Stars of Stax

Some of my favorite artists who recorded at the legendary Memphis record label

This year marks the 60th anniversary of Stax Records. I’ve always been impressed with the amazing array of artists who are associated with this record label: Booker T. & the M.G.’s, Otis Redding, Sam & Dave, Albert King, Carla Thomas, Wilson Pickett, Isaac Hayes, Kim Weston and The Staple Singers, to name some of them. I thought this would be a great theme for a list, but before I get to it, a bit of history is in order.

Stax Records was originally founded as Satellite Records in 1957 in Memphis, Tenn. by Jim Stewart, a banker who played the fiddle in a country band on the side. Initially operating in a garage, Stewart started out focusing on country, rockabilly and straight pop. In 1958, his sister Astelle Axton co-invested in the company by mortgaging her family home.

Jim Stewart & Estelle Axton

In 1959, Satellite set up a small recording studio in Brunswick, Tenn. and released its first record in the summer of  that year, Fool In Love, by R&B band The Veltones. Following the release of the record, Satellite moved back to Memphis and set up shop in an old movie theater. In the summer of 1960, Rufus Thomas and his daughter Carla became the first artists to record at the new facility. Their record Cause I Love You was nationally distributed by Atlantic Records, laying the foundation for an important yet fateful distribution partnership.

Stax Records Museum

Due to a legal dispute, Satellite Records changed its name to Stax in September 1961, using the first two letters from the siblings’ last name – Stewart and Axton. In addition to a recording studio in the movie theater’s former auditorium, the company also set up a record store in the cinema’s old foyer. The store carried records from many different labels and became a popular hangout for local teenagers, which gave the company valuable insights into what music was selling.

Stax also established a house band that backed up the company’s artists during recordings. Eventually, that band consisted of the members who formed Booker T. & the M.G.’s in 1962: Booker T. Jones (organ), Steve Cropper (guitar), Lewie Steinberg (bass) and Al Jackson Jr. (drums). They served as the session band during most recordings until 1970.

Booker T & the MGs

In 1962, Stax also signed Otis Redding, who would become its biggest star until his untimely death in 1967. By the mid ’60s, Stax had also signed other major artists, including Sam & Dave, Carla Thomas, Wilson Pickett and Isaac Hayes. Stax’s Booker T. & the M.G.’s and other ethnically integrated bands, along with a racially integrated team of staff and artists was unprecedented amid the civil rights-era racial strive and deep-seated tensions of the late ’50s and ’60s, especially in Memphis and the South.

In 1968, Stax ended its distribution deal with Atlantic Records and in the process lost the rights to all recordings Atlantic had distributed between 1960 and 1967. A new co-owner, Al Bell, stepped up and substantially expanded the label’s operations in an effort to better compete with its main rival Motown Records. In 1972, Bell got a distribution deal with CBS Records, but CBS lost interest in Stax, which eventually forced the label to close in 1975.

In 1977, Fantasy Records purchased the post-1968 Stax catalog and some of the pre-1968 recordings. In 1978, Stax under Fantasy’s ownership began signing new acts. But by the early ’80s, no new material appeared on Stax, and it became strictly a reissue label. In 2004, the Stax label was reactivated after Fantasy had been acquired by Concord Records. Today, Stax continues to be owned by Concord and issues both new recordings and its 1968-1975 catalog. Atlantic Records still owns most of the Stax material from 1959 to 1968.

Following is a selection of songs from some of my favorite artists whose records have been issued on Stax, old and new:

Booker T. & the M.G.’s/Green Onions (1962)

Otis Redding/I’ve Been Loving You For Too Long (1965)

Wilson Pickett/In the Midnight Hour (1965)

Sam & Dave/Soul Man (1967)

Isaac Hayes/Theme From Shaft (1971)

The Staple Singers/I’ll Take You There (1972)

Albert King/That’s What the Blues Is All About (1974)

Nathaniel Rateliff & The Night Sweats/S.O.B. (2015)

Melissa Etheridge/Hold On I’m Coming (2016)

Southern Avenue/80 Miles From Memphis (2017)

