Clips & Pix: Kiss The Sky/Killing Floor

If Jimi Hendrix were still alive today, he would be 75 years old, going on 76. Have you ever wondered how he might look and sound like? Enter Jimy Bleu, who according to the website of Kiss The Sky – World’s Greatest Jim Hendrix Tribute is the longest running Hendrix tribute artist in the world with more than 45 years.

Sure, nearly every tribute calls themselves the “ultimate” or “greatest” tribute of the artist they capture. But in the case of Bleu and his band, this may well be true. Just watch the above clip and tell me the shit this guy does on stage isn’t absolutely mind-boggling – the way he plays the guitar, the way he moves, the facial expressions – it’s almost creepy, making you feel you’re looking at some Jimi Hendrix reincarnation.

According to Kiss The Sky’s website, Jimy Bleu actually met Jimi Hendrix in 1968 while at Warner/Reprise records and a member of the official Hendrix fan club that got Hendrix to address an assembly at his high school of the Performing Arts in NYC. The very next year at Woodstock, Bleu was thrown one of the guitar straps Hendrix used in that famous performance and through this direct musical lineage, Jimy Bleu has carried the figurative baton of the Jimi Hendrix guitar showmanship legacy ever since.

Based on the above, you figure Bleu must have been 17 or 18 when he saw Hendrix at Woodstock, which would make him about 66 or 67 years old. So he’s a somewhat younger version of what Hendrix would be today, but close enough.

While I’m very interested in tribute bands and, as some readers of the blog know, have seen many, I rarely get as excited as I feel about Kiss The Sky – which is why I didn’t think twice and immediately bought a ticket for their upcoming October 13 gig at Monmouth University Center for the Arts, where they will perform with a Cream tribute called Heavy Cream. It promises to be an epic night!

Sources: Kiss The Sky website, YouTube

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What I’ve Been Listening To: America/ History: America’s Greatest Hits

America’s vocal harmonies and smooth folk rock sound make for one of the best ’70s greatest hits compilations

I was nine or 10 years old when I listened to History: America’s Greatest Hits for the first time. The album grabbed me right from the beginning. It was one of the vinyl records my older sister had, which among others also included Carole King’s Tapestry; Crosby, Stills, Nash & Young’s Déjà Vu; and Simon & Garfunkel’s Greatest Hits – all albums I dig to this day.

Recently, I rediscovered History. To me, it’s one of the best greatest hits compilations I know, which were released in the ’70s. Others that come to my mind are Neil Young’s Decade, Eagles’ Their Greatest Hits (1971-1975), Santana’s Greatest HitsSteely Dan’s Greatest Hits and the aforementioned Simon & Garfunkel album. There are probably some others I’m forgetting – in any case, it’s not meant to be a complete list.

I recall reading somewhere that America were dismissed by some as a Crosby, Stills, Nash & Young knock-off. While I generally don’t think highly of music critics in the first place, I feel this notion is silly. Yes, America’s three-part harmony vocals are reminiscent of CSN/CSNY, but this doesn’t make them a copycat or somehow bad artists! On the contrary, if anything, the vocal similarity to CSN/CSNY is a huge accomplishment – after all, there aren’t many bands that can harmonize like CSN/CSNY did! On to History.

America
America (from left): Gerry Beckley, Dan Peek & Dewey Bunnell

Released in November 1975, History encompasses America’s 11 most successful singles at the time, plus an edited take of Sandman from their December 1971 eponymous debut. In addition to that album, History includes material from four additional studio records: Homecoming (November 1972), Hat Trick (October 1973), Holiday (June 1974) and Hearts (March 1975).

History opens with one of my favorite America tunes: A Horse With No Name from their debut album. It was written by Dewey Bunnell, who formed America with Dan Peek and Gerry Beckley in London in 1970. The three had met there in the mid-’60s as high school students whose fathers were stationed on a nearby U.S. Air Force base.

A Horse With No Name became America’s most successful single topping the Billboard Hot 100. It also stirred some controversy due to the similarity of Bunnell’s voice to Neil Young, and what some viewed as mediocre lyrics. Coincidentally, the song knocked Young’s Heart Of Gold off the Billboard Hot 100 top spot. I really don’t care whether it sounds like Young, who by the way is one of my favorite artists. With its two chords and killer harmony vocals, this tune simply gives me goosebumps each time I hear it.

