If You Can’t See The One You Love, See The One You Can

According to my good music blogger friend Music Enthusiast, who only not writes a great blog but also seems to be a pretty good guitarist, I’m the King of the Tribute Band. As such, I thought I have to live up to the kind title and do a piece on tribute bands.

In 1970, Stephen Stills wrote the lyrics, And if you can’t be with the one you love, love the one you’re with. Since this pretty much captures how I generally feel about tribute bands, I used a variation of Stills’ words as the headline for this post.

I know some folks are only mildly excited about the concept. While I acknowledge it’s hard to find tribute bands that sound exactly like the real artists, as long as they don’t sound terrible, I enjoy seeing them. Since I usually do some research before going to a show, I’ve yet to have a bad experience.

Here’s how I look at it. With today’s oftentimes outrageous ticket prices, I simply can’t afford to see everybody I like; and even if I could, many of my favorite artists or bands are no longer around. Some of the best tribute bands I’ve seen performed at free summer-concert-in-the-park type of events, or music festivals with very reasonable cover charges. So for little or no money I can listen to music I dig – not much of a downside here, in my opinion!

Following are some tribute bands I like and have seen over the past couple of years.

Who’s Next

Their name already pretty much says it all. Who’s Next is a tribute to The Who. Like The Who, I’ve seen them twice and thought they were dynamite. Their members include Bill Canell as Pete TownshendDave McDonald as Roger DaltreyMike Conte as John Entwistle and Rich Savarese as Keith Moon. Apart from nicely capturing the sound and energy of the British rockers, these four guys also look a bit like their heroes. All of this is pretty remarkable, given the band doesn’t appear to perform frequently. For more information, check out their website. Here’s The Real Me and 5:15 I captured earlier this year during a British Invasion festival in Atlantic City.

Britain’s Finest

As a huge fan of The Beatles, of course I need to include a tribute band in this post! There are many tribute acts to the Fab Four, and I must have seen at least half a dozen myself. One of the best if not the best is Britain’s Finest. Similar to Who’s Next, their show is about both recreating the sound and the looks – they even mimic The Beatles’ humor. According to their Facebook page, Britain’s Finest were founded in Los Angeles in September 2011. Their lineup features Ruben Amaya (John Lennon), Benjamin Chadwick (Paul McCartney), Robert F. Bielma (George Harrison) and Luis G. Renteria (Ringo Starr). Here’s a clip of She Loves You.

The Glimmer Twins

Adopting the nickname of the songwriting partnership of Mick Jagger and Keith Richards, the Glimmer Twins hail from Philadelphia. The band is led by Keith Call (vocals, harp) and Bernie Bollendorf (guitars, vocals), who bring to life the sound and looks of Jagger and Richards in the ’70s. While the band’s remaining musicians don’t resemble the other members of The Rolling Stones, they sound pretty awesome:  Michael Rubino (guitars), Bobby Corea (drums), Rob Ekstedt (Bass), Rocco Notte (keyboards), Valorie Steel (vocals), Bobby Michaels (saxophone, flute, organ) and Carl Crabtree (saxophone, organ, acoustic guitar). For more information, check out their website. Here’s their rendition of Jumpin’ Jack Flash.

STARMAN: The Bowie Tribute

Formed in 2014, STARMAN is a tribute band to David Bowie. While Bowie obviously was a very well-known artist, I was still intrigued when I learned about these guys recently. Unlike The Beatles, I don’t think there are many Bowie tributes out there, which was in part why I decided to catch one of their recent gigs. In addition to Bowie’s songs, this Jersey band captures the looks and stage shows during different times of his career. STARMAN are Johwie Bowie (lead vocals), David Citron (keyboards, vocals), Tom Coughlin (saxophone, guitar, vocals), Jody Lynn Lisa (vocals, percussion), Mark Christopher (lead guitar), Dan D’Elia (drums) and Phil Liebergall (bass, vocals). Additional information can be found on their website. Here’s a clip of Ziggy Stardust and Suffragette City from the above mentioned show I attended.