Between its initial establishment and 1975, Stax has released more than 800 singles and nearly 300 LPs, winning eight Grammys and an Academy Award. The label has had 243 hits in the Top 100 R&B Charts and more than 167 hits in the top 100 Pop Charts. In April this year, Concord and Rhino Entertainment, which manages the Stax catalog owned by Atlantic Records, announced a joint campaign to celebrate the 60th anniversary with multiple albums, boxed sets and live performance releases throughout the year. Among others, this includes the Stax Classic Series, which consists of collection albums for each of the label’s 10 biggest stars, the Complete Stax Singles boxed set series, as well as a 4-CD anthology of Isaac Hayes to coincide what would have been his 75th birthday.

Sources: Wikipedia, Stax Records website, YouTube

In Appreciation of the Drummer

My top 10 favorite rock drummers, from Baker to Watts

I learned the guitar and also used to be a bass player. The first additional instrument I’d pick up if I had the time would be the drums – and, yes, also after soundproofing a room in my basement!

I’ve always been fascinated with the drums. I have a fairly good feel for rhythm and might actually be good at it – at least that’s what I’m telling myself! Since the drums and the bass form the core rhythm section of a rock band, I also think it would make sense for me to learn the drums next.

But this post is not about my crazy drumming dreams. It’s about professional drummers who are masters of their craft. More specifically, it’s about drummers playing rock, blues, soul and pop, which are the genres I’m most familiar with. Undoubtedly, there must be incredible jazz drummers out there, but since I essentially don’t know jazz, I’m purposely leaving them out.

Here are some of the drummers I find pretty cool, in alphabetical order.

Ginger Baker

Best known as the founder of power rock trio Cream, Ginger Baker is widely considered to be one of the most influential rock drummers and a pioneer in jazz fusion, heavy metal and world music. Born Peter Edward Baker, he began playing the drums at the age of 15. He met bassist Jack Bruce and infamously started clashing with him for much of the time ever since when he joined Alexis Korner’s Blues Incorporated. Despite their clashes, Baker and Bruce continued playing together in the Graham Bond Organization and, of course, in Cream, which they co-founded with Eric Clapton in 1966. After briefly playing with Clapton in Blind Faith and heading his own band Ginger Baker’s Air Force, Baker lived and recorded for several years in Africa. In the mid-70s, he co-headed the Baker Gurvitz Army, a hard rock band. He has also recorded 18 solo albums throughout his career, starting in the early 1970s, and collaborated with various other artists, including Gary Moore. Here is a clip of Cream instrumental Toad from one of the band’s 2011 reunion shows at London’s Royal Albert Hall, featuring an extended drum solo.

Cindy Blackman

The inclusion of Cindy Blackman in my list is solely based on the fact that she is a kick-ass drummer. That being said, how many high-profile non-white female drummers do you know? When I saw a clip of Blackman sometime ago, playing live with Lenny Kravitz, I was truly blown away by her furious drumming. Before becoming part of his live band in 1993, Blackman had focused on jazz. She returned to her roots when she left Kravitz’s touring band in 2004. Blackman joined forces with Kravitz again in 2014 to support the tour for his 10th studio album Strut. In 2010, she got involved with another well-known guitarist, Carlos Santana, and got married to him in December that year. Currently, Blackman, now Cindy Blackman Santana, is part of his touring band and also appears on Power of Peace, Santana’s just-released collaboration album with The Isley Brothers. Here is an awesome clip of Blackman’s live days with Kravitz. The entire band is absolutely killing it.

John Bonham

Modern Drummer magazine and others have called John Bonham the best rock drummer of all time. He is also no. 1 in Rolling Stone’s 100 Greatest Drummers of All Time list. While I’m not sure it’s possible to determine the best drummer, I think Bonham’s drumming on Stairway to Heaven is one of the coolest drum parts in rock music I know. According to Wikipedia, Bonham was self-taught and began playing when he was five years old, using containers and coffee tins. He would imitate his idols Max Roach, Gene Krupa and Buddy Rich. At the age of 15, he received his first drum set and started playing in bands only a couple of years thereafter. In 1966, Bonham met Robert Plant when joining a blues group called Crawling King Snakes. When Plant formed Band of Joy in 1967, he chose Bonham as the drummer. After the breakup of the Yardbirds in 1968, guitarist Jimmy Page was putting together another band and recruited Plant who brought in Bonham. Bassist and keyboarder John Paul Jones completed the line-up of the band that soon thereafter became Led Zeppelin. After Bonham’s untimely death in September 1980 at age 32, the band decided to disband. Here is a clip of Stairway to Heaven from 1975.

