Rock the Farm Once Again Fired On All Cylinders

Eighth annual tribute festival for a cause returned to Jersey shore

Saturday, the time had finally come for the long-awaited Rock the Farm to return to the Jersey shore. The annual tribute festival in Seaside Heights, N.J. once again delivered 10 hours of great music for a cause. And that cause – helping individuals and families struggling with addiction to drugs, alcohol and other substances – has gained even more urgency during the COVID-19 pandemic.

Rock the Farm is the main annual event of the nonprofit New Jersey CFC Loud N Clear Foundation to raise funds for programs designed to prevent relapse after drug rehab, a particularly challenging time to stay sober. CFC notes that since it was established in 2012, the foundation has assisted over 20,000 families struggling with addiction and has received numerous accolades and rewards for the innovative, groundbreaking approach to recovery. Throughout the event, individuals who have benefitted from CFC’s programs stepped on stage to share some of their stories, which was both pretty inspiring and moving. You can read more about CFC’s important work here. Let’s get to some music!

Kicking off the festival once again were One Fine Tapestry, a great tribute to Carole King and the music she co-wrote with Jerry Goffin for many other artists. At the core of this act are Gerard Barros and Diane Barros, a New Jersey-based versatile husband and wife duo who for many years have performed a variety of tribute shows. My all-time favorite Carole King album remains Tapestry. Here’s It’s Too Late.

We May Be Right are a fun Billy Joel tribute led by pianist and lead vocalist Karl Dietel, a 20-year veteran of the New York-New Jersey-Connecticut tri-state area live music scene. The band also features Perry Andrews (brass, woodwinds, percussion, backing vocals), Derek Davodowich (guitars), Luke Kessel (bass, backing vocals) and Andy Janowiak (drums). I know I’ve said this before, it’s amazing to me how popular Billy Joel remains to this day, nearly 30 years since the piano man released his final pop album River of Dreams. There were definitely many Billy Joel fans among the Rock the Farm audience. One of the tunes they enjoyed was Big Shot, off Joel’s sixth studio album 52nd Street from October 1978.

And then it was time to really put the rock into Rock the Farm with La Grange. This New Jersey-based tribute to ZZ Top includes Sean Peronard as “Billy Fibbons” (Billy Gibbons)Pete Perrina as “Frank Goatee” (Frank Beard) and Jim Capobianco as “Rusty Hill” (Dusty Hill). It was all there: The sound, the singing, the beards and even the fury guitar and bass – the only things missing were the rotation of the instruments and my all-time ZZ Top favorite Tush! But, hey, they played plenty of other great tunes. It was a ball. Check out Cheap Sunglasses from the Texan rockers’ sixth studio album Degüello.

How about some more kickass rock? Ask and you shall receive with Stiff Upper Lip! This New Jersey tribute to AC/DC, formed in 2007, features Glenn Taglieri  (vocals), Joe Witterschein (guitar), Mike Cusumano (guitar), Peter Lee (bass) and Steve Villano (drums). One of my all-time AC/DC favorites is their song with the longest title: It’s a Long Way to the Top (If You Wanna Rock ‘n’ Roll). The tune initially appeared on AC/DC’s second, Australia-only record T.N.T. Subsequently, it was also included on their first international release High Voltage, which came out in April 1976. Here we go, featuring some enthusiastic, dancing ladies with glowing devil’s horns!

Okay, I’d say it’s time for a little breather. Here’s a little photo collage with different impressions from Rock the Farm.

Clockwise from upper left corner: Rock the Farm audience with bubbles from foam dance floor; the cameraman with another enthusiastic attendee; Jagged Little Thrill – The Alanis Morisette Experience (https://www.facebook.com/jlttribute); reminder of the event’s purpose; Winslow an Evening of the Eagles (https://www.facebook.com/WinslowEaglestribute); and once again the (exhausted) cameraman after 10 hours on his feet

All right, on to part II of this post and The ELO Tribute Show – yep, they make no bones about whose music they are celebrating! The group of Philly area-based musicians includes Mick Bodine (lead vocals, guitar), Andre “Virus” Karkos (guitars, vocals), Chris McCoy (keyboards, vocals), Julie Meyers (violin, vocals), Tommy Grasso (bass, vocals) and Dave Ramani (drums, percussion). Check out their cool rendition of Evil Woman, a tune from ELO’s September 1975 record Face the Music, their fifth studio release.

One could argue that holding a tribute festival in New Jersey without featuring music by at least one artist from the Garden State would be an oversight. Coming to the rescue were Keep The Faith from – nope, I bet you didn’t guess that one – Canada! This Bon Jovi tribute from Ontario includes Chris Newman (lead vocals, guitar), Chris Tondreau (guitar), Dan Benezra (keyboards, vocals), Doug Adams (bass) and Mark MacPherson (drums). Shall we check out their rendition of Born to Be My Baby, off Bon Jovi’s fourth studio album? Well, it’s really a rhetorical question since it’s my frigging blog! Are you one of the 100,000,000 Bon Jovi fans who can’t be wrong? If so, you should know the title of Bon Jovi’s fourth studio album. Yes, New Jersey!

And then things got pretty groovy with Funky Monks who shall we say aren’t your typical monks. Formed in 2003, this Chicago-based tribute to Red Hot Chili Peppers has performed across the U.S. and even internationally. The band consists of Ryan “Ryanthony” Machnica (vocals), Mike Walker (guitar), Jeff “Jefflea” Genualdi (b-b-b-bass) and Paul Guziec (drums). In case you ever wondered why I like to say bassists are cool dudes, Jeff is one of the reasons. Yes, I know, it’s the obvious Peppers tune to feature, but I couldn’t help it. Here’s Under the Bridge, included on Peppers’ fifth studio album Blood Sugar Sex Magik, released in September 1991.

All things must pass, as the wise George Harrison once sang. This also applies to Rock the Farm, which brings me to the final act of the night: Fleetwood Mac tribute TUSK – what a great way to end yet another outstanding event! Founded in 2008, TUSK primarily focus on the Mac’s pop-rock period. In addition, they feature some music from Stevie Nicks’ solo catalog and on Saturday night also threw in a cool blues medley of the Peter Green era. TUSK are Kathy Phillips as Stevie Nicks (vocals), Kim Williams as Christine McVie (keyboards, vocals), Scott McDonald as Lindsey Buckingham (guitar, vocals), Randy Artiglere as John McVie (bass) and Tom Nelson as Mick Fleetwood (drums). Here’s Little Lies, off Fleetwood Mac’s 14th studio album Tango in the Night, which came out in April 1987.