Ventura Highway, another Bunnell composition, is from the Homecoming album. When I listen to this song and close my eyes, I can literally picture myself in an open convertible driving on the Pacific Coast Highway 1 from L.A. up north to San Francisco. I actually did that trip in 1980 as a 14-year-old, together with my parents. Even though we had a lame station wagon as a rental, not some hot convertible, it was an unforgettable experience! Ventura Highway became a top 10 Billboard single for America, reaching no. 8 and no. 3 on the Hot 100 and Easy Listening charts, respectively.

Another beautiful tune is Lonely People, which was credited to Dan Peek and his wife Catherine Peek. The song was written a few weeks after their marriage. An obituary in TMR that appeared in the wake of Peek’s death in July 2011 at the age of 60 quotes him: “I wrote it probably within a month of getting married to my long-lost love Catherine…I always felt like a melancholy, lonely person. And now I felt like I’d won.” America  initially recorded Lonely People for their fourth studio album Holiday. It topped the Billboard Easy Listening chart and peaked at no. 5 on the Hot 100.

One of my favorite songs on History written by Gerry Beckley is Sister Golden Hair. Recorded for America’s fifth studio album Hearts, the tune also became the band’s second no. 1 on the Billboard Hot 100. The lyrics were inspired by Jackson Browne. In this context, John Corbett’s America Revisited quotes Beckley: “Jackson Browne has a knack, an ability to put words to music, that is much more like the L.A. approach to just genuine observation as opposed to simplifying it down to its bare essentials… and it was that style of his which led to a song of mine, “Sister Golden Hair,” which is probably the more L.A. of my lyrics.” I guess this means in addition to CSN/CSNY, America also stole from Browne – unbelievable!

The last song I’d like to call out is the final track on the History compilation: Woman Tonight. It’s another tune from the Hearts album and was written by Peek. Released as the third single, it charted within the top 50 in the U.S.

History was produced by none other than George Martin, who had started working with America on their fourth studio album Holiday. Martin also remixed the first seven tracks on History, which he had not produced originally. The compilation became a huge success in the U.S., giving America a no. 3 on the Billboard 200. In October 1986, the Recording Industry Association of America certified the album 4X Multi-Platinum.

Since History, America have released 12 additional studio albums, 10 live records and numerous other compilations. Now in their 48th year, America continue to perform, featuring co-founders Beckley and Bunnell. Peek left the band in May 1977, long before his death, after he had renewed his Christian faith.

The band’s current tour schedule on their website is filled with dates until January 2019. After playing the MTV music festival Gibraltar Calling in the British overseas territory on September 21, the band is off to a series of gigs in the U.S., including Denver (Sep 27), Emporia, KS (Sep 28), Dodge City, KS (Sep 29), San Jose (Oct 4) and San Diego (Oct 5),  before going back over the Atlantic to Israel and doing some shows in Europe.

Sources: Wikipedia; TMR; John Corbett: “America Revisited”, AccessBackstage.com, May 29, 2004; RIAA Gold & Platinum certifications; America website; YouTube

At 76 Paul McCartney Remains Full of Energy and A True Inspiration

Macca recently released his 18th solo album Egypt Station and is gearing up for new international tour

Paul McCartney has been pretty busy since June, promoting his new solo album and upcoming Freshen Up Tour. Things peaked with the release of Egypt Station last Friday and a ‘secret’ concert that evening at New York City’s Grand Central Station, which was live-streamed on his YouTube channel.

It all started with the June 10 reboot of Macca’s Instagram page and the subsequent posting of photos over the following days, showing music gear (some with, others without him) and cryptic symbols, clearly suggesting something was up. The title Egypt Station was revealed on Facebook on June 18, Macca’s 76th birthday. The next day saw the official announcement of the first two tracks to be released as a double-A single on June 20. That day, the album’s September 7th release date was unveiled.

On July 3rd, the first dates for the Freshen Up Tour in Canada were announced. Numerous additional dates have since been revealed, including in Europe, Japan and the U.S. The latter concerts start in May 2019. Leading up to the album’s launch, Macca also appeared on Howard Stern and The Tonight Show Starring Jimmy Fallon last Wednesday and Thursday, respectively. Calling all of this an elaborate PR campaign is an understatement!