TUSK

TUSK, another band from New Jersey, is an excellent tribute to Fleetwood Mac I’ve seen a couple of times. While their website and Facebook page don’t mention when they were founded, it’s clear their members are longtime artists. The band, which captures Fleetwood Mac during their most commercially successful phase, features Kathy Phillips (vocals) as Stevie NicksKim Williams (keyboards, vocals) as Christine McVieScott McDonald (guitars, vocals) as Lindsey BuckinghamRandy Atiglere (bass) as John McVie, and Tom Nelson (drums) as Mick Fleetwood. According to their website, TUSK has a packed schedule and tours nationally. What struck me the most about them was how well they capture Mac’s harmony vocals. Check out this clip of The Chain.

Hotel California

To recreate the music of the Eagles, especially the harmony vocals, is a formidable task. While I’ve seen a few Eagles tribute bands, Hotel California from Toronto, Canada has been the most compelling thus far. Undoubtedly, at least in part this must be the result of their longtime experience – the band was founded in 1986. The current lineup includes  Andy Lapointe  (bass, vocals), Mike Dimoulas (electric guitar, acoustic guitar, keyboards, double-neck guitar, Talk Box, vocals), Rick Spyder (electric guitar, vocals) and Kevin O’Donnell (drums, vocals). The band’s website reveals that they tour heavily throughout Canada and the U.S. Here’s a nice highlights reel. While it’s a few years old, this is how I recall they sounded when I saw them last September.

Get The Led Out

Get The Led Out, another band from Philadelphia, are an amazing Led Zeppelin tribute that got together in 2003. Rather than aiming to look like Robert Plant, Jimmy Page, John Paul Jones and John Bonham or sound like they did in concert, these guys are all about bringing Zeppelin’s studio sound live to the stage. And that takes more than four musicians – six to be precise: Paul Sinclair (lead vocals, harmonica), Paul Hammond  (electric and acoustic guitars, mandolin), Jimmy Marchiano (electric and acoustic guitars), Phil D’Agostino (bass, vocals), Andrew Lipke (keyboards, electric and acoustic guitars, vocals, percussion) and Adam Ferraiolo (drums, percussion). In addition, Diana DeSantis serves as guest vocalist for The Battle Of Evermore. I saw GTLO last November, and boy did they kick ass! The band’s current national tour schedule is on their website. Here’s a clip of Whole Lotta Love.

Echoes

This Pink Floyd tribute band from Delaware was founded in 1991. I’ve had the fortune to experience the real Pink Floyd (minus Roger Waters) twice and was really impressed how well Echoes recreated their complex music when I saw them last September. The band includes John Cassidy (drums, vocals), Kyle Frederick (bass), Dan Long  (keyboards, sound effects, vocals), John Ratcliffe (vocals, guitar), William (Bill) Swezey  (guitar, vocals), David Fox (guitar, lap steel), Andrew Bedell (saxophone), Michelle Sumler Hover (backing vocals), Chris Tuminello Duncan (backing vocals, keyboards) and Kat Pigliacampi (backing vocals). Here’s a highlights reel from their website.

Yes, I’ve seen many tribute bands, and the king is ready to see more! One event I particularly look forward to in this context is Rock The Farm in Seaside Heights, N.J. at the end of September. This annual one-day music festival features an impressive amount of tribute bands. In addition to Decade and TUSK, the 2018 lineup includes tributes to AC/DC, Tom Petty & The Heartbreakers, Aerosmith and Guns ‘N Roses, among others. Best of all, the CFC Loud N Clear Foundation, which puts on Rock The Farm, leverages the event to raise money for addiction recovery programs and other related services. For more information, visit https://rockthefarmnj.com/

Sources: Who’s Next website, Britain’s Finest Facebook page; The Glimmer Twins website; STARMAN website; TUSK website; Hotel California website; Get The Led Out website; Echoes website; YouTube

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My Longtime Favorite Albums

Ten records I continue to enjoy after more than three decades

Earlier this week, I got nominated on Facebook to name 10 music albums that have made an impact on me and that I continue to enjoy today. The task was to post one album cover daily, and each time when doing so to nominate somebody else to do the same. Usually, I don’t participate in these types of chain activities, so initially, I ignored it. But since it was a close relative, who had nominated me, and music is my passion after all, I decided to go along. The exercise of identifying the 10 records inspired this post.