Rock the Farm 2022 is over. Sadly, the same cannot be said about addiction, which continues to upend the lives of those impacted and their friends and families. Many lives have been lost, even more so during the pandemic, leaving empty chairs in kitchens across this country.

The reality is addiction can happen to all of us. Nobody is immune! People struggling with drugs, alcohol and other substances deserve our compassion rather than stigmatization. That’s why it is so important that organizations like the CFC Loud N Clear Foundation continue their work. Once again, in case you’d like to find out more about their programs, visit https://healingus.org.

Sources: Wikipedia; CFC website; One Fine Tapestry Facebook page; We May Be Right website; La Grange Facebook page; Stiff Upper Lip website; The ELO Tribute Show website; Slippery When Wet website; Funky Monks website; TUSK website; YouTube

If I Could Only Take One

My “real” desert island song playlist

If you’ve followed this feature over the past six months, perhaps by now you may think, ‘jeez, when is he going to get it over with?’ I got news for you: This is the final installment!

For first-time visitors, this weekly series looked at music I would take with me on a trip to a desert island, one tune at a time and in alphabetical order by the name of the picked band or artist (last name). In addition, my selections had to be by a music act I had only rarely covered or even better not written about at all.

In last week’s installment, I featured the playlist that resulted from the above exercise. Obviously, the criteria limited my choices, as I also noted to some commenters throughout the series. Today, I’d like to present my “real” desert island playlist. The only rule I kept was to pick one song by a band or artist’s last name in alphabetical order.

In the following, I’m going to highlight four tunes. The entire playlist can be found at the end of the post.

Jethro Tull/Hymn 43

Over the years, Hymn 43 by Jethro Tull has become one of my favorite tunes by the English rock band. Penned by Tull’s flutist, frontman and lead vocalist Ian Anderson, Hymn 43 is off their fourth studio album Aqualung. Released in March 1971, that record is best known for the epic Locomotive Breath, even though incredibly, the single missed the charts in the UK, just like Hymn 43! In the U.S., Locomotive Breath and Hymn 43 became Tull’s first charting singles, reaching no. 62 and no. 92 on the Billboard Hot 100, respectively. Of course, one could argue that Tull’s music wasn’t about the charts!

Randy Newman/Guilty

American singer-songwriter Randy Newman has penned many tunes and film scores over his 60-year-plus-and-counting career. Some like Short People (1977), I Love L.A. (1983) and You’ve Got a Friend in Me (1995) became well known under his name, while others such as Mama Told Me Not to Come (1966), I Think It’s Going to Rain Today (1968) and You Can Leave Your Hat On (1972) were popularized by Three Dog Night, UB40 and Joe Cocker, respectively. Many other artists covered Newman’s songs as well. One of my favorite tunes by Newman is Guilty, included on his fourth studio album Good Old Boys, which appeared in September 1974. Evidently, Cocker liked the ballad as well and recorded it for his 1974 studio album I Can Stand a Little Rain.

Stevie Ray Vaughan/Pride and Joy

If you’re a frequent visitor of the blog or know my music taste otherwise you know I love the blues and blues rock. When it comes to that kind of music, in my book, it doesn’t get much better than Stevie Ray Vaughan. Not only was the man from Dallas, Texas an incredible guitarist – perhaps the best electric blues rock guitarist ever – but he also elevated the blues to the mainstream in the ’80s thanks to his great live performances and albums. Vaughan did both original songs and covers. I would argue that his rendition of Voodoo Child (Slight Return) is better than the original by Jimi Hendrix! Anyway, here’s Pride and Joy, penned by Vaughan, off his debut studio album Texas Flood.

Yes/Roundabout

Full disclosure: My first pick for “y” would have been Neil Young and Like a Hurricane. But since most of Neil’s music was pulled from Spotify earlier this year, I went with Yes. I’ve never gotten much into progressive rock (not counting Pink Floyd and a few others whose music includes prog-rock elements). Yes are one of the few exceptions, together with Genesis. That said, my knowledge of the British band’s music is mostly limited to their earlier catalog. In this context, a song I’ve really come to love is Roundabout. Co-written by vocalist Jon Anderson and guitarist Steve Howe, the track is from the group’s fourth studio album Fragile, released in November 1971. Until Owner of a Lonely Heart (1983), the band’s songs weren’t exactly radio-friendly. That said, Roundabout was released as a single and became the first top 20 song Yes had in the U.S.

Last but not least, here’s the entire playlist. In addition to the above, it includes many of the suspects you’d expect to see if you know my music taste, such as AC/DC, The Beatles, Cream, Deep Purple, Marvin Gaye and The Rolling Stones, to name some.

Sources: Wikipedia; YouTube; Spotify

Get Ready to Rock the Farm

Eighth annual 10-hour festival on Jersey shore to feature top notch tribute music for great cause

On September 24, the annual music festival Rock the Farm returns to Seaside Heights, N.J. Since my first attendance five years ago, I’ve loved the idea behind the 10-hour spectacle to combine top-notch tribute acts with a great cause. And with the dreadful COVID-19 pandemic now being well into its third year, that cause has taken on a new urgency: supporting individuals and families struggling to overcome addiction.

Drug overdose-related deaths in the U.S. have soared by 28.5% to an estimated 100,306 during the 12 months ended in April 2021, according to provisional data released by the Centers for Disease Control and Prevention (CDC) in November 2021. That’s up from 78,056 for the corresponding period a year earlier. The latest CDC insights also show that estimated overdose deaths from opioids totaled 75,673 for the latest 12-month period, a 35% increase from 56,064 the year before. Imagining all the empty seats these lost lives have left at kitchen tables around the country paints a pretty grim picture.

While there are no barns and cows and Rock the Farm doesn’t take place on a farm, it rocks anyway!

Rock the Farm is the main annual fundraiser of the CFC Loud N Clear Foundation. The New Jersey non-profit community organization offers programs for individuals and families battling to overcome addiction to opioids, alcohol and other substances. Their efforts aim to fill the gap after clinical treatment in rehab, a period when staying sober and remaining on track can be particularly challenging.