Paul McCartney on Jimmy Fallon

Egypt Station shares its title with one of Macca’s paintings. In a June 20 announcement, he said, “I liked the words ‘Egypt Station.’ It reminded me of the ‘album’ albums we used to make… ‘Egypt Station’ starts off at the station on the first song and then each song is like a different station. So it gave us some idea to base all the songs around that. I think of it as a dream location that the music emanates from.”

Macca’s productivity and energy is remarkable. Egypt Station is his first full album since New from October 2013. In addition to these two pop records, Macca has released two other very different types of records over the past 10 years: his fifth classical album Ocean’s Kingdom (October 2011) and Electric Arguments (November 2008), his third experimental record with The Fireman, a duo he formed in the early ’90s with English record producer and musician Martin Glover, artistically known as Youth. There is also Macca’s collaboration with Kanye West and Rihanna, which resulted in the single FourFiveSeconds in January 2015. Oh, and in-between all these activities, he has been touring frequently.

Paul McCartney_Egypt Station

I managed to write five paragraphs without saying a bloody word about the new record. So what’s the verdict? While I prefer Macca’s 1973 Wings album Band On The Run and his fourth solo release Tug Of War from 1982 and his voice is showing some signs of aging, I am impressed with Egypt Station – of course, as a huge Beatles fan, this is a completely unbiased statement!😀

One of the things I find remarkable about the record is the variety of material ranging from piano-driven ballads, acoustic guitar-focused songs, some pop rockers to even some ambient music. In addition, two of the tunes clock in well over six minutes. One has distinct parts a la Band On The Run, while the second track is a suite of three songs, a concept reminiscent of Abbey Road. Time for some clips!

Here’s the first track Opening Station, an ambient instrumental. All except two tracks on Egypt Station were written by Macca. “When we decided we were gonna call the album ‘Egypt Station’, I liked the idea of making a montage of sounds that were sort of like a station,” he explains in an audio clip on his website. “So we found one station, then we added another to it – the sound effects of real stations. And then we started to add some noises we made up to make it like a dreamscape, so the idea being this kind of dream location, which where all this music was gonna emanate from.”

Immediately following Opening Station it’s on to signature McCartney with the piano-driven I Don’t Know, one of the tracks that also appeared separately ahead of the album.  It’s about people having a difficult day, wondering what it is they’re doing wrong. Notes Macca: “Sometimes that’s a good way to write a song, ’cause you’re coming from your soul. We often used to say that writing a song was like talking to a psychiatrist or therapist or something, ’cause you’re saying it, but you’re saying it in a song rather than in a room to a specialist.”

Happy With You is one of the album’s acoustic guitar-focused songs. Noting there were days when he had a lot of free time and would lay around doing nothing and getting “a bit stoned,” Macca explains, “It’s a song about growing up. There’s a period in your life, in some people’s lives, when they’re not being as productive or not being as organized or disciplined as they may later turn out to be.”

One of the rock-oriented songs on the album is Who Cares. Macca says he basically wrote the tune to show compassion to younger people all over the world who get picked on by others.

Things get political without naming names on Despite Repeated Warnings, which Macca co-wrote with OneRepublic lead vocalist Ryan Tedder. “I thought I’ll do a kind of song where I use symbolism,” Mecca points out. “And so the person that is symbolic of certain politicians or people who argue climate change is a hoax, and we know a few…So I thought, ‘okay, it’s a sea captain’, and he’s steering the boat, and he’s gonna go towards the iceberg. But he’s been warned, but he’s going, ’cause he thinks he’s right, and he thinks they’re all making to much of it and the usual arguments.” The 6:57-minute song has various distinct parts and, as such, is a bit reminiscent of Band On The Run.

The last track I’d like to call out is a 6:22-minute three-song suite that closes the album: Hunt You Down/Naked/C-Link. It starts with a rocker, Hunt You Down, links to another “simple song” called Naked, and finally blends into to C-Link, a bluesy instrumental featuring Macca on electric guitar. About the latter he notes, “it’s just me really enjoying playing electric guitar…people often say, ‘why do you still do it?’ I say, ‘coz I love it, I love this thing.’ And I’m still thrilled with having the privilege of being able to go up to an amp, turn it on, get my guitar, plug it in, and play it very loud. Just, it’s a thrill, you know, and it’s never stopped being a thrill…” This commentary very much feels like it comes from Macca’s heart. You can also feel it when you see him during live performances!