Sheila E.

Born Sheila Escovedo, Mexican-American percussionist, drummer, singer, author and actress Sheila E. was influenced and inspired by her musical family since her early childhood. Since the late 60s, her father Pete Escovedo, a percussionist, was influential in the Latin music scene, touring with Santana from 1967 to 1970. Her uncles were musicians as well, and her godfather was none other than Tito Puente. Already at the age of 5, E. gave her first live performance. By her early 20s, she had already played with the likes of George Duke, Marvin Gaye and Herbie Hancock. In 1978, she met Prince and worked with him until 1989. Meanwhile, she also launched her own solo career in 1984 with her debut album The Glamorous Life. E. reunited with Prince several times and also worked with many other artists, including Ringo Starr, performing with his All-Starr Band in 2001, 2003 and 2006. Her most recent release in June 2016 was Girl Meets Boy, a song in honor of Prince. Here is a clip of E. showcasing her drum skills during and appearance on David Letterman in 2011.

Al Jackson Jr.

As a founding member of Stax Records‘ session band Booker T. & the M.G.’s, Al Jackson Jr. performed on countless classics produced by the legendary soul, blues and jazz label, such as Sam & Dave, Otis Redding, Wilson Pickett and Albert King. He was known as “The Human Timekeeper” for his drumming ability. Jackson started playing the drums at an early age and began performing in his father’s jazz dance band when he was just five years old. Later, he played in the band of trumpeter Willie Mitchell, where he met Booker T. Jones who convinced him to come to Stax. Booker T. & M.G.’s were formed in 1962. In addition to backing up the label’s artists in the studio and working on Booker T. & the M.G.’s own music, Jackson co-wrote many Stax hits, such as Otis Redding’s Respect and Al Green’s Let’s Stay Together. Additionally, he worked as a session drummer outside of Stax with artists, such as Eric Clapton, Rod Stewart and Bill Withers. On October 1, 1975, Jackson was shot to death by a home intruder. He was only 39 years old. Jackson was inducted in the Memphis Music Hall of Fame in 2015 and ranked No. 9 in Rolling Stone’s 100 Greatest Drummers of All Time. Sam Moore of Sam & Dave had this to say about Jackson: “I put him in the same bag with Ray Charles or Billy Preston, in a class all his own.” Following is a cool clip of Sam & Dave’s Hold On I’m Coming, featuring Jackson as part of Booker T. & the M.G.’s.

Keith Moon

I think it’s safe to say there is no other drummer like Keith Moon and perhaps never will be. According to Drum! magazine, “His drumming style was tribal, primitive, and impulsive, with him often stomping the bass drums and pounding his wall of toms like a madman. Yet his drumming was often surprising and always made an impression.” I think the following quote in Rolling Stone from Ahmir Khalib Thompson, aka Questlove – the drummer and joint frontman of The Roots, sums it up nicely: “Often drummers are supposed to be the line on the paper where you write the sentence, but Keith Moon is the exclamation point.” Perhaps no other tune by The Who illustrates Moon’s raw energy better than My Generation – and Pete Townshend’s! Here’s an awesome clip.

Ian Paice

Ian Paice is best known as the drummer of Deep Purple. In fact, he is the only member of the band who played on each of their albums. After Deep Purple disbanded in 1976, Paice formed a supergroup called Paice Ashton Lord. From August 1979 to January 1982, he played in Whitesnake and then in Gary Moore’s band. In April 1984, he rejoined Deep Purple and remains with the band to this day. Pictures Of Home from 1972’s Machine Head album features on of my favorite Paice drum parts. It also happens to include a terrific bass solo by Roger Glover.