The CFC Loud N Clear Foundation was established by the Regan family in 2012 after their son Daniel Regan had come out of a rehab center and with the help of his mother, Lynn Regan, developed a recovery system for himself. Other people noticed it was working for Daniel and started asking how they did it. That’s when the Regan family realized everyone should have access to an aftercare program, sparking the idea of establishing a foundation.

CFC Loud n Clear Foundation is celebrating over 10 years of building strong communities of recovery,” said Alyssa Regan, CFC Assistant Executive Director who was kind enough to provide a quote for this post. “Rock the Farm is in its eighth year of bringing family fun and incredible music to Seaside Heights, New Jersey. However, this festival is more than just a great day during summer down the shore! Rock the Farm is about smashing the stigma of addiction, living life in recovery out loud, and the importance of aftercare and relapse prevention! This festival, which hosted 15,000 people last year, is entirely run by our community of recoverees and their families in order to raise funds for the program that has helped them gain a new life!”

Rock the Farm’s foam dance floor is a huge attraction for kids. Many mamas and papas like it as well!

Let’s take a look at the great line-up for the upcoming event, which includes tributes to Fleetwood Mac, Red Hot Chili Peppers, AC/DC, ELO, Eagles, Billy Joel, Carole King, Alanis Morissette, ZZ Top and Bon Jovi. Just imagine for a second seeing all the real acts in one festival, not to mention this particular line-up wouldn’t even be possible any longer, given Carole King has retired from performing! Fleetwood Mac and Carole King tributes TUSK and One Fine Tapestry performed at all four previous Rock the Farm events I attended. On separate previous occasions, I also saw Stiff Upper Lip and Keep The Faith, tributes to AC/DC and Bon Jovi, respectively. The other tribute artists are new to me.

Following are clips to preview some of the tribute acts who will play at Rock the Farm 2022. Kicking things off are TUSK with You Make Loving Fun, footage I captured at last year’s event. Focused on the pop rock period of Fleetwood Mac, the group includes Kathy Phillips as Stevie Nicks (vocals), Kim Williams as Christine McVie (keyboards, vocals), Scott McDonald as Lindsey Buckingham (guitar, vocals), Randy Artiglere as John McVie (bass) and Tom Nelson as Mick Fleetwood (drums).

Next up are One Fine Tapestry with one of my all-time favorite Carole King tunes from the iconic Tapestry album: I Feel the Earth Move. At the core of this tribute act are Gerard Barros and Diane Barros, a versatile husband and wife couple performing a variety of different tribute shows, sometimes as a duo, other times backed by a full band, which was the case here. This clip is also from Rock the Farm 2021.

Let’s do two more, using YouTube clips I didn’t create. Here are Stiff Upper Lip with Back in Black. The New Jersey band has been around since 2007 and includes Glenn Taglieri (vocals), Joe Witterschein (guitar), Mike Cusumano (guitar), Peter Lee (bass) and Steve Villano (drums).

As a blues rock fan, I couldn’t resist including ZZ Top tribute La Grange. The band features Sean Peronard as “Billy Fibbons” (Billy Gibbons), Pete Perrina as “Frank Goatee” (Frank Beard) and Jim Capobianco as “Rusty Hill” (Dusty Hill) – clever stage names! Here’s a fun promo video, including snippets of Waiting For the Bus, Under Pressure and Gimme All Your Lovin’.

In addition to plenty of great music, Rock the Farm features food trucks, a wine and beer garden and beach yoga. They also have some fun activities for kids, including a Kidzone Arts & Crafts, face painting, braid bar and “the world’s greatest FOAM dance floor.” While I can’t verify that claim, I can confirm kids and adults have had a lot of fun with the foam in the past!

“All of the members of CFC get the opportunity to create something magical that positively impacts the community, be inspired by purpose, and uplift others who are in search of hope and connection,” Regan added. “CFC has impacted over 20,000 families since its foundation and continues to come up with new and innovative ways to make recovery fun. We can’t wait to rock out with everyone on September 24th and end Recovery month in the best way possible!”

If you’re into live music, dig the above bands, want to support an important cause and can get there, I can highly recommend Rock the Farm. For tickets and more info, visit https://www.rockthefarmnj.com. You can also read more about the CFC Loud n Clear Foundation and their important work here.

Sources: CDC National Center for Health Statistics; CFC Loud N Clear Foundation website; TUSK website; One Fine Tapestry website; Stiff Upper Lip website; La Grange Facebook page; YouTube

The Sunday Six

Celebrating music with six random tracks at a time

Welcome to another Sunday Six – jeez, it only feels like yesterday since I put together the previous installment. For newbies to the blog, this weekly feature celebrates great music over the past six decades or so, six tunes at a time. I’d like to think of it as going on an imaginary time travel to visit music of different eras. Hope you join me for the ride!

Elmo Hope/It’s a Lovely Day Today

Today, our journey shall start in 1953 with some groovy music by American jazz pianist, composer and arranger Elmo Hope. Born in New York City in 1923, Hope started playing the piano as a 7-year-old. His recording career began in 1953 with an album that originally appeared as Elmo Hope Trio. It subsequently was packaged with his second record Elmo Hope Quintet, Volume 2, and released as Trio and Quintet in 1989. Tragically, Hope’s life was cut short in May 1967 when he passed away in New York City from heart failure, a few weeks after he had been hospitalized for pneumonia. During his active period, Hope recorded about 20 albums, counting both releases as a leader and as a sideman. Among others, he played with Lou Donaldson, Clifford Brown and Sonny Rollins. It’s a Lovely Day, composed by Irving Ball, is from Hope’s above-mentioned first album. He was backed by Percy Heath (double bass) and Philly Joe Jones (drums) – my kind of music to get me in the mood on a Sunday morning!

George Thorogood & The Destroyers/Bad to the Bone

Our next stop is August 1982 to catch some b-b-b-b-b-b-bad music, a song that’s b-b-b-b-b-b-bad, bad to the bone – coz that’s how we roll here! It’s the title track of the fifth studio album by George Thorogood and the Destroyers, Bad to the Bone. Thorogood began his career in the early ’70s as a solo acoustic performer in the style of Robert Johnson and Elmore James. In 1973, he formed the Delaware Destroyers, who subsequently dropped Delaware from their name. The group’s eponymous debut album appeared in October 1977. Thorogood has since released 14 additional studio albums with the group and one solo record. He remains active to this day and is currently on what looks like an extensive tour of Europe, the U.S., New Zealand, Australia and Canada, with dates booked all the way to May 2023. Catching a show with him should f-f-f-f-f-f-fun! Meanwhile, let’s enjoy this classic from August 1982!