Because I found it impossible to limit myself to just 10 albums, I decided to narrow the field to only those records I started listening to as a teenager and in my early 20s. This explains why some of my favorite artists like The Allman Brothers Band, Buddy Guy and even The Rolling Stones are “missing.” It was only later that I started exploring them and many other artists I like today in greater detail. Without further ado, here is the list in no particular order, together with one song from each album.

As frequent readers of the blog know, I’m a huge fan of The Beatles. Sgt. Pepper’s Lonely Hearts Club Band, their 8th studio album from May 1967, is my favorite among their records.

The Beatles_Sgt. Pepper

Here’s the great closer A Day In The Life, which except for the middle section was mainly written by John Lennon, though as usually was credited to him and Paul McCartney.

Tapestry by Carole King was one of the earliest albums I listened to when I was 10 years old or so. Back then, I didn’t understand the lyrics but liked the music. Today, I dig the record for both the music and the lyrics. There is a timeless beauty in King’s tunes, and to me Tapestry is perhaps the ultimate singer-songwriter record.

carole-king-tapestry

There are so many great songs on this gem from February 1971, so it’s hard to chose one. Here’s Way Over Yonder. King’s soulful singing and the saxophone solo are two of the tune’s features I’ve always liked.

The Eagles’ Hotel California is an album I’ve owned on vinyl since I guess the early ’80s. It was released in December 1976 as the band’s fifth studio record.

Eagles_Hotel California

Here’s a live version of the epic title song, which is included in the album’s 40th anniversary deluxe edition that appeared in November last year. The tune was co-written by Don Felder, Don Henley and Glenn Frey. The distinct extended guitar interplay at the end featured Felder and Joe Walsh. This tune just never gets boring!

It was the Born In The U.S.A. album from June 1984, which put Bruce Springsteen on my radar screen.

Bruce Springsteen_Born In The USA

Here’s Bobby Jean, one of the album’s few tunes that wasn’t also released separately as a single. On this one, I particularly love the saxophone solo by Clarence Clemons, who was such an ace player.

Deep Purple to this day remains my first choice when it comes to hard rock, and Machine Head from March 1972 is the crown jewel in their catalog. The band’s sixth studio album featured their best line-up that included Ian Gillan (vocals), Ritchie Blackmore (guitar), Jon Lord (keyboards), Roger Glover (bass) and Ian Paice (drums, percussion).

Deep Purple_Machine Head

Here’s Pictures Of Home, which like all tracks on the album were credited to all members of the band. In addition to Lord’s great keyboard work, one of the tune’s characteristic features is a cool bass solo by Glover (starting at 3:40 minutes).

My introduction to John Mellencamp was Scaregrow, his eighth studio album from August 1995, but it was the follow-up record The Lonesome Jubilee, released in August 1987, that turned me into a fan.

John Mellencamp_The Lonesome Jubilee

Here is the great opener Paper In Fire, which also became the album’s lead single. Like all tunes except one, it was written by Mellencamp.

While it was pretty clear to me that a Pink Floyd album needed to be among my longtime top 10 records, the decision which one to pick wasn’t easy. I decided to go with The Dark Side Of The Moon but also could have gone with Wish You Were Here. I started listening to both albums at around the same time during the second half of the ’70s.

Pink Floyd_The Dark Side Of The Moon

I’ve chosen to highlight The Great Gig In The Sky. I’ve always liked the incredible part by vocalist Clare Torry.

I believe the first Steely Dan song I ever heard was Do It Again on the radio. By the time I got to Aja, I already knew the band’s debut record Can’t Buy A Thrill and, because of Rikki Don’t Lose That Number, their third album Pretzel Logic. While I liked both of these records, the Aja album from September 1977 became my favorite, after a good friend had brought it to my attention.

Steely Dan_Aja

Here is Deacon Blues, which also was released separately as the album’s second single. Like all tunes on the record, it was co-written by Walter Becker and Donald Fagen.

I was hooked to Live Rust the very first time I listened to it. Neil Young’s album from November 1979 pretty much is a live compilation of his greatest ’70s hits.

Neil Young_Live Rust

My, My, Hey, Hey (Out Of The Blue) is among the record’s highlights. The song was co-written by Young and Jeff Blackburn.

Led Zeppelin wasn’t exactly love at first sight. My first exposure was Led Zeppelin IV, the band’s fourth studio album from November 1971. I bought the record because of Stairway To Heaven.