Egypt Station appears on Capitol Records and was mostly produced by Greg Kurstin, who has worked with artists like Beck, Kelly Clarkson, Pink and Foo Fighters. Two tracks, Fuh You and bonus track Nothing For Free, were co-produced by Tedder  and  Zach Skelton.  In addition to OneRepublic, Tedder has written and produced for U2, AdeleBeyoncé, Maroon 5, Taylor Swift and many other “hot” contemporary artists. Fortunately, Egypt Station’s sound isn’t too contemporary!

Paul McCartney Freshen Up Tour Banner

Macca’s  Freshen Up Tour kicks off on September 17 in Québec City, followed by shows in Montréal (September 20), Winnipeg (September 28) and Edmonton (September 30), before leading to Japan in late October and Europe thereafter. Currently announced U.S. dates start in New Orleans on May 23, 2019, and also include Raleigh, N.C. (May 27); Greenville, SC (May 30); and Lexington, Ky. (June 1), among others. This year, Macca is also scheduled to perform at Austin City Limits on October 5 and 12.

It’s safe to assume additional U.S. dates will be announced. I’ve been fortunate to see Paul McCartney live twice. Both shows were fantastic and will always stay in my memory. If his Freshen Up Tour comes within reasonable driving distance from my house, I will likely see him a third time!

Sources: Wikipedia, Paul McCartney website and Facebook page, YouTube

Three Chords, Straight Beats And Catchy Hooks

Status Quo have stayed true to their trademark boogie rock for more than 45 years

The other day, I spotted a live album from Status Quo called Down Down & Dirty At Wacken, (a place in northern Germany of an annual open air heavy metal festival), which was released only a couple of weeks ago. While starting to listen, I was reminded what a fun live band they are and how they’ve pretty much stuck with the same formula since 1970 when they changed from psychedelic to boogie rock. This brilliant insight inspired the idea of a post and playlist!🤓

The origins of Status Quo date back to 1962 when high school mates Frances Rossi (guitar), Alan Lancaster (bass), Jess Jaworski (keyboards) and Alan Key (drums) formed a band called The Scorpions in London (not related to and predating the German hard rock band Scorpions by three years). In 1965, Rossi met guitarist Rick Parfitt. They became friends and later that year started what would become a longtime collaboration until Parfitt’s untimely death in December 2016 at the age of 68. The following summer, the band, which had changed their name to The Spectres, got their first record deal, with Piccadilly Records, and released various commercially unsuccessful singles.

By 1967, the band had embraced psychedelic music, became Traffic, then Traffic Jam to avoid confusion with Steve Winwood’s Traffic, and eventually Status Quo in August that year. Parfitt had joined them as rhythm guitarist the previous month. January 1968 saw the release of Status Quo’s first hit single Pictures Of Matchstick Men. This was followed by their debut studio album Picturesque Matchstickable Messages From Status Quo in September – gee, what a memorable title!

Status Quo
Status Quo circa 1977 (from left): John Coghlan (drums), Rick Parfitt (rhythm guitar, vocals), Alan Lancaster (bass, vocals), and Francis Rossi (lead guitar, vocals)

After the release and commercial failure of Status Quo’s second album Spare Parts in September 1969, the band decided to change their musical style to straight boogie-oriented rock – a decision that is safe to assume they didn’t regret! Piledriver, their fifth studio record from December 1972, finally brought the breakthrough, peaking at no. 5 in the U.K. charts. Since then, Status Quo have released 27 additional studio albums. Their impressive catalog also includes 10 live records and nine compilations.

Given the band’s faithful adherence to the three-chord boogie rock formula, their music starts sounding repetitive after a little while. But so do Chuck Berry and The Beach Boys’ surf rock, to name two artists who spontaneously came to mind! Besides, if it’s fun, who cares! Okay, enough of the blah-blah-blah and time for some of that repetitive music!😆

While the band’s psychedelic phase was comparatively short, it’s still part of their long history, so I’d be amiss not to acknowledge it. My favorite tune I know from that phase is the above mentioned Pictures Of Matchstick Men, which was written by Rossi. It climbed to no. 7 on the U.K. Singles Chart and reached the top 10 in many other European countries. In the U.S., it peaked at no. 12 on the Billboard Hot 100, the only Status Quo song that got noticed in America. In addition to its release as a single, it was also included on the band’s debut album.