James Brown/I Got You (I Feel Good)

It’s kind of tough to follow George Thorogood. Perhaps it does take who was known as “Mr. Dynamite” and the “hardest working man in show business”: Jaaaaaaaaames Brown! And we’re not stingy here. The year was 1965 and the month was October when James Brown released I Got You (I Feel Good) as a single. Initially, the tune had been recorded for his ninth studio album Out of Sight that came out in September 1964. But the song wasn’t included and the version that appeared as a single a year later was an alternate take. Penned by Brown, I Got You (I Feel Good) peaked at no. 3 on the Billboard Hot 100, making it his highest-charting tune on the U.S. pop chart. It also became his third single to top the R&B chart after Try Me (October 1958) and Papa’s Got a Brand New Bag (June 1965). Man, all I can say is I would have loved to see James Brown live!

Tom Petty and the Heartbreakers/Swingin’

I trust Tom Petty, one of my favorite artists of all time, needs no introduction. Not only did this man write so many great songs, but he also had a true appreciation of music by other artists. And with the Heartbreakers, he had a terrific band. These guys could simply play anything. If you haven’t listened to it, check out the terrific box set The Live Anthology and you’ll know what I mean. Let’s turn to Swingin’, a track from the 10th studio album by Tom Petty and the Heartbreakers. Titled Echo, it was released in April 1999. It didn’t enjoy the same chart and commercial success as Damn the Torpedoes (October 1979), Hard Promises (May 1981) and Into the Great Wide Open (July 1991), or his solo albums Full Moon Fever (April 1989) and Wildflowers (November 1994), for that matter. But Petty didn’t care much about chart success and sales anyway. It was always about the music. Swingin’, written solely by him, also became one of five singles from Echo. Sadly, we lost Tom Petty way too early in October 2017. He was only 66 years old!

The Guess Who/Dancin’ Fool

For our second-to-last stop on today’s journey let’s jump back to 1974 and a tune I had earmarked several weeks ago for a Sunday Six: Dancin’ Fool by The Guess Who. When I heard It was a Saturday night without a whole lot shakin’/Ooh my, ooh my, I was bored, I thought, ‘ooh my, ooh my, that would be a cool tune to feature!’ And here we are. Co-written by the Canadian rock band’s Burton Cummings (lead vocals, keyboards) and Domenic Troiano (guitar, mandolin, backing vocals), Dancin’ Fool became the opener of The Guess Who’s 13th studio album Flavours. By that time, Cummings and drummer Garry Peterson were the only remaining original members. The present version of the group, which no longer includes any founding members, is currently touring the U.S. It looks like that line-up also recorded the most recent Guess Who album When We Were Young, released in September 2018.

AC/DC/Play Ball

And once again, it’s time to wrap up another Sunday Six. Let’s make it count with what I feel is a late-career gem by epic Australian rockers AC/DC. I’ve written about them and their long and tragic history multiple times, for example here, so I’m not going to repeat myself in this post. Play Ball is the terrific opener of AC/DC’s 16th studio album Rock or Bust, which came out in November 2014. It was the band’s first album recorded without co-founding member and long-term rhythm guitarist and song co-writer Malcolm Young who had been forced to retire earlier that year due to dementia. He passed away from the disease in November 2017 at the age of 64. Notably, all tunes on the album were constructed largely by lead guitarist Angus Young from material he and his brother had worked on during the recording sessions of previous records. As such, Play Ball and all other songs on Rock or Bust are credited to Angus Young and Malcolm Young.

Here’s a Spotify playlist of the above tunes. Hope there’s something there you dig!

Sources: Wikipedia; George Thorogood website; The Guess Who website; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

While plenty of new music keeps coming week after week, picking songs I like can be tricky. As much as I try to be open-minded, I simply cannot deny my strong ’60s and ’70s influences. During some weeks, this means it can take a long time to identify tunes I sufficiently enjoy. On other occasions, I find myself with more options than I want to feature. This week fell into the latter category – a nice problem to have! All picks appeared yesterday (June 24). Let’s get to it!

Goose/Hungersite

Goose are an American jam band from Norwalk, Conn. They were formed in 2014 by Rick Mitarotonda (vocals, guitar), Trevor Weekz (bass), Jeff Arevalo (vocals, percussion, drums) and Ben Atkind (drums). Following the release of the debut album Moon Cabin in 2016, the group added Peter Anspach (keyboards, guitar, vocals) in late 2017. Wikipedia notes Goose have been compared to jam bands like Phish and Umphrey’s McGee, while the group itself has characterized their music as indie groove. Hungersite, penned by Mitarotonda, is a track from Goose’s third and latest full-length studio album Dripfield – nice tune!

The Warning/Amour

The Warning are a Mexican rock band from Monterrey, Nuevo León, a state in the country’s northeast region. The trio was formed in 2013 by sisters Daniela Villarreal (guitar, lead vocals), Alejandra Villarreal (bass guitar, piano, backing vocals) and Paulina Villarreal (drums, lead vocals, piano). Apple Music describes The Warning as a “familial Mexican hard rock band that blends savvy riffage, fist-pumping beats, and stadium-ready choruses.” Here’s a bit more from their Apple Music profile: The Villarreal sisters began posting videos online around 2014 and soon attracted attention due to the teen siblings’ instrumental precocity as well as a repertory made up of heavy metal covers by Metallica, Guns N’ Roses, and AC/DC. Signed by Victoria Records, the Warning issued their first EP, Escape the Mind, in 2015. The band’s debut album, XXI Century Blood, appeared in 2017, and before long the trio was sharing the stage with the likes of Def Leppard and the Killers. This brings me to Amour, a track from the group’s third and new studio album Error. These ladies rock!