Led Zeppelin_Led Zeppelin IV

I had listened to Stairway on the radio where they always faded it out before the heavy rock section at the end of the tune. I still remember the shock when I listened to the song in its entirety for the first time. I had just started taking classic guitar lessons and was very much into acoustic guitar. I simply couldn’t understand how Zep could have “ruined” this beautiful song by giving it a heavy metal ending. Well, today it is exactly because of its build why this track has become one of my favorite tunes. But instead of Stairway, I’d like to finish this post with Going To California, a beautiful acoustic ballad co-written by Jimmy Page and Robert Plant.

Sources: Wikipedia, YouTube

Well, If You Ever Plan To Motor West…

Just take my way, it’s the highway, it’s the best…

Get your kicks on Route 66. These lines of course are the beginning of the opening verse from the well-known R&B standard composed by American songwriter Bobby Troup in 1946. Frequent readers of the blog may notice it’s not the first time I write about this tune. So what’s going on here?

To me Route 66 simply is one of the best car songs I know, along with Highway Star, Born To Be Wild (wait, isn’t that from a famous picture about bikers?) and Radar Love, to name a few others. And, yes, I also enjoy driving and believe a road trip is the best way to explore the U.S., even though it sounds so 20th century! Heck, most of the music I like is from that period as well, so I guess I’m living in the wrong century!

Now that my slight obsession with Route 66 and car travel is out of the way, I thought it would be fun to put together a playlist of different versions of the song. The tune has been covered by numerous artists over the decades. In fact, if I would look long enough, it might even be possible to find 66 versions. While perhaps that may be clever, it would be a bit of overkill, even for a Route 66 fan like me. Therefore, I’d like to keep this post to six versions.

Let’s kick things off from the beginning with the first recording of the tune by the King Cole Trio. BTW, the song’s full title is (Get Your Kicks) On Route 66. This first recorded version was released in 1946, some 72 years ago! I love that jazz groove and how relaxed the musicians are playing in this clip. It shows that great music stands the test of time.

Next up is the excellent cover by Chuck Berry. He included it on his fifth studio LP from March 1961 New Juke Box Hits. Unlike many of his other tunes he had released before then, it didn’t become a hit. Neither did the record, which came out while Berry was in legal trouble that led to 1.5 years of incarceration starting in 1962 – not good for PR!

Perhaps one of the best known covers is the version by The Rolling Stones, which appears on both their 1964 UK and US debut records The Rolling Stones and The Rolling Stones (England’s Newest Hit Makers), respectively. Instead, I’m highlighting the 1965 cover by Them from that band’s debut The Angry Young Them. I like this take even better than the Stones, and I say this as a Stones fan. The musicians are giving a killer performance here, including great piano and guitar solos, while Van Morrison’s voice is a bit reminiscent of Mick Jagger. They don’t call him Van the Man for nothing!

Another cool hard-charging cover of Route 66 is by British pub rockers Dr. Feelgood. They included the tune on their 1975 debut Down By The Jetty. I’d go see these guys in a bar!

And how about a largely a cappella version by The Manhattan Transfer? If I see it correctly, the jazz vocal group first recorded Route 66 for their eighth studio album Bop Doo-Wopp, released in 1984. The clip below apparently was captured during a 2008 live performance. There is just something special about a vocal band, particularly if they can sing like these guys!

The last Route 66 cover I’m including here is another nice jazzy version by an unexpected artist: Glenn Frey. I also like the touch of country created by the pedal steel guitar. This version appears on Frey’s final studio album After Hours from May 2012, a collection of tunes from the Great American Songbook. It proves what a versatile artist Frey was. Here’s the official video – makes me want to snip my fingers right along with the groove.

While I understand there is very little left of the Mother Road, one of these years, I’d like to take that California trip from Chicago to LA, more than 2,000 miles all the way – according to Wikipedia, the original Route 66 covered a total of 2,448 miles. Maybe something for my 66th birthday? Okay, I guess I’m starting to overthink it now!

Sources: Wikipedia, YouTube

The Best Super Bowl Halftime Shows

With Super Bowl 2018 weekend being here, I thought it would be fun to revisit and update my post from last February about my favorite halftime shows. I’m afraid the sport still remains an acquired taste for me. American football simply was an afterthought in the soccer nation of Germany where I grew up. I also don’t have a horse in the upcoming game – may the better team win!