Jeff Porcaro

In addition to being the drummer of Toto from the band’s inception in 1977 until his death in 1992, Jeff Porcaro was one of the most sought-after session drummers. Pocaro took up the drums when he was seven years old. He received lessons from his father Joe Porcaro, a jazz drummer, and later from Robert Zimmitti and Richie Lepore. At 17, Porcaro got his first professional engagement with Sonny & Cher’s touring band. He has also collaborated with numerous other artists, such as Paul McCartney, Dire Straits, Steely Dan, Michael Jackson and Elton John, to name a few. Porcaro died from a heart attack at age 38 in August 1992. Here is a 1982 clip of Toto performing Rosanna, one of their biggest hits. It features Porcaro’s so-called “half-time shuffle groove,” a beat he explained to Drum! magazine he created by combining Bernard Purdie’s shuffle on Steely Dan songs Babylon Sister and Home Alone with John Bonham’s groove on Fool In the Rain.

Ringo Starr

While Ringo Starr may not be the first who comes to mind when thinking about The Beatles and got less attention than some of his ’60s compatriots like Keith Moon or the Jimi Hendrix Experience’s Mitch Mitchell, he has received accolades from may other drummers. Prior to joining The Beatles in 1962, Starr had played in Rory Storm and The Hurricanes, which had become one of Liverpool’s leading bands in early 1960. After the break-up of The Beatles in early 1970, Starr launched a solo career, which to date has included 18 studio albums. In 1989, he put together a live rock supergroup called The All-Starr Band, which has since consistently toured with various line-ups. Starr’s 19th solo album Give More Love is scheduled for September 15 and will be supported with a tour by the All-Starr Band starting in October. In 2015, Starr became the last Beatle to be included as a solo artist in the Rock & Roll Hall of Fame. He is ranked no. 14 in Rolling Stone’s 100 Greatest Drummers of All Time. The accompanying write-up quotes Dave Grohl who said, “Ringo was the king of feel.”  In Modern Drummer, Jim Keltner called Ringo “the epitome of a feel-good drummer, with just the right amount of chops needed!” According to Wikipedia, Journey’s Steve Smith said, “His parts are so signature to the songs that you can listen to a Ringo drum part without the rest of the music and still identify the song.” A drum part frequently mentioned by other drummers is A Day In the Life from the Sgt. Pepper album. Here’s a clip.

Charlie Watts

Charlie Watts received his first drum set from his parents in 1955 at the age of 14. At the time, he was into jazz and practiced the drums listing to jazz records. In the late 50s, he joined a local jazz band, together with his neighbor and friend Dave Green, who went on to become a jazz bass player. In 1961, Alexis Korner invited Watts to join his band Blues Incorporated. Watts met Brian Jones, Ian “Stu” Stewart, Mick Jagger and Keith Richards the following year. But it wasn’t until January 1963 that he agreed to join The Rolling Stones. In addition to recording music with the Stones ever since, Watts has also released various jazz albums since the 80s. According to Rolling Stone, drum compatriot Jim Keltner told Drum! magazine, “Charlie can rush like mad and still make it feel great. That’s his style…He can’t explain it and I don’t necessarily like going into too much detail with him about it. I just marvel at it.” Here’s a cool clip of Get Off My Cloud, captured in 2012 from the Stones’ 50th anniversary show.

Sources: Wikipedia, Modern Drummer, Rolling Stone, Modern Drummer, Drum!, Sheila E. website, YouTube

In Appreciation of the Bass Player

While not always being fully appreciated, the bass player is an essential member of any rock band

Oftentimes, when people think about rock bands, the bass player is not the member that comes to mind first. Especially, for guitar-oriented rock, it’s usually the singer and especially the lead guitarist who get most if not all of the attention – after all, the lead guitarist is the guy who gets to play the cool solos. But while typically being less in the limelight, the bass player actually is an essential part of any rock band!

As a former hobby bass player, I’m of course completely unbiased here. But let’s face it, what would music be without a great groove? And that’s exactly where the bass player comes in, together with the drummer. These two guys form the core rhythm section of any rock band, and they better are on the same page!