Young Guv/Too Far Gone

It’s just been a little over three months since I first featured Young Guv, a solo project of Toronto-based guitarist and vocalist Ben Cook. Cook co-founded Canadian hardcore punk band No Warning, initially formed in 1998 under the name As We Once Were. After the band’s break-up in late 2005, he joined another local hardcore punk group named Fucked Up. In 2015, Cook released his solo debut album Ripe 4 Luv, the first of now five that have appeared to date under the Young Guv moniker, including the latest Guv IV. Cook’s Young Guv music is power pop-oriented and as such very different from his hardcore punk roots. Too Far Gone is a song from the aforementioned Guv IV – catchy tune!

Caamp/Come With Me Now

I first learned about Caamp from fellow blogger Eclectic Music Lover, who included the American folk band from Athens, Ohio in a recent installment of his weekly top 30’s feature. From their Apple Music profile: Taylor Meier and Evan Westfall, founders of the folk band Caamp, met as kids at summer camp and began performing together in parking lots and at charity shows while in high school. After bass player Matt Vinson joined the band, Caamp independently released their 2016 self-titled debut, which features the breakthrough viral hit “Ohio.” Meier, who is Caamp’s guitarist and lead vocalist, said Ray LaMontagne and Bon Iver’s Justin Vernon are two of his biggest vocal influences. Caamp’s lineup also includes Joseph Kavalec (keyboards). Apart from an EP, they have released three full-length studio albums, including the latest, Lavender Days. Here’s the pleasant opener Come With Me Now, credited to all four members.

Jack Johnson/Open Mind

Jack Johnson is an American singer-songwriter, filmmaker and former professional surfer. From his AllMusic bio: A professional surfer turned chart-topping rocker, Jack Johnson rose to fame in the 2000s with an easygoing, acoustic singer/songwriter style punctuated by an unassuming voice and a mellow, beach-bum demeanor. The combination proved to be particularly potent on the commercial front, as his first five major-label albums all climbed to platinum status, with his most lauded being 2005’s In Between Dreams. While not as prolific, he continued to find success in the 2010s with well-received efforts including From Here to Now to You (2013) and All the Light Above It Too (2017). A handful of collaborations and singles, including 2020’s “The Captain Is Drunk,” ushered Johnson into the next decade ahead of his eighth album, 2022’s Meet the Moonlight. Here’s Open Mind, the beautiful first track off Meet the Moonlight.

Mary Devlin/Lover’s Hands

For this last pick, I’d like to give a shoutout to fellow blogger Angie from The Diversity of Classic Rock. Angie first covered Lover’s Hand, a great rock-oriented tune by Mary Devlin. From her Spotify profile: New Jersey native Mary Devlin made her first debut as a performer at the age of 14 on the streets of her hometown in Ocean City, and has since been actively pursuing a career as a singer/songwriter. Mary’s music is eclectic, ranging from ’80s inspired synth beats to soft acoustic numbers. Yet all Mary Devlin songs are tied together by similar lyrical themes of youth, love, and learning to navigate the world as a 20 something. Devlin has many inspirations, including but not limited to world defining bands such as The Beatles and Led Zeppelin, legendary figures such as Robert Johnson, contemporary acts such as Lorde, Hozier, Marika Hackman and of course all of the Top Hits of the 80s that her mother has raised her on. Angie noted Lover’s Hand is Devlin’s first professionally recorded single produced and mastered by Brandon Ireland and Tyler Sarfert, respectively – very neat!

Last but not least, here’s a Spotify list of all the above and a few additional tunes:

Sources: Wikipedia; Goose website; Apple Music; AllMusic; The Diversity of Classic Rock; YouTube; Spotify

The Sunday Six

Celebrating music with six random tracks at a time

Good morning/good afternoon/good evening, wherever you are when reading this. It’s Sunday morning in my neck of the woods in lovely central New Jersey where you can always run into a confused deer or encounter a suicidal squirrel that jumps right before your moving vehicle. Why the hell am I saying this? Coz I just felt like it, plus how many times can you introduce a recurring feature that’s now in its 65th week?

Jean-Michel Jarre/Last Rendez Vous

Today, our music journey shall start in space with Jean-Michel Jarre, one of the pioneers of electronic, ambient and new-age music. The French composer who has been active since 1969 broke through with his third studio album Oxygène from December 1976. That record catapulted Jarre to the top of the French charts and the top 10 in various other European countries, including the UK (no. 2), Sweden (no. 3), The Netherlands (no. 4), Germany (no. 8), Norway (no. 9) and Austria (no. 10). Evidently, Europeans loved it, which in no small part was driven by the track Oxygène (Part IV) that subsequently became a single mirroring the album’s chart performance in Europe. Success was more moderate in the U.S. where the album peaked at no. 78 on the Billboard Hot 100 and Australia (no. 29) – still remarkable, given the genre! Last Rendez Vous is the closing track of Jarre’s eighth studio album Rendez-Vous, released in April 1986 – not quite as spacy as Oxygène but still very relaxing. That beautiful saxophone part was played by Pierre Gossez.

Drive-By Truckers/Gravity’s Gone

For the next tune, let’s travel to 2006 and pick up the speed with some great Southern rock by Drive-By Truckers. The group was formed in Athens, Ga. in 1996 by Patterson Hood (guitar, vocals, mandolin) and his longtime friend and musical partner Mike Cooley (guitar, vocals, banjo, harmonica). Both remain in the band’s current line-up, which also includes Jay Gonzalez (keyboards, guitar, accordion, saw, backing vocals), Matt Patton (bass, backing and lead vocals) and Brad “EZB” Morgan (drums). Drive-By Truckers helped launch the career of Jason Isbell who joined them at age 21 in 2001 and remained a member until April 2007. He recorded three albums with them, including A Blessing and a Curse, the group’s sixth record from April 2006. Here’s Gravity’s Gone, a great tune with a Stonesy vibe, written by Cooley. Since then, Drive-By Truckers have released seven additional studio albums, the most recent of which is The New OK from October 2020.

Todd Rundgren/I Saw the Light

When that song was served up to me by my streaming music provider the other day, I immediately decided to earmark it for a Sunday Six. The seductive power pop tune by Todd Rundgren reminds me of George Harrison. In fact, when I heard that slide guitar, I was near-100% sure this has to be Harrison. But, nope, the versatile Rundgren played all instruments and provided all vocals on this tune, which is the opener of his third album Something/Anything?. Released as a double-LP in February 1972, Something/Anything? became Rundgren’s commercial breakthrough as a solo artist. Peaking at no. 29 and no. 34 in the U.S. and Canada, respectively, Something/Anything? remains his most successful album to date. As of February 1975, it was certified gold by RIAA, based on 500,000 units sold. I Saw the Light also appeared separately as a single, reaching no. 16 on the U.S. Billboard Hot 100 and no. 15 in Canada. Elsewhere, it climbed to no. 21 in Australia and no. 36 in the UK. The album also featured Rundgren’s biggest hit single Hello It’s Me.