Next Up: Paper Plane from the Piledriver album. The song was co-written by Rossi and Bob Young. Since 1969, Young had contributed to writing Status Quo’s music and was often called their unofficial fifth member. He frequently joined the band during live performances in the ’70s and also occasionally thereafter.

Another co-write by Rossi and Young is Caroline, which became a no. 5 hit in the U.K. in August 1973, Status Quo’s highest charting single at the time. The tune was also included on the band’s sixth studio album Hello!, which appeared in September that year.

In November 1974, Status Quo scored their first of two no. 1 singles in the U.K. with Down Down. Yet another Rossi/Young co-write, the song also appeared on the band’s eighth studio record On The Level from February 1975.

Perhaps my favorite Status Quo tune is Rockin’ All Over The World. As a boogie rock fan, how can you not love that tune, which was written and first recorded by the great John Fogerty in 1975! Status Quo released their cover as a single in September 1977. It also became the title track of their tenth studio album that came out in November the same year. Since this tune is made for live performances, I chose the following clip captured during a 1990 concert in Knebworth, England.

Whatever You Want is another Status Quo classic. It was co-written by Parfitt and keyboarder Andy Bown, who has performed on all of the band’s albums since Rockin’ All Over The World and became a full member in 1982. One of the things I’ve always liked about this tune is the cool-sounding guitar intro.

Status Quo’s biggest hit in the ’80s was their cover of Bolland & Bolland’s In The Army Now from September 1986, which topped the charts in various European countries, including Austria, Germany, Ireland and Switzerland. In the U.K., the tune peaked at no. 2. Since I’m not particularly fond of it, I’m highlighting another cover instead: The Wanderer from October 1984. Written by Ernie Maresca, the tune was first recorded and released by Dion in November 1961. While I prefer the original, Quo’s cover isn’t bad either.

To make this playlist career-spanning, I also like to touch on Status Quo’s music beyond the ’80s. Since I’m basically not familiar with it, it’s a bit of a challenge. As such, the remaining selections for this playlist are somewhat arbitrary. Here’s Can’t Give You More from the band’s 20th studio album Rock ‘Til You Drop, which appeared in September 1991. Written by Bown, the tune is another typical Status Quo boogie rocker – if you like Quo’s ’70s music, you can’t go wrong with this one.

Jumping to the current century, in September 2002, Status Quo released Heavy Traffic, their 25th studio record, which peaked at no. 15 on the charts in the U.K. and earned them silver status there. Here’s Creepin’ Up On You, which was co-written by Parfitt and then-Quo bassist John ‘Rhino’ Edwards. It’s shuffling along nicely!

The final studio release I’d like to touch on is called Acoustic (Stripped Bare) from October 2014. It’s a compilation of stripped down versions of previously recorded Status Quo songs. While there’s no new material here, I’m kind of intrigued by this album and will probably further explore it. The record became another success for Quo in the U.K., climbing to no. 5 on the charts and earning Gold certification there – not to shabby for a band that by then had been around for 52 years, if you include their 1962 origins; if you start counting from when they became Status Quo, it still adds up to a mighty 47 years! Here’s Again And Again, a tune credited to Parfitt, Bown and Jackie Lynton, and first recorded for the band’s 11th studio album If You Can’t Stand The Heat from October 1978. It’s got a nice Cajun feel to it!

So what’s going on with Status Quo these days? Well, it’s more three chords, straight beats and catchy boogie rock – in other words the status quo – that was clever, huh?🤓 Rossi remains the only founding member. Bown (keyboards) and Edwards (bass) are still around as well. The current lineup, pictured on top of the post, is rounded out by Leon Cave (drums) and Richie Malone (rhythm guitar), who replaced Parfitt in July 2016, after he had suffered a stroke and could no longer perform.

I already mentioned the new live album. In addition, a look on setlist.fm revealed the band has been pretty busy touring Europe since May. The current tour schedule on their website shows upcoming gigs in Lisbon, Portugal (Sep 29); Innsbruck, Austria (Oct 4); Kempten, Germany (Oct 5); and Zurich, Switzerland (Oct 6).

