (drums), Price (keyboards), Hilton Valentine (guitar) and Chas Chandler (bass), who later became the manager of Jimi Hendrix. Between September and December 1963, The Animals developed a following in Newcastle by playing local clubs there. During that period, Burdon met some of his blues heroes, including John Lee Hooker and Sonny Boy WilliamsonThe Animals also backed Williamson during a local gig.

In December 1963, The Animals recorded their first single Baby Let Me Take You Home. It climbed to a respectable no. 22 on the UK singles chart. But it was the second single, The House Of The Rising Sun from June 1964, which brought the big breakthrough, topping the charts in the UK, U.S., Canada and Sweden. It also started the beginning of the band’s demise when the arrangement of the traditional was only credited to Price who collected all the songwriting royalties.

The band’s first studio album The Animals appeared in the U.S. in September 1964. Their British debut record followed two months later. As was quite common at the time, the track listing between the two versions differed. Altogether, the original incarnation of The Animals released five U.S. and three U.K. studio albums. Here’s the above mentioned I’m Crying, which was included on the second U.S. record The Animals On Tour, a peculiar title for a studio album. Co-written by Burden and Price, it’s one of only a few original tracks by the band that was mostly known for fiery renditions of blues and R&B staples by the likes of John Lee Hooker, Jimmy Reed and Ray Charles.

In May 1966, The Animals released Don’t Bring Me Down. Co-written by songwriter duo Gerry Goffin and Carole King, the tune became Burdon’s favorite single, he told Louder/The Blues during a long interview in April 2013. The song also became the opening track to the band’s fourth U.S. album Animalization released in July 1966. The great tune is characterized by a distinct Hammond B3 sound played by Dave Rowberry, who had replaced Alan Price  following his departure in late 1965, and Hilton Valentine’s fuzz guitar.  Burdon recalled the song’s recording in a hotel in the Bahamas. “There was an old record player in the room where we were recording and it had this strange, thin electrostatic speaker. Dave Rowberry connected it to his Hammond B3 and that’s where the sound comes from on that track.”

By September 1966, The Animals had dissipated and Burdon started work on his first solo album Eric Is Here, which wouldn’t appear until the following year. Meanwhile, in December 1966, he formed Eric Burdon & The Animals. In addition to him, the band included Barry Jenkins, who had replaced John Steel on drums during the first incarnation of The Animals, John Weider (guitar, violin, bass), Vic Briggs (guitar, piano) and Danny McCulloch (bass). The band subsequently relocated from the U.K. to San Francisco. By that time, Burdon had become a heavy user of LSD.

In October 1967, Eric Burdon & The Animals released their debut. Appropriately titled Winds Of Change, it featured mostly original tracks and psychedelic-oriented rock, a major departure from the past. But, as Louder/The Blues noted, except for San Franciscan Nights, “the British public were reluctant to accept Eric’s transformation from hard-drinking Geordie bluesman to LSD-endorsing, peace and love hippy.” Three more albums followed before this second incarnation of The Animals dissolved in late 1968. Here’s Monterey, the opener to their second record The Twain Shall Meet from May 1968. Reflecting the band’s drug-infused experiences at the Monterey Pop Festival, where they also had performed, the tune is credited to all five members.

Disillusioned with the music business, Burdon went to LA to try acting. But after one year, he returned to music, fronting a Californian funk rock band that would be called War. Together they recorded two original albums in 1970. Here’s Spill The Wine from the first, Eric Burden Declares “War”, which appeared in April 1970. Credited to the members of War, the tune became the band’s first hit, peaking at no. 3 on the Billboard Hot 100. It also marked Burdon’s last major chart success.

Burdon’s relationship with War abruptly unraveled after the band had decided to record their next album without him. It was around the same time his friend Jimi Hendrix passed away. Burden was devastated. “That became the end of the parade because it affected us so much,” he stated during the above Louder/The Blues interview. “It was tough for me. It was tough for everybody.” Unfortunately, one of Burdon’s answers was drugs and more drugs.

During the ’70s and ’80s, Burdon had numerous drug excesses. In 1983, this lead to an arrest in Germany where he had lived since 1977. Subsequently, he returned to the U.S. Yet despite all the upheaval, Burdon still managed to continue recording albums and touring. In 1971, he teamed up with American jump blues artist Jimmy Witherspoon for a record titled Guilty! Here’s Home Dream, a great slow blues tune written by Burdon.

In August 1977, the first incarnation of The Animals released the first of two reunion albums, Before We Were So Rudely Interrupted, billed as The Original Animals. Despite positive reviews, the record only reached no. 70 on the Billboard 200. Lack of promotion, no supporting tour and most importantly appearing at a time when punk and disco ruled were all factors. Here’s the great opener Brother Bill (The Last Clean Shirt), a tune co-written by Jerry Leiber, Mike Stoller and Clyde Otis.

Next up: Going Back To Memphis, a song co-written by Burdon and Steve Grant. It appeared on Burdon’s 1988 album I Used To Be An Animal. Released in the wake of his autobiography I Used To Be An Animal, But I’m Alright Now,  it was Burdon’s first new album in almost four years.

In April 2004, My Secret Life appeared, Burdon’s first new solo record in almost 16 years. Here’s the opener Once Upon A Time, a nice soulful tune co-written by Burdon and Robert Bradley.

‘Til Your River Runs Dry is Burdon’s most recent studio release, which came out in January 2013. His website calls it his “most personal album to date.” Here’s Old Habits Die Hard, co-written by Burdon and Tom Hambridge. “This song is dedicated to the people in Egypt and Libya trying to throw off the shackles of all those centuries of brutality,” Burdon told Rolling Stone a few days prior to the record’s release. “It reminds me of Paris in 1968 when I saw the kids going up against the brutal police force or the L.A. uprising. I went through these experiences and they’re still with me today. The struggle carries on. I wrote this song so I won’t forget and to say, even though I’m older now, I am still out there with you.”

Burdon’s most recent recording is a nice cover of For What It’s Worth, written by Stephen Stills and originally released by Buffalo Springfield in December 1966. He commented on his website: The whole idea of recording this song came as a result of a conversation I had with a young fan backstage, when she asked me, “Where are the protest songs today?” Right then and there, I wanted to write something about the brutality that’s going on in the world today but I couldn’t find any better way to say it than Buffalo Springfield did in “For What It’s Worth.

In 1994, Eric Burdon was inducted into the Rock & Roll Hall Of Fame as part of The Animals, along with the other original members of the band. He did not attend the induction ceremony. Burdon remains active to this day and uses the name The Animals for his backing band, which includes Evan Mackey (trombone), Davey Allen (piano), Dustin Koester (drums), Johnzo West (guitar), Justin Andres (bass) and Ruben Salinas (saxophone).

While Burdon’s website currently does not list any upcoming gigs for this year, according to Consequence of SoundEric Burdon & The Animals are part of the lineup for the KAABOO Festival in Arlington, Texas, May 10-12. The band is also scheduled to perform on May 26 at Avila Beach Blues Festival in California.

Asked by Louder/The Blues during the above interview how he would sum up the past 50 years, Burdon said, “I’d been screwed by [War], I’d been screwed by The Animals. All use Burdon because he’s a great front guy and then come payday where’s the money? A lot of people had a great ride off me being on stage and I didn’t get much of it.” With a little chuckle he added, “I’m not bitter. I’m bittersweet.”

Sources: Wikipedia, Louder/The Blues, Deutsche Welle, Eric Burdon website, Rolling Stone, Consequence of Sound, Eventbrite, YouTube