Okay, so after having reiterated the importance of the bass player, now on to the fun part: yet another list, specifically of great bass players. There are actually many who come to mind. Undoubtedly, I don’t know all of them – not even close! But with a little help from Bass Player Magazine, the task becomes less daunting. So let’s get to it, in no particular order:

Paul McCartney

Of course, I have to start with somebody who is associated with The Beatles – I just can’t help it! McCartney is not a technical virtuoso, which I recall he has admitted himself in interviews. The thing that’s great about McCartney is not technique, but his beautiful melodic style. As The Beatles became more sophisticated in using recording technology in the studio, McCartney oftentimes recorded the bass part as one of the last tracks of the song. That way, he could hear the other instrumental parts and truly add to the music with a nice bass melody. While Rubber Soul only represents The Beatles’ early transition to more advanced studio work, McCartney’s bass part on Drive My Car is among my favorites.

John Entwistle

In some regards, John Entwistle to me falls on the other end of the spectrum when compared to McCartney. While according to Bass Player Magazine’s list of The 100 Greatest Bass Players of All TimeEntwistle did not consider himself to be a “proper” bass player, his virtuosity was off the charts – and he played all his crazy parts in such a cool and relaxed manner! I was fortunate enough to witness this myself during a great show of The Who at New York’s Madison Square Garden in 2000, less than two years prior to Entwistle’s untimely death at age 57 in a Las Vegas hotel room. Perhaps, the ultimate Entwistle part is his epic solo in My Generation.

Roger Glover

Together with drummer Ian Paice, Roger Glover forms the kick-ass rhythm section of Deep Purple. My favorite Glover part is the terrific bass solo in Pictures of Home, one of the great tunes on Machine Head; if I would have to choose one 70s hard rock album, I think it would be this record. Undoubtedly, there were other important bands, such as Led Zeppelin and Black Sabbath, but to me it’s still Deep Purple. I’m actually going to see them for the first time ever at the end of August. Three of the legendary Mark IV members, Paice, Glover and singer Ian Gillan, are still part of the mix! Glover’s solo, BTW, starts at 3:40 minutes.

Graham Maby

Graham Maby is best known for his association with Joe Jackson with whom he has worked since Jackson’s 1979 studio debut Look Sharp! One of my favorite Maby moments is his bass part on Geraldine and John, from I’m the Man, Jackson’s best album in my opinion. It’s another great example of melodic bass playing, though Maby also plays hard-pumping, punk rock-oriented bass parts on that album.

Tal Wilkenfeld

This 30-year-old lady from Australia is a simply amazing overachiever. She has worked with the likes of Jeff Beck, Prince, Chick Corea and Herbie Hancock – oh, and this band called The Allman Brothers. In addition, she’s a singer, songwriter and guitarist who fronts her own band. While in 2008 Wilkenfeld was voted The Year’s Most Exciting New Player in a poll of readers of Bass Player and was also recognized by the publication in 2013 with the Young Gun Award, surprisingly, she’s not on their 100 Greatest Bass Player list – definitely an oversight! Just watch this amazing clip of Wilkenfeld with Beck and you know why. BTW, she was 20 years at the time!

Sting

Apart from being a songwriter and talented acoustic guitarist, Sting is also a great bassist. Bass Player credits him for bringing reggae influences into rock when he was still with The Police, citing tunes like Roxanne and Can’t Stand Losing You. One of my favorite Sting bass parts from his time with The Police is in Spirits In the Material World, from the band’s fourth studio album Ghost in the Machine, released in 1981.

Pino Palladino

To me, this exceptional session bassist will always remain synonymous with the fretless bass. And perhaps no other tune captures this better than Paul Young’s cover of the beautiful Marvin Gaye tune Wherever I Lay My Hat (That’s My Home) – ah, the 80s are coming back to me! For the record, at the time, I owned a fretless in addition to a regular bass, but whatever I tried, I just could never create that distinct fretless sound – not even close!