Sources: Wikipedia, Status Quo official website, setlist.fm, YouTube

Pix & Clips: Fleetwood Mac Debuts New Line-Up On U.S. Daytime TV Talk Show

The above clip of Fleetwood Mac performing The Chain was captured earlier today during their appearance on The Ellen DeGeneres Show, featuring the new line-up for the first time. The band also performed Gypsy, which like The Chain first appeared on their most successful studio album Rumours released in February 1977.

Following Lindsey Buckingham’s exit in April, guitarist Mike Campbell, formerly with Tom Petty and the Heartbreakers, and singer-songwriter Neil Finn, best known for fronting Australia’s Crowded House, were named to replace him.

Undoubtedly, fans will be divided over the new line-up. I think it’s probably wrong in the first place to compare the new members with Buckingham, who is near-impossible to replace, given his distinct vocals and guitar style. My first take is Campbell and Finn are doing a fairly decent job under the circumstances.

Having said this, I saw Fleetwood Mac live in 2013, a few months prior to the announcement of Christine McVie’s return. It was a great show, but I think once was enough for me. There are simply too many other artists I would like to see! Plus, I’m going to a nice music festival at the end of the month, which includes an excellent Fleetwood Mac tribute band called TUSK, so that should take care of any withdrawal symptoms! 🙂

As for Buckingham, the circumstances of his dismissal from the band sounded unfortunate, based on media reports I’ve read. Perhaps he can find some consolation that it took two talented musicians to replace him.

Sources: Wikipedia, Ultimate Classic Rock, YouTube

Almost Queen, One Hundred Percent Killer

Queen tribute band rocks New Jersey’s Asbury Park

Almost Queen couldn’t have come up with a better a name. These four guys from New York really make you feel like you’re watching Freddie Mercury, Brian May, John Deacon and Roger Taylor. While unfortunately this is no longer possible and, as such, they are almost Queen, this band is doing a true killer job. I caught their show last night at The Stone Pony in Asbury, N.J. They really blew the frigging roof off the place!

Queen has been on my radar screen on and off since the late ’70s/early ’80s. While I wouldn’t call myself a die-hard fan, I’m well familiar with their better known songs and like many of them. In fact, I had contemplated doing a post on the English rock band a couple of times before. Then I spotted a notification on Facebook about Almost Queen’s gig last night and watched a few YouTube clips. Since yours truly has been called the King Of The Tribute Bands, of course, I had to continue performing my duties to continue living up to the title. 🙂

Almost Queen 2
Almost Queen (from left to right): John Cappadona, Randy Gregg, Joseph Russo & Steve Leonard

Before getting to last night’s gig and of course some clips, a few words about the band. There isn’t a lot of public background information out there, so I’m quoting from their website: Almost Queen delivers a live performance showcasing signature four part harmonies and intricate musical interludes. Donning genuine costumes, Almost Queen captures the live energy and precision that is the penultimate Queen experience. Okay, you simply could have said they are a kick-ass tribute that sounds and looks pretty darn close to the real deal!

Almost Queen are Joseph Russo as Freddie Mercury, Steve Leonard as Brian May, Randy Gregg as John Deacon and John Cappadona as Roger Taylor. While I couldn’t find any bios on these guys, it’s pretty clear to me that Almost Queen isn’t their first trip to the rodeo – there’s simply too much serious musician craftsmanship going on here! Take it from a guitarist and former bassist, who may have been only moderately capable but who sure as heck knows skill when he sees or hears it! Okay, let’s get to some killer clips before we all get a sheer heart attack!

Almost Queen ticket

After the great opener Tie Your Mother Down, one of my favorite Queen tunes I unfortunately missed to capture, Leonard rhetorically asked, are you ready to get crazy?When the crowd unambiguously expressed their sentiments, the band appropriately kept their foot on the gas pedal with Stone Cold Crazy. The tune first appeared on Queen’s third studio album Sheer Heart Attack from November 1974 and was credited to all four members of the band. The track was also released separately as a single and became a staple of Queen’s live shows thereafter.

Next up: Killer Queen, another track from Sheer Heart Attack. Written by Freddie Mercury, the tune also became the album’s lead single in October 1974. Almost Queen did a great job with the harmony vocals here. These guys definitely can do both play and sing!