Leonard Cohen/Suzanne

Leonard Cohen/Suzanne

Time to play some ’60s. And, nope, for a change, it’s not a rocker. I can’t quite recall when I heard Suzanne by Leonard Cohen for the first time – must have been in the ’70s. What I do still remember is this song drew me in immediately. Frankly, I’m not even sure I already understood a word of English at the time. But Cohen’s vocals, the beautiful melody and the sparse instrumentation did the trick. Penned by the Canadian poet, novelist and singer-songwriter, Suzanne was the opener of Cohen’s debut album Songs of Leonard Cohen, which appeared in December 1967. It would be the first of fifteen studio albums he recorded over a close to 50-year-recording career. Cohen passed away from leukemia in Los Angeles in November 2016 at the age of 82 years. Suzanne sounds just as powerful today as it did back then.

Soundgarden/Black Hole Sun

Our next stop is the ’90s. It surprises me time and again how little I seem to know about this decade where alternative rock and grunge were all the rage. Well, I’m happy to report I was aware of Black Hole Sun by Soundgarden. In fact, when that tune came out in May 1994, I was in my second year of grad school in the U.S., and it seemed to be everywhere. Unless you lived under a rock, there really was no way you’d miss it! Black Hole Sun, written by Chris Cornell, became the third single off Soundgarden’s fourth studio album that ironically was titled Superunknown. Topping the charts in the U.S., Canada, Australia and New Zealand, reaching the top 5 in the UK, Sweden and Norway, and making the top 20 in The Netherlands, Germany and Austria, Superunknown not only became the Seattle band’s breakthrough but also their most successful album. Even though Black Hole Sun doesn’t have what you would call a catchy melody in the traditional sense, it still can easily get stuck in your brain!

Goodbye June/Stand and Deliver

And once again it’s time to wrap up another six-track journey. For my last pick, I’d like to jump to the present and Goodbye June, an exciting band that has been around since 2005. I love their embrace of classic rock, so it’s not surprising I’ve featured the band several times since I first came across them in December 2021. Goodbye June are comprised of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. The group was formed in honor of Baker’s brother who died in a car accident in June 2005. In 2009, they relocated to Nashville where they gained a reputation for their fiery live shows. Three years later, the band’s debut album Nor the Wild Music Flow came out. Stand and Deliver is a track from Goodbye June’s fourth and most recent studio release See Where the Night Goes, which appeared on February 18. I can hear some great ’70s style rock in here like AC/DC, Led Zeppelin and Aerosmith – love it!

And, last but not least, here’s a Spotify playlist of today’s songs.

Sources: Wikipedia; YouTube; Spotify

If I Could Only Take One

My desert island tune by Atlanta Rhythm Section

Today I’m launching a new feature titled If I Could Only Take One…The idea is pretty simple: If I had to move to a desert island and could only take one song by artist or band x, which tune would I pick? This weekly series replaces The Hump Day Picker-Upper feature I retired last week.

For now, I’ve decided to identify the artists and bands by going through my streaming music library in alphabetic order, picking one of each, a to z. This would already translate into 26 posts. If I have more endurance, the same process could be repeated with different picks for each letter.

To minimize redundant content, I also envisage focusing on artists and bands I haven’t covered or only covered a few times. This would exclude bands like AC/DC, The Beatles and The Rolling Stones and artists, such as Bob Dylan, Carole King or Neil Young, to name a few of the regulars on the blog.

My pick for the inaugural installment is Spooky by Atlanta Rhythm Section. In this case, the decision of which song to pick was fairly simple since I only know a handful of tunes by the Southern rock band that has been around since 1970. Their take of the groovy tune was included on their eighth studio album Underdog from June 1979. I’ve always dug it!

Spooky, one of ALR’s best-known songs, was also released separately as a single in August 1979. In the U.S., it reached no. 17 on the Billboard Hot 100. It also charted in Canada and Australia.

Originally, Spooky was written as an instrumental by saxophonist Mike Shapiro and Harry Middlebrooks Jr. Performed by Shapiro and released under the name Mike Sharpe, the track first appeared in 1967 and climbed to no. 57 on the U.S. pop charts. That was all complete news to me!

The next iteration of Spooky occurred in 1968 when a band called Classics IV recorded it as the title track of their debut album – again something I had not heard before. The group’s guitarist and songwriter James Cobb and producer Buddy Buie added lyrics, for which they earned credits. Mike Shapiro played the saxophone solo. And this is how it sounded – pretty similar to ALR.

Two years later, Classics IV keyboarder Dean Daughtry became a co-founding member of Atlanta Rhythm Section, along with Rodney Justo (vocals), Barry Bailey (guitar), Paul Goddard (bass) and Robert Nix (drums). James Cobb joined in 1972.

Spooky has also been recorded by numerous other artists, including Dusty Springfield, Percy Sledge, Martha Reeves, R.E.M. and David Sanborn.

Here’s a playlist of different renditions of Spooky. Unfortunately, I couldn’t find the original instrumental on Spotify.

Sources: Wikipedia; YouTube; Spotify

Goodbye June’s New Album Rocks, Classic Style

Goodbye June first entered my radar screen last December when I featured the title track of their then-forthcoming album See Where the Night Goes in a Best of What’s New installment. After listening to Breathe and Attack, which I included in my latest new music revue edition, it was an easy decision to dedicate an entire post to the group’s now-released fourth studio record, which came out on February 18.

See Where the Night Goes is the latest proof that while classic-style rock no longer is mainstream, it isn’t dead as is oftentimes claimed. Goodbye June, formed in Memphis, Tenn. in 2005, are part of what a July 2021 story in Guitar World called the New Wave of Classic Rock. Some of the other groups they noted in this context include Dirty Honey, Greta Van Fleet and Rival Sons. One band the story didn’t mention is Fortune Child, who were only founded in 2021 and may be the most recent in the pack. I featured one of their songs in yesterday’s Sunday Six installment.