Jack Bruce

Jack Bruce is considered to be one of the greatest rock bassists. When he passed away in October 2014 at the age of 71, there were countless tributes from fellow music artists. According to Rolling Stone, former Cream band mate Eric Clapton said, “he was a great musician and composer, and a tremendous inspiration to me.” The same story also recalled Pink Floyd’s Roger Waters saying in his 100 Greatest Artists tribute to Cream that Bruce was “probably the most musically gifted bass player who’s ever been.” While Bruce had a serious career prior to and post Cream, he will probably always best be remembered as the singer and bassist of the rock supergroup power trio, who also co-wrote some of their best known songs like I Feel FreeSunshine of Your Love and White Room. Here’s a nice clip of Sunshine of Your Love from Cream’s 2005 reunion show at the Royal Albert Hall in London.

Geddy Lee

Just like Cream, Canadian rock legends Rush are a power trio. And just like Jack Bruce was, Geddy Lee is Rush’s singer and bassist. In addition to a remarkable vocal range, Lee oftentimes uses his bass as a lead instrument. His signature style is characterized by high treble sound and furiously hard playing of the strings. Bass Player also notes his “multi-tasking chops: His ability to trigger samples, play keys, step on bass pedals, and sing vocal parts in odd time signatures while nailing Rush’s complex yet catchy bass lines…” Here’s a nice illustration of Lee’s playing – a live performance of the instrumental Leave That Thing Alone, which first appeared on Rush’s 1993 studio album Counterparts.

Stephen Oliver Jones

Who? Stephen Oliver Jones (Ojay) currently does not play in any famous rock band, but maybe he should. Also known as the Jimi Hendrix of the bass, he used to be a professional musician. Now it appears he’s a street musician and a YouTube sensation. During a 2015 interview with the Draper on Film blog, Jones exlained he is self-taught and used to play in a rap rock band called Dust Junkys from Manchester, England. The following YouTube clip, which has more than 1.6 million views, showcases Jones’ incredible talent. When I first saw it on Facebook, I was blown away. And since this hasn’t changed, it was an easy decision to include Ojay in this list. He is going full-blown Hendrix at 2:48 minutes – unreal!

Sources: Bass Player Magazine: The 100 Greatest Bass Players of All Time (Feb 2017); Wikipedia, Rolling Stone, Draper on Film, YouTube

When Live Performances Become the Ultimate Listening Experience

A list of great songs performed live

To me there is nothing that beats the experience of listening to music live. But there are only so many shows one can go to. Plus, at least in my case, some of my favorite artists are no longer around or bands have changed their line-ups to the point where they no longer have much to do with the act I initially came to like.

Fortunately, many music artists have recorded live albums. While a live record can never replace attending an actual show, if well produced, it can at least convey an idea of how it must have felt being there. Obviously, some live albums are better and more authentic than others. Following is a list of songs from some of my favorite live records.

Things We Said Today/The Beatles (The Beatles at the Hollywood Bowl, 1977/1964 & 1965)

Sunny Afternoon/The Kinks (Live at Kelvin Hall, 1967)

Jumpin’ Jack Flash/The Rolling Stones (Get Yer Ya-Ya’s Out!, 1970)

First I Look At the Purse/The J. Geils Band (“Live” Full House, 1972)

Rock And Roll All Nite/Kiss (Alive!, 1975)

Turn the Page/Bob Seger & The Silver Bullet Band (Live Bullet, 1976)

I Want You to Want Me/Cheap Trick (Cheap Trick At Budokan, 1978)

Rock You Like a Hurricane/Scorpions (World Wide Live, 1985)

Nutbush City Limits/Tina Turner (Tina Live In Europe, 1988)

Pride (In the Name of Love)/U2 (Rattle And Hum, 1988)

Sources: Wikipedia, YouTube

When Covers Are Just As Much Fun As Originals

A playlist of some of my favorite remakes

Lately, I’m somehow in the mood of compiling lists: first car songs, then train tunes and now remakes. Given how much I enjoy listening to great covers, it’s a surprise I didn’t do this list first!

In general, remakes I like fall into two categories: A version that changes the character of a song, essentially turning it into a new tune. Perhaps the best example I can think of is Joe Cocker’s version of The Beatles’ With a Little Help From My Friends. Or it simply can be a remake of a tune that stays true to its original – nothing wrong with that, especially if it’s a great song! One terrific example I came across recently is Roger McGuinn’s cover of If I Needed Someone, one of my favorite Beatles tunes. I know, again the Fab Four – I just can’t help it!