Another One Bites The Dust is from Queen’s eighth studio record The Game, released in June 1980. The funky tune was written by John Deacon and also came out separately as the album’s fourth single. Ever since I’ve heard the hilarious version by “Weird Al” Yankovic, who turned it into Another One Writes The Bus, his take is in my ears.

By the time Almost Queen got to Don’t Stop Me Now, there was absolutely no chance anything could get in their way. The crowd had fully embraced them right from the get-go of the show, and the room was cooking, fueled by the pulsating drums and pumping bass! Written by Freddie Mercury, Queen first recorded Don’t Stop Me Now for their seventh studio album Jazz from November 1978.  It also became the record’s second single released in January the following year.

Next up: Fat Bottomed Girls, another track from Jazz, written by Mercury. The tune also became the B-side to the album’s lead single Bicycle Race. Almost Queen made it another vocal gem.

Crazy Little Thing Called Love is not an Elvis Presley song, as Russo reminded the crowd, but yet another great Freddie Mercury composition from The Game. The cool rockabilly tune also became the album’s lead single in October 1979.

And then the time had come for Almost Queen to pay tribute to David Bowie with  Under Pressure. The collaboration with The Thin White Duke was included on Queen’s 10th studio release Hot Space from May 1982. It also appeared as the album’s lead single in October the previous year and became Queen’s second no. 1 hit in the U.K. after Bohemian Rhapsody, topping the Official Singles Chart for nine week. For Bowie it was his third no. 1 on that chart, following Ashes To Ashes and the 1975 reissue of Space Oddity. The track is credited to all members of Queen and David Bowie.

No Queen tribute show would be complete without the above mentioned Bohemian Rhapsody. In my humble opinion, it is one of the weirdest and the same time most brilliant rock songs I know. The epic track was first recorded by Queen for A Night At The Opera, their fourth studio album from November 1975. Written by Mercury and also released separately as the record’s lead single in October that year, the tune should have laid to rest any doubts anyone might ever have had that he could have been an opera singer as well. There aren’t many rock vocalists with that quality – the only other one that comes to my mind spontaneously is Roy Orbison.

And since all things must pass, including great rock & roll shows, the time had finally come for Almost Queen to wrap things up. And what better songs to choose than We Will Rock You and We Are The Champions, just like Queen did traditionally. Both songs appeared back to back as the openers on Queen’s sixth studio album News Of The World. Perhaps not surprisingly, the guitar rocker We Will Rock You was penned by Brian May, while We Are The Champions is yet another Freddie Mercury composition.

So here we are, nine clips later – can you tell somebody got a little bit excited here? I just wish the sound quality of the footage would be better, since I feel it doesn’t do full justice to the band. The audience’s ability to sing, on the other hand, is captured accurately, I’m afraid! 🙂 Oh well, ultimately live music should be about having a great time, and I highly doubt there was anyone last night walking out of the place and being disappointed.

While I obviously recorded a good deal of the show, obviously, there were many things I left out, including pretty impressive drum and guitar solos by Leonard and Cappadona, respectively. Each of the band’s guys is massively talented.

According to the tour schedule on their website, upcoming Almost Queen shows include Brooklyn, N.Y. (Sep 8), Beverly, Mass. (Sep 21) and Plymouth, N.H. (Sep 22). If you like Queen and these guys come to your neck of the woods, you should seriously consider them. Tickets are quite affordable. Take it from the King Of The Tribute BandsAlmost Queen truly is almost Queen! 🙂

Sources: Wikipedia, Almost Queen website, YouTube

 

Clips & Pix: Aretha Franklin/Rock Steady

While the memorial for Aretha Franklin is still going on in Detroit, it felt right to celebrate her with more great music. My previous post about the Queen of Soul is here. Apparently, the above clip of Rock Steady was captured in 1972 during a performance on the TV show Soul Train. I just love the funky groove of this tune!

Rock Steady was written by Franklin, who was mostly known for performing songs by other writers and making them her own. She first recorded the tune for her eighteenth studio album Young, Gifted And Black from January 1972. It was also released separately as the record’s third single in August 1971.

The single peaked at no. 9 in the U.S. on the Billboard Hot 100. It climbed all the way to no. 2 on the Best Selling Souls Singles chart, now called the Hot R&B/Hip-Hop Songs.

Sources: Wikipedia, YouTube