What excites me much more about the Super Bowl are some of the past halftime shows.  An impressive array of music artists have performed at the big event over the years. Typically, the gigs only last for about 13 minutes – barely enough time for four songs or so. This means performers need to figure out sets that stick to the tight time limit while making their fans happy – not an easy task! Oftentimes, this means rearranging tunes to make them tighter and playing medleys.

Following are some of my favorite Super Bowl halftime shows.

The Who (Super Bowl XLIV, Miami, Feb 7, 2010)

Drawing from the Tommy, Who’s Next and Who Are You albums, the set list featured some of the band’s best known classics, including Pinball Wizard, Baba O’Riley, Who Are You, See Me, Feel Me and Won’t Get Fooled Again. When I saw The Who a few years ago, it almost was if time had stood still. These guys continue to bring it.

Bruce Springsteen and the E Street Band (Super Bowl XLIII, Tampa, Feb 1, 2009)

This must have been one of shortest gigs for the Boss, who is of course notorious for delivering one-of-a-kind rock & roll marathons. Springsteen mostly stuck to crowd-pleasers and also threw in what at the time was a newer tune. The set list included Tenth Avenue Freeze-Out, Born to Run, Working on a Dream and Glory Days. It may have been short, but Springsteen sure as heck delivered, as he usually does – and looked like he had a great time!

Tom Petty and The Heartbreakers (Super Bowl XLII, Glendale, AZ, Feb 3, 2008)

How I could have forgotten Tom Petty in my initial post last year is a mystery to me. As Rolling Stone and other media outlets reported a couple of weeks ago, the official cause of his untimely death was an accidental overdose from various pain medicines to treat a fractured hip and other health issues. I still have a hard time grasping he is gone, especially when watching this performance. The set featured some of his best known songs, including American Girl, I Won’t Back Down, Free Fallin’ and Runnin’ Down a Dream.

The Rolling Stones (Super Bowl XL, Detroit, Feb 5, 2006)

Similar to the Boss, the Stones opted to combine two of their biggest hits with one of their then-newer songs: Start Me Up, Rough Justice and (I Can’t Get No) Satisfaction. While the band delivered a solid performance, their gig became more known for Mick Jagger’s mic being dialed down during two lines of the lyrics of Start Me Up and Rough Justice. Feeling the lines could be viewed as offensive, the NFL decided not to take any chances and censored the songs, following the uproar over Janet Jackson’s “wardrobe malfunction” during the Super Bowl 2004 halftime show. From today’s perspective, it all looks pretty laughable.

Paul McCartney (Super Bowl XXXIX, Jacksonville, Fla, Feb 6, 2005)

Paul McCartney is an amazing live performer and still gives me a thrill each time I see him play. Once again, he did not disappoint. In fact, I would consider his gig as one of the strongest Super Bowl halftime performances I know. His set focused on crowd-pleasers, mostly featuring Beatles songs, and one of his biggest successes with the Wings: Drive My Car, Get Back, Live and Die and Hey Jude.

U2 (Super Bowl XXXVI, New Orleans, La., Feb 3, 2002)

U2’s halftime performance at the Super Bowl in 2002, just four months after 9/11, was a tribute to those killed in the terrorist attacks. It is one of the most memorable performances I have watched. Songs included Beautiful Day, MLK and the epic Where The Streets Have No Name.

Sources: Wikipedia, Rolling Stone, YouTube

 

 

 

The Softer Side Of Led Zeppelin

A list of some of my favorite softer Zep tunes

Apart from crunchy rockers like Good Times Bad Times, Whole Lotta Love and Black Dog, Led Zeppelin has recorded a number of softer, oftentimes more acoustically-focused tracks. I was reminded of this earlier today when listening to Thank You and thought it would be fun to put together a list of such tunes I like in particular.

Your Time Is Gonna Come (Led Zeppelin, 1969)

Written by John Paul Jones, Jimmy Page and Robert Plant, Your Time Is Gonna Come appeared on Zep’s eponymous debut album. According to Wikipedia, on this ballad about an unfaithful girl, Page used an out-of-tune Fender 10-string steel guitar. The amazing church-like-sounding organ was played by Jones, who used a pedal for the bass line. Rarely has a combination of a Hammond and out-of-tune steel guitar sounded so beautiful to me!