Obviously, it won’t come as a big surprise that both of the above tunes are on my list. Here is the entire compilation.

With a Little Help From My Friends/Joe Cocker

Not only credited to John Lennon and Paul McCartney by actually also written collaboratively by the two, With a Little Help From My Friends first appeared in May 1967 on Sgt. Pepper’s Lonely Hearts Club Band. It was one of only a handful of Beatles tunes featuring Ringo Starr on lead vocals. Cocker’s version came out two years later as the title song of his debut album. Here’s a clip of his legendary live performance at Woodstock.

Love Hurts/Nazareth

Written by American songwriter Boudleaux Bryant, Love Hurts was first recorded by The Everly Brothers in July 1960. In 1975, Scottish hard rock band Nazareth turned the tune into an epic power ballad, including it on their sixth studio album Hair of the Dog. It’s another great example of a remake that completely changed the character of the original tune.

Under the Boardwalk/John Mellencamp

Under the Boardwalk was first recorded by The Drifters and released as a single in June 1964. The song was created by songwriters Kenny Young and Arthur Resnick. Perhaps the best known cover of the tune is from The Rolling Stones, which was included on their second U.S. record 12 X 5 released in October 1964. While I like the Stones version, I think John Mellencamp did an even better remake for his 1999 studio album Rough Harvest.

Pinball Wizard/Elton John

Pinball Wizard is one of my all-time favorite tunes from The Who. Written by Pete Townsend, it was released as a single in March 1969 and also included on the Tommy album that appeared two months thereafter. The one thing I always felt about The Who’s version is that it ended somewhat prematurely. Enter Elton John and his dynamite, extended cover for the rock opera’s 1975 film adaption. Here’s a clip from the movie version with The Who – it doesn’t get much better! BTW, it also nicely illustrates how Sir Elton can rock and what a kick-ass piano man he is, no matter what glasses he wears, or boots for that matter! 🙂

Stand By Me/John Lennon

One of the most beautiful ballads of the 60s, Stand By Me was written by Ben E. King, together with the songwriter powerhouse of Jerry Leiber and Mike Stoller. The tune was first released by King as a single in 1961 and also later included on his 1962 studio album Don’t Play That Song. One of my favorite remakes is John Lennon’s version, which he included on his sixth studio album Rock ‘n’ Roll released in February 1975. Here’s a nice clip of Lennon’s performance of the tune on the BBC television show The Grey Whistle Test.

If I Needed Someone/Roger McGuinn

Written by George Harrison, If I Needed Someone was included on The Beatles’ sixth studio album Rubber Soul from 1965. Harrison played his Rickenbacker 360/12 to record the tune, which he had first used the previous year during the motion picture A Hard Day’s Night. That’s where Roger McGuinn for the first time heard the beautiful sound of the 12-string electric guitar. He decided to use it for his own music, which resulted in The Byrds’ signature jingle jangle sound. Given this inspiration, it’s perhaps not a big surprise that McGuinn ended up recording a cover of the tune. It was included on his 2004 studio record Limited Edition.

Proud Mary/Ike & Tina Turner

Proud Mary was written by the great John Fogerty and first released by Creedence Clearwater Revival in early 1969, both as a single and on their second studio album Bayou Country. Then in 1971, Ike & Tina Turner recorded an amazing remake. It appeared as a single and was included on the album Working Together. The cover, which became their biggest hit, is another great example of how a remake can become a completely new song.

Light My Fire/José Feliciano

Credited to all four members of The Doors – Jim Morrison, Robbie Krieger, John Densmore and Ray Manzarek – Light My Fire appeared on the band’s eponymous debut album from January 1967. It was also released as a single in April that year. I’ve always loved the organ part on that tune. And then there is of course the cover from José Feliciano, which as a guitarist I appreciate in particular. It appeared on 1968’s Feliciano!, his fourth studio record. Feliciano’s laid-back jazzy style to play the tune is exceptionally beautiful.