Goodbye June are comprised of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. According to their AllMusic bio, they had first started making music together in their local church. The group was formed in honor of Baker’s brother who died in a car accident in June 2005. In 2009, they relocated to Nashville where they gained a reputation for their fiery live shows. Three years later, the band’s debut album Nor the Wild Music Flow came out.

Following extensive regional and some international touring, Goodbye June won first prize in 2014 in the Unsigned Music Competition. The band’s growing visibility led to a deal with Interscope Records. Their sophomore album Magic Valley appeared on that major label in May 2017. Let’s take a look at some music from See Where the Night Goes.

The album kicks off with Step Inside, credited to the three members of the band, as well as producer Paul Moak. The multi-instrumentalist from Nashville also contributed electric guitar, acoustic guitar, Clavinet, Mellotron, bass and percussion. Here’s the official video of the AC/DC-style rocker that pretty much sets the tone of the record.

Since I previously covered the title track and Breathe and Attack, I’m skipping these tunes here and go directly to Take a Ride. Like the opener, it was co-written by the band and Moak and is reminiscent of AC/DC as well. I could also see this tune on a Greta Van Fleet album.

Even high-energy rockers sometimes need to slow down. Here’s the rock ballad What I Need, credited to the band and Scott Stevens, another local Nashville artist. Call me crazy, I’m hearing some Lenny Kravitz here!

Let’s do two more: Here’s Baby, I’m Back, another Milbourn/Qualkenbush/ Baker/Moak co-write.

A tune titled Three Chords by a band like Goodbye June sounds promising, and it certainly doesn’t disappoint: Give ’em three chords/And the Holy Ghost/They’ll start a-moving/And shaking on the floor…Come on, boys, take us to rock & roll church!

Yes, Goodbye June aren’t exactly reinventing the classic rock wheel on See Where the Night Goes. And that’s precisely why I love it!

Sources: Wikipedia; Guitar World; AllMusic; Discogs; YouTube; Spotify

Best of What’s New

A selection of newly released music that caught my attention

Another Saturday is upon us. Today, Best of What’s New is hitting a milestone of sorts with its 100th installment. Since the publication of the weekly feature’s inaugural post on March 21, 2020, I’ve covered more than 400 newly released songs. Discovering tunes I sufficiently like can be a challenge, given I’m primarily into the ’60s and ’70s. But I continue to be encouraged it’s still possible to find decent new music, as long as you are willing to look for it. Let’s get to this week’s picks, which all are on albums that were released yesterday (February 18).

Gregor Barnett/Driving Through the Night

I’d like to kick things off with new music from the debut solo album by Gregor Barnett. He is best known as a co-founder of Philadelphia-based punk band The Menzingers, which has been around since 2006. Here’s an excerpt from Barnett’s bio on the website of his label Epitaph Records: “It was this perfect storm,” says Menzingers guitarist/co-vocalist Gregor Barnett. “The band couldn’t tour, I was going through a really difficult time, and I was stuck at home watching my family struggle with illness and death and hardship. The only thing I could do was write my way through it.”And yet, despite all the turbulence surrounding its creation, there’s something deeply hopeful and reassuring about Don’t Go Throwing Roses In My Grave, Barnett’s debut release under his own name. Written and recorded in the midst of the COVID-19 pandemic, the collection is a sonic departure from Barnett’s more punk-leaning work with The Menzingers, drawing on the gritty, off-kilter Americana of Tom Waits or Warren Zevon as it faces down loss and doubt in search of relief and redemption. Here’s Driving Through the Night, which like all other tracks on the album was penned by Barnett. I like his sound!

The Heavy Hours/Wasting All Our Time

The Heavy Hours are an alternative rock band from Cincinnati, Ohio. Here’s more from their website: On the heels of releasing their acclaimed Wildfire EP (2021) in the midst of a global pandemic, The Heavy Hours now return with Gardens, a full-length album that further exemplifies their distinctive strain of warm-hearted, open-armed alternative rock. The Cincinnati, Ohio-based quartet recorded Gardens several years ago, long before the group had management, an agent or a record label in their corner. With money they had collectively saved up, each of the members took a week off of work and set out to record a pocket full of songs at Montrose Recording located on remote farmland in Richmond, Virginia with producer Adrian Olsen (Nate Smith, Foxygen, Futurebirds). Somehow these early studio recordings found their way into the hands of multi GRAMMY award-winning producer/songwriter and Black Keys frontman Dan Auerbach who immediately took a shine to the band and in turn led to organizing a writing session in Nashville, TN, which crafted tracks released on the Wildfire EP. This brings me to Gardens, which according to this mini-documentary was recorded in 2018. Here’s Wasting All Our Time, credited to all four members of the band: Andrew Yorio, Michael Marcagi, Jonathan Todd Moon and Ian Malott. I’m glad The Heavy Hours were finally able to release this great music.

Sarah Shook & the Disarmers/Been Lovin’ You Too Long

Sarah Shook & the Disarmers are a band around country singer-songwriter Sarah Shook. According to her Apple Music profile, Shook was born in Rochester, New York in 1985. She was raised in a deeply religious household, home schooled, and only allowed to listen to classical or Christian praise music as she grew up. Despite these restrictions, Shook taught herself to play guitar in high school and began writing songs…In 2010, she put together her first band, Sarah Shook & the Devil, who issued an EP in 2013, Seven. By the end of 2013, that band had split, and Shook & the Devil guitarist Eric Peterson started over with the group Sarah Shook & the Dirty Hand, a stopgap project that played live around the Chapel Hill area. Meanwhile, Shook had found a fan in producer and engineer Ian Schreier, who was eager to make a record with her. In 2015, she and Peterson assembled a new band to record with Schreier, which also included Aaron Olivia on bass, Phil Sullivan on pedal steel, and John Howie, Jr. (who is also Shook’s partner) on drums. The new combo, dubbed the Disarmers, cut their debut album live in the studio with Schreier at the controls. Sidelong was self-released in late 2015. Fast-forward about six years and two months to Nightroamer, the third album by Sarah Shook & the Disarmers. All tunes on the record were written by Shook. Here’s Been Lovin’ You Too Long.