Thank You (Led Zeppelin II, 1969)

This gem is from the band’s second studio album and is credited to Plant and Page. The sound of Jones’ Hammond organ is similar to Your Time Is Gonna Come. The song is a tribute to Plant’s then-wife Maureen Wilson and was the first Zep tune, for which he wrote the entire lyrics.

Tangerine (Led Zeppelin III, 1970)

Composed by Page, this folk-rock ballad was included on Led Zeppelin’s third studio album. According to Wikipedia, the song’s origins date back to Page’s time with the Yardbirds when that band recorded a demo of a tune called Knowing That I’m Losing You in April 1968, which sounds very similar to Tangerine.

The Battle Of Evermore (Led Zeppelin IV, 1971)

This beautiful folk duet sung by Plant and English singer-songwriter Alexandra Elene MacLean Denny (Sandy Denny) is one of the highlights of Zeppelin’s catalog, in my opinion. Credited to Page and Plant, The Battle Of Evermore features Page on mandolin and Jones on acoustic guitar. During a 1977 interview with Dave Schulps, senior editor of Trouser Press, Page explained the tune “was made up on the spot by Robert and myself. I just picked up John Paul Jones’s mandolin, never having played a mandolin before, and just wrote up the chords and the whole thing in one sitting.” It appears Page was a quick learner!

The Rain Song (Houses Of The Holy, 1973)

This more than seven-and-a-half-minute ballad, which was written by Page and Plant, is from Zep’s fourth studio album. One of the tune’s characteristic features is a Mellotron keyboard played by Jones, which helps create the soft orchestral sound.

All My Love (In Through The Out Door, 1979)

As previously noted here, I think All My Love is the highlight of In Through The Out Door, Led Zeppelin’s eighth and final album prior to the death of drummer John Bonham. Written by Jones and Plant, the tune prominently features a Yamaha GX-1, which Jones had just bought from Keith Emerson. I totally dig the sound of this polyphonic synthesizer.

Sources: Wikipedia, Trouser Press, YouTube

When Less Is More

A list of some of my favorite unplugged performances

Do you remember when in the ’90s many music artists suddenly seemed to realize they could deliver more intimate performances by sitting down on stage with their bands and largely replacing electric with acoustic instruments? Unplugged albums quickly became en vogue. They also helped revive flagging careers of some artists, such as Eric Clapton and Rod Stewart. Undoubtedly, the television series MTV Unplugged fueled this trend.

To perform music that originally was written for electric instruments in a stripped down fashion required a good degree of craftsmanship. Gone were many of the sound effects behind which artists had been able to “hide.” While as is oftentimes the case with fashionable trends the unplugged wave may have been a bit overdone, the concept has generally appealed to me as a hobby guitarist. Following are five of my favorite unplugged performances.

I also would have loved to include the fantastic version of Hotel California by the Eagles from their great Hell Freezes Over album. But this band is very protective of their music, and even if you’re lucky enough to find a specific song you want on YouTube, oftentimes the clips are taken down, and before you know it, you have a dead link – not fun!

Billy Idol/White Wedding (VH-1 Storyteller, 2002)

Billy Idol may have been a fashion punk who became known for playing commercial music that didn’t have anything to do anything with punk. But in my opinion, he surely knew how to write tunes with catchy melodies that rocked. Undoubtedly, a major role in all of it played his guitarist Steve Stevens, who co-wrote various of Idol’s biggest hits, such as Rebel Yell, Eyes Without A Face and Flesh For Fantasy. Plus, Stevens is a hell of a guitarist, which this clip of White Wedding nice illustrates, one of the best unplugged performances I’ve seen. He continues to perform and tour with Idol to this day.

Eric Clapton/Layla (Unplugged, 1992)

To successfully strip down an iconic rock song like Layla, which in its original features fantastic guitar interplay by Eric Clapton and Duane Allman, is a formidable task. Clapton didn’t only do that, but gave the tune an entirely new character on his 1992 Unplugged album. In my opinion, the result is one of the best rock cover versions, similar to Joe Cocker’s rendition of With A Little Help From Friends by The Beatles.