Runaway/Bonnie Raitt

Runaway is one of my favorite early 60s pop tunes. Written by Del Shannon and keyboarder Max Crook, it was first released as a single by Shannon in February 1961. The song was also included on his debut studio album Runaway with Del Shannon, which appeared in June that year. Bonnie Raitt, who I’ve admired for many years as an exceptional guitarist and songwriter, recorded a fantastic remake for her 1977 studio album Sweet Forgiveness.  I was fortunate enough to see this amazing lady last year. She is still on top of her game! Here’s a nice clip of a live performance I found, which apparently occurred at the time the record came out.

Hard to Handle/The Black Crowes

Hard to Handle is one of the many great tunes from Otis Redding, who co-wrote it with Al Bell and Allen Jones. It was released in June 1968, six months after Redding’s untimely death at age 26 in a plane crash. In 1990, The Black Crowes recorded a fantastic rock version of the song for their debut studio album Shake Your Money Maker, scoring their first no. 1 single on the Billboard Album Rock Tracks. It is perhaps the tune’s best known cover.

Sources: Wikipedia, The Beatles Bible, YouTube

Great Songs For the Train

Music can also be fun on the train

Hotfox63, who is writing an excellent music blog, saw my previous post about songs for the road. He commended me for the compilation and – I assume jokingly – added he’s now waiting for the best train songs. While I found it much easier to create a playlist for the car, I thought it would actually be fun putting together a compilation of train-related tunes.

I’m not sure these are the best train songs, but I suppose the list below at least is a start. Since Hotfox63 lives in Europe, I figured there is a chance he might ride with the Bundesbahn. The federal railways of each Austria, Germany and Switzerland are called Bundesbahn. As such, I felt it was appropriate to include Der Bundesbahn-Blues, a cabaret song about the Austrian Federal Railways.

Now, don’t ask me about a plane or a ship list!:-)

People Get Ready/The Impressions (People Get Ready, 1965)

Locomotive Breath/Jethro Tull (Aqualung, 1971)

Peace Train/Cat Stevens (Teaser And the Firecat, 1971)

Long Train Runnin’/The Doobie Brothers (The Captain And Me, 1972)

The City of New Orleans/Arlo Guthrie (Hobo’s Lullaby, 1972)

Love Train/O’Jays (Back Stabbers, 1972)

Midnight Train to Georgia/Gladys Knight & The Pips (Imagination, 1973)

Train in the Distance/Paul Simon (Hearts and Bones, 1983)

Last Train/Mavis Staples (You Are Not Alone, 2010)

Der Bundesbahn Blues/Helmut Qualtinger (Schallplattl Vor’m Mund, 1956)

Sources: Wikipedia, YouTube

Great Songs For the Road

Some of my favorite tunes when driving the car

One thing on my bucket list is to drive across the U.S. from the East Coast to the West Coast and back. I know this sounds very cliche, but if possible, I’d do the trip in a cool car, such as a ’68 Mustang GT Fastback, aka the “Bullit” Mustang from the legendary 1968 motion picture with Steve McQueen. Of course, I’d behave myself and wouldn’t get into a chase with a Dodge Charger!:-)

If I ever get to do the trip – with or without the Mustang – of course, I’m going to need plenty of rock & roll – coz drivin’ ain’t even half the fun without music! Following are some of the tunes I’d make sure to have for the trip.

Route 66/Chuck Berry (New Juke Box Hits, 1961)

409/The Beach Boys (Surfin’ Safari, 1962)

Born to be Wild/Steppenwolf (Steppenwolf, 1968)

Roadhouse Blues/The Doors (Morrison Hotel, 1970)

Highway Star/Deep Purple (Machine Head, 1972)

Radar Love/Golden Earring (Moontan, 1973)

Busted in Georgia/Thunderhead (Thunderhead ’75, 1975)

Running On Empty/Jackson Browne (Running On Empty, 1977)

Highway to Hell/AC/DC (Highway to Hell, 1979)

Life Is a Highway/Tom Cochrane (Mad Mad World, 1991)

Sources: Wikipedia, YouTube