Goodbye June/Breathe and Attack

My last pick for this week is by Goodbye June, a rock band from Nashville, Tenn., formed in 2005. I first featured them in a Best of What’s New installment in December 2021. The group consists of Landon Milbourn (lead vocals), Brandon Qualkenbush (rhythm guitar, bass, backing vocals) and Tyler Baker (lead guitar), who are all cousins. Apple Music describes them as a hard rock band who blend a rootsy sound with big guitars and plenty of strutting style. Their debut album Nor the Wild Music Flow came out in 2012. Breathe and Attack is from their fourth and latest studio album See Where the Night Goes. I said it before, I’ll say it again: This band reminds me of AC/DC. Milbourn has some of that Bon Scott swagger, and their guitar-playing stylistically is pretty similar to the rock & roll band from down under. Check it out!

Before I wrap up, here’s a playlist of the above tunes. As usual, I threw in a few others by the featured bands.

Sources: Wikipedia; Epitaph Records website; The Heavy Hours website; Apple Music; YouTube; Spotify

Keep On Rocking 40-Plus Years and Counting

The most famous line-up of my all-time favorite band The Beatles existed from August 1962 until September 1969 when they collectively recorded their last song appropriately titled The End, the final track of the Abbey Road album – not a bad duration for a band, given the music business oftentimes is dominated by larger-than-life egos. Yet as productive as The Fab Four were, these seven years look pretty moderate compared to the groups featured in this post, who have been rocking for more than 40 years – in one case even reaching 60 years!

Following are three criteria a band needed to satisfy to be considered for the post. They need to have at least one remaining original member. A group’s duration was measured in terms of active years, not how long they have been together on paper. For example, while Deep Purple were founded in 1968, they “only” have played together for 48 years, not 54 years, if you consider their break-up between 1976 and 1984. Last but not least, I solely included bands I like.

Following I’m highlighting six groups in chronological order of when they were founded with one tune from each. A Spotify playlist at the end of the post includes those tracks, plus songs from a few additional bands meeting the above criteria. Altogether, I decided to include 10 picks. Let’s get to it.

The Rolling Stones

The Rolling Stones, formed in 1962, have been active for an incredible 60 years, making them the longest-running band on this list. With Mick Jagger and Keith Richards, they still have two original members who have been key to the group. It’s also noteworthy that Ronnie Wood has been part of the line-up since 1975. Sadly, the Stones lost their long-time drummer Charlie Watts last August. He had joined them back in 1963. To date, the Stones have released 30 studio albums, 33 live records and 29 compilations, among others. On November 23, 2021, they finished their most recent tour (No Filter Tour) in Hollywood, Fla. Here’s Jumpin’ Jack Flash, which first appeared in May 1968 as a non-album single.

The Who

Approximately two years after the Stones, in 1964, another dynamite British rock band was formed: The Who. Like their compatriots, the group has two original and essential members to this day, guitarist Pete Townshend and lead vocalist Roger Daltrey. Counting various breaks along the way, The Who have been active for 50 years. Their catalog includes 12 studio albums, 16 live recordings and 32 compilations, among others. Just on Monday this week, The Who announced a 2022 North American tour, The Who Hits Back, scheduled to kick off on April 22 at Hardrock Live in Hollywood, Fla. – the very same venue where the Stones wrapped up their tour last year. Messrs. Daltrey and Townshend and their band are playing New York’s Madison Square Garden on May 26 – damn, this is tempting! Here’s Going Mobile from my favorite Who album Who’s Next.

Deep Purple

On to my favorite hard rock band of all time, Deep Purple, who were initially established in 1968. One of the founding members, drummer Ian Paice, remains part of the group’s current formation. Two additional present members, bassist Roger Glover and lead vocalist Ian Gillan joined in 1969, and as such were part of the group’s classic line-up that also included guitarist Ritchie Blackmore and organist Jon Lord. Deep Purple’s discography encompasses 22 studio albums, 45 live records and 28 compilations. The band is also touring this year starting in May, mostly in Europe. Here’s the epic Child in Time, a track from their fourth studio album Deep Purple in Rock released in June 1970 – the first to feature the classic line-up.

Aerosmith

The bad boys from Boston were formed in 1970. Remarkably, four of the group’s current five members are co-founders: Steven Tyler (lead vocals, harmonica, percussion), Joe Perry (guitar, backing vocals), Tom Hamilton (bass) and Joey Kramer (drums, percussion). Second guitarist Brad Whitford joined in 1971. While Perry and Whitford, respectively, had five and three-year interruptions in-between and missed the 1982 Rock in a Hard Place album, Tyler, Hamilton and Kramer have played on all of the band’s 15 studio records to date. Aerosmith’s catalog also includes six live records and 16 compilations. On January 31, the group announced the cancellation of their European tour that had been planned for June and July, citing uncertainty around the pandemic. Here’s Janie’s Got a Gun, one of my favorite Aerosmith tunes off their 10th studio album Pump, released in September 1989.

AC/DC

Australian rock and rollers AC/DC have been around since 1973. Not counting their hiatus between 2016 and 2020, this amounts to 45 years. Lead guitarist Angus Young remains as the only founding member. There are three other longtime members: Phil Rudd (drums), Cliff Williams (bass, backing vocals) and Brian Johnson (lead vocals), who first joined the band in 1975, 1977 and 1980, respectively. AC/DC’s catalog features 17 studio albums, three live records and two box sets, among others. Here’s Play Ball, a great track from the group’s 16th studio album Rock or Bust that appeared in November 2014, featuring all of the above members.

U2

The last group I’d like to highlight in this upfront section of the post are Irish rockers U2 who were formed in Dublin in 1976 under the name Feedback. It’s the only band on this list whose current members were all co-founders. That being said, their present line-up is not the group’s initial formation, which during their first year also included a second guitarist, Dik Evans, the older brother of David Evans known as The Edge. U2’s other members are Paul Hewson (Bono), Adam Clayton (bass) and Larry Mullen Jr. (drums). To date, the band’s discography consists of 14 studio albums, one live record and three compilations, among others. U2 were most recently on the road in 2019 for the second part of The Joshua Tree Tour. I caught one of the shows during the first part of that tour in 2017 – my only U2 concert so far, and a memorable experience! Here’s Red Hill Mining Town, a track from my favorite U2 album The Joshua Tree that came out in March 1987.

Following is the aforementioned Spotify list.

Sources: Wikipedia; The Who website; Deep Purple website; Aerosmith website; YouTube; Spotify