Rod Stewart/Maggie May (Unplugged…And Seated, 1993)

Sometimes one may forget that Rod Stewart in his early days was a top-notch rock artist. I’ve always loved Maggie Mae, which he co-wrote with British guitarist and composer Martin Quittenton. The tune was originally recorded for Stewart’s third solo album Every Picture Tells A Story, released in May 1971. At the time, Stewart was still with The Faces. In fact, all of the band’s members played on the album. Notably, Ronnie Wood was also part of Unplugged…And Seated, Stewart’s excellent unplugged album from 1993, from which this clip is taken.

Nirvana/The Man Who Sold The World (MTV Unplugged In New York, 1993)

Nirvana’s unplugged version of The Man Who Sold The World is one of the most haunting covers of the David Bowie song I know. It was part of the band’s MTV Unplugged In New York album, which was recorded on November 18, 1993 – about four and a half months prior to Curt Cobain’s death. His almost painful singing, along with guitars that sound are out of tune, give this performance a somewhat creepy feel. It shows an artist who at the time was in the brutal throes of drug addiction and depression.

Neil Young/Like A Hurricane (Unplugged, 1993)

Like A Hurricane is one of my favorite rock tunes by Neil Young. Naturally, I was curious how he would handle an unplugged version of a song that in its initial recording is dominated by heavily distorted grunge-like electric guitar. In my opinion, Young’s performance with just an organ and a harmonica takes it to another level. The church-like sound of the organ combined with Young’s signature quavering voice induces chills and literally blows me away. Check it out yourself.

Sources: Wikipedia, YouTube

Making Your Christmas Groove

A list to get you into the mood for that most wonderful time of the year

When I was looking back at previous posts on the blog, I came across a list of Christmas rock, soul, rap and pop tunes I had put together last year. For the most part, I still stand behind it and thought it would be fitting to publish a slightly updated version.

One of the things I liked to do during the Christmas holiday while growing up in Germany many moons ago was to listen to my favorite radio station, which was then called SWF III. At that time of the year, the DJs would frequently play song requests from listeners. Not surprisingly, Christmas pop and rock songs were high in demand. Some of these tunes became seasonal anthems, such as Wham’s Last Christmas, Paul McCartney’s Wonderful Christmas Time and Band Aid’s Do They Know It’s Christmas. Okay, maybe these are not the most compelling examples, but these tunes come to mind first when I think about those times.

Some folks may cringe about the thought of pop and rock artists dressing up as Santa and performing Christmas songs, whether they are covers of traditional tunes or new songs with holiday themes. Others may get cynical about music artists and record companies all for a sudden discovering Jesus and Santa when people conveniently are willing to spend insane amounts of money on Christmas presents. I get all of that and being cynical about it is not unfounded.

Christmas Rocks

I still think there are some great Christmas rock and pop songs that have come out over the years – in fact, make that over the decades! Plus, let’s be honest, while many traditional Christmas tunes have beautiful melodies, they don’t exactly groove. I don’t know about you, but I like listening to music that makes me want to get up and move – by the way, probably not such a bad thing during the holiday season when many folks like to indulge on food and drink. So how about rockin’ and rollin’ off that of these extra calories!

Below are some clips of some of my favorite Christmas rock and pop tunes in no particular order: From John Lennon’s haunting Happy Xmas, to Chuck Berry’s rockin’ & rollin’ Run Rudolph Run, to Run-D.M.C.’s cool rap Christmas in Hollis, to AC/DC’s hard-charging Mistress For Christmas, to a fantastic live version of Feliz Navidad with José Feliciano and Daryl Hall, to the unforgettable James Brown and his funky Santa Claus Go Straight to the Ghetto, these tunes come in many different genres!

John Lennon/Happy Xmas (War Is Over) (1971)

Chuck Berry/Run Rudolph Run (1958)

The Pogues/Fairytale Of New York (1987)

Run-D.M.C./Christmas In Hollis (1987)

AC/DC/Mistress For Christmas (1990)

José Feliciano/Feliz Navidad (2010)

James Brown/Santa Claus, Go Straight To The Ghetto (1968)

Otis Redding/Merry Christmas Baby (posthumous, 1968)

The Ravers/(It’s Gonna Be) A Punk Rock Christmas (1978)

Bruce Springsteen and The E Street Band/Santa Claus Is Coming To Town (2007

Happy Holiday season!

Sources: Wikipedia, YouTube